(32 Trios That Can Be Played by Any Combination of Wind Instruments). By Larry C...(+)
(32 Trios That Can Be
Played by Any Combination
of Wind Instruments). By
Larry Clark. Arranged by
Larry Clark. For Tuba.
Compatible Trios for
Winds. Part book. 48
pages. Published by Carl
Fischer
Tuba SKU: M7.KMP-9177 Für Bläserklassen, Orchester und Ensemble<...(+)
Tuba
SKU:
M7.KMP-9177
Für
Bläserklassen,
Orchester und
Ensemble. Composed by
Jan Utbult. This edition:
Saddle-wire stitching.
Sheet music with CD. 52
pages. MDS (Music
Distribution Services)
#KMP 9177. Published by
MDS (Music Distribution
Services) (M7.KMP-9177).
ISBN 9789185791774.
German. Anna
Zetterlund.
Mit
STARTKLAR 2 liegt nun
eine inspirierende
Fortsetzung von STARTKLAR
1, dem innovativen
Anfängerkonzept für
Bläserklassen,
Gruppenunterricht und
Orchester vor, die aber
auch unabhängig vom
ersten Band verwendet
werden kann. STARTKLAR 2
beinhaltet harmonisch
klingende drei- oder
vierstimmige
Arrangements, die sich
für alle
Ensemblegrößen
eignen. Das Lerntempo bei
STARTKLAR 2 lässt sich
individuell gestalten.
Die 42 Stücke bauen
auf einem Tonvorrat von
lediglich 10 Tönen auf
und bieten durch die
mehrstimmigen
Arrangements trotzdem die
Möglichkeit zur
deutlichen Erweiterung
des Tonumfangs. Alle
Stücke sind auf der
dazugehörigen CD von
professionellen Musikern
eingespielt - das macht
STARTKLAR 2 einzigartig.
STARTKLAR 2 bietet somit
die besten
Voraussetzungen für
Musizieren mit Spaß
und Erfolg!
Tuba - Grade 0.5 to 1. Arranged by Mike Hannickel, Amy Adam. Curnow Play-Along B...(+)
Tuba - Grade 0.5 to 1.
Arranged by Mike
Hannickel, Amy Adam.
Curnow Play-Along Book.
Play Along. BOOK W/CD.
Size 9x12 inches. 24
pages. Published by
Curnow Music.
Tuba (trombone) SKU: M7.AHW-412 Composed by Bob Stewart. Sheet music. 21 ...(+)
Tuba (trombone)
SKU:
M7.AHW-412
Composed
by Bob Stewart. Sheet
music. 21 pages. Charles
Colin Corp. #AHW 412.
Published by Charles
Colin Corp. (M7.AHW-412).
English.
In the
jazz tradition the Tuba
was the bass in the
rhythm section up until
the mid-twenties. It was
then the upright bass
replaced the Tuba in many
ensembles as the jazz
music moved north and
continued to develop.
After this period the
Tuba's roll, as bass in
the rhythm section, was
at a standstill and did
not develop through Swing
and Bebop. It wasn't
until Cool Jazz of the
1950's when the Tuba was
used by Miles Davis and
Gil Evans in 'Birth of
the Cool' as an ensemble
horn. The Tuba, like
swimming, is something
you can't do any longer
than you can hold your
breath. In order to
maintain a steady beat
while playing in the
rhythm section I have
developed a system of
breathing called Pant
Breathing. Using this
method, the player can
maintain a steady beat
within the rhythm
section, without losing
time while taking deep
breaths.