Trumpet SKU: HL.48181432 Composed by Jean-Baptiste Arban. Leduc. Classica...(+)
Trumpet
SKU:
HL.48181432
Composed
by Jean-Baptiste Arban.
Leduc. Classical.
Softcover. 88 pages.
Alphonse Leduc #AL20960.
Published by Alphonse
Leduc (HL.48181432).
UPC: 888680789916.
9x12
inches.
“C&ea
cute;lèbre
Méthode
Complète de
Trumpet, Valved Cornet
and Saxhorn has assisted
many generations of
Trumpet and Cornet
players. The compilation
by French cornetist,
conductor and composer,
Jean-Baptiste Arban
(1825-1889) successfully
addresses requirements of
modern technique and
contemporary musical
writing. Arban studied at
the Paris Conservatoire
and led a prosperous
career as a versatile and
accomplished musician.
Célèbre
Méthode
Complète for
Trumpet, Valved Cornet
and Saxhorn is divided
into three parts, which
incorporate a vast
variety of musical
elements. Part 1 includes
performance directions,
holding the instrument,
tuning slides, sound,
long notes, staccato,
transposition,
syncopation, martellato,
legato, arpeggios, mutes,
extended techniques and
vibrato. Containing a
large amount of
instruction in French,
English, German and
Spanish, Arban's
Célèbre
Méthode
Complète de
Trumpet, Valved Cornet
and Saxhorn is not to be
missed by any aspiring
brass player.&rdquo.
(trumpet & piano) SKU: HL.48181434 Composed by Jean-Baptiste Arban. Leduc...(+)
(trumpet & piano)
SKU:
HL.48181434
Composed
by Jean-Baptiste Arban.
Leduc. Classical. CD. 122
pages. Alphonse Leduc
#AL20962. Published by
Alphonse Leduc
(HL.48181434).
UPC:
888680907822.
9.0x12.0x0.35
inches.
Celebrated
Complete Method of
Trumpet, Valved Cornet
and Saxhorn has helped to
form many generations of
Trumpet, Cornet and
Saxhorn players. The
compilation by French
cornetist, conductor and
composer, Jean-Baptiste
Arban (1825-1889)
successfully addresses
requirements of modern
technique and
contemporary musical
writing. Arban studied at
the Paris Conservatoire
and led a prosperous
career as a versatile and
accomplished musician.
Celebrated Complete
Method of Trumpet, Valved
Cornet and Saxhorn is
divided into three parts,
which incorporate a vast
variety of musical
elements. Part 3 includes
orchestral musicianship,
stylistic
characteristics,
competition pieces, the
higher register,
difficult passages and 27
modern studies.
Containing a large amount
of instruction in French,
English, German and
Spanish, Arban's
Celebrated Complete
Method of Trumpet, Valved
Cornet and Saxhorn is not
to be missed by aspiring
brass players..
(New Authentic Edition with Accompaniment and Performance CD). By Jean-Baptiste ...(+)
(New Authentic Edition
with Accompaniment and
Performance CD). By
Jean-Baptiste Arban.
Edited by Thomas Hooten,
Jennifer Marotta. For
trumpet. Student book.
436 pages. Published by
Carl Fischer
(New Authentic Edition with Accompaniment and Performance CD). Composed by Jean-...(+)
(New Authentic Edition
with Accompaniment and
Performance CD). Composed
by Jean-Baptiste Arban.
Edited by Jennifer
Marotta; Thomas Hooten.
For trumpet. Spiral-bound
method book. Published by
Carl Fischer
My First Arban by Jean-Baptiste Arban. Edited by Robert E. Foster. For Trumpet S...(+)
My First Arban by
Jean-Baptiste Arban.
Edited by Robert E.
Foster. For Trumpet Solo.
My First Arban For the
Developing Student.
Student book. Standard
notation. 32 pages.
Published by Carl Fischer
Authentic Excerpts from Arban's Complete Method for Cornet or Trumpet, for Use w...(+)
Authentic Excerpts from
Arban's Complete Method
for Cornet or Trumpet,
for Use with the First
Two Years of the Prescott
Technic System. By Gerald
R. Prescott;
Jean-Baptiste Arban.
Arranged by Gerard R.
Prescott. For Trumpet,
Cornet. Soft Cover. 184
pages. Published by Carl
Fischer.
Trumpet SKU: B5.6030 Composed by Jean-Baptiste Arban. Brass studies. Book...(+)
Trumpet
SKU:
B5.6030
Composed by
Jean-Baptiste Arban.
Brass studies. Book & CD.
Published by Brass Wind
Publications (B5.6030).
ISBN
9790570275878.
We
have attempted to make
each study's phrasing,
articulation and where
necessary, dynamics
consistent with itself,
without losing the
character and intentions
of Arban's manuscript.
