Violin, Piano SKU: HU.F0571537316 For Violin and Piano. Composed by Nigel Hess....(+)
Violin, Piano
SKU: HU.F0571537316
For Violin and Piano.
Composed by Nigel Hess.
Strings, Repertoire,
Solos. Ladies in
Lavender: Fantasy.
Softcover Book. 12 pages.
Faber Music #F0571537316.
Published by Faber Music
Violin-solo, piano (Violin solo, Piano) SKU: BA.BA09099-92 First Versi...(+)
Violin-solo, piano
(Violin solo, Piano)
SKU: BA.BA09099-92
First Version
1844. Composed by
Felix Bartholdy
Mendelssohn. Edited by R.
Larry Todd. This edition:
urtext edition. Stapled.
Barenreiter Urtext. Early
version 1844. Piano
reduction, Part. Opus 64.
Duration 12 hours.
Baerenreiter Verlag
#BA09099_92. Published by
Baerenreiter Verlag
(BA.BA09099-92).
ISBN
9790006565733. 31 x 24.3
cm inches. Key: E minor.
Preface: Larry R.
Todd.
Mendelssohn's
Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
- New
source situation owing to
recently rediscovered
proofs - Revised
Urtext edition - With
a separate booklet on
performance practice
(Eng/Ger).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
B�¤renreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composer�s
intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
For Violin and Piano. By Ludwig van Beethoven. Edited by S. Brandenburg. This ed...(+)
For Violin and Piano. By
Ludwig van Beethoven.
Edited by S. Brandenburg.
This edition: HN291.
Violin. Henle Music
Folios. Pages: Score = 24
* Vl Part = 8. Urtext
edition-paper bound. 32
pages. Published by G.
Henle
Violin, Piano SKU: HU.HN688 Composed by Wolfgang Amadeus Mozart. Edited by Wolf...(+)
Violin, Piano
SKU: HU.HN688
Composed by Wolfgang
Amadeus Mozart. Edited by
Wolf-Dieter Seiffert.
Strings, Repertoire,
Solos. Violin Concerto
No. 3 G major K. 216.
Classical. Softcover
Book. 62 pages. G. Henle
#HN688. Published by G.
Henle (HU.HN688).
Violin and Piano Reduction. Composed by Oscar Rieding. Edited by Annette Opper...(+)
Violin and Piano
Reduction.
Composed by Oscar
Rieding.
Edited by Annette
Oppermann.
Henle Music Folios.
Classical. Softcover. 14
pages. G. Henle #HN1048.
Published by G. Henle
Arranged by Denise Gendron. Performance part for piano accompaniment. With chord...(+)
Arranged by Denise
Gendron. Performance part
for piano accompaniment.
With chord names.
Accompaniment for
[SP.TS358]. 47 pages.
Published by Santorella
Publications.
(Fantasia for Violin and Piano). Composed by Edward Mollenhauer. Edited by Kurt ...(+)
(Fantasia for Violin and
Piano). Composed by
Edward Mollenhauer.
Edited by Kurt
Sassmannshaus. For violin
solo and piano. Stapled.
Barenreiter's Concert
Pieces. Level 2. Piano
reduction, part(s).
Published by Baerenreiter
Verlag
(Fantasia for Violin and Piano). Composed by Edward Mollenhauer. Edited by Kurt ...(+)
(Fantasia for Violin and
Piano). Composed by
Edward Mollenhauer.
Edited by Kurt
Sassmannshaus. For violin
solo and piano. Stapled.
Barenreiter's Concert
Pieces. Level 2. Piano
reduction, part(s).
Published by Baerenreiter
Verlag
(22 Easy Concert Pieces from 5 Centuries With a CD of performances and piano acc...(+)
(22 Easy Concert Pieces
from 5 Centuries With a
CD of performances and
piano accompaniments).
Composed by Various.
Edited by Peter Mohrs.
For Violin, Piano
Accompaniment. String.
Softcover with CD. Schott
Music #ED21467. Published
by Schott Music
Violin & Orchestra Reduction (Piano). Composed by Claude Debussy (1862-1...(+)
Violin & Orchestra
Reduction
(Piano). Composed by
Claude
Debussy (1862-1918) and
Robert Orledge. Arranged
by
Robert Orledge. String.
