Par GARDEL CARLOS. Carlos Gardel is one of the most significant figures in the history of the Tango. Now, string players will certainly welcome Diego Collatti's arrangements of some of Gardel's most famous pieces. The arrangements retain all the alluring, captivating qualities of the originals and players will soon become familiar with the diverse and expressive characteristics of the genre. Suitable for intermediate-level players and beyond, these pieces will beguile both performers and their audience alike. ? Captivating classics by Carlos Gardel selected and arranged by Argentinian Tango specialist Diego Collatti ? Experience the magnetic charms of the Tango with these intermediate-level arrangements ? Helpful musical notation ensures an authentic performance true to the diverse styles and nuances typical of the Tango/ Recueil / Violon et Violoncelle ou Alto

Par RAVEL MAURICE. In 1920 Maurice Ravel was asked by his publisher Durand to contribute to an issue of La Revue Musicale dedicated to Claude Debussy. A supplement included the first movement of Ravel’s Sonata as well as works contributed by Debussy’s friends Stravinsky, Satie, Dukas, Bartok and de Falla to name only a few. This 1st movement of Ravel’s Sonata, of which the autograph is lost, then developed into a large scale four movement chamber music work utilizing a more modern music vocabulary than found in almost any other Ravel composition. Bärenreiter’s scholarly-critical edition, the first ever of this masterpiece, presents the work in two performing scores. It contains anintroduction on the history of the work reflecting Ravel’s work and rehearsals with violinist Hélène Jourdan-Morhange and cellist Maurice Maréchal. Sources for this new edition include the engraved copy, the personal autograph scores (with earlier versions of some passages) which were used to rehearse the work and the first edition scores with emendations by Jourdan-Morhange and Maréchal. Included in the appendix are the original fingerings by the performers which are not found in the first edition. They reflect how Ravel must have heard the work in rehearsals and as such are a document of early 20th century performance practice. First Urtext edition of this work Two performing scores (format 25, 5 x 32, 5 cm) The violoncello part does not allow for page turns in the first movement; therefore the edition includes an additional violoncello part in small print presenting the entire first movement on a double page without a page turn Informative introduction to the genesis of the work (Ger/Eng/Fr) Critical commentary with facsimiles and appendices/ Répertoire / Violon et Violoncelle

34 chansons pop, succès de cinéma et standards classiques arrangés pour violon et violoncelle. Partitions complètes et parties détachables individuelles incluses. Les chansons comprennent : Beauty and the Beast - City of Stars - Hallelujah - Imagine - Moon River - Perfect - Shallow - Tears in Heaven - What a Wonderful World - You Raise Me Up - et plus encore. / Partitions variété - pop - rock / Variété internationale / Cordes / HAL LEONARD

An exciting communicative musical journey: These Dialogues have the violin and cello adopting different personalities, temperaments and moods to 'speak' to one another. The titles of the pieces and descriptive headings, such as Chatting, Giggling or Contest, suggest how the pieces may be played.In order to make these ten chamber pieces accessible to students at various different levels, all the duets appear again without markings in the second section of the book, providing an opportunity to experiment with different bowings and fingerings. / Violon Et Violoncelle

10 duets. Par IGUDESMAN ALEKSEY. In his new collection, Aleksey Igudesman goes well beyond where his previous book, Violin and Cello and More left off. In the first book, the pieces were designed for beginners and intermediate players to have fun and be stretched. But here, no punches are pulled! In ?Danny Boy?, the cellist will be tackling double stops in tenor clef and in ?Pizzicato?, both players are faced with fiendishly fast sempre pizzicato. The book progresses through many styles, taking in Aleksey?s reinventions of famous pieces by Mozart and Beethoven, to an unashamedly virtuoso conclusion called ?Double Trouble?. Even Aleksey himself says ?it is not exactly easy to play?. You have been warned! Wonderful fun and very challenging pieces, ideal for concert encores. / Date parution : 2022-11-15/ Recueil / Violon et Violoncelle