| Cassure d ame pour violon,2 percussions et electronique Violon SATB, Orchestre Martin, Robert
Violin SKU: RM.CP41 Composed by Di Legno De La Fuente Benjamin. Violon. I...(+)
Violin SKU:
RM.CP41 Composed by
Di Legno De La Fuente
Benjamin. Violon.
Instrumental music.
Editions Robert Martin
#CP41. Published by
Editions Robert Martin
(RM.CP41). ISBN
9790232600413. $19.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Minuit 27 violon et percussion Violon SATB, Orchestre Martin, Robert
Violin SKU: RM.AZ1698 Composed by Brochot Alain. Violon. Instrumental mus...(+)
Violin SKU:
RM.AZ1698 Composed by
Brochot Alain. Violon.
Instrumental music.
Editions Robert Martin
#AZ1698. Published by
Editions Robert Martin
(RM.AZ1698). ISBN
9790231076981. $11.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Rock Philharmonic Violon [Partition + CD] Alfred Publishing
Classic Rock for the String Orchestra (Violin). Arranged by Bob Phillips ...(+)
Classic Rock for the
String Orchestra
(Violin). Arranged by
Bob Phillips and Daryl
Silberman. Book; CD;
Play-Along; String
Orchestra Collection.
Rock. 40 pages. Published
by Alfred Music
(AP.40736).
$16.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Hymns of Praise - Violin(s) (with CD) Violon [Partition + CD] Choristers Guild
Arrangements for Solo Instrument to Full Orchestra; Flexible for any number o...(+)
Arrangements for Solo
Instrument to Full
Orchestra; Flexible for
any number or combination
of instruments with piano
or CD accompaniment.
Arranged by Stan Pethel.
Advent; Christmas;
Epiphany;
Transfiguration; Christ's
Gracious Life; Palm
Sunday; Easter;
Eastertide; Pentecost;
Holy Trinity;
Reformation; All Saints';
Christ the King;
Communion; Stewardship;
Thanksgiving; General.
Book and CD. Published by
Chorister's Guild
(CG.CGIN16CD).
$16.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Stravinsky, Bartok and More - Vol. 8 (Cello) Violoncelle [CD Sheet Music] Hal Leonard
The Orchestra Musician's CD-ROM Library - Cello. By Bela Bartok, Igor Stravinsky...(+)
The Orchestra Musician's
CD-ROM Library - Cello.
By Bela Bartok, Igor
Stravinsky. CD Sheet
Music. 8 pages. Published
by Hal Leonard.
$19.95 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| Jazz Philharmonic Second Set Violon [Partition + CD] Alfred Publishing
(Violin). By Bob Phillips. Orchestra. For Violin. String Orchestra Collection. J...(+)
(Violin). By Bob
Phillips. Orchestra. For
Violin. String Orchestra
Collection. Jazz. Book
and CD. 40 pages.
Published by Alfred Music
Publishing
$14.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Hymns of Praise - Violin(s) Violon Choristers Guild
Arrangements for Solo Instrument to Full Orchestra; Flexible for any number o...(+)
Arrangements for Solo
Instrument to Full
Orchestra; Flexible for
any number or combination
of instruments with piano
or CD accompaniment.
Arranged by Stan Pethel.
Advent; Christmas;
Epiphany;
Transfiguration; Christ's
Gracious Life; Palm
Sunday; Easter;
Eastertide; Pentecost;
Holy Trinity;
Reformation; All Saints';
Christ the King;
Communion; Stewardship;
Thanksgiving; General.
Book only. Published by
Chorister's Guild
(CG.CGIN16).
$8.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Microsaggi 1 -Corde vuote in concerto Violon SATB, Orchestre Sinfonica Jazz
Violin SKU: BT.SINF315 44 piccoli pezzi per violino ed altri strumenti...(+)
Violin SKU:
BT.SINF315 44
piccoli pezzi per violino
ed altri strumenti.
Composed by Lucia Corini.
Book Only. 44 pages.
Sinfonica #SINF315.