Softcover. 34 pages.
Schott
Music #VLB214. Published
by
Schott Music
For Violin and Piano Piano Accompaniment; Violin (Violin/Piano) SKU: HL.97847...(+)
For Violin and Piano
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.978474
Arranged by Endre Granat.
LKM Music. Classical,
General Worship, Sacred.
Softcover. Lauren Keiser
Music Publishing
#S511046. Published by
Lauren Keiser Music
Publishing (HL.978474).
ISBN 9781638871361.
UPC: 196288090922.
9.0x12.0x0.102
inches.
This one of
a kind album pairs two of
the most performed Ave
Maria's for violin and
piano, meticulously
edited by Jascha Heifetz'
protege, Endre Granat.
The first of these is
Schubert's melody, which
was originally composed
as a setting of a song
from Walter Scott's
popular narrative poem
The Lady of the Lake,
titled, “Ellen's Third
Song” (Ellens dritter
Gesang). The opening
words and refrain of
Ellen's song, namely
“Ave Maria” (Latin
for “Hail Mary”), may
have led to the idea of
adapting Schubert's
melody as a setting for
the full text of the
traditional Roman
Catholic prayer. The
Latin version of the song
is now so frequently used
with Schubert's melody
that it has led to the
misconception that he
originally wrote the
melody as a setting for
the “Ave Maria.” The
second Ave Maria in this
collection was created
when Gounod famously
improvised the melody
over the background of
J.S. Bach's Prelude No. 1
in C major, BWV 846, from
The Well-Tempered
Clavier. Gounod's
beatiful improvisation
was transcribed by his
future father-in-law
Pierre-Joseph-Guillaume
Zimmermann, which was
published with the Bach
keyboard accompaniment in
1835 under the title
“Méditation sur le
Premier Prélude de Piano
de S. Bach.” Alongside
Schubert's version, the
Bach/Gounod Ave Maria has
become a fixture at
funerals, wedding masses,
and quinceañeras. Both
works have been recorded
hundreds of times during
the twentieth
century.
With online audio of piano accompaniments. Composed by Richard Rodgers and Osc...(+)
With online audio of
piano
accompaniments. Composed
by
Richard Rodgers and Oscar
Hammerstein. Broadway,
Movies, Musicals.
Softcover
Audio Online. 60 pages.
Published by Hal Leonard
3 Ragtimes Violon et Piano [Partition] - Intermédiaire Schott
(for Violin and Piano). By Scott Joplin (1868-1917). Arranged by Wolfgang Birtel...(+)
(for Violin and Piano).
By Scott Joplin
(1868-1917). Arranged by
Wolfgang Birtel. For
Violin, Piano
Accompaniment. String.
Softcover. 18 pages.
Schott Music #ED20458.
Published by Schott Music
Composed by Camille Saint- Saens (1835-1921). Edited by Fabien Guilloux and Fra...(+)
Composed by Camille
Saint-
Saens (1835-1921). Edited
by
Fabien Guilloux and
François
de Médicis. This
edition:
urtext edition. Stapled.
Performance score. Opus
75.
Baerenreiter Verlag
#BA10957.
Published by Baerenreiter
Verlag
Composed by Jean Sibelius (1865-1957). Arranged by Otto Taubmann. Edition Breitk...(+)
Composed by Jean Sibelius
(1865-1957). Arranged by
Otto Taubmann. Edition
Breitkopf. Early 20th
Century. Solo part,
piano reduction.
Breitkopf and Haertel
#EB-3122. Published by
Breitkopf and Haertel
(BR.EB-3122).
Composed by Jean Sibelius (1865-1957). Arranged by Otto Taubmann. Edition Breitk...(+)
Composed by Jean Sibelius
(1865-1957). Arranged by
Otto Taubmann. Edition
Breitkopf. Early 20th
Century. Solo part,
piano reduction.
Breitkopf and Haertel
#EB-3122. Published by
Breitkopf and Haertel
(BR.EB-3122).
