Chamber Music Violin SKU: CF.FE59 For violin Alone. Composed by Da...(+)
Chamber Music Violin
SKU: CF.FE59
For violin Alone.
Composed by David Noon.
Solo part. With Standard
notation. 12 pages. Carl
Fischer Music #FE59.
Published by Carl Fischer
Music (CF.FE59).
ISBN
9780825878527. UPC:
798408078522.
David
Noon was a member of the
faculty of Manhattan
School of Music for 30
years, using a
combination of
entertainment and his
vast knowledge of music
history to encourage
generations of students
in pursuit of music
careers. He was
concurrently a
wonderfully prolific
composer, with well over
200 works to his credit.
Cadenzas is an earlier
work, reflecting the
influences of serial
music composers, such as
Webern and Boulez,
shortly before Noon's
compositional style would
take on new directions.
This is the 1974 Carl
Fischer Facsimile Edition
performance score. For
advanced performers.
By Werner Thomas-Mifune. Violin Solo. Cheecky Finger Exercises for Teacher and S...(+)
By Werner Thomas-Mifune.
Violin Solo. Cheecky
Finger Exercises for
Teacher and Stud Five
Finger Exercies for Two
Cellos, for Teacher and
Student. Published by
Edition Kunzelmann.
(An Entertainment for Young Violinists and Their Friends (Teacher's Book)). By M...(+)
(An Entertainment for
Young Violinists and
Their Friends (Teacher's
Book)). By Mary Cohen.
For Violin. This edition:
Teacher's Book. Book;
Method/Instruction;
String - Violin Studies
or Collection. Faber
Edition. Published by
Faber Music
Violin SKU: AP.6-450414 Interviews with Heifetz, Auer, Kreisler, and o...(+)
Violin
SKU:
AP.6-450414
Interviews with
Heifetz, Auer, Kreisler,
and others. Edited by
Frederick H. Martens.
Reference Textbooks;
Textbook - Instrumental.
Dover Edition.
Instructional and Music
Appreciation.
Biographical book. 178
pages. Dover Publications
#06-450414. Published by
Dover Publications
(AP.6-450414).
ISBN
9780486450414. UPC:
9780486450414. 9x12
inches.
English.
How long
should I practice? Which
pieces should I study?
How can I develop a
singing tone? All
violinists ponder these
questions, striving to
make the most of their
practice and
performances. This
enlightening and
encouraging book holds
the answers, offering a
series of interviews with
the most celebrated
violin teachers and
performers of the
nineteenth and early
twentieth
centuries.Twenty-four
famous violinists reveal
the secrets of their
success, sharing the
lessons of their artistry
and experience. In
addition to aesthetic and
technical aspects of
playing, they discuss
their personal
conceptions of violin
mastery. Eugene Ysaye
reminisces about his
studies with Vieuxtemps
and Wieniawski, and
Leopold Auer emphasizes
the importance of
fostering students'
individual talents. Maud
Powell describes her
pioneering role as a
female orchestral
musician, and Jascha
Heifetz voices his views
on technical mastery and
temperament. Hints and
advice from other masters
include tips on efficient
practice, immproving bow
technique, and refining
intonation. A rare find
in musical literature,
this book is essential
reading for every serious
violinist.Dover (2006)
unabridged republication
of the work originally
published by Frederick A.
Stokes, New York,
1919.
Composed by Sharon Goodey and Nancy Litten. Book; Method/Instruction; String -...(+)
Composed by Sharon Goodey
and
Nancy Litten. Book;
Method/Instruction;
String -
Violin Studies or
Collection.
Playing with Colour.
Published by Alfred Music
Eleven Books of Studies for the Violin. Composed by Demetrius Constantine...(+)
Eleven Books of
Studies for the
Violin. Composed by
Demetrius Constantine
Dounis. Book
(spiral-bound). Carl
Fischer #BF16SB.
Published by Carl Fischer
(CF.BF16SB).
Chamber Music Violin SKU: CF.BF131 Composed by Roland Vamos. With Standar...(+)
Chamber Music Violin
SKU: CF.BF131
Composed by Roland Vamos.
With Standard notation.
168 pages. Carl Fischer
Music #BF131. Published
by Carl Fischer Music
(CF.BF131).
ISBN
9781491153765. UPC:
680160911264. 9 x 12
inches.
Inspired by
Clarence Cameron
White’s book The
Violinist’s Daily
Dozen, The
Violinist’s Daily
Sixteen is a collection
of daily exercises
compiled by Roland Vamos.
