5 Easy
Pieces. Composed by
Hermann Regner. This
edition: Saddle
stitching. Sheet music.
Edition Schott. Das fangt
ja gut an ist eine kleine
Sammlung von leichten
Stucken fur Posaune mit
Klavierbegleitung. Die
funf kurzen Stucke eignen
sich hervorragend als
Erganzung zum Unterricht
und fur Jugend musiziert.
Die Stucke sind sehr
melodisch und verwenden
einfac. Classical.
Softcover. Composed 2008.
12 pages. Schott Music
#ED20689. Published by
Schott Music
(HL.49018958).
ISBN
9790001169127.
Apar
t from numerous
publications in the field
of music education, the
music teacher and
composer Hermann Regner
(1928-2008) contributed
considerably to the brass
repertoire, such as
material for wind
orchestra and wind band.
Influenced by his studies
with Carl Orff, he paid
special attention to the
fusion of instrumental
education and
contemporary music. A
matter of particular
concern for him was to
write practical, easily
playable new music for
children, young people
and amateur musicians -
music that takes the
technical competence of
beginners into account
and motivates them to
concern themselves with
new sounds, rhythms and
playing techniques. 'All
begins well' is a small
collection of easy pieces
for trombone with piano
accompaniment. The five
short pieces are a
perfect addition to
instrument lessons and
'Jugend musiziert'. The
pieces are very melodic,
using simple keys (F
major, B flat major, E
flat major) which are
easy to play by the
trombone, and they cover
a compass from B flat to
E flat1.
Trombone and Piano - intermediate SKU: BT.AMP-387-400 Trombone and Pia...(+)
Trombone and Piano -
intermediate
SKU:
BT.AMP-387-400
Trombone and
Piano. Arranged by
Philip Sparke. Anglo
Music Play-Along Series.
Classical. Book with CD.
Composed 2014. 16 pages.
Anglo Music Press #AMP
387-400. Published by
Anglo Music Press
(BT.AMP-387-400).
ISBN
9789043135856. 9x12
inches.
English-German-French-Dut
ch.
Part of the
ANGLO MUSIC PLAY-ALONG
Series, Philip Sparkes 15
INTERMEDIATE CLASSICAL
SOLOS is aimed at the
young instrumentalist who
can play about an octave
and a half and follows on
from Sparkes 15 EASY
CLASSICAL SOLOS.
Specifically tailored to
suitthe individual
instrument, this book
introduces the developing
player to the world of
the classics by using
simple yet attractive
melodies that fit their
limited range.
The
carefully selected pieces
include music from the
17th to the 19th century
and cover a wide variety
of styles, from Handel to
Tchaikovsky and from
Clementi to
Brahms.
The book
will provide invaluable
additional material to
complement any teaching
method and includes both
piano accompaniment and a
demo/play-along
CD.
Philip
Sparkeâ??s 15
Intermediate Classical
Solos, onderdeel van
de Anglo Music
Play-Along Series, is
bedoeld voor de jonge
instrumentalist die
ongeveer anderhalf octaaf
kan spelen. Het boek is
een vervolg op
Sparkeâ??s 15
EasyClassical Solos
en het sluit qua
instrumentaal bereik en
gebruikte toonsoorten aan
bij het Expert Level van
Hal Leonards Essential
Elements ®, maar
het kan ook los daarvan
worden gebruikt.De
zorgvuldig geselecteerde
melodieën,
diespecifiek zijn
toegesneden op elk
instrument, beslaan een
breed scala van klassieke
stijlen: van Handel tot
Tsjaikovski en van
Clementi tot Brahms.Het
boek bevat waardevol
materiaal ter aanvulling
op elke lesmethode en
wordt geleverd
metpianobegeleiding en
een cd met demo- en
meespeeltracks.
