37 Pièces pour violon auxquels vous aimez jouer le répertoire classique comporte des maîtres avec deux CD améliorés qui présentent des accompagnements de piano pour chaque pièce ainsi que les logiciels pour le réglage du tempo utilisation de l'ordinateur de CD-ROM. / Violon Et Piano

Par POLITI ADRIEN. Une longue pièce de concert en quatre mouvements. Pour violonistes confirmés. / Niveau : Assez Difficile / Contemporain / Date parution : 2005-01-01/ Répertoire / Violon

Cette partition CANTUS I de Escaich Thierry a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB8219. Cette oeuvre d'une durée de 00:10:00 est idéale pour les musiciens pratiquant Violoncelle. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Violoncelle / Partition

Arranged for Violin with Piano Accompaniment Violin Sonata In A composed in 1787 this expressive and challenging piece earns its place alongside the best of Mozart's work.

Ode For Saint Cecilia's Day (Violin 1) Violin 1 part only.Handel's majestical setting of John Dryden in a cantata to honour the patron saint of music first performed in London in 1739.

For Solo Violin-Dr. Lawrence Golan's edition of Bach's masterpieces for solo violin combines the authenticity and accuracy of a Scholarly Urtext Edition with the practicality and helpfulness of a Performing Edition. A facsimile of Bach'sautograph manuscript was used in the preparation of this edition and the composer's intentions have been preserved to the last detail. Of particular note is the fact that all stems have been beamed together as they appear in theautograph manuscript. This is of great importance when making interpretive decisions regarding dotted rhythms. Helpful fingering and bowing suggestions are provided by the editor but are clearly distinguished from Bach's originalnotation allowing the performer the freedom to accept or reject any given suggestion. The volume comes complete with Dr. Golan's essay 'Performing Bach: Dotted Rhythms and Trills in the Sonatas and Partitas for Solo Violin 'which also includes scholarly discussions of vibrato fingerings bowing styles and ritardandos in Baroque music. The inclusion of this comprehensive study of Baroque performance practices makes this edition a must for anyviolinist interested in performing the Bach Sonatas and Partitas in an historically informed manner.