| Sonatas For Cello And
Basso Continuo (VIVALDI
ANTONIO) Violoncelle, Basse continue Wiener Urtext
Edited From The Sources And Realization Of The Figured Bass By Bernhard Moosbaue...(+)
Edited From The Sources And Realization Of The Figured Bass By Bernhard Moosbauer. Provided With Notes On Interpretation By Gerhardt Darmstadt.. Par VIVALDI ANTONIO. Les neuf sonates pour violoncelle et basse continue, par Antonio Vivaldi sont parmi les plus célèbres oeuvres violoncelles de l'époque Baroque. Grâce à leurs exigences techniques modérées, les pièces sont partie intégrante des leçons de musique ainsi que de fabrication de musique privée. Mais même pour la scène professionnel de la musique au début, ils forment un accent du répertoire violoncelle. La nouvelle édition de la Wiener Urtext édition répond aux besoins et exigences de tous les trois groupes cibles semblables, fournissant un texte musical fiable n'est plus fondé sur la première édition de Paris non autorisée par Le Clerc and Boivin, mais sur une copie de Naples révisé de Vivaldi lui-même ainsi que sur les deux autres manuscrits associés avec le compositeur de la Bibliothèque Nationale de Paris et de la bibliothèque de musique des comtes de Schönborn à Wiesentheid. Hormis la partie solo, l'édition comprend une note de piano (clavecin) avec réalisé basse continue, qui devrait être très bienvenue aux élèves et amateurs. Une partie de continuo latent basso a été ajouter.../ Répertoire / Violoncelle Solo, Clavecin ou Piano Violoncelle Co
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| Sonate A Violino E Basso
Per Il Cembalo Violon, Basse continue Anne Fuzeau Productions
Sonate a violino, e basso per il cembalo - Edition : Bortoli, Venise, 1709.Sonat...(+)
Sonate a violino, e basso per il cembalo - Edition : Bortoli, Venise, 1709.Sonate a violino, e basso per il cembalo - Edition : E. Roger, Amsterdam, s.d. (= c. 1710).Présentation par Nicolas Fromageot : bibliographie de l'oeuvre - quelques points de comparaison entre les deux éditions - annexe : titre et première page de l'édition Walsh (c.1721).Sonate a violino, e basso per il cembalo. Bortoli, Venise, 1709 : Fac-simile en taille réduite de l'édition originale italienne, à titre de documentation - (4 images par page). Nous avons choisi de reproduire en grand l'édition d'Amsterdam, qui est beaucoup plus lisible. / Violon Et Basse Continue / 88 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
45.10 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Sonate A Violino E Basso,
Op. II (VIVALDI ANTONIO) Violon, Basse continue [Conducteur et Parties séparées] - Intermédiaire/avancé Ricordi
Edizione Critica A Cura Di Federico Maria Sardelli - Ril. Brochure. Par VIVALDI ...(+)
Edizione Critica A Cura Di Federico Maria Sardelli - Ril. Brochure. Par VIVALDI ANTONIO. Antonio Vivaldi’s second published collection is fundamental to an understanding of the leap he took, at the end of the first decade of the eighteenth century, from provincial obscurity to Europe-wide fame. This edition asks and answers the hardquestions surrounding its exact date, its choice of dedicatee and its Venetian context. Through analysis of the two different printing techniques employed - movable type and engraving - and through comparison of the sources, it has proved possible toreconstruct the context in which the opus achieved publication and establish what its truly innovative aspects were; the edition sheds light on the reception of the work, listing the huge number of composers who derived or appropriated musical ideasand solutions from it. This second published collection by Vivaldi, for too long unjustly neglected by critics and performers, may be considered a manifesto for the new musical language invented by Vivaldi for chamber music, which took shape atalmost the same time as his other great manifesto, that for the new-style solo concerto, shortly afterwards to emerge as the collection entitled L’estro armonico. RV 27, 31, 14, 20, 36, 1, 8, 23, 16, 21, 9, 32 / Niveau : Intermédiaire à Avancé / Classique / Date parution : 1905-07-07/ Répertoire / Violon et Basse Continue
22.67 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Schott Violin Library Violon, Basse continue Schott
The Schott Violin Library contains eleven varied Baroque sonatas for violin and ...(+)
