Easy Solo Violin and Piano-A collection of 12 traditional carols for easy violin (Grade 2) and piano accompaniment from master arranger Bruce Healey. This group of delightful arrangements will become your most valuable resource of holiday music for years to come. Each carol is given a fresh creative treatment yet is expertly arranged with younger players in mind. Songs include: Away in a Manger · We Wish You a Merry Christmas · Deck the Halls · Ding Dong Merrily on High · God Rest Ye Merry Gentlemen · Greensleeves · O Come All Ye Faithful · Chanukah Oy Chanukah · O Holy Night · Pat-A-Pan · Silent Night · Three Holiday Songs (Medley including The Dreydl Song Jingle Bells and Joy to the World). Alsoavailable for: 00842194 Solo Viola and Piano 00842195 Solo Cello and Piano 04490404 String Quartet String Orchestra: · 04490308 Conductor Score · 04490309 Violin 1 part · 04490310 Violin 2 part · 04490311 Violin 3 part (Viola T.C.) · 04490312 Viola part · 04490313 Cello part · 04490314 String Bass part · 04490315 Piano · 04490316 Opt. Harp · 04490317 Opt. Percussion

Instrumental Play-Along-Arrangements for a dozen holiday favorites in the unique neo-classical electronic music style of Mannheim Steamroller are featured in this collection perfect for budding instrumentalists. It features online access to audio demonstration tracks for download or streaming to help you hear how the song should sound. Includes: Carol of the Bells · Deck the Halls · God Rest Ye Merry Gentlemen · Hark! the Herald Angels Sing · Joy to the World · Silent Night · Traditions of Christmas · and more. Online audio is accessed at halleonard.com/mylibrary

Par LEGG PAT. This collection 15 original, imaginative studies for solo cello has been specially designed for young players from Grades 3-5 level. Throughout the book, progressive technical points go hand-in-hand with musical development. The studies cover a variety of keys' modes, rhythmic patterns and styles (including jazz), while also encouraging self-expression. The descriptive titles are intended to help the cellist play in style appropriate to each study. Teachers and pupils will find this invaluable yet light-hearted collection both enjoyable and stimulating. / Niveau : Facile / Etude / Violoncelle

For solo Cello Timpani and Strings.Popule Meus was commissioned through the Magnum Opus project: Kathryn Gould founding patron and commissioner and Meet the Composer project manager.It was first performed on 6thFebruary 2010 by Yuri Hooker (cello) and the Winnipeg Symphony Orchestra conducted by Alexander Micklethwate. Composer's Notes 'Popule Meus is a meditation on the Judaic and Christian text ?O my People whathave I done to you?? but itis also a Universalist contemplation of the wholesale rejection of God by modern man. However much manrejects God he cannot escape Him and indeed he is condemned to the supernatural by his deiformnature. InHindu terms he is the Absolute Ayam Atma Brahma (The Self is the Absolute).In this work the solo cello is the All-Compassionate One while the timpani represent man in his vain andpointless rejection. Although the solocello and strings and the timpani share the same material (four ideas aregradually revealed and they revolve four times during the piece) the timpani music is violent and becomesincreasingly frenzied and contracted while thecello and strings remain still and serene.So even in winning the Darkness loses and even in losing the Light wins. Passion Resurrection andRedemption; or in Hindu terms Atma (The Absolute) alone is real Maya (The Relative) ismerely illusion.'