Intended for student and
professional violinists,
the collection provides
the performer with a
variety of exercises for
daily warm-ups. Mr. Vamos
also focuses on
developing dexterity and
flexibility in the
fingers and joints, the
first and fourth fingers
in particular. Each of
the sixteen exercises is
notated for each of the
four strings, and Vamos
recommends that the
exercises be practiced as
warm-ups, choosing a
different string for each
day of practice.Also
included with the Daily
Sixteen is a
comprehensive set of
studies for developing
fluency with scales and
arpeggios. Mr.
Vamos’ unique
methodology is to begin
with major scales and
arpeggios, followed by
minor scales and
arpeggios, all of which
are notated in two, three
and four octaves.
Alternate fingers are
provided, as well as a
variety of slurred and
mixed bowings using the
three parts of the bow
whenever feasible. It is
a remarkably systematic
approach to performing
scales and arpeggios on
the violin and will
surely benefit students
and professionals
alike. ForewordThis
short hand-setting set of
exercises was inspired by
a book entitled The
Violinist’s Daily
Dozen, conceived by
Clarence Cameron White, a
prominent
African-American
violinist, composer and
arranger who enjoyed the
bulk of his career in the
first half of the
twentieth century.I have
practiced this set of
exercises since I was
twelve years old. It has
served me as a superb
warm-up and hand setting
tool. Over the years, I
have found that there are
some aspects of this
warm-up routine that were
not given sufficient
attention or not
addressed at all.
Consequently, I have
expanded the Daily Dozen
to create a new work
entitled The
Violinist’s Daily
Sixteen.I have also paid
particular attention in
this work as to how these
exercises are to be
practiced. In exercises
one and two, I have
indicated some notes to
be played before the
actual written exercises.
This is to ensure that
the fourth finger will be
over the string in a
position ready to strike
even though it is not
being used. Before
playing exercises three,
four, nine, ten, eleven
and twelve, I have
indicated silent fingers
to be placed on the notes
they would be playing if
they were being used.I
have replaced Mr.
White’s grace
notes with notes of
specific value and have
slowed down the exercises
so that the first joint
(the joint nearest the
string) of each finger
can move with flexibility
and strength. At no time
should the first joint
buckle.In Mr.
White’s version,
the last exercise gave
the first finger some
very valuable backward
extensions. In this
exercise (number 14 in
this book), I caution the
student not to move the
hand along with the first
finger. The hand should
remain in position while
the first finger
independently moves back
and forth.It became
obvious to me that if the
first finger were given
the opportunity to
develop the dexterity
that Mr. White’s
twelfth exercise
emphasizes, the fourth
finger could benefit from
an exercise that gives it
a forward extension.
Consequently, I added
another exercise to
create a Baker’s
Dozen (thirteen).Several
years later, I felt that
the second and third
fingers should also have
an exercise to further
develop their
dexterity…hence
exercise fourteen was
added to create a
“Vamos
Dozen.â€Because the
first finger did not have
sufficient practice in
the development of the
first joint in the
original version, I have
added two exercises to
precede White’s
fifth exercise. After
re-working and
re-numbering these
exercises, I have come up
with a total of sixteen
exercises. It is my
suggestion that these be
practiced as a warm-up,
choosing a different
string each
day.—Roland
VamosEvanston, Illinois
2017Â PrefaceScales are
a means of teaching a
person the fingerboard on
his or her instrument.
The fingers move across
the strings and are
required to make shifts,
all in highly organized
patterns. Scales and
arpeggios are the
foundation upon which our
repertoire is built. Many
scale books have been
written; each one being
organized in its own
specific way. The Flesch
Scale System has been a
standard for many
decades. It is very
comprehensive and
systematic. From the
point of view of
establishing similar
patterns, it has one
drawback: it is organized
by starting with a major
key, followed by its
relative minor, going
through the circle of
fifths. I believe that it
is more profitable to do
only major scales with
their arpeggios first,
going up chromatically,
and then follow them in a
similar way with the
minor scales. In using
this approach, the
similarities in
fingerings between the
various scales are more
apparent. It is also
profitable to have
alternate fingerings
whenever possible. My
approach to scales and
arpeggios includes a
variety of slurred and
mixed bowings using the
three parts of the bow
whenever feasible. These
bowings are not
all-inclusive. Whenever a
particularly awkward
bowing pattern is
encountered in the
repertoire, it can be
practiced as an
additional bowing
variation in the scales
and arpeggios. Â Â I
have chosen to introduce
the three and four octave
scales by teaching two
octave scales across the
strings in one position
going up chromatically
through seven positions;
starting on the first,
second, third, and
finally fourth fingers in
major and melodic
minor.—Roland
VamosEvanston, Illinois
2017.