15
INTERMEDIATE CLASSICAL
SOLOS ist als
Ergänzung zur
bewährten ANGLO MUSIC
PLAY-ALONG Reihe gedacht
und richtet sich an
Schüler, die
ungefähr einen
Tonumfang von eineinhalb
Oktaven beherrschen. Es
schlieÃ?t an Sparkes 15
EASY CLASSICAL SOLOS an
undentspricht dem Niveau
des Expert Levels der
ESSENTIAL ELEMENTS
Methode von Hal Leonard,
kann aber auch
unabhängig davon
verwendet werden.
Genau auf jedes
Instrument zugeschnitten,
ermöglichen die
sorgfältig
ausgewählten Melodien
noch mehr Spielerfahrung
mit klassischer Musik.
Die Stücke umfassen
verschiedene
Stilrichtungen und
Komponisten wie z.B.
Händel, Tschaikowsky,
Clementi undBrahms.
Jeder Band bietet
wertvolles
Ergänzungsmaterial,
das zu jeder
Instrumentalschule passt
und enthält sowohl
Klavier- als auch
CD-Begleitungen.
Part of the
Anglo Music Play-along
Series, Philip
Sparkeâ??s 15
Intermediate Classical
Solos is aimed at the
young instrumentalist who
can play about an octave
and a half and follows on
from Sparkeâ??s 15
Easy Classical
Solos.Specifically
tailored to suit the
individual instrument,
this book introduces the
developing player to the
world of the classics by
using simple yet
attractive melodies that
fit their limited range.
The carefully selected
pieces include music
fromthe 17th to the 19th
century and cover a wide
variety of styles, from
Handel to Tchaikovsky and
from Clementi to
Brahms.The book will
provide invaluable
additional material to
complement any teaching
method and includes both
piano accompaniment and
ademo/play-along CD.
Chamber Music Trombone, Piano SKU: PR.114414450 Man vs. Machine. C...(+)
Chamber Music Trombone,
Piano
SKU:
PR.114414450
Man
vs. Machine. Composed
by Adolphus Hailstork.
Sws. Folk. Set of Score
and Parts. With Standard
notation. Composed 2009.
24+8 pages. Duration 12
minutes. Theodore Presser
Company #114-41445.
Published by Theodore
Presser Company
(PR.114414450).
ISBN
9781598064087. UPC:
680160597635. 9x12
inches.
Inspired by
the tale of a legendary
folk hero, Adolphus
Hailstork’s
tour-de-force for
trombone and piano is a
riveting portrayal of the
steely strength and
stamina of John Henry, a
former slave who helped
build the American
railroads and ultimately
outperformed a steam
engine. This composition
uses quotes from the
spiritual Every Time I
Feel the Spirit and the
folk song The Ballad of
John Henry. For advanced
players. Duration:
13’_______________
_________________________
__Text on the scanned
back cover:JOHN HENRY'S
BIG(MAN vs. MACHINE)FOR
TROMBONE AND
PIANOInspired by the tale
of the legendary hero,
Adolphus
Hailstork’s
tour-de-force for
trombone and piano is a
riveting portrayal of the
steely strength and
stamina of John Henry, a
former slave who helped
build the American
railroads and ultimately
outperformed a steam
engine. PROGRAM NOTES
by the ComposerJohn Henry
was born a slave in the
1840’s or
1850’s. It is
important to remember
that no one knows for
sure if John Henry
existed or is a tall tale
created by writers. That
is one of the things that
makes the legend so
intriguing.According to
the legend, he grew to
stand 6 feet tall, 200
pounds – a giant
in that day.Though the
story of John Henry
sounds like the
quintessential tall tale,
it is certainly based, at
least in part, on
historical circumstance.
There are disputes as to
where the legend
originates. Some place
John Henry in West
Virginia, while recent
research suggests
Alabama. Still, all share
a similar back-story.In
order to construct the
railroads, companies
hired thousands of men to
smooth out terrain and
cut through obstacles
that stood in the way of
the proposed tracks. One
such chore that figures
heavily into some of the
earliest John Henry
ballads is the blasting
of the Big Bend Tunnel,
more than a mile straight
through a mountain in
West
Virginia.Steel-drivinâ
™ men like John Henry
used large hammers and
stakes to pound holes
into the rock, which were
were then filled with
explosives that would
blast a cavity deeper and
deeper into the mountain.
