By Louis Antoine Travenol. Edited by Jean Saint-Arroman. For Violin and continuo. This edition: Facsimile. La Musique Francaise Classique de 1650 a 1800. Score. 64 pages. Published by Anne Fuzeau Productions - France

Figured Bass Realization by S. Gerlach. By Franz Benda. Edited by S. Gerlach. Violin. Pages: Score = XV and 61 * Vl Part = 32 * Basso Part = 24. Urtext edition-paper bound. Published by G. Henle.

By Jean-Marie Leclair (1697-1764). Edited by Jean Saint-Arroman, Philippe Lescat. Violin and continuo / Flute and continuo / Trios. For Violin, Flute, Viol. Facsimiles. La Musique Francaise Classique de 1650 a 1800. Grade 0. 104 pages. Published by Anne Fuzeau Productions - France

(Rome, 1700). By Arcangelo Corelli (1653-1713). Edited by Nicolas Fromageot. Violon et basse continue. For Violin. Facsimiles. Collection Dominantes. Grade 0. 228 pages

By Antonio Vivaldi (1678-1741). Edited by Nicolas Fromageot. For Violin and continuo. This edition: Facsimile. Collection Dominantes. Score. 88 pages. Published by Anne Fuzeau Productions - France

By Johann Christoph Friederich Bach. For Flute and harpsichord, Violin and harpsichord, Harpsichord and violin. This edition: Facsimile. Collection FacsiMusic. Score. 28 pages. Published by Anne Fuzeau Productions - France

Composed by Dario Castello (1621-). Edited by Alessandro Bares. This edition: Paperback. I piaceri del violino. Early Baroque. Score and set of parts. Published by Musedita Edizioni Musicali (M8.CA-2-SO).

By Jean-Marie Leclair (1697-1764). Edited by Jean Saint-Arroman, Philippe Lescat. Violin and continuo. For Violin, Continuo. Facsimiles. La Musique Francaise Classique de 1650 a 1800. Grade 0. 100 pages

By Franz Benda. For Violin and continuo. Score. 29 pages. Published by Anne Fuzeau Productions - France

Violin-solo,strings,basso continuo (Violin solo, Strings, Basso continuo)

SKU: BA.BA07566

Twelve Concertos for Violin, Strings and Basso continuo. Composed by Antonio Vivaldi. Edited by Bettina Schwemer. This edition: urtext edition. Paperback. Barenreiter Urtext. Volume I: Concertos I-VI. Score, anthology. Opus 4. Baerenreiter Verlag #BA07566_00. Published by Baerenreiter Verlag (BA.BA07566).

ISBN 9790006544066. 31 x 24.3 cm inches. Preface: Schwemer, Bettina.

Antonio Vivaldiâ??s twelve concertos op. 4 known by the name of â??La Stravaganzaâ? were first mentioned as a collection of â??Concerti a 4â? in the 1711 Foreword of â??Lâ??Estro Armonicoâ? op. 3. Their publication had to wait until 1716, when Estienne Roger issued them in two volumes of six concertos each. However, unlike the original announcement, â??La Stravaganzaâ? is more than a collection of concertos for solo violin with string accompaniment: in five of the concertos the soloist is joined by a second solo violin or even by a solo violoncello (Concerto No. 7).

The many reprints of â??La Stravaganzaâ? bear witness to its popularity and widespread dissemination well into the 1730s. Besides the surviving prints, there is a significant body of handwritten sources containing alternative versions for seven of the concertos. Some of these manuscripts stem from the music library of Johann Georg Pisendel.