Published by Sinfonica
(BT.SINF315). ISBN
9788884002471. Cord
e vuote in concerto 44
piccoli pezzi per violino
ed altri strumenti Due
violini a corde vuote -
violino a corde vuote e
chitarra, e strumento
melodico, e pianoforte, e
percussioni, e altri
strumenti in diverse
combinazioni. $12.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Jazz Philharmonic Second Set Violoncelle [Partition + CD] Alfred Publishing
(Cello). By Bob Phillips. Orchestra. For Cello. String Orchestra Collection. Jaz...(+)
(Cello). By Bob Phillips.
Orchestra. For Cello.
String Orchestra
Collection. Jazz. Book
and CD. 40 pages
$14.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Double Play Violon Theodore Presser Co.
Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Bongos, Cello, Clarinet, Contraba...(+)
Orchestra Bass Clarinet,
Bassoon 1, Bassoon 2,
Bongos, Cello, Clarinet,
Contrabass, Crotales,
Cymbals, English Horn,
Field Drum, Flute,
Glockenspiel, Horn 1,
Horn 2, Oboe 1, Oboe 2,
Percussion, Piano, Snare
Drum, Triangle, Trumpet,
Vibraphone, Viola and
more. SKU:
PR.416411770 For
Violin, Piano, and
Chamber Orchestra.
Composed by William
Kraft. Full score. With
Standard notation.
Duration 17 minutes.
Theodore Presser Company
#416-41177. Published by
Theodore Presser Company
(PR.416411770). UPC:
680160091508. I was
tempted to call the piece
Throw Back because it
consciously employs
rhythmic and harmonic
approaches characteristic
of the earlier part of
the twentieth century,
much of which plays a
part in forging my
musical personality.
Going along with the
impetus, I have paid
homage by subtly
interpolating stylistic
or actual references to
such unexpected
bedfellows as Scriabin,
Ravel, Debussy, Piston,
Roussel, and Ysaye. I
hope I will be musically
forgiven. In one
continuous movement,
there are three definite
internal sections:
Presto-Largo-Allegro. The
first section opens with
a very soft percussion
cadenza. If the acoustics
allow it, the player will
use sponge pottery
mallets (sponge-headed
mallets employed to
smooth the interior of a
pot as it is being
spin-dried). No matter
how hard the
percussionist strikes the
drums, the dynamic cannot
go above pp (pianissimo).
This cadenza serves as a
basis for the first
movement. The elements of
the cadenza are taken by
the orchestra to make the
first major statement,
similar to the classical
concerto; but rather than
making a restatement, the
soloists, when they come
in, begin with
variational ideas. The
second section is given
over to the soloists, and
is lyrical. The third
section begins with an
alternation between
strict rhythmic pulsation
and free-sounding
timbres, as if reluctant
to leave the second
section behind. The
rhythmic aspect takes
over more and more as the
piece progresses toward
its conclusion. Double
Play was commissioned by
the Saint Paul Chamber
Orchestra with financial
assistance from the
Northwest Area
Foundation. It received
its premiere on January
7, 1983, in St. Paul,
with the St. Paul Chamber
Orchestra; Pinchas
Zukerman, violinist; Marc
Neikrug, piano; and the
composer conducting. $26.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Chinese Rap Violon Theodore Presser Co.
Orchestra (2 flutes (2nd flute doubling piccolo), 2 oboes, 2 clarinets in bb, 2 ...(+)
Orchestra (2 flutes (2nd
flute doubling piccolo),
2 oboes, 2 clarinets in
bb, 2 bassoons, 4 french
horns in f, 2 trumpets in
c, 2 trombones, 1 bass
trombone, 1 tuba,
percussion 1: small
beijing opera gong,
marimba, tam-tam,
japanese high, wood
block, percussion 2: s)
SKU: PR.416415110
For Violin And
Orchestra. Composed
by Chen Yi. Contemporary.
Full score. With Standard
Notation. Duration 10
minutes. Theodore Presser
Company #416-41511.
Published by Theodore
Presser Company
(PR.416415110). UPC:
680160621286. Commi
ssioned by Kennesaw State
University Symphony
Orchestra in 2012,
Chinese Rap for violin
and orchestra is
premiered by Prof. Helen
Kim as the soloist and
the KSUSO led by Prof.
