Book One. By Carl Flesch. Edited by E. Rosenblith. Arranged by E. Rosenblith A. ...(+)
Book One. By Carl Flesch.
Edited by E. Rosenblith.
Arranged by E. Rosenblith
A. Mutter. For Violin.
Masters Collection.
Classical. Text. 192
pages. Published by Carl
Fischer.
Practical Scale
Studies for All Levels of
Violin Performance with
Backup Practice Online
Audio.
Saddle-stitched.
Technique. Book and
online audio. Mel Bay
Publications, Inc
#30878M. Published by Mel
Bay Publications, Inc
(MB.30878M).
ISBN
9781513470535. 8.75X11.75
inches.
You may not
fall in love, but the 257
online piano
accompaniment tracks that
come witháI Love My
Scalesáare likely to
change your attitude
towards playing
tetrachords, scales,
arpeggios, and double
stops on the violin. In
fact, anyone who plays a
C instrument with a
comparable range will
enjoy playing along with
these imaginative and
elegant
recordings.áWhile this
book was written
primarily for violinists
to enhance intonation,
agility, overall
musicianship, and the
sense of time essential
to playing with an
ensemble in any style,
mandolinists will benefit
equally in improving
sight reading and
fretboard knowledge. Like
the famous Hanon studies
for piano, once these
exercises become a part
of muscle memory,
improved technical, ear
training and
improvisation skills will
follow.Useful for
violinists of any skill
level, this book and its
extensive companion
recordings offer a
complete workout for 1 to
3-octave major and minor
scales and arpeggios in
commonly used violin
keys. The book also
addresses scales in
various intervals plus
chromatic, modal, and
exotic scalesùall with
piano accompaniment that
makes scale practice a
labor of love.Includes
access to online
audio.
Solo Violin SKU: SU.29110060 For Solo Violin. Composed by Wynton M...(+)
Solo Violin
SKU:
SU.29110060
For
Solo Violin. Composed
by Wynton Marsalis.
Strings, Violin.
Unaccompanied. Score.
Subito Music Corporation
#29110060. Published by
Subito Music Corporation
(SU.29110060).
1. Sidestep
Reel - In 19th
Century America, the
Afro-Celtic fiddle style
was the centerpiece of
many a dance. Reels and
hornpipes were very
popular forms. Their
repetitive, even-metered
rhythms were easy and fun
to dance to, and their
infectious singable
melodies stayed in the
mind and on the tongue.
More adventurous fiddlers
were given to syncopating
on these forms by
accenting off beats and
by embellishing melodies
with oddmetered note
groupings. Syncopation is
a fundamental rhythmic
attitude of jazz and this
movement is a celebration
of that art. The melodic
language is a home-grown
concoction of commonality
between traditional reels
and hornpipes and the
Baroque, Ragtime and the
quartal concepts of
Modern Jazz. 2. As the
Wind Goes - the
wistful late night song
of a lullabye, a campfire
song, a ballad...a
spiritual. It is sung as
if on the wind, yearning
to experience once again
that which will only ever
again live as memory. 3.
Jones’ Jig -
the Irish Jig, the
African 6/8 bell pattern,
the shuffle rhythm of
jazz and the drum style
of Elvin Jones all play
around with the
relationship of 3 in the
time-space of 2. The
juxtaposition,
negotiation and
reconciliation of these
opposing rhythmic
perspectives create
interesting musical
relationships all over
the globe. 4.
Nicola’s
Strathspey - In the
traditional Strathspey,
improvised
embellishments,
syncopated dotted rhythms
and the use of space
between notes create
expectation, momentum and
surprise. These same
elements and their effect
on the listener are the
same in the blues. It
seems like a natural
marriage. 5. Bye Bye
Breakdown - This is
good ol’, Saturday
night barn dance, hoedown
fiddling. It revels in
the whining cry of open
double stops, in all
types of musical
onomatopoeia from train
sounds to animal calls to
country whistling, and in
the steady 2/4 rhythm
that is as basic as
walking. The harmonic
framework of several
popular fiddle and folk
tunes provide a practical
grid for the cutting of
challenging melodic and
rhythmic figures. It is
designed to tire fiddler
and dancers out. Then we
stomp our way home in
varying states of delight
and disrepair.Solo Violin
Duration: 24' Composed:
2018 Published by: Wynton
Marsalis (administered by
Skayne's Music).