The Schott Violin Library contains eleven varied Baroque sonatas for violin and basso continuo. Including both popular sonatas by Corelli, Vivaldi, Handel and Telemann and lesser known, charming compositions by Dall? Abaco, Pepusch and Finger. Suitable for violinists of intermediate standard. Some of these works can be played entirely in first position, others require only a few position changes and the sonatas by Dall?Abaco, Kirchhoff, Vivaldi and Handel require more fluent shifts between the first three positions. / Violon Et Basse Continue
26.64 EUR - vendu par LMI-partitions Délais: En Stock |
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| Schott Violin Library Violon, Basse continue Schott
Separate bass part for performance e.g. with cello accompaniment.Schott Violin L...(+)
Separate bass part for performance e.g. with cello accompaniment.Schott Violin Library includes eleven contrasting Baroque sonatas for violin and continuo bass. Besides popular and well-known sonatas by Corelli, Vivaldi, Handel and Telemann there are also delightful less familiar compositions by Dall'Abaco, Pepusch and Finger, among others. All these pieces are at lower to intermediate level. Some of them can be played in first position throughout, while others require just a few position changes, but the sonatas by Dall'Abaco, Kirchhoff, Vivaldi and Handel require fluent use of the first three positions. The pieces brought together in this book are the best-loved works from the popular series Schott Violin Library (VLB) and other violin repertoire published by Schott. / Violon Et Basse Continue
12.77 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Sämtliche Sonaten
Für Violoncello Und
Basso Continuo (VIVALDI
ANTONIO) Violoncelle, Basse continue [Conducteur et Parties séparées] Barenreiter
Performance Score and Parts. Par VIVALDI ANTONIO. This scholarly-critical editio...(+)
Performance Score and Parts. Par VIVALDI ANTONIO. This scholarly-critical edition is based on all the known sources, whether printed or handwritten, that have come down to us for these frequently played pieces. By closely scrutinizing the source material, the editor has arrived at interesting findings that considerably differ from earlier editions of these works. Rather than taking as her principal source Le Clerc’s 1740 print of Sonatas I to VI – an edition probably made without the composer’s consent – the editor has examined the Naples and Wiesentheid manuscripts prepared under Vivaldi’s direct supervision. The editor has also managed to identify a previously unknown source for Sonata RV 44. All departures from the sources in the printed text and all editorial additions are listed in the critical report. Cellists are thus given ready access to every alternative reading, including deleted bars and the many inevitable variants in articulation. A detailed preface provides essential information on sources and their assessment, with a section on performance practice offering valuable suggestions on interpretation. This scholarly-critical edition is based on all the known sources, whether printed or handwritten, that have come down to us for these frequently played pieces. By closely scrutinizing the source material, the editor has arrived at interesting findings that considerably differ from earlier editions of these works. Rather than taking as her principal source Le Clerc's 1740 print of Sonatas I to VI & an edition probably made without the composer's consent & the editor has examined the Naples and Wiesentheid manuscripts prepared under Vivaldi's direct supervision. The editor has also managed to identify a previously unknown source forSonata RV 44. All departures from the sources in the printed text and all editorial additions are listed in the critical report. Cellists are thus given ready access to every alternative reading, including deleted bars and the many inevitable variants in articulation. A detailed preface provides essential information on sources and their assessment, with a section on performance practice offering valuable suggestions on interpretation. All of Antonio Vivaldi's works for violoncello and continuo in a single edition Scholarly-critical edition for performance purposes Detailed preface on sources and performance practice (German/English) With new findings that considerably differ from earlier editions 'This edition is invaluable for all performers of the Sonatas . ' (Ensemble January 2004) 'This is certainly the definitive edition of these works. '(Strings August/September 2003) / Répertoire d'Examen / Répertoire / Violoncelle et Basse Continue