Michael Alexander at
Bailey Center in KSU, GA
on Feb. 17, 2014. The
work is inspired by
Chinese folk musical
story telling, Quyi, in a
form of mixed reciting
and singing style, with
interludes played by
percussion and plucking
instruments in
accompaniment. The folk
musical story telling is
sung in dialects from
different geographic
regions. I mixed all
these elements in a
complex three-part form,
with an introduction, a
cadenza in the middle,
and a coda as the frame
in the structure. The
melodies are delicate and
leisurely, and the
rhythmic parts are
energetic, vivid and
lively. There are big
contrasts between
sections, which are
juxtaposed and connected
smoothly and
congenially. Commissio
ned by Kennesaw State
University Symphony
Orchestra in 2012,Chinese
Rap for violin and
orchestra is premiered by
Prof. Helen Kim as
thesoloist and the KSUSO
led by Prof. Michael
Alexander at Bailey
Center inKSU, GA on Feb.
17, 2014. The work is
inspired by Chinese folk
musical storytelling,
Quyi, in a form of mixed
reciting and singing
style, with
interludesplayed by
percussion and plucking
instruments in
accompaniment. The
folkmusical story telling
is sung in dialects from
different geographic
regions. Imixed all these
elements in a complex
three-part form, with an
introduction, a cadenza
in the middle, and a coda
as the frame in the
structure. The melodies
are delicate and
leisurely, and the
rhythmic parts are
energetic, vivid and
lively. There are big
contrasts between
sections, which are
juxtaposed and connected
smoothly and
congenially. $45.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Chinese Rap Violon Theodore Presser Co.
Orchestra (2 flutes (2nd flute doubling piccolo), 2 oboes, 2 clarinets in bb, 2 ...(+)
Orchestra (2 flutes (2nd
flute doubling piccolo),
2 oboes, 2 clarinets in
bb, 2 bassoons, 4 french
horns in f, 2 trumpets in
c, 2 trombones, 1 bass
trombone, 1 tuba,
percussion 1: small
beijing opera gong,
marimba, tam-tam,
japanese high, wood
block, percussion 2: s)
SKU: PR.41641511L
For Violin And
Orchestra. Composed
by Chen Yi. Contemporary.
Large Score. With
Standard Notation.
Duration 10 minutes.
Theodore Presser Company
#416-41511L. Published by
Theodore Presser Company
(PR.41641511L). UPC:
680160621293. Commi
ssioned by Kennesaw State
University Symphony
Orchestra in 2012,
Chinese Rap for violin
and orchestra is
premiered by Prof. Helen
Kim as the soloist and
the KSUSO led by Prof.
Michael Alexander at
Bailey Center in KSU, GA
on Feb. 17, 2014. The
work is inspired by
Chinese folk musical
story telling, Quyi, in a
form of mixed reciting
and singing style, with
interludes played by
percussion and plucking
instruments in
accompaniment. The folk
musical story telling is
sung in dialects from
different geographic
regions. I mixed all
these elements in a
complex three-part form,
with an introduction, a
cadenza in the middle,
and a coda as the frame
in the structure. The
melodies are delicate and
leisurely, and the
rhythmic parts are
energetic, vivid and
lively. There are big
contrasts between
sections, which are
juxtaposed and connected
smoothly and
congenially. Commissio
ned by Kennesaw State
University Symphony
Orchestra in 2012,Chinese
Rap for violin and
orchestra is premiered by
Prof. Helen Kim as
thesoloist and the KSUSO
led by Prof. Michael
Alexander at Bailey
Center inKSU, GA on Feb.
17, 2014. The work is
inspired by Chinese folk
musical storytelling,
Quyi, in a form of mixed
reciting and singing
style, with
interludesplayed by
percussion and plucking
instruments in
accompaniment. The
folkmusical story telling
is sung in dialects from
different geographic
regions. Imixed all these
elements in a complex
three-part form, with an
introduction, a cadenza
in the middle, and a coda
as the frame in the
structure. The melodies
are delicate and
leisurely, and the
rhythmic parts are
energetic, vivid and
lively. There are big
contrasts between
sections, which are
juxtaposed and connected
smoothly and
congenially. $85.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concerto Violon Theodore Presser Co.
