Piano Accompaniment; Violin

SKU: HL.48187203

Violin and Piano. Composed by Jules Massenet. Leduc. Classical. Softcover. 14 pages. Heugel & Cie #HE09625. Published by Heugel & Cie (HL.48187203).

UPC: 888680952860. 8.75x12.0x0.07 inches. French.

Thais meditation violon et piano. Par Massenet aux éditions Leduc. Partition / Livre de chansons pour Violon.

(Violin/Piano)

SKU: HL.1459767

For Violin and Piano. Composed by Felix Bartholdy Mendelssohn and Jules Massenet. Arranged by Endre Granat. LKM Music. Softcover. 18 pages. Lauren Keiser Music Publishing #S511050. Published by Lauren Keiser Music Publishing (HL.1459767).

ISBN 9798892703901. UPC: 196288211037. 9.0x12.0x0.123 inches.

The French composer Jules Massenet (1842-1912) is best known for his operas. His most popular composition is the Meditation, the violin solo from his opera THAIS (1894). The violin and piano version is by Martin Marsick. ON WINGS OF SONG is from Felix Mendelssohn's (1809-1847) popular song cycle Op 34/2. The violin transcription is by Joseph Achron. This transcription has been in the repertory of many of the great violinists past and present.

Meditation from Thaïs. (for Violin and Piano). By Jules Massenet (1842-1912). For Violin. Music Sales America. 11 pages. Boston Music #BMC11425. Published by Boston Music (

(From "Thais"). By Jules Massenet (1842-1912). Arranged by M. P. Marsick. Mixed chamber ensemble. For violin and piano. Classical Period. Difficulty: medium. Piano/violin single (includes separate pull out part for violin). 7 pages. Published by Carl

Violin and Piano

SKU: IM.3835

Composed by Jules Massenet. Edited by Carmit Zori. Arranged by Carmit Zori. Score and Parts. International Music Co. #3835. Published by International Music Co. (IM.3835).

Originally an intermezzo from his opera, this lush, sensuous work is one of Massenet's most beloved compositions. Arranged for violin and piano by Martin Pierre Marsick; edited by Carmit Zori.

(Classical Melodies for Violin and Piano). Arranged by Doris Preucil. For Violin and Piano. Book; CD; Masterworks; String - Violin Studies or Collection; Suzuki. Funeral; Masterwork Arrangement; Sacred; Wedding. 64 pages. Published by Alfred Music

(Violin and Piano). By Various. Fentone Instrumental Books. Fentone Music #F597. Published by Fentone Music .

Composed by Jules Massenet (1842-1912), edited by Roger Nichols. For violin and piano accompaniment. Format: set of performance parts. With solo part, piano reduction and introductory text. Romantic Period. D Major. 12 pages. 9x12 inches. Published by C.F. Peters.

Violin and Piano. By Paul Hindemith. Schott. Size 9x12 inches. 8 pages. Published by Schott.

By Jules Massenet. Arranged by M. P. Marsick. Violin, Piano and CD. Published by Carl Fischer.

Composed by Jules Massenet (1842-1912). Arranged by Sarah Labrousse-Baert. Chamber Music. Classical, Educational. Score and set of parts. 6 pages (score); 2 pages (parts) pages. Published by FLEX Editions (FL.FX072847).

Composed by Various. Softcover Audio Online. 56 pages. Published by Hal Leonard

By Jack Long (Arranger). For Violin, Piano. Classical. Sheet Music. 120 pages. Published by Chester Music.

Violin and Piano (Violin)

SKU: HL.14004213

Composed by Lennox Berkeley. Music Sales America. Classical. Book [Softcover]. Composed 2002. 56 pages. Chester Music #CH55778. Published by Chester Music (HL.14004213).

9.0x12.0x0.175 inches.

Five Pieces for Violin and Orchestra was commissioned by Frederick Grinke and completed on 20 December 1961. The BBC Symphony Orchestra with Frederick Grinke (violin) and conducted by the composer, gave the first performance on 31 July 1962 at the Royal Albert Hall, London during the BBC Proms season. This work is so constructed that each piece is complete in itself and can be played separately, while at the same time the whole set of five constitutes a structural unit. A basic motif consisting of a rising semitone followed by a falling tone, and its inversion plays an important part in every piece. Thus the first piece, which is of a slow and meditative character, begins with this theme in the bass. It is also heard in the first entry of the solo part, and thereafter every episode is in some way derived from it. The next piece, a vigorous and strongly marked 'allegro', uses the semitone of the original figure as its starting point. A second theme appears, first on the horns and is later taken up by the solo violin, while a third section has the initial idea as its accompaniment. Next comes an extended scherzo in free form very closely based on initial motif. The fourth is a purely melodic piece containing allusions in its middle section to the basic figure. Here the strings only are used for accompaniment. In the first section, violas and cellos are divided in the middle section, and all the strings are used in the last, which is otherwise an almost exact repetition of the opening. The Finale is a lighter movement than the others, concerned mainly with giving the soloist material for display, but not unconnected with what has gone before.