| Sonata for Violin and
Piano (KILPINEN YRJO) Violon et Piano [Partition] Fennica Gehrman
Viulusonaatti. Par KILPINEN YRJO. Yrjö Kilpinen (1892-1959) is most known for h...(+)
Viulusonaatti. Par KILPINEN YRJO. Yrjö Kilpinen (1892-1959) is most known for his hundreds of lieds and song cycles. His instrumental compositions have been less know, ie. the six piano sonatas and suite for gamba and piano. Large-scale Sonata for violin and piano is dated in 1935 with opus number 87. The work was never finished, and National Library in Helsinki holds several sketches and versions in its Kilpinen collection. In 2015 violinist Frida Backman commissioned a completion of the Sonata from composer Walter Wolff. Wolff worked on the sketches and versions until 2018, when the work was completed and the Sonata premiered. The present publication is the first publication of the Sonata. It sheds light to Kilpinen as an instrumental composer. The movements are: Allegro - Andante - Andante Moderato - Allegro / Date parution : 2022-05-31/ Répertoire / Violon et Piano
38.40 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| The Infant Paganini Violon et Piano - Facile Barenreiter
Born in Erfurt, the composer Edward Mollenhauer (1827-1914) achieved success in ...(+)
Born in Erfurt, the composer Edward Mollenhauer (1827-1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are 'The Infant Paganini? and 'The Boy Paganini?.Both appear here in their original version for violin and piano and, for the first time, in a transcription for cello and piano by Christoph Sassmannshaus.The Mollenhauer fantasia 'The Infant Paganini? is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché, legato, spiccato and arpeggios over three strings. Players are also expected to play harmonics and pizzicato.This showpiece (BA 10691) can be accomplished by young violinists who can play in first to third position and who are nearing completion of the Sassmannshaus Early Start on the Violin, volume 4.It (BA 10693) can be equally mastered by young cello students who are working with volume 4 of the Sassmannshaus 'Early Start on the Cello? and can manage first to fourth position.'The Boy Paganini? is an impressive concert piece which is more demanding. Its two movements call for changes of metre, harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves.On the violin (BA 10692), the technical requirements call for first to fifth position whereas on the cello (BA 10694), the student must be able to play in first to fourth position.Both violinists and cellists should have completed volume 4 of 'Early Start on the Violin? and 'Early Start on the Cello? respectively in order to master this work. - Popular recital pieces for young violinists and cellists- Both works form an ideal continuation of the Sassmannshaus 'Early Start? methods- Pieces originally scored for violin now also available for the first time for cello / Violon Et Piano
13.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Drei Romanzen op. 22
(SCHUMANN CLARA) Violon et Piano Barenreiter
für Violine und Klavier. Par SCHUMANN CLARA. The Romances op. 22 are today amon...(+)
für Violine und Klavier. Par SCHUMANN CLARA. The Romances op. 22 are today among Clara Schumann’s most popular chamber music works. For violinists and pianists, they’re also of particular importance due to the wealth of information by Schumann, Joseph Joachim, and Wilhelm Joseph von Wasielewski on fingering, bowing, and phrasing in these three pieces.
While working on the composition and publication of the Romances op. 22, Schumann was in close contact with these two great violinists of the nineteenth century. She consulted Wasielewski while completing an early version of Romance no. 1, while Joachim was involved in a later, complete version and the preparation of the first edition.
Jacqueline Ross’ scholarly-critical edition is the first to include, in addition to the first edition, the numerous manuscript sources that survive today, such as: Schumann’s draft manuscript, presentation autographs for Wasielewski and Joachim, as well as copyists’ parts once owned by the two violinists.