Chamber Music Violin SKU: CF.BF159 26 Medium-Level Arrangements for An...(+)
Chamber Music Violin
SKU: CF.BF159
26 Medium-Level
Arrangements for Any
Combination of String
Instruments. Arranged
by Todd Parrish.
Collection - Part. 48
pages. Carl Fischer Music
#BF159. Published by Carl
Fischer Music (CF.BF159).
ISBN 9781491162163.
UPC:
680160920914.
The
26 masterworks contained
in this collection have
been carefully arranged
for any combination of
string duet. The
selections appear in
chronological order. They
span nearly 200 years
with 22 composers and
feature works from the
Baroque, Classical and
Romantic periods of
music. The arrangements
are drawn from a variety
of sources, including
piano and chamber works.
However, the majority of
works were taken from
actual duets originally
written for two
instruments by the
composers themselves.
Each work was selected
for its quality, musical
interest, and
appropriateness. Arranged
specifically for a
chamber setting, the
duets may be performed at
recitals, adjudications,
weddings, and social
events. The various moods
created through these
works will compliment any
occasion.
Chamber Music Violin SKU: CF.BF132 17 Medium-Level Arrangements for An...(+)
Chamber Music Violin
SKU: CF.BF132
17 Medium-Level
Arrangements for Any
Combination of String
Instruments. Composed
by Alexander Borodin,
Cecile Chaminade,
Chevalier de
Saint-Georges, Edvard
Grieg, Fanny Cecile
Mendelssohn, Franz Joseph
Haydn, Gabriel Faure,
George Frideric Handel,
Isabella Leonarda, Johann
Sebastian Bach, Ludwig
van Beethoven, Luigi
Boccherini, and etc.
Arranged by Todd Parrish.
Collection - Part. 42
pages. Carl Fischer Music
#BF132. Published by Carl
Fischer Music (CF.BF132).
ISBN 9781491158678.
UPC:
680160917310.
The
17 masterworks contained
in this collection have
been carefully arranged
for any combination of
string trio. The
selections span nearly
200 years and feature
works from the baroque,
classical, and romantic
periods of music. The
arrangements are drawn
from a variety of
sources, including piano
solos, chamber works, and
symphonies. Each work was
selected for its quality,
musical interest, and
appropriateness in a
chamber setting. All
pieces in this collection
have stood the test of
time and are worthy of
both study and
performance. Arranged
specifically for a
chamber setting, the
trios may be performed at
recitals, contests,
weddings, and social
events. The various moods
created through these
works will work for any
setting. The 17
masterworks contained in
this collection have been
carefully arranged for
any combination of string
trio. The most standard
instrumentation for
voicing is violin, viola,
and cello. However, three
of the same instruments
work well as do other
groupings, given that the
higher-pitched instrument
plays the higher part.The
selections have been
arranged in chronological
order. They span nearly
200 years and feature
works from the baroque,
classical, and romantic
periods of music. The
arrangements are drawn
from a variety of
sources, including piano
solos, chamber works, and
symphonies. Each work was
selected for its quality,
musical interest, and
appropriateness in a
chamber setting.All
pieces in this collection
have stood the test of
time and are worthy of
both study and
performance. Arranged
specifically for a
chamber setting, the
trios may be performed at
recitals, contests,
weddings, and social
events. The various moods
created through these
works will work for any
setting. Some repeats are
marked in the music, but
any selection may be
repeated for the
appropriate amount of
music needed. Bowings
have been added as
suggestions, while
fingerings have been left
to the individual
performers to decide.
For One or Two Violins, Op. 23. By Ignaz Josef Pleyel. String duet. For Violin I...(+)
For One or Two Violins,
Op. 23. By Ignaz Josef
Pleyel. String duet. For
Violin I, Violin II. Carl
Fischer Music Library.
Classical. Set of parts.
Opus 23. 21 pages.
Published by Carl
Fischer.
For Violin, Op. 25. By Richard Hofmann. For Violin. Carl Fischer Music Library. ...(+)
For Violin, Op. 25. By
Richard Hofmann. For
Violin. Carl Fischer
Music Library. Classical.
Level: beginner. Soft
Cover. Opus 25. 19 pages.
Published by Carl
Fischer.
Chamber Music Violin SKU: CF.B3476 Composed by Ulysses Kay. Performance S...(+)
Chamber Music Violin
SKU: CF.B3476
Composed by Ulysses Kay.
Performance Score. 24+12
pages. Carl Fischer Music
#B3476. Published by Carl
Fischer Music (CF.B3476).
ISBN 9781491162309.