This edition includes
imaginative piano
accompaniments written to
reflect the nature of the
solo part and enhance the
soloist's practice whilst
lending these studies
also to the concert
repertoire.
Eight Famous Trumpet/Cornet Solos Arranged in Duet Form by Arban, Balay, Clarke,...(+)
Eight Famous
Trumpet/Cornet Solos
Arranged in Duet Form by
Arban, Balay, Clarke,
Goedicke, Hansen,
Ropartz. Arranged by Neil
Mueller. For Trumpet
Duet. 60 pages. Published
by Balquhidder Music
Music Minus One Trumpet. Composed by Jean-Baptiste Arban. Sheet music with CD. M...(+)
Music Minus One Trumpet.
Composed by Jean-Baptiste
Arban. Sheet music with
CD. Music Minus One.
Classical Period,
Technique, Studies and
Play Along. Softcover
sheet music and
accompaniment CD. With
standard notation. 24
pages. Music Minus One
#MMO3809. Published by
Music Minus One
By Jean-Baptiste Arban. Series edited by: P. Thibaud. For trumpet. Pierre Thibau...(+)
By Jean-Baptiste Arban.
Series edited by: P.
Thibaud. For trumpet.
Pierre Thibaud
Collection. Classical,
Etudes. Level: 6-7.
Published by
International Music
Diffusion (Arpeges
Diffusion) (French
import).
Music Minus One Trumpet. By Bob Zottola. By Jean-Baptiste Arban. Music Mi...(+)
Music Minus One
Trumpet. By Bob
Zottola. By Jean-Baptiste
Arban. Music Minus One.
Softcover with CD. 28
pages. Music Minus One
#MMO6849. Published by
Music Minus One
(HL.142696).
Chamber Music Trumpet SKU: CF.W2686 For Trumpet in B-flat. Compose...(+)
Chamber Music Trumpet
SKU: CF.W2686
For Trumpet in
B-flat. Composed by
Jean-Baptiste Arban.
Edited by Thomas Hooten
Jennifer Marotta. SWS.
Collection - Performance.
With Standard notation.
32 pages. Carl Fischer
Music #W2686. Published
by Carl Fischer Music
(CF.W2686).
ISBN
9781491150948. UPC:
680160908448. 9x12
inches.
This new
edition of Jean Baptiste
Arban's Fourteen
Characteristic Studies
for Trumpet in Bb, edited
by Thomas Hooten and
Jennifer Marotta, was
specifically written to
provide the student with
suitable material with
which to test his powers
of endurance, according
to Arban himself. The
following fourteen
studies have been
specifically written to
provide the student
withsuitable material
with which to test his
powers of endurance. In
taking up these studies,
he willdoubtless be
fatigued, especially at
the outset, by those
numbers requiring an
unusual length ofbreath.
However, through careful
study and experience he
will learn to overcome
the difficultiesand will
acquire the resources
which will enable him to
master this particular
phase of playingwith
ease. As a means to this
end, attention is drawn
to cantabile passages in
particular, whichshould
be played with the utmost
expression, yet at the
same time with as much
modified toneas possible.
On the cornet, as with
the voice, clear tones
may be obtained by
widening thelips and
veiled tones by
contracting them. This
happy circumstance allows
the performer
anopportunity to rest
while still continuing to
play, and at the same
time enables him to
introduceeffective
contrasts into the
execution. It should be
noted that by little
artifices of this kind,
andby skillfully
conserving his resources,
the player will reach the
end of the longest and
mostfatiguing pieces, not
only without difficulty,
but even with a reserve
of strength and
power,which, when brought
to bear on the final
measures of a
performance, never fails
to impress anaudience.At
this point my task as
professor (using the
written instead of the
spoken word) will
end.There are things
which appear clear enough
when stated verbally but
which when written downon
paper cause confusion,
seem obscure, and even
sometimes appear
trivial.There are other
things of such an
elevated and subtle
nature that neither
speech nor wordcan
clearly explain them.
They are felt, they are
conceived, but they are
not to be explained;and
yet these things
constitute the elevated
style, the grand ecole,
which it is my ambition
toestablish for the
cornet, just as they
already exist for singing
and for the various kinds
of otherinstruments.Those
of my readers who are
ambitious and who want to
attain this high level of
perfection,should above
all things, always try to
hear good music well
interpreted. They must
seek out,among singers
and instrumentalists, the
most illustrious models,
and by doing this
purifytheir taste,
develop their sentiments,
and bring themselves as
near as possible to that
which isbeautiful.
Perhaps then the innate
spark which may someday
be destined to
demonstrate theirown
talent, will reveal
itself and render them
worthy of being, in their
turn, cited and
imitatedin the
future.