In the folk ballads, the
central event took place
under such conditions.
Eager to reduce costs and
speed up progress, some
tunnel engineers were
using steam drills to
power their way into the
rock. According to the
great American tall
tales, on hearing of the
machine, John Henry
challenged the steam
drill to a contest. He
won, but died of
exhaustion, his life cut
short by his own
superhuman effort.This
composition uses quotes
from the spiritual Every
Time I Feel the Spirit
and the folk song The
Ballad of John Henry.JOHN
HENRY’S BIG was
composed for trombonist
David Jackson.
Chamber Music & Piano Accompaniment 1 Trombone 1 Piano - Grade 5 SKU: FL.FX07...(+)
Chamber Music & Piano
Accompaniment 1 Trombone
1 Piano - Grade 5
SKU:
FL.FX073048
Composed
by Anton Gladkikh.
Original Composition.
Classical, Educational.
Score and Set of Parts.
Duration 20 minutes. FLEX
Editions #FX073048.
Published by FLEX
Editions (FL.FX073048).
I remember well
when I began to write
these pieces: I sat down
at the piano in the
conservatory, which was
almost completely empty
at the time... and I
improvised the first
chords of the first
piece. After that I wrote
the theme. The music rang
loudly in that large
auditorium and I could
hear how it echoed about
the empty corridors of
the conservatory... it
reminded me of the
overture from Charles
Gounod's Faust, as my
hands still played out
the melodies, stretching
the limits of the theme
which would become, in a
sense, the introduction
to the whole cycle. I
could feel that the story
was emerging: a story
born from within the
music. - Anton GLADKIKH ;
Hoffmanniada is a
collection of six short
pieces for trombone and
piano composed in a style
inspired by the great
Russian composers of the
twentieth century.
Sometimes melancholic and
romantic, sometimes
cheerful and virtuoso,
the writing subtlety of
Anton Gladkikh perfectly
exploits the qualities of
power and finesse of both
instruments. Fabrice
MILLISCHER
This
original piece is the
first opus of FLEX
Editions collection
directed by Fabrice
MILLISCHER. It is built
of 6 movements: 1 - Et
finalement ca tourne, 2 -
Autonomie de la volonte,
3 - Les lettres, 4 -
Lilite, 5 - Quand Dieu
crea le temps, 6 - Le jeu
des Demiurges ;
Instruments: 1 Trombone 1
Piano; Difficuly Level:
Grade 5.
Piano Accompaniment; Trombone (Trombone) SKU: HL.48181909 For Trombone...(+)
Piano Accompaniment;
Trombone (Trombone)
SKU: HL.48181909
For Trombone and
Piano. Composed by
Jacques Casterede. Leduc.
Classical, Contemporary.
Softcover. 18 pages.
Alphonse Leduc #AL21930.
Published by Alphonse
Leduc (HL.48181909).
By Leos Janacek (1854-1928). Arranged by Ralph Sauer. For Trombone and Piano. 20...(+)
By Leos Janacek
(1854-1928). Arranged by
Ralph Sauer. For Trombone
and Piano. 20th Century
Czech. Intermediate. Solo
part and piano score.
Published by Cherry
Classics
Trombone and Piano - Advanced SKU: CY.CC3136 Composed by John W. Ware. Cl...(+)
Trombone and Piano -
Advanced
SKU:
CY.CC3136
Composed by
John W. Ware. Classical.
Score and Parts. Cherry
Classics #CC3136.
Published by Cherry
Classics (CY.CC3136).
ISBN 9790530111055.
8.5 x 11 in
inches.