20 Airs Célèbres Irlandais. Dans ce volume, le musicien folk Patrick Steinbach a compilé les plus beaux airs irlandais, et donne en complément de nombreuses indications sur l'interprétation, le style et le milieu culturel de la musique irlandaise. / Niveau : Facile / Recueil / Violon

for solo cello. Par LARCHER THOMAS. I do not compose my pieces for a certain voice range or orchestration, but for musicians, for people. It is almost impossible for me to produce a piece without having a particular person in mind or to hear him/her inwardly. No matter how standardized the interpretation of classical music is, and no matter how many coordinates have been fixed and defined, I do not want to have them seen (and therewith the notation) as determining and limiting signs, but rather as guideposts towards the creation of vital, organic music. In differentiated music, two participants are necessary in order for a piece to evolve-- the composer and the musician. Just as there is no one way for a composer to express himself or to notate music, etc., neither is there one way for a musician to read the notation, to interpret, or to live. We find ourselves, for this reason, in a network of meanings, gestures, and signs which have to be fathomed and expanded together. The tone, the breath, the gestures, the dedication, and the potentialities of a musician were also ultimately decisive for the form of this piece. It is music which pushes the expressive and technical possibilities of the instrument to its very limits. It is music in which the musician has to transport the contexts and expression over and above the notation. It was not necessary for me to find a new form for this piece; it is a work which can and should be performed in a ‘normal’ concert situation. I deliberately wanted to integrate the perhaps new and unusual content into a familiar form (thus the title ‘Sonata’) And I also wanted to embed the aforementioned extreme situations (in which the technical extremes are synonyms for tension, isolation, loss or tenderness) in an organic process in order for the listener to be able to empathize with and comprehend what is expressed in the piece. I would like to thank Natalie Clein, to whom the Sonata is dedicated, for inspiring this piece and for the path that led to the realization of the music. Thomas Larcher/ Répertoire / Violoncelle

Wer sagt, dass man mit Streichinstrumenten keine Popmusik machen könne\' In diesem Sonderband verneigen wir uns vor den großen Filmmelodien der letzten Jahrzehnte: auf unvergesslichen Evergreens wie Pink Panther über Hollywood-Klassiker wie Forrest Gump oder Der Pate folgen Melodien aus aktuelleren Filmen wie Die fabelhafte Welt der Amelie.
Die Arrangements sind speziell für Violine leicht spielbar und gut klingend bearbeitet. Alle Songs wurden zweimal aufgenommen: in einer Komplettfassung und einer Play-Along-Version. Damit macht das Üben und Vorspielen noch mehr Spaß. Wahlweise kann auch eine zweite Violine mitspielen, denn für alle Stücke gibt es eine 2. Stimme.
Die ideale Abwechslung im Unterricht und für das Spielen zu Hause!
Adele: Skyfall
Nino Rota: Speak Softly, Love (Love Theme)
Henr Mancini: The Pink Panther Theme
Yiruma: River Flows In You
Alan Silvestri: Forest Gump Feather Theme
Celine Dion: My Heart Will Go On
Annie Lennox / Howard Shore / Fran Walsh: Into The West
Elton John: Circle Of Life
Hans Zimmer / Klaus Badelt / Geoff Zanelli: He\'s A Pirate
Yann Tiersen: Comptine D\'un Autre Eté: L\'Après-Midi / Partitions variété - pop - rock / Variété internationale / Cordes / SCHOTT

There is no other tutor like it. A complete system in five books that takes the student from the very first notes to Grade Eight and beyond. Beautifully presented and printed with visual clarity that helps the student learn to read music. No distracting cartoons. Enjoyable duets for pupil and teacher. Suitable for ALL ages.Book Two - introduces Finger Patterns No 2 No 3 & No 4 together with portato bowing linked dotted bowing extended scales chromatics minor scales scales in broken thirds elementary finger exercises double stops and the general development of sound bowing. There are many original violin duets throughout. Some are published separately with pianoaccompaniments by Sally Mays. (This book covers the requirements for Grade One and Two.)

Une sélection de Noël chants dans des arrangements très faciles pour violon, avec une deuxième partie facultative. Sur le CD accompagnant chaque carol est donné en deux versions, avec ou sans les violons. / 1 Ou 2 Violon(s)

Une sélection de Noël chants dans des arrangements très faciles pour violon, avec une deuxième partie facultative. Sur le CD accompagnant chaque carol est donné en deux versions, avec ou sans les violons. / 1 Ou 2 Violon(s)