Orchestra Bass Trombone, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabas...(+)
Orchestra Bass Trombone,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabass, Flute 1,
Flute 2, Harp, Horn 1,
Horn 2, Oboe 1, Oboe 2,
Percussion 1, Percussion
2, Percussion 3, Piano,
Timpani, Trumpet 1,
Trumpet 2, Viola, Violin,
Violin 1, Violin 2,
Violoncello SKU:
PR.46600040L For
violin and Orchestra.
Composed by Dan Welcher.
Premiere: Paul Kantor,
Violin, Aspen Festival
Orchestra, conducted by
the composer.
Contemporary. Large
Score. With Standard
notation. Composed
December 26 1992. 186
pages. Duration 25
minutes. Theodore Presser
Company #466-00040L.
Published by Theodore
Presser Company
(PR.46600040L). UPC:
680160599134. 11 x 17
inches. $250.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concerto Violon Theodore Presser Co.
Orchestra Bass Trombone, Bassoon 1, Bassoon 2, Celesta, Clarinet 1, Clarinet 2, ...(+)
Orchestra Bass Trombone,
Bassoon 1, Bassoon 2,
Celesta, Clarinet 1,
Clarinet 2, Contrabass,
English Horn, Flute 1,
Flute 2, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Oboe 1, Oboe 2,
Percussion, Piccolo,
Timpani, Trombone,
Trumpet 1, Trumpet 2,
Viola, Violin 1 and more.
SKU: PR.41641366L
For Violin and
Orchestra. Composed
by Behzad Ranjbaran.
Contemporary. Large
Score. With Standard
notation. Composed 1994.
144 pages. Duration 31
minutes. Theodore Presser
Company #416-41366L.
Published by Theodore
Presser Company
(PR.41641366L). UPC:
680160585755. From
my early years studying
violin at the Tehran
Music Conservatory, I was
captivated by the sound
of the kamancheh, an
ancient Persian bowed
instrument considered one
of the ancestors to the
modern violin. I was
pleased when the National
Endowment for the Arts
awarded me a grant to
write a violin concerto
as it provided me with an
occasion to rekindle my
fascination with the
kamancheh. The notion of
writing a violin concerto
that would incorporate
the power and brilliance
of a modern instrument
with the delicate and
lyrical character of an
ancient one was simply
irresistible. Moreover,
the inspiration from the
kamancheh also informed
my use of Persian modes,
melodic, and rhythmic
figures. The notes of the
violins open strings (G,
D, A, E) also influenced
many of the melodic and
harmonic elements of my
violin concerto. The
opening tutti is mostly
based on intervals of a
perfect 4th and 5th. The
primary material for each
movement incorporates
notes of two of the open
strings of the violin,
creating a three-note
melodic motif as the
basis of themes: 1 st
movement: A-D-A 2nd
movement: D-G-D 3rd
movement: E-A-E The
overall structure of the
concerto is organic and
cyclical, as themes are
shared between the three
movements. For example,
the main musical idea of
the third movement is a
transformation of the
first movements primary
theme. While the
movements share similar
musical materials, each
one is defined by
distinguishing
characters. The first
movement is conflicted;
alternating between
sections of unabashed
lyricism and unforgiving
ferocity. The second
movement is haunting,
mysterious, and
expressive with long
melodic lines that vary
continuously. It moves
through different moods
and characters including
a reimagining of a
traditional Persian
wedding tune played by
the orchestra (m. 98).
The third movement is
festive in character and
features much brilliant
passagework for the solo
violin. At the climax of
this movement, themes
from the previous
movements re-emerge
simultaneously with
greater intensity,
propelling the concerto
to an energetic finale.