Virtuoso and Entertaing Pieces for Violin and Piano. Composed by Various. Edit...(+)
Virtuoso and Entertaing
Pieces for Violin and
Piano.
Composed by Various.
Edited
by Wolfgang Birtel.
String.
Softcover. Schott Music
#ED23308. Published by
Schott Music
Violin, piano (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.EB-10708(+)
Violin, piano (solo: vl -
2.2.2.2 - 4.2.0.0 - timp
- str)
SKU:
BR.EB-10708
Urtext. Composed
by Max Bruch. Edited by
Michael Kube. Arranged by
Johannes Umbreit. Solo
instruments; stapled.
Edition Breitkopf.
In
Cooperation with
G. Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Piano
reduction. 76 pages.
Duration 25'. Breitkopf
and Haertel #EB 10708.
Published by Breitkopf
and Haertel
(BR.EB-10708).
ISBN
9790201807089. 9.5 x 12
inches.
Bruch's
evergreen for the first
time in Urtext Thanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto? The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.
Violin and piano (Violin/Piano) - advanced SKU: HL.49019230 Two altern...(+)
Violin and piano
(Violin/Piano) - advanced
SKU: HL.49019230
Two alternative
movements for the second
movement of the Kleine
Suite for violin and
piano. Composed by
Bernd Alois Zimmermann.
This edition: Saddle
stitching. Sheet music.
String Solo. Softcover.
Composed 1942. 16 pages.
Duration 5'. Schott Music
#ED21335. Published by
Schott Music
(HL.49019230).
ISBN
9790001181792. UPC:
884088907365.
9.0x12.0x0.106
inches.
These two
movements were originally
intended for Kleine Suite
for violin and piano (ED
7564), but were exchanged
for the 'official' second
movement published in the
suite. Over the course of
the reviewing of
Zimmermann's early work,
many surprising things
have come to light again.
These two alternative
movements are not
difficult to play, can be
used for many different
purposes and expand the
repertoire by two unknown
pieces by Zimmermann.
Violin and piano SKU: M7.APUE-516186 Edited by Karen North. Sheet music. ...(+)
Violin and piano
SKU:
M7.APUE-516186
Edited
by Karen North. Sheet
music. Score and part.
MDS (Music Distribution
Services) #APUE 516186.
Published by MDS (Music
Distribution Services)
(M7.APUE-516186).
ISBN
9781875516186.
Lyri
cal Violin Legends is an
exciting collection of 20
works for violin and
piano, featuring
exclusively commissioned
works by contemporary
composers and inspiring
new arrangements of 19th
and 20th century
compositions. Listen to
the legends, discover
beautiful scenes and
enjoy lively dances
through the alluring
lyricism of this music.
These exclusive
commissioned works and
new arrangements are
suitable for intermediate
level players. The violin
part includes biographies
of all composers and
notes/ performance
suggestions for each
work. All pieces in
Lyrical Violin Legends
have free violin & piano
recordings to listen to,
as well as free piano
backing tracks to play
along with. Composers:
Johannes Brahms, Antonin
Dvorak, Hans Engelmann,
Sally Greenaway, Greg
Harradine, Jolin Jiang,
Scott Joplin, Elena
Kats-Chernin, Toivo
Kuula, Rachel Laurin,
Edward MacDowell, Felix
Mendelssohn, Merryl
Neille, Heather Percy,
Gary Schocker.
Violin and Piano - early intermediate SKU: BT.DHP-1043625-404 Composed by...(+)
Violin and Piano - early
intermediate
SKU:
BT.DHP-1043625-404
Composed by Alexei
Janschinow. De Haske
Study and Play.
Educational Tool. Book
with Part and
Audio-Online. Composed
2021. 16 pages. De Haske
Publications #DHP
1043625-404. Published by
De Haske Publications
(BT.DHP-1043625-404).
ISBN 9789043161763.
9x12 inches.
English-German-French-Dut
ch.
Study and
Play is ideal for
developing your playing
in an enjoyable and
musically sound way. Each
edition within this
concept features audio
recordings to add
something extra to your
study routine.When you
play
thisConcertino you
will be able to practise
at a slower study tempo,
as well as the normal
tempo, so that you can
work on your violin
playing in a more
concentrated way whilst
improving your insight
into the music. You
cancontinue to study in
this goal-orientated way
until you have achieved
the desired result.