This fine
work has sat dormant for
many years and has now
come to light thanks to
the efforts of Charlie
Vernon, Bass Trombonist
of the Chicago Symphony,
who performed this
virtuoso work as a young
performer. The concerto
is in the standard three
movement form: Fast,
slow, fast. This
publication is a
reduction from the
original orchestral
version (to be released
at some point in the
future). Here is a
description of the
Concerto by the composer,
John W. Ware. I started
on the trombone concerto
in my junior year
studying composition at
Indiana University. While
working on it, I learned
of an opportunity to make
it sort of a thesis piece
(though students didn't
write a thesis in
composition while an
undergrad). The original
version was for trombone
with string orchestra,
and it was performed by
the IU String Orchestra,
conducted by Dr. Arthur
Corra, with Robert Priez,
trombone, as part of my
senior composition
recital. I thought the
performance was quite
good (Priez played
extraordinarily well),
and the piece received a
newspaper review in the
Indiana Daily Student, in
which the reviewer wrote
that the work was almost
too exciting. I thought
at the time that he had
given me and my music a
fine compliment. I made a
piano version of the
accompaniment, shortening
and tightening the first
movement, for
performances in 1966; I
made a second revision in
1967 for a performance by
E. J. Eaton, trombonist
at the University of
Tennessee at Martin,
arriving at the form in
which the work exists
now. The first movement
is in fairly normal
sonata-allegro form, in
the key of A minor. It
alternates between
assertive and more
thoughtful moods. There
is no introduction; the
soloist enters
immediately and dominates
much of the movement. The
main theme is--by some
manipulation--a source
for most of the other
themes, and all of the
themes are used in close
proximity to each other,
including contrapuntal
combinations, especially
near the end. Originally
the movement included a
lengthy fugato, now much
shortened and including a
stretto that builds and
subsides before a cadenza
leading to a coda based
on both the principal and
secondary themes. Key
relations in this
movement, as in the other
two, are quite free and
often chromatic, with
frequent third-relations;
but returns to the tonic
at the end are emphatic.
The writing is
challenging for both
soloist and accompanist;
the piece is substantial,
requiring technique and
stamina. The second
movement is in F minor
and is also built on both
contrast and close
relationships between the
main and secondary
themes. The main theme is
heard in the piano part
before the soloist
enters. The mood is more
lyric than in the first
movement, but with
dramatic episodes also.
In this movement are some
definite derivations from
themes in the first
movement. The ending is a
sort of lengthened shadow
of the opening. The
finale returns to A
minor, with themes
slightly related to
polonaise rhythms, but
with strong echoes of
first-movement themes.
Here, too, dramatic and
lyric episodes alternate,
with dotted rhythms
frequently propelling the
music forward. The
introduction is a brief
and simple preparation
for the solo entry. Later
in the movement, a very
brief, slightly slower
section is soon overtaken
by the original tempo.
Toward the end, there is
a second cadenza, again
leading to a swift and
energetic coda. The work
is about 20 minutes in
length and is appropriate
for advanced
performers.
Trombone Solo with Piano accompaniment - Advanced SKU: CY.CC3150 Composed...(+)
Trombone Solo with Piano
accompaniment - Advanced
SKU: CY.CC3150
Composed by Elizabeth
Raum. Classical. Score
and Parts. Cherry
Classics #CC3150.
Published by Cherry
Classics (CY.CC3150).
ISBN 9790530111185.
8.5 x 11 in
inches.
Here is a
brief description of this
very fine new work The
Secret of Ben Sogen for
Trombone and Piano by the
composer, Elizabeth Raum:
I've always been
fascinated by the Nordic
heroes that appear in
comic books and video
games like Thor or Odin.
Years ago, I wrote a
concerto for tuba called
The Legend of Heimdall
inspired by Scandinavian
folklore, and for this
new work for trombone, I
found myself drawn to the
Danish mythical
character, Ben Sogen. My
concept was to conjure up
a video game champion who
goes through various
adventures to achieve his
final quest. However, the
Secret of Ben Sogen is
that he doesn't exist. I
made him up. My original
title was Bone Quest, a
pun on the word,
trombone, combined with
Quest but that didn't
evoke the image I wanted
so I decided to create a
character from the Danish
translation of Bone
Quest. Thus Ben Sogen.