This edition has two separate parts for the violin, allowing its use in two ways: first, as a straightforward Urtext edition: and second, as an edition informed by historical performing practice, supported by the detailed Performing Practice Commentary on nineteenth-century violin and piano technique./ Répertoire / Violon et Piano
27.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| 5 Pièces Pour Deux
Violons Et Piano
(CHOSTAKOVITCH DIMITRI) En Français Violon et Piano [Partition] Chant du Monde
Violon I, Violon II, Piano. Par CHOSTAKOVITCH DIMITRI. Quelques-unes des pages l...(+)
Violon I, Violon II, Piano. Par CHOSTAKOVITCH DIMITRI. Quelques-unes des pages les plus célèbres des ballets de Chostakovitch, arrangées pour 2 violons et piano par Lev Atovmyan, ami du compositeur/ Répertoire / Violon et Piano
46.60 EUR - vendu par LMI-partitions Délais: En Stock | |
| Kokai - Verbunkos
Rhapsody - Violon Et
Piano Violon et Piano Emb (editio Musica Budapest)
for violin/viola/clarinet and pianopartition et partiesTranscrit par Kraszna Lá...(+)
for violin/viola/clarinet and pianopartition et partiesTranscrit par Kraszna László, Jánosi SándorInstrument: Violon et pianoGenre: Pedagogical performance piecesLangue: Hungarian, English, German, FrenchPages: 20 ppDate du parution: Juillet 2000
12.70 EUR - vendu par Woodbrass Délais: Sur commande | |
| Sonatas In F Minor And
E-Flat Major For Violin
And Piano Violon et Piano Barenreiter
Brahms had already announced his ?retirement' from composition when in the sprin...(+)
Brahms had already announced his ?retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld's much admired playing and inspired him to write two clarinet sonatas in the summer of the same year. Brahms conceived an alternate version of the works for viola from the beginning and already before the publication of these two versions he intended to do another one for violin, a version which was to require changes and was to result in an independent edition. While the clarinet and viola versions have developed a rich performance tradition, the violin version is almost unknown. Yet for the violin version the composer revised the original clarinet part much more extensively than he did for the viola version and also rewrote the piano part to achieve a thoroughly convincing violin and piano idiom. This Bärenreiter edition aims to bring the neglected violin sonatas op. 120 back into players' hands.An important part of this edition is the extensive preface. Firstly it informs about the sonatas' origins, their compositional process, pre-publication performances, their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death, a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners, treatises and essays, early instructive editions and historical recordings, the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato, the editors provide an indispensable assistance for a historically informed interpretation of the works.At the same time, the edition offers an exciting and often surprising insight into musical interpretation of the German Romantic Era in general.- A pioneering Urtext edition- With an unmarked Urtext part- With a second part including fingering and bowing based on the practices of contemporaries of Brahms- With an extensive Performance Practice Commentary- For further information on Romantic performance practice we recommend the text booklet: 'Performance Practices in Johannes Brahms' Chamber Music?, BA 9600 / Violon Et Piano
37.20 EUR - vendu par LMI-partitions Délais: En Stock | |
| Pop Performance Pieces Violon et Piano [Partition] - Intermédiaire Chester
Pop Performance Pieces includes 10 carefully selected contemporary and classic p...(+)
Pop Performance Pieces includes 10 carefully selected contemporary and classic pop songs in special arrangements for Violin with a Piano accompaniment suitable for Grade 2-5 students, as well as teachers. With a Piano score, separate Violin part and performance hints and tips, these fun pieces will hone your skills and develop ensemble playing.These pieces present a fun alternative to graded exam material, and many are suitable for GCSE performance exams. The tunes will be familiar to most players, with classics like Simon and Garfunkel\'s Bridge Over Troubled Water and Elton John\'s Your Song, as well as contemporary pop songs like Adele\'s When We Were Young and Katy Perry\'s Firework. These 10 songs can be played in instrumental lessons, in the classroom and, of course, on stage. The separate booklet with the Violin part features tips by professional musicians, with some fingering guidance, while the Piano score also includes the tips, along with chord symbols and helpful fingering suggestions. / Violon Et Piano
22.40 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Celtic - Play Along
(DIVERS AUTEURS (ARR) Violon et Piano [Partition + CD] - Facile Universal Edition
8 Easy To Intermediate Play-Alongs Of Well-Known Pieces From Ireland, Scotland, ...(+)
8 Easy To Intermediate Play-Alongs Of Well-Known Pieces From Ireland, Scotland, Wales, Cornwall And Brittany. Par DIVERS AUTEURS (ARR.MARTIN TOURISH). Martin Tourish is an accordionist, composer and musicologist from Co. Donegal, now based in Dublin. Celtic music is in his blood, for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit, he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments.