The Concerto was composed
in 1994 and is dedicated
to Joshua Bell. From
my early years studying
violin at the Tehran
Music Conservatory, I was
captivated by the sound
of the kamancheh, an
ancient Persian bowed
instrument considered one
of the ancestors to the
modern violin. I was
pleased when the National
Endowment for the Arts
awarded me a grant to
write a violin concerto
as it provided me with an
occasion to rekindle my
fascination with the
kamancheh. The notion of
writing a violin concerto
that would incorporate
the power and brilliance
of a modern instrument
with the delicate and
lyrical character of an
ancient one was simply
irresistible. Moreover,
the inspiration from the
kamancheh also informed
my use of Persian modes,
melodic, and rhythmic
figures. The notes of the
violinas open strings (G,
D, A, E) also influenced
many of the melodic and
harmonic elements of my
violin concerto. The
opening tutti is mostly
based on intervals of a
perfect 4th and 5th. The
primary material for each
movement incorporates
notes of two of the open
strings of the violin,
creating a three-note
melodic motif as the
basis of themes: 1 st
movement: A-D-A 2nd
movement: D-G-D 3rd
movement: E-A-E The
overall structure of the
concerto is organic and
cyclical, as themes are
shared between the three
movements. For example,
the main musical idea of
the third movement is a
transformation of the
first movementas primary
theme. While the
movements share similar
musical materials, each
one is defined by
distinguishing
characters. The first
movement is conflicted;
alternating between
sections of unabashed
lyricism and unforgiving
ferocity. The second
movement is haunting,
mysterious, and
expressive with long
melodic lines that vary
continuously. It moves
through different moods
and characters including
a reimagining of a
traditional Persian
wedding tune played by
the orchestra (m. 98).
The third movement is
festive in character and
features much brilliant
passagework for the solo
violin. At the climax of
this movement, themes
from the previous
movements re-emerge
simultaneously with
greater intensity,
propelling the concerto
to an energetic finale.
The Concerto was composed
in 1994 and is dedicated
to Joshua Bell. From
my early years studying
violin at the Tehran
Music Conservatory, I was
captivated by the sound
of the kamancheh, an
ancient Persian bowed
instrument considered one
of the ancestors to the
modern violin. I was
pleased when the National
Endowment for the Arts
awarded me a grant to
write a violin concerto
as it provided me with an
occasion to rekindle my
fascination with the
kamancheh. The notion of
writing a violin concerto
that would incorporate
the power and brilliance
of a modern instrument
with the delicate and
lyrical character of an
ancient one was simply
irresistible. Moreover,
the inspiration from the
kamancheh also informed
my use of Persian modes,
melodic, and rhythmic
figures. The notes of the
violin's open strings (G,
D, A, E) also influenced
many of the melodic and
harmonic elements of my
violin concerto. The
opening tutti is mostly
based on intervals of a
perfect 4th and 5th. The
primary material for each
movement incorporates
notes of two of the open
strings of the violin,
creating a three-note
melodic motif as the
basis of themes: 1 st
movement: A-D-A 2nd
movement: D-G-D 3rd
movement: E-A-E The
overall structure of the
concerto is organic and
cyclical, as themes are
shared between the three
movements. For example,
the main musical idea of
the third movement is a
transformation of the
first movement's primary
theme. While the
movements share similar
musical materials, each
one is defined by
distinguishing
characters. The first
movement is conflicted;
alternating between
sections of unabashed
lyricism and unforgiving
ferocity. The second
movement is haunting,
mysterious, and
expressive with long
melodic lines that vary
continuously. It moves
through different moods
and characters including
a reimagining of a
traditional Persian
wedding tune played by
the orchestra (m. 98).
The third movement is
festive in character and
features much brilliant
passagework for the solo
violin. At the climax of
this movement, themes
from the previous
movements re-emerge
simultaneously with
greater intensity,
propelling the concerto
to an energetic finale.