43.50 EUR - vendu par LMI-partitions Délais: En Stock |
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| Sonate A-Dur Op. 2/2 Rv
31 (VIVALDI ANTONIO) Violon, Basse continue [Partition] Breitkopf & Härtel
Par VIVALDI ANTONIO. Editeur(s) d'origine: Busch, Adolf/ Répertoire / Violon et...(+)
Par VIVALDI ANTONIO. Editeur(s) d'origine: Busch, Adolf/ Répertoire / Violon et Basse Continue
13.30 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Sonate A Violino E Basso,
Op. II (VIVALDI ANTONIO) Violon, Basse continue [Conducteur] Ricordi
Ed. Critica F. M. Sardelli - Ril. Cartonato. Par VIVALDI ANTONIO. / Date paruti...(+)
Ed. Critica F. M. Sardelli - Ril. Cartonato. Par VIVALDI ANTONIO. / Date parution : 1905-07-06/ Répertoire / Violon et Basse Continue
86.23 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| 9 Sonate Per Violoncello
E Basso Continuo (VIVALDI
ANTONIO) Violoncelle, Basse continue [Partition] EMB (Editio Musica Budapest)
Emb Urtext. Par VIVALDI ANTONIO. Similar to Vivaldi's concertos and compositions...(+)
Emb Urtext. Par VIVALDI ANTONIO. Similar to Vivaldi's concertos and compositions for violin, his 9 cello sonatas also bear the mark of a genius of exuberant temperament. Since they belong to the basic repertory of the cello it increases the importance of the edition that the music includes the partly deviating performing marks of the surviving authentic sources of the pieces for the first time./ Répertoire / Violoncelle et Basse Continue
18.41 EUR - vendu par LMI-partitions Délais: En Stock |
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| Antonio Vivaldi: Sonate
per violino e basso
continuo RV 11 RV 37:
Violin Violon, Basse continue Ricordi
Opere incomplete Ed. critica e ricostruzione di M. Talbot-Critical edition by M...(+)
Opere incomplete Ed. critica e ricostruzione di M. Talbot-Critical edition by Michael Talbot. The vast majority of violin sonatas from Vivaldi?s time including those of Vivaldi himself have come down to us in the form of a score employing two staves: one for violin and one for bass. This guarantees that although portions of the work may be missing what survives is textually complete. Exceptionally five of Vivaldi?s violin sonatas are preserved solely in a partbook for violin held by the Diözesanarchiv Graz the complementary part for cello having disappeared. The sonatas appear to date from the period between the Dresden group (1716-1717) and the Manchester set (c. 1726). Three of the sonatas which all have four movements possess partial concordances in other sources with which they share two or three movements but two of them ? RV 11 and RV 37 ? have so far been found only in Graz (with the exception of an incipit for RV 11 found in a contemporary thematic catalogue). This critical edition makes these two works available for study and performance. The bass part is an editorial reconstruction and there is in addition a realization of the continuo by the editor.
18.50 GBP - vendu par Musicroom GB |
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| Son. Per Vl. E B.C.: In
Sol Min. Rv 757 -
F.XIII/52 (VIVALDI
ANTONIO) Violon, Basse continue [Critical Reports] Ricordi
Edizione Critica A Cura Di P. Everett E M. Talbot. Par VIVALDI ANTONIO. Ediz. Cr...(+)
Edizione Critica A Cura Di P. Everett E M. Talbot. Par VIVALDI ANTONIO. Ediz. Critica Delle Opere Di Vivaldi, Softcover/ Répertoire / Edition Critique des oeuvres de Vivaldi (Fac-simil
28.58 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Antonio Vivaldi: Two
Sonatas RV40 And RV46:
Cello: Instrumental Album Violoncelle, Basse continue [Partition] - Intermédiaire/avancé Barenreiter
Edition specially prepared for the ABRSM & TRINITY GUILDHALL exam syllabuses-Viv...(+)
Edition specially prepared for the ABRSM & TRINITY GUILDHALL exam syllabuses-Vivaldi was familiar with the technique and idiomatic qualities of the cello and writing for the cello seems to have drawn from Vivaldi a special empathy: there is a degree of seriousness and expressive depth which is encountered much less consistently in his violin music. Perhaps it has something to do with the cello's low register since similar qualities inform his writing for bassoon.This Urtext edition edited by Bettina Hoffmann provides you with a clear and accurate realisation of the composer’s original intentions with thoroughly detailed editorial markings and suggestions. The solo cello part is also included on a separate insert.