UPC:
680160921058.
Among
his many other honors and
scholarships,
groundbreaking composer
Ulysses Kay was the first
African-American to
receive the Prix de Rome
award that offered
promising composers the
opportunity to travel and
study in Italy. Kay
received this prize twice
between 1946 and 1952 and
it was during his
residency at the American
Academy in Rome that Kay
wrote Partita in A for
solo violin. Premiered on
April 15, 1952, the
colorful suite contains
four contrasting
melodies: Prelude,
Burlesca, Interlude, and
Echo.
Compiled by Andrew Balent. Violin solo book for violin solo. Series: Carl Fische...(+)
Compiled by Andrew
Balent. Violin solo book
for violin solo. Series:
Carl Fischer Festival
Performance Solos.
Published by Carl
Fischer. (CF.O5484)
ISBN 0825841100. With
standard notation.
Classical. 9x12 inches.
Contains these pieces and
more!
Scale Studies for Violin (Appendix to Schradieck's Scales). (Appendix to Schradi...(+)
Scale Studies for Violin
(Appendix to Schradieck's
Scales). (Appendix to
Schradieck's Scales). By
Hans Sitt (1850-1922).
For Violin. Carl Fischer
Music Library. Classical.
Softcover. Standard
notation. 25 pages.
Published by Carl Fischer
Chamber Music Violin SKU: CF.BF163 23 Easy- to Medium-Level Holiday Ar...(+)
Chamber Music Violin
SKU: CF.BF163
23 Easy- to
Medium-Level Holiday
Arrangements for Any
Combination of String
Instruments. Arranged
by Todd Parrish. Full
score. 32 pages. Carl
Fischer Music #BF163.
Published by Carl Fischer
Music (CF.BF163).
ISBN
9781491164310. UPC:
680160923168.
The
23 holiday classics
contained in this
collection have been
carefully arranged for
any combination of string
duet. Providing a range
of keys, style, and
difficulty level,
melodies include favorite
carols and familiar
movements from
Tchaikovsky's Nutcracker
Suite. Each work was
selected for its quality,
musical interest, and
appropriateness in a
chamber setting. Arranged
specifically for a
chamber setting, the
flexible duets may be
performed by any
combination of string
instruments in a variety
of venues, from church
services to holiday
gatherings. This
Compatible String
Ensembles collection of
Christmas Duets will set
the festive mood in any
environment. The 23
holiday classics
contained in this
collection have been
carefully arranged for
any combination of string
duet. Providing a range
of keys, style, and
difficulty level,
melodies include favorite
carols and familiar
movements from
Tchaikovsky's Nutcracker
Suite. Each work was
selected for its quality,
musical interest, and
appropriateness in a
chamber setting. These
flexible duets may be
performed by any
combination of string
instruments in a variety
of venues, from church
services to holiday
gatherings. This
Compatible String
Ensembles collection of
Christmas Duets will set
the festive mood in any
environment.
Violin SKU: M7.VHR-3905 Arbeitsbuch Violine. Composed by Simone Dr...(+)
Violin
SKU:
M7.VHR-3905
Arbeitsbuch
Violine. Composed by
Simone Drebenstedt. Sheet
music. 100 pages.
Holzschuh Musikverlag
#VHR 3905. Published by
Holzschuh Musikverlag
(M7.VHR-3905).
ISBN
9783940069832.
Umfa
ngreiches Schulwerk
für den
Streicherklassenunterrich
t- für 2
JahreBesetzung: Violine
Das neue Schulwerk
verbindet Lieder und
Aufgaben in sehr
übersichtlicher Form.
Viele Liedbeispiele und
Liedbegleitungen mit
Texten zum Singen
erleichtern den
Schülern den Zugang
zur Musik. Alle Seiten
dieses Unterrichtswerkes
sind gleich aufgebaut.
Das übersichtliche
Layout erleichtert
Lehrern und Schülern
die Orientierung. Der
Umfang des Materials ist
auf zwei Unterrichtsjahre
ausgerichtet.
For Violin. Sheet Music, Audio CD and DVD (Region 0). 64 pages. Published by Mus...(+)
For Violin. Sheet Music,
Audio CD and DVD (Region
0). 64 pages. Published
by Music Sales.
This complete violin
course brings together
the Step One Teach
Yourself series in a
single multimedia package
to provide a total
learning system. In this
great pack you'll get: a
complete instruction
book, 3 CDs, and a DVD.
The CD audio tracks tell
you how everything should
sound, and the full
length accompaniment
tracks give you instant
backing. The DVD features
an expert teacher
demonstrating proper
playing techniques.
