Instrumental Play-Along-Solo arrangements of a dozen jazz blues tunes are featured in this collection for beginning to intermediate instrumentalists.It features online access to audio demonstration tracks for download or streaming to help you hear how the song should sound and so you can sound great while playing along with the backing tracks!Songs include Basin Street Blues C-Jam Blues Freddie Freeloader Night Train One for Daddy-O The Swingin' Shepherd Blues Tenor Madness and more.The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK a multi-functional audio player thatallows you to slow down audio without changing pitch set loop points change keys and pan left or right.

Ils se prennent le crâne à deux mains et susurrent : 'Ouh ! J'adore Bessie Smith? sans même voir que Bessie Smith est en train de leur chanter : 'Tiens, voilà mon cul, mon gros cul noir?. 'LeRoi Jones, Le Métro fantômeRejetés en tant que Noirs, en marge comme musiciens (et doublement exclus comme Noirs et musiciens), blues singers, jazzmen et rappers parlent leur singularité. C'est cette singularité que traque Talkin' That Talk - son champ d'investigation est précisément délimité, qui se propose d'inventorier leur vocabulaire, tel qu'il se révèle dans des productions orales attestées (chants, inters et biographies enregistrés).Le lexique ainsi collecté couvre quelque 5000 termes ou expressions relevant de l'argot, du jargon spécifiques aux musiciens, aux différentes techniques et pratiques instrumentales, aux conditions et lieux de production de la musique. Il recense également métaphores récurrentes, surnoms, noms de lieux, faits historiques, institutions, marques commerciales, nombres et personnages - historiques ou mythiques.À la fois dictionnaire et anthologie avec ses milliers de citations portant la parole noire, Talkin' That Talk est également une encyclopédie qui documente une culture opprimée devenue, incroyable renversement, dominante. / Livre

Instrumental Play-Along-A dozen hot contemporary hits are included in this collection perfect for budding instrumentalists. Instrumental Play-Along Chart Hits comes complete with online access to audio demonstration tracks for download or streaming helping you to hear how the songs should sound and allowing you to play along. Songs include: All About That Bass All of Me Happy Radioactive Roar Say Something Shake It Off A Sky Full of Stars Someone like You Stay with Me Thinking Out Loud and Uptown Funk.

Par DUNCAN CRAIG. Celtic Gems for Cello contains 68 of the most played and loved melodies from the Celtic tradition including 25 reels, 31 jigs, 8 slip jigs and 4 Irish hornpipes. Tunes of similar style are grouped with melodies that work well in sets, or medleys. Stylistic bowing and ornament ideas as well as suggested chord changes are included to give options in interpreting the tunes. / Date parution : 2022-06-08/ Recueil / Violoncelle

Instrumental Play-Along-This songbook features 13 tunes from the Disney blockbusters Frozen Tangled and Enchanted arranged for solo Cello.The pieces featured in this collection are perfect for budding cellists. Songs From Frozen Tangled And Enchanted comes complete with online access to audio demonstration tracks for download or streaming to help musicians hear how the song should sound.Songs include: Do You Want to Build a Snowman' For the First Time in Forever Happy Working Song I See the Light In Summer Let It Go Mother Knows Best That's How You Know True Love's First Kiss When Will My Life Begin and more.

Edizione critica di Italo Vescovo-Paganini’s Sonata a violino solo (M.S. 6) composed during his Lucca period (1805-1809) forms part of a series of music written for solo violin that has failed to attract the attention of both performers and scholars interested in Genoa’sfamous violinist. This work – published several times in the nineteenth century (especially outside Italy with various titles: Duetto per un violino solo Duo Merveille Meraviglia di Paganini word etc.) – is divided into twomovements (Adagio – Allegro molto). Paganini used a two-staff system of musical notation to produce two distinct levels of sound as well as graphically: pizzicato on the lower line arco on the upper. It is a short pleasing piece containing all the typical characteristics one expects from Paganini: melody and instrumental virtuosity.This critical edition based on the autograph kept at the Biblioteca Casanatense in Rome as part of a collection of the most important editions from the 1800s and 1900s is intended to provide scholars and performers a philologically reliable textthat revives the original version.

Continuing the reissue of the classic Phillips Collection of Traditional American Fiddle Tunes - Volume 2 Favorite American Hornpipes For Fiddle presents over a hundred classic and lesser-known Fiddle tunes inhornpipe style from all parts of the United States some with multiple versions.All tunes are transcribed from the playing of some of the greatest traditional fiddlers of the past and present including Benny Thomasson BobWalters Howdy Forrester James Bryan Rodney Miller Ruthie Dornfeld and many more. Bowings and chord accompaniment are included.Teachers are you looking for short pieces that will solidify scales and arpeggios thatdon't bore your students? Tired of the same old classical etudes? Hornpipes can also serve as effective and fun exercises for all Violin students not just fiddlers. Many of them could have come right out of the baroque periodof art music. But they also illustrate some of America's great tradition of fiddling.