The Hero Trombonist has a
theme stated in the
beginning, and this motif
continues through a
variety of backgrounds
(or adventures) before
the final major key of
his goal being achieved.
The work is about 7
minutes in length and
appropriate for advanced
performers.
Composed by John Stafford Smith and Samuel A. Ward. Arranged by Jonathon Robbins...(+)
Composed by John Stafford
Smith and Samuel A. Ward.
Arranged by Jonathon
Robbins. For trombone
solo and piano
accompaniment. Solo with
Accompaniment. Patriotic.
Score and solo part. Text
Language: English. 8
pages. Published by
Santorella Publications
Chamber Music Trombone, Piano SKU: PR.114423120 Composed by Adolphus Hail...(+)
Chamber Music Trombone,
Piano
SKU:
PR.114423120
Composed
by Adolphus Hailstork.
Set of Score and Parts.
28+12 pages. Duration 11
minutes. Theodore Presser
Company #114-42312.
Published by Theodore
Presser Company
(PR.114423120).
UPC:
680160689477.
MONUM
ENTS was commissioned by
the Resonate project, a
collaboration of the
Detroit Chamber Winds &
Strings, Bowling Green
State University, the
Carr Center, Michigan
State University, Oberlin
College Conservatory, the
University of Michigan,
and Western Michigan
University.The trombone
part was written for
David Jackson, professor
of trombone at the
University of
Michigan.The title
occurred to me when a
friend living in
Philadelphia told me she
had toured monuments in
that city on Memorial
Day, 2021. By that time I
had already written what
I call a “noble,
lyrical melody†for
trombone to serve as the
main theme in the
composition.MONUMENTS was
finished on September 11,
2021. Other awesome
monuments had been
created on that date
twenty years
before.–Adolphus
Hailstork.
Sonata In C Major Trombone et Piano - Intermédiaire/avancé Kendor Music Inc.
Trombone Solo with Piano Accompaniment - Grade 6 SKU: KN.12552 Composed b...(+)
Trombone Solo with Piano
Accompaniment - Grade 6
SKU: KN.12552
Composed by Johann
Friedrich Fasch. Arranged
by Gerald Felker. Solo or
Ensemble. Kendor Solo
Series. Kendor Music Inc
#12552. Published by
Kendor Music Inc
(KN.12552).
UPC:
822795125528.
This
Johann Friedrich Fasch
piece, originally
composed for bassoon, has
been performed by
instrumentalists other
than bassoonists for
decades. This edition for
tenor trombone requires a
skilled trombonist (grade
6) who possesses great
dexterity with the slide.
The tessitura has been
carefully altered so that
it falls within a range
that is more suitable for
the tenor trombone,
eliminating notes that
were below the staff.
Trombonist Gerald Felker
has carefully edited this
piece so as to not
compromise the musical
integrity. Total duration
15:45.
Trombone and Piano - advanced SKU: CY.CC2501 Composed by Camille Saint-Sa...(+)
Trombone and Piano -
advanced
SKU:
CY.CC2501
Composed by
Camille Saint-Saens.
Arranged by Ralph Sauer.
French 20th Century. Solo
part and piano score.
Published by Cherry
Classics (CY.CC2501).
Le Rossignol or
the Nightingale is
originally a vocalise for
Soprano solo from
Saint-Saen's incidental
music for the play,
Parysatis written in
1902. This 4-5 minute
work is all about mood.
Mr. Sauer uses the
original key of B-flat,
which lays perfectly for
all of the bird-like
calls that are in phrases
which are slurred. The
music has a lot of ad
lib. tempo sections which
gives the performer
plenty of time to create
that magic call of the
Nightingale. Early
writers thought it was
the female that sang, but
in fact it is the male.