7.50 GBP - vendu par Musicroom GB Délais: En Stock |
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| Antonio Vivaldi: Twelve
Sonatas Op.2 - Volume 2:
Violin: Instrumental
Album Violon, Basse continue [Partition] Schott
For Violin and Basso Continuo; Cello ad lib.Sonata VII c minor (RV 8)Sonata VIII...(+)
For Violin and Basso Continuo; Cello ad lib.Sonata VII c minor (RV 8)Sonata VIII G major (RV 23)Sonata IX e minor (RV 16)Sonata X f minor (RV 21)Sonata XI D major (RV 9)Sonata XII a minor (RV 32)
16.99 GBP - vendu par Musicroom GB |
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| Vivaldi A. - 6 Sonatas
For Violoncello And Bc Violoncelle, Basse continue Peters
Violoncello and Keyboard (2nd violoncello ad libitum) (Sheet Music/MusicPartner ...(+)
Violoncello and Keyboard (2nd violoncello ad libitum) (Sheet Music/MusicPartner play-along CD Pack is also available; see Q4938) Contents: RV 47(Bb); 41(F); 43(a); 45(Bb); 40â?¬; 46(Bb)
48.80 EUR - vendu par Woodbrass Délais: Sur commande |
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| Antonio Vivaldi: Six
Cello Sonatas: Cello:
Instrumental Album Violoncelle, Basse continue Schott
Includes: Sonata I (RV 47) Sonata II (RV 41) Sonata III (RV 43) Sonata IV (RV...(+)
Includes: Sonata I (RV 47) Sonata II (RV 41) Sonata III (RV 43) Sonata IV (RV 45) Sonata V (RV 40) Sonata VI (RV 46). Please note this comes with a separate Cello part.
21.50 GBP - vendu par Musicroom GB Délais: En Stock |
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| Sonate In E (PISENDEL
JOHANN GEORG) Violon, Basse continue [Partition] Carus Verlag
e-Moll. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for viol...(+)
e-Moll. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violin with basso continuo accompaniment have been handed down to us and have now been published for the first time by Carus. Pisendel was the famous concert master of the Dresdner Hofkapelle, which was one of the leading orchestras in the first half of the 18th century. Since he was the leading violinist of his time in Germany to whom renowned composers such as Vivaldi, Albinoni und Telemann Werke dedicated pieces, these two sonatas, written for Pisdendel?s own chosen instrument, present a challenge to performers as well as a valuable enrichment to baroque violin literature. For the source of the first edition of the E minor Sonatathe second version of the work was used. Pisendel composed this version in around 1716, when he accompanied the Crown Prince of Saxony on a trip to Italy./ Répertoire / Violon et Basse Continue
23.40 EUR - vendu par LMI-partitions Délais: En Stock |
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| Sonate In D (PISENDEL
JOHANN GEORG) Violon, Basse continue [Partition] Carus Verlag
D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violi...(+)
D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violin with basso continuo accompaniment have been handed down to us and have now been published for the first time by Carus. Pisendel was the famous concert master of the Dresdner Hofkapelle, which was one of the leading orchestras in the first half of the 18th century. Since he was the leading violinist of his time in Germany to whom renowned composers such as Vivaldi, Albinoni and Telemann Werke dedicated pieces, these two sonatas, written for Pisdendel?s own chosen instrument, present a challenge to performers as well as a valuable enrichment to baroque violin literature. The D major Sonata is based on the opening and closingmovements of the solo parts from the D major Violin Concerto, which Pisendel had written on the occasion of the dedication of the Catholic Church of the Court in Dresden, in 1751./ Répertoire / Violon et Basse Continue
34.00 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Sonate In D (PISENDEL
JOHANN GEORG) Violon, Basse continue [Partition] Carus Verlag
D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violi...(+)