The Concerto was composed
in 1994 and is dedicated
to Joshua Bell. From
my early years studying
violin at the Tehran
Music Conservatory, I was
captivated by the sound
of the kamancheh, an
ancient Persian bowed
instrument considered one
of the ancestors to the
modern violin. I was
pleased when the National
Endowment for the Arts
awarded me a grant to
write a violin concerto
as it provided me with an
occasion to rekindle my
fascination with the
kamancheh. The notionof
writing a violin concerto
that would incorporate
the power and brilliance
of a modern instrument
with the delicate and
lyrical character of an
ancient one was simply
irresistible. Moreover,
the inspiration from the
kamancheh also informed
my use of Persian modes,
melodic, and rhythmic
figures.The notes of the
violin’s open strings
(G, D, A, E) also
influenced many of the
melodic and harmonic
elements of my violin
concerto. The opening
tutti is mostly based on
intervals of a perfect
4th and 5th. The primary
material for each
movement incorporates
notes of two of the open
strings of the violin,
creating a three-note
melodic motif as the
basis of themes:1 st
movement: A-D-A2nd
movement: D-G-D3rd
movement: E-A-EThe
overall structure of the
concerto is organic and
cyclical, as themes are
shared between the three
movements. For example,
the main musical idea of
the third movement is a
transformation of the
first movement’s
primary theme. While the
movements share similar
musical materials, each
one is definedby
distinguishing
characters. The first
movement is conflicted;
alternating between
sections of unabashed
lyricism and
unforgivingferocity. The
second movement is
haunting, mysterious, and
expressive with long
melodic lines that vary
continuously. It moves
through different moods
and characters including
a reimagining of a
traditional Persian
wedding tune played by
the orchestra (m. 98).
The third movement is
festive in character and
features much brilliant
passagework for the solo
violin. At the climax of
this movement, themes
fromthe previous
movements re-emerge
simultaneously with
greater intensity,
propelling the concerto
to an energetic finale.
The Concerto was composed
in 1994 and is dedicated
to Joshua Bell. $180.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concerto Violon Theodore Presser Co.
Orchestra 2 Bassoons, 2 Clarinets in Bb, 2 Flutes, 2 Oboes, 2 Trombones, 3 Percu...(+)
Orchestra 2 Bassoons, 2
Clarinets in Bb, 2
Flutes, 2 Oboes, 2
Trombones, 3 Percussion,
3 Trumpets in C, 4 Horns
in F, Bass Clarinet, Bass
Trombone, Piccolo, Solo
Violin, Strings, Timpani
SKU: PR.416414600
For violin and
Orchestra. Composed
by Samuel Adler.
Premiere: Tulsa Symphony
Orchestra, Siwoo Kim,
violin; Tulsa, OK.
Contemporary. Full score.
With Standard notation.
Composed 2012. Duration
20 minutes. Theodore
Presser Company
#416-41460. Published by
Theodore Presser Company
(PR.416414600). UPC:
680160612246. 8.5 x 11
inches. $70.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concerto Violon Theodore Presser Co.
Orchestra 2 Bassoons, 2 Clarinets in Bb, 2 Flutes, 2 Oboes, 2 Trombones, 3 Percu...(+)
Orchestra 2 Bassoons, 2
Clarinets in Bb, 2
Flutes, 2 Oboes, 2
Trombones, 3 Percussion,
3 Trumpets in C, 4 Horns
in F, Bass Clarinet, Bass
Trombone, Piccolo, Solo
Violin, Strings, Timpani
SKU: PR.41641460L
For violin and
Orchestra. Composed
by Samuel Adler.
Premiere: Tulsa Symphony
Orchestra, Siwoo Kim,
violin; Tulsa, OK.
Contemporary. Large
Score. With Standard
notation. Composed 2012.
Duration 20 minutes.
Theodore Presser Company
#416-41460L. Published by
Theodore Presser Company
(PR.41641460L). UPC:
680160612253. 11 x 15
inches. $145.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Evocaciones concerto Violon Subito Music
Violin & Orchestra (Violin; 2.2.2.2 - 4.3.3.1 - timpani, 3 percussion, piano; st...(+)
Violin & Orchestra
(Violin; 2.2.2.2 -
4.3.3.1 - timpani, 3
percussion, piano;
strings) SKU:
SU.92010120 For
Violin & Orchestra.
Composed by Roberto
Sierra. Strings, Violin,
Orchestra. Study Score.
Composed 1994. Duration
22'. Subito Music
Corporation #92010120.
Published by Subito Music
Corporation
(SU.92010120).