The Nightingale usually
sings at night or just
before dawn when other
birds are silent and has
a strong spontaneous song
with an impressive range
of trills and
whistles.
Piano Accompaniment, Trombone SKU: HL.48181651 For Trombone and Piano<...(+)
Piano Accompaniment,
Trombone
SKU:
HL.48181651
For
Trombone and Piano.
Composed by Jean-Michel
Defaye. Leduc. Classical,
Contemporary. Softcover.
16 pages. Alphonse Leduc
#AL21403. Published by
Alphonse Leduc
(HL.48181651).
Trombone and Piano - easy SKU: BT.AMP-304-400 Arranged by Philip Sparke. ...(+)
Trombone and Piano - easy
SKU:
BT.AMP-304-400
Arranged by Philip
Sparke. Anglo Music
Play-Along Series.
Classical. Book with CD.
Composed 2013. 16 pages.
Anglo Music Press #AMP
304-400. Published by
Anglo Music Press
(BT.AMP-304-400).
ISBN
9789043138116. 9x12
inches.
English-German-French-Dut
ch.
Part of the
Anglo Music Play-along
Series, Philip
Sparkeâ??s 15 Easy
Classical Solos is
aimed at the young
instrumentalist who can
play just over an octave.
Specifically tailored to
suit the individual
instrument, this book
introduces the beginning
player to the world of
the classics by using
simple yet attractive
melodies that fit their
limited range. The
carefully selected pieces
include music from the
16th to the 20th century
and cover a wide variety
of styles, from Bach to
Grieg and from Purcell to
Satie. This book will
provide invaluable
additional material to
complement any teaching
method and includes both
piano accompaniment and a
demo/play-along
CD.
Philip
Sparkeâ??s 15 Easy
Classical Solos,
onderdeel van de Anglo
Music Play-Along
Series, is bedoeld
voor de jonge
instrumentalist die iets
meer dan een octaaf kan
spelen. Het boek sluit
qua instrumentaal bereik
en gebruikte
toonsoortenaan bij het
Artist Level van Hal
Leonards Essential
Elements ®, maar
kan ook los daarvan
worden gebruikt.De
zorgvuldig geselecteerde
melodieën, die
specifiek zijn
toegesneden op elk
instrument, beslaan een
breed scala van klassieke
stijlen:van Bach tot
Grieg en van Purcell tot
Satie.Het boek bevat
waardevol materiaal ter
aanvulling op elke
lesmethode en wordt
geleverd met
pianobegeleiding en een
cd met demo- en
meespeeltracks.
15 Easy Classical
Solos ist als
Ergänzung zur
bewährten Anglo
Music Play-Along
Reihe gedacht und richtet
sich an Schüler, die
ungefähr einen
Tonumfang von einer
Oktave beherrschen. Das
Niveau entspricht dem des
Artist Levels der
Essential Elements
® Methode von Hal
Leonard, kann aber auch
unabhängig davon
verwendet werden. Genau
auf jedes Instrument
zugeschnitten,
ermöglicht die
wohlüberlegte
Stückeauswahl ein
erstes Kennenlernen von
Melodien aus
verschiedenen Epochen der
Klassik von Grieg über
Purcell bis Satie. Jeder
Band bietet wertvolles
Ergänzungsmaterial,
das zu jeder
Instrumentalschule passt
und enthält sowohl
Klavier- als auch
CD-Begleitungen.
Il concetto della
collana Anglo Music
Play-Along Series
è quello di integrare
al più presto nel
processo di apprendimento
dei giovani strumentisti
la possibilit di poter
suonare accompagnati al
piano o con lâ??ausilio
di unâ??incisione su CD.