The title of this piece
suggests a concert
situation: playing a solo
partwith accompaniment.
There are thousands of
such works for theviolin
but many of these cannot
be tackled until you have
been playing for a
considerable time.
Concertino in Russian
Style Opus 35 enables
you to gain necessary
experience for this type
of playing: namely having
sufficientmusical and
technical control over
your instrument whilst
having the support of an
accompanist during
performance. This
carefully chosen
concertino will enrich
your repertoire.
St
udy and Play ist das
ideale Konzept, um auf
vergnügliche und
sinnvolle Weise ein gutes
Spiel zu entwickeln.
Jedem Buch mit diesem
Konzept sind
Begleitaufnahmen
beigefügt, welche
die tägliche
ÃÅbungsroutine
individuellergänze
n. Mit Hilfe dieser
Aufnahmen kann das
Concertino im
langsameren
ÃÅbetempo sowie
auch im normalen Tempo
gespielt werden, sodass
man sich zunächst
ganz auf das Violinspiel
konzentrieren kann und
dabei die Musik
kennenlernt. So kann
zielgerichtet
geübt werden, bis
das gewünschte
Ergebnis erreicht
wird.
Der Titel dieses
Stückes beschreibt
die Situation in einem
Konzert: Es wird ein Solo
mit Begleitung gespielt.
Solche Werke gibt es
zutausenden für
Violine, viele
können jedoch erst
nach vielen Jahren
Spielerfahrung gemeistert
werden. Mit Concertino
in Russian Style Opus
35 kann man wichtige
Erfahrungen mit genau
dieser Art des Spiels
sammeln,
nämlichausreichend
musikalische und
technische Beherrschung
über das
Instrument zu erlangen
und gleichzeitig mit der
Unterstützung
eines Pianisten spielen
zu können. Dieses
sorgfältig
ausgewählte
Concertino ist auf
jeden Fall
eineBereicherung Ihres
Repertoires.
Study and
Play è il
concetto ideale per
sviluppare il vostro modo
di suonare in un contesto
piacevole e solidamente
strutturato. Le
registrazione di
accompagnamento vi
permettono di suonare sia
a tempo normale che
più lento,al fine
di migliorare la
concentrazione sullo
studio della tecnica e
avere un migliore
approccio con le varie
parti del brano. Le parti
dellââ¬â¢accom
pagnamento al pianoforte
incluse nelle
pubblicazioni (versione
cartacea) vipermettono di
suonare con un pianista
accompagnatore.
Enigma Violon et Piano [Conducteur] Theodore Presser Co.
Chamber Music Cello, Clarinet, Flute, Piano, Violin SKU: PR.14440516S Com...(+)
Chamber Music Cello,
Clarinet, Flute, Piano,
Violin
SKU:
PR.14440516S
Composed
by Robert Martin. Full
score. With Standard
notation. 44 pages.
Duration 9 minutes, 15
seconds. Theodore Presser
Company #144-40516S.
Published by Theodore
Presser Company
(PR.14440516S).
UPC:
680160667864. 9 x 12
inches.
In 1979,
Martin produced a set of
three quintets, in
consideration of Gorky's
piece Nighttime Enigma
Nostalgia. Each is scored
for flute, clarinet,
violin, cello, and piano.
As the title suggests,
the music is in a state
of perpetual questioning
using a variety of
approaches. For example,
Enigma opens using
ostinati (plural of
ostinato) that do not
match in length, like a
staircase with each step
a different height.
Additionally, the music
has sudden starts and
stops, again unexplained.
There are dramatic and
powerful explosive
passages that are
interrupted. The
technique, used to create
this feeling of a
perplexed music world
where things seem often
not to make sense and to
be left unresolved, is
called in poetry and
literature, anticlimax.
In Enigma, the music
suggests one direction;
then refuses to continue,
striking out in another
direction. Artists use
approaches such as this
to force themselves into
creative circumstances
that they otherwise might
not have discovered.
(From the performance
notes.).