Piano Accompaniment; Violin (Score and Solo Part) SKU: HL.50600999 For...(+)
Piano Accompaniment;
Violin (Score and Solo
Part)
SKU:
HL.50600999
For
Violin and Piano
Accompaniment.
Composed by Slawa
Ulanowski. String.
Classical. Softcover. 12
pages. Sikorski #SIK8838.
Published by Sikorski
(HL.50600999).
8.25x11.75x0.084
inches.
The Russian
composer Slava Ulanovski,
born on 18 November 1951
in Moscow, composed his
chamber music piece
“At the Western
Wall†in 2011 and
has dedicated the work to
Oleg and Alexander
Krimer. This edition
comprises the version for
violin and piano.
Ulanovski also composed a
version for oboe and
piano in 2011, this
version will be soon
available as part of the
edition series
“exempla
nova.â€.
By Joe Carr. For Fiddle. Solos. Western Swing. Level: Beginning-Intermediate. Bo...(+)
By Joe Carr. For Fiddle.
Solos. Western Swing.
Level:
Beginning-Intermediate.
Book/CD Set. Size 8.5x11.
56 pages. Published by
Mel Bay Publications,
Inc.
Edited by David Brody. For violin. Format: fake book. With lead melody, chord na...(+)
Edited by David Brody.
For violin. Format: fake
book. With lead melody,
chord names,
instructional text and
performance notes. Folk,
americana and british.
302 pages. 9x12 inches.
Published by Oak
Publications.
(60 Traditional Pieces - Book/CD). Composed by Various. Arranged by Iain Fraser....(+)
(60 Traditional Pieces -
Book/CD). Composed by
Various. Arranged by Iain
Fraser. For Fiddle.
String Solo. Softcover
with CD. Schott Music
#ED13700. Published by
Schott Music
by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels....(+)
by Stacy Phillips. For
fiddle. All styles,
fiddle tunes. Level:
Multiple Levels. Book.
Solos. Size 8.75x11.75.
268 pages. Published by
Mel Bay Pub., Inc.
by Martin Hayes; transcribed by Allan MacDonald. For fiddle. Green Linnett. Celt...(+)
by Martin Hayes;
transcribed by Allan
MacDonald. For fiddle.
Green Linnett.
Celtic/Irish, Celtic.
Level: Intermediate.
Book. Transcribed solos.
Size 8.75x11.75. 48
pages. Published by Mel
Bay Pub., Inc.
Composed by Drew
Beisswenger. Country,
Bluegrass, Perfect
binding, Solos, Duets and
Ensembles, Tunebook,
American Music. Style.
Book and online audio.
220 pages. Mel Bay
Publications, Inc
#21123M. Published by Mel
Bay Publications, Inc
(MB.21123M).
ISBN
9780786695256. 8.75 x
11.75 inches.
This
book, which includes 308
tune transcriptions, is
organized around
individual fiddlers who
typically combine
Appalachian-style
fiddling with rags, pop
standards, Midwest-style
fiddling and sometimes a
touch of Western swing to
create a style often
identifiable as Ozarks.
Thirty Ozarks fiddlers
and their lives are
highlighted with
biographical sketches,
photographs, and tune
histories. Another 50
great Ozarks fiddlers are
presented in a similar
manner but with less
detail. The book and
accompanying audio with
37 tunes, many recorded
in the field emphasize
the older fiddling
traditions connected to
the square dances and
community events more
than those connected to
bluegrass music and
modern contest fiddling.
Some of the tunes in the
collection are old
standbys such as Bile
Them Cabbage while others
such as Finley Creek
Blues are unique to the
region. The book is the
result of years of work
by two respected
researchers. Gordon
McCann won the
prestigious Missouri Arts
Award in 2002 for his
decades of work
documenting, studying,
and accompanying Ozarks
fiddle music. Drew
Beisswenger, a music
librarian at Missouri
State University with a
Ph.D. in ethnomusicology,
has published three other
works about fiddle music
and is known for his
strong transcription and
analysis skills. Includes
access to online
audio.
by Craig Duncan. For fiddle. Qwik Guide Series. Fiddle tunes. Level: Beg-Interme...(+)
by Craig Duncan. For
fiddle. Qwik Guide
Series. Fiddle tunes.
Level: Beg-Intermediate.
Book/CD package. Solos.
Size 5.5x8. 32 pages.
Published by Mel Bay
Pub., Inc.
(Newly Composed Fiddle Tunes). Edited by Paul Stewart Cranford. For Fiddle and V...(+)
(Newly Composed Fiddle
Tunes). Edited by Paul
Stewart Cranford. For
Fiddle and Violin.
Transcribed Solos.
Cranford Publications.
Fiddle Tunes.
Intermediate. Book/CD
Set. 112 pages
Composed by Howard Shore, edited by Bill Gallifor, Jeannette DeLisa. For violin ...(+)
Composed by Howard Shore,
edited by Bill Gallifor,
Jeannette DeLisa. For
violin solo and piano
accompaniment. Includes
violin/piano book and
accompaniment CD. With
solo part and piano
accompaniment. Movies. 80
pages. 9x12 inches.
Published by Warner
Brothers.
By Stacy Phillips. For Fiddle. Solos. Fiddle Tunes. Level: Beginning-Intermediat...(+)
By Stacy Phillips. For
Fiddle. Solos. Fiddle
Tunes. Level:
Beginning-Intermediate.
Book. Size 8.75x11.75. 64
pages. Published by Mel
Bay Publications, Inc.
Featuring 43 Fiddlers
and 188 of Their
Tunes. Perfect
binding. Folk. Book. 212
pages. Mel Bay
Publications, Inc #30091.
Published by Mel Bay
Publications, Inc
(MB.30091).
ISBN
9781513466378. 8.75 x
11.75
inches.
Appalachian
fiddle music, based on
the musical traditions of
the people who settled in
the mountainous regions
of the southeastern
United States, is
widely-known and played
throughout North America
and parts of Europe
because of its complex
rhythms, its catchy
melodies, and its
often-ancient-sounding
stylistic qualities. The
authors explore the lives
and music of 43 of the
classic Appalachian
fiddlers who were active
during the first half of
the 20th century. Some of
them were recorded
commercially in the
1920s, such as Gid
Tanner, Fiddlin? John
Carson, and Charlie
Bowman. Some were
recorded by folklorists
from the Library of
Congress, such as William
Stepp, Emmett Lundy, and
Marion Reece. Others were
recorded informally by
family members and
visitors, such as John
Salyer, Emma Lee
Dickerson, and Manco
Sneed. All of them played
throughout most of their
lives and influenced the
growth and stylistic
elements of fiddle music
in their regions. Each
fiddler has been given a
chapter with a biography,
several tune
transcriptions, and tune
histories. To show the
richness of the music,
the authors make a
special effort to show
the musical elements in
detail, but also
acknowledge that nothing
can take the place of
listening. Many of the
classic recordings used
in this book can be found
on the web, allowing you
to hear and read the
music together.