Ilchiaro vantaggio di
questo metodo è che
gli allievi imparano da
subito lâ??aspetto
fondamentale del suonare
insieme, vale a dire
tenere il tempo in modo
costante. 15 Easy
Classical Solos
consente agli allievi che
hanno una conoscenza
limitatadelle note di
suonare brani di Bach,
Schubert, Purcell, Grieg
e altri, grazie alle
versioni facilitate. Il
livello di 15
Intermediate Classical
Solos permette invece
agli allievi che
padroneggiano
lâ??estensione superiore
a unâ??ottava
dicimentarsi nei
â??primi concertiâ?
con brani di Haendel,
Clementi, Rameau, Glueck,
Beethoven e altri. Il CD
propone una traccia con
lâ??incisione completa e
una con il solo
accompagnamento.
Sonata in A minor Trombone et Piano [Conducteur et Parties séparées] - Intermédiaire FLEX Editions
By Benedetto Marcello (1686-1739). Edited by Olivier Lachurie. For Trombone Solo...(+)
By Benedetto Marcello
(1686-1739). Edited by
Olivier Lachurie. For
Trombone Solo and Piano.
The Must-Haves for
Trombone. Classical,
Educational. Grade 4.
Score and set of parts. 8
(score); 3 (parts).
Published by FLEX
Editions
Premiers Pas Trombone et Piano [Conducteur et Parties séparées] - Facile FLEX Editions
Chamber Music & Piano Accompaniment 1 Trombone 1 Piano - Grade 2 SKU: FL.FX07...(+)
Chamber Music & Piano
Accompaniment 1 Trombone
1 Piano - Grade 2
SKU:
FL.FX073552
Composed
by Pascal Saint-Leger.
Original Composition.
Classical, Educational.
Score and Set of Parts.
Duration 2 minutes, 15
seconds. FLEX Editions
#FX073552. Published by
FLEX Editions
(FL.FX073552).
The young
musicians will love
playing this piece that
will find its place in an
exam or a concert. -
Pascal SAINT-LEGER ;
A piece that can
be played from 2 years of
instrument practice ;
Instruments: 1 Trombone 1
Piano; Difficuly Level:
Grade 2.
Red Dragonfly Sonata Trombone et Piano [Conducteur et Parties séparées] Subito Music
Trombone & Piano SKU: SU.32040021 For Trombone & Piano. Composed b...(+)
Trombone & Piano
SKU:
SU.32040021
For
Trombone & Piano.
Composed by Amy Riebs
Mills. Brass, Trumpet.
Accompanied by piano.
Score & Parts. Subito
Music Corporation
#32040021. Published by
Subito Music Corporation
(SU.32040021).
Trombone &
Piano Duration: 17'
Composed: 2013 Published
by: Amy Mills Music, LLC
…the audience loved
Red Dragonfly. Definitely
a keeper in my
repertoire! Dr. James
Bicigo, Associate
Professor of Trombone,
University of Alaska,
Anchorage Virtuoso piece,
the dramatic first
movement opens with a
Bold statement followed
by the beautiful love
theme. It reaches up to
the Cry of the Heart,
then everything ruptures
and crashes. Now the
trombonist must rebuild
and gain strength through
dramatic cadenzas until
reaching the
recapitulation where the
opening Bold melody is
transformed into a
majestic march in 3/4
time. The love theme
returns, and the movement
ends in triumph. The
second movement is a
setting of the famous
Japanese folksong, Red
Dragonfly. The trombonist
and pianist play the
lovely song amidst the
sound of fluttering wings
that appear and disappear
like memories of the
heart. Thank you to the
Nihon Gakugeki Kyoukai
Foundation for permission
to use the melody in this
trombone sonata. A solo
glissando opens the third
movement in American folk
dance style with tongue
in cheek and twinkle in
both eyes. The subsequent
variations include a
perfect triple canon, a
taste of New Orleans
jazz, and a dramatic
augmentation which spills
into a flashback of the
first movement’s
love theme. This melts
away and we recapture a
glimpse of the Red
Dragonfly melody, this
time growing to the
Triumphant restatement of
the first
movement’s main
theme. And finally, the
exuberant coda drives to
a spectacular ending.
