Violin, Guitar

SKU: UT.CH-42

Composed by Luigi Moretti. Edited by Mario Martino. Saddle stitching. Classical. Score and Parts. Ut Orpheus #CH 42. Published by Ut Orpheus (UT.CH-42).

ISBN 9790215309470. 9 x 12 inches.

For violin and guitar. Composed by Fred Lerdahl. This edition: Saddle stitching. Sheet music. Edition Schott. Score, Softcover. Composed 2016. 31305. 18 pages. Duration 9'. Schott Music #ED31305. Published by Schott Music (HL.49045529).

Violin, Guitar

SKU: FG.042-06624-9

Composed by Erik Valdemar Bergman. Published by Fennica Gehrman (FG.042-06624-9).

ISBN 979-0-042-06624-9.

Violin and Guitar

SKU: BT.SCHBB4400216

Composed by Nicolo Paganini. Arranged by Siegfried Behrend. Classical. Book Only. 9 pages. Bote & Bock #SCHBB4400216. Published by Bote & Bock (BT.SCHBB4400216).

Violin, Guitar

SKU: UT.CH-199

Composed by Wenzeslaus Thomas Matiegka. Edited by Fabio Rizza. Saddle stitching. Classical. Score and Parts. Ut Orpheus #CH 199. Published by Ut Orpheus (UT.CH-199).

ISBN 9790215322714. 9 x 12 inches.

Composed by Jules Massenet (1842-1912). Edited by Fabio Rizza. Score and Parts. 16 pages. Published by Ut Orpheus (UT.CH-178).

By Antonio Vivaldi. Arranged by Claude Gagnon. For guitar and violin. 28 pages. Published by Les Productions dOZ. (DZ 211)
Level: 3.

By Manuel de Falla. For Voz y Guitarra. Published by Editorial de Musica Boileau (Spanish import).

Violin, guitar

SKU: HF.EGA-1380

Hommage à Maurice Ravel. Composed by Horst Lohse. Score. Edition Gamma #EGA 1380. Published by Edition Gamma (HF.EGA-1380).

ISBN 9790502922153. 9 x 12 inches.

By Wolfgang Amadeus Mozart. For Violin and Guitar. Score and Parts. Published by Ut Orpheus. (CH 28)

Guitar and violin - Advanced

SKU: DZ.DZ-2444

Composed by Arcangelo Corelli. Arranged by Alberto Vingiano. Score and part. Les Productions d'OZ #DZ 2444. Published by Les Productions d'OZ (DZ.DZ-2444).

ISBN 9782897373610.

Violin, Guitar

SKU: UT.CH-180

Composed by Simon Molitor. Edited by Fabio Rizza. Saddle stitching. Classical. Score and Parts. Ut Orpheus #CH 180. Published by Ut Orpheus (UT.CH-180).

ISBN 9790215321113. 9 x 12 inches.

Violin, Guitar

SKU: UT.CH-335

Composed by Nicolo Paganini. Edited by Italo Vescovo. Saddle stitching. Classical. Score and Parts. Ut Orpheus #CH 335. Published by Ut Orpheus (UT.CH-335).

ISBN 9790215326538. 9 x 12 inches.

The Trois airs variés for violin and piano belong to the small nucleus of compositions for this scoring which, in the Catalogo tematico, also includes the Cantabile in D major (M.S.109), the only original manuscript piece for violin and piano recently published in a critical edition, and the Quattro Notturni a quartetto (M.S.15). This ‘triptych’, whose authorship is unknown, is familiar thanks to the nineteenth-century editions Ricordi, Pacini and Hofmeister, the only evidence of the piece which is placed in the Catalogo tematico at n. 3 of the uncertain works (Section V, pp. 346-347), that is, those works whose authorship remains in doubt due to the lack of objectively valid documents. This placing does not categorically exclude the originality of the piece, at least as regards the violin part, and that Gustavo Carulli ‘completed’ them later by adding the piano part. Given that to date there is no evidence to deny Paganini’s authorship of the piece, we rely on the editorial tradition documented by the three publications mentioned above and, of course, on the style of the composition.
Regarding the instrumental aspect, the technical peculiarity is given by the exclusive use of the 4th string which must be transposed one tone above, in all three airs, including the variations. Concerning the piano part composed by Gustavo Carulli, it can only be said that it is simple and functional, aimed at highlighting the violin part, nothing more. Since the piano part is not original, the guitar has been thought of as the ideal instrument (as indeed is proved by Paganini’s considerable musical production for this scoring) to support the violin part and which is better suited to these small but pleasant pieces. In the transposition for guitar, however, the aim has been to include Gustavo Carulli’s musical lesson, where it is convincing, in other cases, however, the preference has been to find different solutions, while trying to remain within Paganini’s ‘style’ also as regards writing for the guitar. The present edition therefore seeks to be a plausible alternative to the previous editions, also in order to make these delightful but forgotten pieces more usable.