This edition of â??La Stravaganzaâ? is not only the first scholarly-critical edition, it is also the only complete edition available. In addition to the twelve concertos handed down in the Roger edition, Bärenreiter offers an additional concerto in full score, piano reduction and parts contained in the 1728 print issued by the English publishers Walsh and Hare, as well as alternative versions (without viola) found in handwritten sources for Concertos No. 6 (Volume 1) and No. 11 (Volume 2).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
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By Jean-Fery Rebel. Edited by Catherine Cessac. (1 or 2) Violin and continuo. For Violin, Continuo. Facsimiles. La Musique Francaise Classique de 1650 a 1800. Grade 0. 259 pages

(With Marked and Unmarked String Parts). Composed by Johann Baptist Georg Neruda. Edited by Sonja Gerlach and Zdenka Pilková. For Piano, Violin, Basso Continuo. Henle Music Folios. Softcover. G. Henle #HN1049. Published by G. Henle

Violin and basso continuo (piano, harpsichord); cello (viola da gamba) ad libitum - intermediate

SKU: HL.49000166

D Major, G Major. Composed by Franç and ois Duval. Edited by Hugo Ruf. This edition: Saddle stitching. Sheet music. Antiqua (Chamber Music). Classical. 19 pages. Schott Music #ANT33. Published by Schott Music (HL.49000166).

ISBN 9790001001519. UPC: 884088097752. 9.0x12.0x0.09 inches.

Violin and basso continuo (V/KL) - intermediate

SKU: HL.49031790

Composed by Kirchhoff. Edited by Walter Serauky. Arranged by Ludwig Bus. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. 84 pages. Schott Music #ED 5061. Published by Schott Music (HL.49031790).

ISBN 9790001132381. 9.0x12.0x0.24 inches.

Kirchhoff was born in Muhlbeck (near Bitterfeld) in 1685 and died in Halle in 1746. He was (like Handel) a pupil of Zachov and in 1714 became Zachov's successor as organist and Director Musices at the Marienkirche in Halle. His violin sonatas, which were praised by Leopold Mozart, are very well suited for use in teaching the violin, as they are skilfully structured around the capabilities of the instrument. Especially recommended for friends of baroque violin music.

Violin and basso continuo (V/KL) - intermediate

SKU: HL.49031789

Composed by Kirchhoff. Edited by Walter Serauky. Arranged by Ludwig Bus. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. 92 pages. Schott Music #ED 5060. Published by Schott Music (HL.49031789).

ISBN 9790001132374. 9.0x12.0x0.253 inches.

Kirchhoff was born in Muhlbeck (near Bitterfeld) in 1685 and died in Halle in 1746. He was (like Handel) a pupil of Zachov and in 1714 became Zachov's successor as organist and Director Musices at the Marienkirche in Halle. His violin sonatas, which were praised by Leopold Mozart, are very well suited for use in teaching the violin, as they are skilfully structured around the capabilities of the instrument. Especially recommended for friends of baroque violin music.

By Heinrich Ignaz Franz Biber. Edited by Alessandro Bares. For violin in scordatura and basso continuo. This edition: Paperback. I piaceri del violino. Baroque. Score and set of parts. Published by Musedita Edizioni Musicali

Composed by Heinrich Ignaz Franz Biber. Edited by Alessandro Bares. For violin and basso continuo. This edition: Paperback. I piaceri del violino. Baroque. Score and set of parts. Published by Musedita Edizioni Musicali

(Volume III: Sonatas No. XI-XVI). By Heinrich Ignaz Franz von Biber (1644-1704). For Violin and Continuo. Score and Parts. 92 pages

By Heinrich Ignaz Franz von Biber. Edited by David Ponsford. For violin and basso continuo. Pp. 36 parts pp. 32. Score and Parts. Published by Ut Orpheus.

(Volume II: Sonatas No. VI-X). By Heinrich Ignaz Franz von Biber (1644-1704). For Violin and Continuo. Score and Parts. 72 pages

Composed by Henricus Albicastro (1700-1706). Edited by Michael Talbot / Andrew Woolley. Full score and parts. Duration c. 9 minutes. Published by Edition HH Music Publishers (HH.HH417-FSP).

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH345-FSP).

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH387-FSP).

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH342-FSP).

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH346-FSP).

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH341-FSP).