International edition. Par SUZUKI SHINICHI. Teach violin with the popular Suzuki Violin School. The Suzuki Method® of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the 'mother-tongue' approach. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Violin School. Suzuki lessons are generally given in a privatestudio setting with additional group lessons. The student listens to the recordings and works with their Suzuki violin teacher to develop their potential as a musician and as a person. This Suzuki Book and CD is integral for Suzuki violin lessons. This revised edition of the Suzuki Violin School, Volume 3 features: - Revised editing of pieces, including bowings and fingerings - Additional exercises, some from Shinichi Suzuki, plus additional insight and suggestions for teachers - Text in English, French, Spanish, and German. - Musical notation guide - Fingerboard position - CD with recordings by William Preucil Jr., accompanied by Linda Perry, as well as piano accompaniments recorded alone. Titles: Study Points - Tonalization - Vibrato Exercises - Gavotte (Martini) - Minuet (Bach) - Gavotte in G Minor (Bach) - Humoresque (Dvorák) - Gavotte (Becker) - Gavotte in D Major (Bach) - Bourrée (Bach). For a complete list of the most recent printings by AMPV number, go to alfred.com/suzuki. This title is available in SmartMusic. Teach violin with the popular Suzuki Violin School. The Suzuki Method® of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the 'mother-tongue' approach. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Violin School. Suzuki lessons are generally given in aprivate studio setting with additional group lessons. The student listens to the recordings and works with their Suzuki violin teacher to develop their potential as a musician and as a person. This Suzuki Book and CD is integral for Suzuki violin lessons. This revised edition of the Suzuki Violin School, Volume 3 features: Revised editing of pieces, including bowings and fingerings Additional exercises, some from Shinichi Suzuki, plus additional insight and suggestions for teachers Text in English, French, Spanish, and German. Musical notation guide Fingerboard position CD with recordings by William Preucil Jr., accompanied by Linda Perry, as well as piano accompaniments recorded alone. Titles: Study Points * Tonalization * Vibrato Exercises * Gavotte (Martini) * Minuet (Bach) * Gavotte in G Minor (Bach) * Humoresque (Dvorák) * Gavotte (Becker) * Gavotte in D Major (Bach) * Bourrée (Bach). / Pédagogie / Méthode / Violon

Douze Cahiers D'Etudes Revues, Annotées et Doigtées Par Mathieu Crickboom. Par CRICKBOOM MATHIEU. The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year's time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated./ Méthode / Violon

Par PAGANINI NICCOLO. Paganini’s Inno patriottico con variazioni for solo violin M.S. 81 is a composition dating back to the period between 1796 and 1800, during which he also composed works such as the Carmagnola con variazioni M.S. 1 for violin and guitar, the Grande Concerto M.S. 75, the Tema variato for violin M.S. 82 and the Sonata a violin solo M.S. 83. There is not very much background material regarding the piece: the only certainties we have about it are that it dates from his early period, springs from a Genovese environment and has numerous similarities to the Carmagnola con variazioni M.S. 1: both compositions are based on a sprightly popular theme in 6/8 that can be traced back to the Perigordino, a French dance that first appeared in the Ligurian Apennines during the Napoleonic period. The structure of the Inno patriottico con variazioni substantially follows that of the Carmagnola and Tema variato: a theme followed by a series of variations in which Paganini demonstrates his personal concept of variation. This edition is based on a recently rediscovered, non-autograph source owned by the descendants of Eredi Sivori, in combination with the copy held by the Archivio Storico del Comune di Genova and printed sources./ Répertoire / Violon

Teach violin with the popular Suzuki Violin School. The Suzuki Method® of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the mother-tongue approach. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Violin School. Suzuki lessons are generally given in a private studio setting with additional group lessons. The student listens to the recordings and works with their Suzuki violin teacher to develop their potential as a musician and as a person. This Suzuki Book and CD is integral for Suzuki violin lessons. This International Edition of the Suzuki Violin School, Volume 4 features: * New editing of pieces, including bowings and fingerings * Additional exercises, some from Shinichi Suzuki, plus additional insight and suggestions for teachers * Text in English, French, German, and Spanish * New Musical Terms * Composers* CD features new recordings by Augustin Hadelich in collaboration with pianist Kuang-Hao Huang, as well as piano accompaniment only tracks for play-along purposes. Titles: Lullaby (Schubert) * Lullaby (Brahms) * Concerto No. 2 in G Major, Op. 13, 3rd Movement (Seitz) * Concerto No. 5 in D Major, Op. 22, 1st Movement (Seitz) * Concerto No. 5 in D Major, Op. 22, 3rd Movement (Seitz) * Concerto in A Minor, 1st Movement, Op. 3, No. 6 (Vivaldi/Nachéz) * Concerto in A Minor, 3rd Movement, Op. 3, No. 6 (Vivaldi/Nachéz) * Perpetual Motion, Little Suite No. 6 (Bohm) * Concerto for Two Violins in D Minor, BWV 1043, Violins I and II (Bach) * Concerto for Two Violins in D Minor, BWV 1043, Violins II (Bach) * Concerto for Two Violins in D Minor, BWV 1043, Violins I (Bach). / Violon / Alfred Publishing