D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violin with basso continuo accompaniment have been handed down to us and have now been published for the first time by Carus. Pisendel was the famous concert master of the Dresdner Hofkapelle, which was one of the leading orchestras in the first half of the 18th century. Since he was the leading violinist of his time in Germany to whom renowned composers such as Vivaldi, Albinoni and Telemann Werke dedicated pieces, these two sonatas, written for Pisdendel‘s own chosen instrument, present a challenge to performers as well as a valuable enrichment to baroque violin literature. The D major Sonata is based on the opening and closingmovements of the solo parts from the D major Violin Concerto, which Pisendel had written on the occasion of the dedication of the Catholic Church of the Court in Dresden, in 1751./ Répertoire / Violon et Basse Continue
10.10 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Sonate In D (PISENDEL
JOHANN GEORG) Violon, Basse continue [Partition] Carus Verlag
D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violi...(+)
D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violin with basso continuo accompaniment have been handed down to us and have now been published for the first time by Carus. Pisendel was the famous concert master of the Dresdner Hofkapelle, which was one of the leading orchestras in the first half of the 18th century. Since he was the leading violinist of his time in Germany to whom renowned composers such as Vivaldi, Albinoni and Telemann Werke dedicated pieces, these two sonatas, written for Pisdendel?s own chosen instrument, present a challenge to performers as well as a valuable enrichment to baroque violin literature. The D major Sonata is based on the opening and closingmovements of the solo parts from the D major Violin Concerto, which Pisendel had written on the occasion of the dedication of the Catholic Church of the Court in Dresden, in 1751./ Répertoire / Violon et Basse Continue
10.10 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| 2 Sonatas Violoncelle, Basse continue Schott
Les six sonates par Benedetto Marcello (1686-1739) sont parmi les plus célèbre...(+)
Les six sonates par Benedetto Marcello (1686-1739) sont parmi les plus célèbres compositions baroques pour violoncelle et basse continue, deuxièmement, qu'à ceux de Antonio Vivaldi. Marcello est un compositeur célèbre de son vivant, et par conséquent sa collection pourrait se trouver dans les éditions imprimées dans les grandes métropoles de la musique européenne de Londres, Paris et Amsterdam. Même s'il y a certains doigtés mal à l'aise dans ces sonates - qui pourrait être due à Marcello de travail avec un violoncelle de cinq cordes avec un ajout E' chaîne - ils sont de difficulté modérée seulement et appartiennent aux oeuvres standards du violoncelle, enseignement de la littérature. / Violoncelle Et Basse Continue
21.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| 10 Sonate per violoncello
e basso continuo: Cello Violoncelle, Basse continue Ricordi
Ed. by/ A cura di Cesare Fertonani-The series Eighteenth Century Italian Music i...(+)
Ed. by/ A cura di Cesare Fertonani-The series Eighteenth Century Italian Music includes compositions of special historical and musical significance. Each edition is based on the original sources to off er performers works that satisfy clear critical and musicological criteria.This anthology includes ten sonatas carefully selected from among those written by ten of the most important eighteenthcentury Italian composers of cello music: Luigi Boccherini Sonata VI G. 4 - Antonio Caldara Sonata ottava -Francesco Geminiani Sonata op. V n. 2 H. 104 - Carlo Graziani Sonata op. II n. 3 - Salvatore Lanzetti Sonata op. I n. 5 - Benedetto Marcello Sonata op. I n. 1 - Giovanni Battista Pergolesi Sinfonia avioloncello solo - Giovanni Benedetto Platti Sonata quarta - Nicola Porpora Sinfonia a violoncello solo - Antonio Vivaldi Sinfonia a violoncello solo RV 39
18.50 GBP - vendu par Musicroom GB |
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| Antonio Vivaldi: Sonata
for Cello and BC Op.14
No.3 RV43 in a minor:
Cello Violoncelle, Basse continue Dowani 19.99 GBP - vendu par Musicroom GB |
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