L'édition [Mon premier concert] contient 22 pièces faciles pour les leçons, les premiers concerts ou concours des élèves. Ce volume emmène le joueur dans un voyage musical à travers cinq époques - de la Renaissance à travers les époques baroque, classique et romantique jusqu'à la musique contemporaine. Un point culminant particulier est le grand nombre de morceaux de musique populaire, y compris les pièces de motiver les domaines de la musique pop, jazz, spirituel, bossa nova et le tango dont la plupart ont été spécialement composée pour ce volume. La plupart des ouvrages peuvent être lus après deux ans de cours déjà- toutes les pièces sont dans la première position et peut être joué dans les quatre modes de doigté. Pour deux compositions nécessitant jeu de position, une alternative plus facile a été ajouté. Doigtés pour le jeu de position peut bien sûr être entré dans les pièces par l'enseignant pour améliorer le résultat sonore. Apprendre à maîtriser les pièces est facilitée par le CD d'accompagnement qui, d'une part, offre la possibilité d'écouter et de vous familiariser avec les pièces à l'avance et, d'autre part, offre la possibilité d'acquérir une première expérience de jeu d'ensemble avec l'aide des accompagnements au piano enregistrées séparément. / Violon Et Piano

Que ce soit pour l'enseignement ou les premiers petits concerts Facile Concert Pieces pour violon et piano morceaux légers et bien connu de la Renaissance à l'époque moderne, qui sont soigneusement sélectionnés en fonction des exigences techniques et musicales incluses: Volume 1 facile, moyen ceinture 2. Toutes les pièces sont dans les quatre premiers types de manche 1 Lieu jouable. En plus des compositions originales de Milan, Purcell, Corelli, Duval ou Telemann sont faciles à jouer arrangements de musique classique comme 'Quatre Saisons' de Vivaldi, 'Fireworks Musique' de Haendel et 'La Flûte enchantée' de Mozart et des compositions modernes dans les domaines de la pop, jazz, spirituel, bossa nova et tango. Tous les morceaux sont inclus sur le CD d'accompagnement que la lecture complète et demi. / Violon Et Piano

Now available for the very first time, the reduction for violin and piano of Ottorino Respighi's Concerto all'antica, originally composed for violin and orchestra. Composed in 1908, Respighi's Concerto all'antica reflects one of the most characteristic artistic aspects of this composer, namely his love for ancient music. This can also be seen in those of his works that adopt the toccata and concerto forms (Toccata for piano and orchestra, Concerto a cinque), as well as his use of the late Renaissance/Baroque style for the three suites in his Antiche danze ed arie per liuto or in his Uccelli. We find it again in his Suites per istrumenti ad arco (1902) and his Concerto all'antica for violin (1908) here provided. / Violon Et Piano

Sheet Music Edition. Par DAVIES PETER MAXWELL. Sir Peter Maxwell Davies is universally acknowledged as one of the foremost composers of our time and as he reaches his 75th birthday in 2009 he remains prolific. The sonata for violin and piano was written for the virtuoso violinist, Ilya Gringolts and first performed at the St Magnus Festival in Orkney in 2008. The work is principally concerned with Italian architecture and the music takes both performers and audience across an imaginary walkway over Rome as proposed by the architect Giuseppe Rebecchini. Starting at the 17th Century Chiesa Nuova the exceptional journey passes Renaissance churches, exhibition spaces, the river Tiber, glass façades, sculptures and even a prison where a Lazio folk tune can be heard echoing from behind the walls. The journey ends 15 minutes later at Gianicolo, an area where one can take in breathtaking views over the whole city./ Répertoire / Violon et Piano

Born into a family that had lived in Florence since the expulsion of the Jews from Spain in 1492 Mario Castelnuovo-Tedesco (1895-1968) entertained only a distant relationship with the music he heard at synagogue: a Renaissance church held more appeal for the Florentine artist than the Oriental décor of his forefathers’ place of worship. It was only when he discovered Schelemo a rhapsody for cello and orchestra written in 1916 by Ernest Bloch that he began to understand what “Jewish music” could be. It would take until the death of his maternal grandfather and the discovery of a collection of prayers set to music among his papers for the youngCastelnuovo-Tedesco to begin to explore Jewish music. In 1928 two years after publishing the Dances of King David he wrote this Vocalise-Étude for medium voice and piano at the request of vocal teacher Amédée-Landély Hettich who wanted to include it in the Répertoire moderne de Vocalises-Études published by Leduc. The piece became so popular that it led to several adaptations and the composer asked his close friend Gioacchino Maglioni (1891-1966) to transcribe it for violin and piano. Divided into three sections the work opens with a poignant lamento that grieves the tragic fate of the Jewish people. Countering what he felt to be a tendency of Jewish music to transform into a “Wailing Wall” Castelnuovo-Tedesco follows the lamento with a folk dance whose brisk “lively and stubborn” movement has great panache. The third section returns to the initial poignant theme before briefly reiterating the dance motif allowing the piece to conclude on a hopeful note.

Easy Concert Pieces-For use in lessons or for your first concert performances Easy Concert Pieces for Violin and Piano contains easy and well-known solo pieces from the Renaissance to the modern era carefully selected according to technical and musical demands: Volume 1 EasyAll the pieces can be played in first position. Besides original compositions by Milán Purcell Corelli Duval or Telemann there are readily playable arrangements of classical masterpieces such as Vivaldi?s Four Seasons Handel?s Firework Music or Mozart?s Magic Flute and modern compositions from the world of pop jazz spirituals Bossa Nova and tango. Recordings andbacking tracks for all the pieces are included on the accompanying CD.