Difficulty Level:
Trombone 6 (Professional)
Piano 5 (Advanced) See
also Red Dragonfly,
Concerto for Trombone and
Band for the version with
band accompaniment. See
composer website for
audio sample.
Composed by Ludwig van Beethoven (1770-1827). Arranged by Gordon Cherry. Romanti...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Arranged by Gordon
Cherry. Romantic. Solo
part and piano
accompaniment. Published
by Cherry Classics
(CY.CC2558).
Composed by Kimberly Archer. Chamber Ensemble. For Trombone and Piano (trombone,...(+)
Composed by Kimberly
Archer. Chamber Ensemble.
For Trombone and Piano
(trombone, piano).
Chamber Music. Medium.
Score and 1 part.
Duration 15:30. Published
by C. Alan Publications
By Johann Sebastian Bach (1685-1750). Arranged by Ralph Sauer. For trombone and ...(+)
By Johann Sebastian Bach
(1685-1750). Arranged by
Ralph Sauer. For trombone
and piano. Baroque.
Advanced. Solo and piano
accompaniment. Published
by Cherry Classics
Composed by Gordon Jacob (1895-1986). Concerto/Feature, Instrumental Solo, Bests...(+)
Composed by Gordon Jacob
(1895-1986).
Concerto/Feature,
Instrumental Solo,
Bestseller. Piano score.
Galaxy Music Corporation
#1.5036. Published by
Galaxy Music Corporation
Bone Ties Trombone et Piano - Intermédiaire Forton Music
Trombone and piano - Intermediate SKU: FT.FM423 Composed by David Osbon. ...(+)
Trombone and piano -
Intermediate
SKU:
FT.FM423
Composed by
David Osbon. Trombone and
Piano. Score and part.
Forton Music #FM423.
Published by Forton Music
(FT.FM423).
ISBN
9790570483228.
I've
always been fascinated by
the depth of expression
in the song cycles of
Robert Schumann, and have
tried, in these two
pieces, to emulate that
using the trombone. Why
the trombone? Well, it
has a rich history of
being 'paired' with the
voice in choral music
but, if I'm really
honest, as a trumpet
player I've always been a
little bit envious of the
trombone's lyrical
elegance. The music, in
both of these works, has
a lot of 'dialogue'
between the trombone and
piano, I really did think
of them as communicating
- only without using
words.
Trombone and Piano SKU: IS.TRP4208EM Composed by Jef Schampaert. Brass - ...(+)
Trombone and Piano
SKU: IS.TRP4208EM
Composed by Jef
Schampaert. Brass -
Trombone. Metropolis
Music Publishers
#TRP4208EM. Published by
Metropolis Music
Publishers
(IS.TRP4208EM).
ISBN
9790365042081.
Joze
f (Jef) Schampaert's 1952
Dramatische Fantaisie
(Fantaisie Dramatique)
for trombone and piano,
dedicated to trombone
professor Peter
Roupcinsky, was written
as a concours piece for
the Royal Conservatoire
Antwerp in Belgium. While
the rest of the Belgian
school was experimenting
with a return to lush
romanticism (Alpaerts,
Maes, and the musical
progeny of Benoit), or
beginning to prod the
tonal bounds of
listenable 12-tone and
serialism (Constant and
Verbesselt), Schampaert
took towards a different
sound: that of the
Impressionists,
transmuted through his
distinctly Flemish
touch.
Trombone & piano - Advanced SKU: CY.CC2300 Composed by Robert Schumann. A...(+)
Trombone & piano -
Advanced
SKU:
CY.CC2300
Composed by
Robert Schumann. Arranged
by Ralph Sauer. Romantic
Solo. Solo part and piano
accompaniment. Published
by Cherry Classics
(CY.CC2300).
There are three
movements in Fantasy
Pieces that make up
Robert Schumann's Opus
73. Completed in 1849, he
linked each piece
harmonically. He directs
the performers to follow
on to the next section,
indicating that these
movements were intended
as a whole.