Violin; 2222;
4331; timp, 3perc, pno;
stgs Duration: 22'
Composed: 1994 Published
by: Subito Music
Publishing Performance
materials available on
rental only:. $42.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Doble Concierto para Violin y Viola double concerto Violon Subito Music
Violin & Viola (violin, viola; 2222; 4331; timpani, percussion, harp, piano; str...(+)
Violin & Viola (violin,
viola; 2222; 4331;
timpani, percussion,
harp, piano; strings)
SKU: SU.92050110
For Violin &
Viola. Composed by
Roberto Sierra.
Orchestra, Strings,
Violin, Strings, Viola.
Study Score. Composed
2003. Duration 25'.
Subito Music Corporation
#92050110. Published by
Subito Music Corporation
(SU.92050110).
Violin, viola;
2222; 4331; timp, perc,
harp, pno; stgs Duration:
25' Full Score & Parts:
available on rental
Composed: 2003 Published
by: Subito Music
Corporation Performance
materials available on
rental only:. $50.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concerto Violon Theodore Presser Co.
Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Contrab...(+)
Bass Clarinet, Bassoon 1,
Bassoon 2, Clarinet 1,
Clarinet 2, Contrabass,
Contrabassoon, English
Horn, Flute 1, Flute 2,
Flute 3, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Oboe 1, Oboe 2,
Percussion 3, Piano,
Piccolo, Synthesizer,
Timpani, Trombone 1 and
more. SKU:
PR.44641212L For
violin and Orchestra.
Composed by Donald Erb.
With Standard notation.
112 pages. Theodore
Presser Company
#446-41212L. Published by
Theodore Presser Company
(PR.44641212L). 11 x
17 inches. $150.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Serenade Violon Boosey and Hawkes
After Plato's Symposium. By Leonard Bernstein. Arranged by Isaac Stern. (Violin...(+)
After Plato's Symposium.
By Leonard Bernstein.
Arranged by Isaac Stern.
(Violin). Boosey and
Hawkes Chamber Music.
Size 8.5x11 inches.
Published by Boosey and
Hawkes.
(1)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Concerto Violon Theodore Presser Co.
Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Contrab...(+)
Bass Clarinet, Bassoon 1,
Bassoon 2, Clarinet 1,
Clarinet 2, Contrabass,
Contrabassoon, English
Horn, Flute 1, Flute 2,
Flute 3, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Oboe 1, Oboe 2,
Percussion, Piano,
Piccolo, Synthesizer,
Timpani, Trombone 1 and
more. SKU:
PR.446412120 For
violin and Orchestra.
Composed by Donald Erb.
With Standard notation.
112 pages. Theodore
Presser Company
#446-41212. Published by
Theodore Presser Company
(PR.446412120). UPC:
680160607419. 8.5 x 11
inches. $70.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| World Songs for Solo Instruments and Strings Violoncelle Hal Leonard
Clarinet, Flute, Violin, String Orchestra SKU: HL.4491326 Cello. A...(+)
Clarinet, Flute, Violin,
String Orchestra SKU:
HL.4491326
Cello. Arranged by
Leonard Slatkin. Easy
Music For Strings. Folk.
Softcover. 12 pages.
Published by Hal Leonard
(HL.4491326). ISBN
9781480366237. UPC:
884088962562. 9x12
inches. World
Songs for Solo
Instruments and
Strings is the newest
in a series of
publications by
internationally acclaimed
conductor Leonard
Slatkin, long known for
his commitment to music
education. These easy to
intermediate folk song
settings for flexibie
solo (violin, flute or
clarinet*) with youth
orchestra accompaniment
are a wonderful set of
pieces for your concert
catalog - and with 25
minutes of concert
programming they're also
a great value! Add flair
to your performance with
the optional percussion
parts. Includes:
• *When
Johnny Comes Marching
Home (features all three
solo instruments)
• Volga
Boatmen's Song
• Danny Boy
• Dance of
the Cockroach
•
Funiculì,
Funiculà
• *Simple
Grace (setting of
Simple Gifts and
Amazing Grace for
solo piano with strings)
• O Waly,
Waly (The Water Is Wide)
•
Frère Jacques
• Ich hab
die Nacht Geträumet
(I Dreamed This Night)
• Home on
the Range. $5.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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