'World Music - Celtic” presents material from the Irish, Scottish, Welsh, Cornish and Breton traditions. It makes no great technical demands on the players, but Tourish points out that notation of this music is often 'skeletal”, hence it is important to gain a knowledge of the individual traditions in question and, naturally, he offers plenty of information on performance practice.
The collection spans three centuries, from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings, festivals and the very communities whence this music comes.
'World Music - Celtic” is available in four formats, each with complete recordings and backing tracks on CD: as solo versions for violin, flute or saxophone (with piano) and in an ensemble version for two melodic instruments (C, Bb or Eb), piano, guitar, bass and bodhrán. / Niveau : Facile / Recueil / Violon et Piano
25.20 EUR - vendu par LMI-partitions Délais: En Stock | |
| Romantische Stücke
Op. 75 (DVORAK ANTONIN) Violon et Piano - Avancé Schott
Par DVORAK ANTONIN. On 18 January 1887 Antonín Dvorák (1841–1904) started co...(+)
Par DVORAK ANTONIN. On 18 January 1887 Antonín Dvorák (1841–1904) started composing his Romantic Pieces for violin and piano, opus 75 (B 150), completing that version on 25 January. They were performed for the first time in a private house two days later, with the composer writing to his publisher in Berlin: ‘Played here yesterday and very well received.’
For this edition reference has been made to a copy of the original manuscript and to the first edition. The small number of bow markings in the violin part of the piano score are original and have been left unaltered.
These four contrasting movements are a welcome addition to the violin repertoire and a very effective alternative to Dvorák’s large-scale violin works, the Concerto in A minor and Romance in F minor. / Niveau : Avancé / Répertoire / Violon et Piano
16.41 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| The Stravinsky Violin
Collection Violon et Piano [Conducteur et Parties séparées] Boosey and Hawkes
Disponible pour la première fois en un seul volume, cette collection comprend l...(+)
Disponible pour la première fois en un seul volume, cette collection comprend l'opéra et ballet des ententes conclues avec le violoniste Samuel Dushkin, un morceau pour violon non accompagné et un travail original de Stravinsky Duo concertante pour violon et piano. / Violon Et Piano
31.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| RAVEL MAURICE - SONATE /
BERCEUSE SUR LE NOM DE
GABRIEL FAURE - VIOLON
and PIANO En Français Violon et Piano Barenreiter
Ravel, Maurice Sonata / Berceuse sur le nom de Fauré for Violin and Piano<...(+)
Ravel, Maurice Sonata / Berceuse sur le nom de Fauré for Violin and Piano - New scholarly-critical edition of Ravel?s famous sonata - First scholarly-critical edition of the ?Berceuse sur le nom de Fauré? - Foreword on the historical context and performance practice issues (Eng/Ger) as well as a Critical Commentary (Eng) Ravel worked on his Sonata for Violin and Piano for four years (1923?1927) which was longer than he took for any other composition. According to the composer, the reason for his difficulties was the ?fundamental incompatibility? of these two instruments. However, the interplay between two quite different partners is precisely what makes this sonata so charming. The violin and piano are independent, sometimes playing alongside each other and at other times with each other: here in a lyrical Allegretto, there in a jazz-inspired second movement, finally in a ?perpetuum mobile? finale. This new edition edited by Douglas Woodfull-Harris corrects numerous inconsistencies of earlier editions. It also includes the ?Berceuse sur le nom de Fauré? which is available for the first time in a scholarly-critical Urtext edition. This lullaby for violin and piano consists of variations on a theme derived from the letters of Fauré?s name. / Partitions classique / Cordes / Violon / BARENREITER
28.00 EUR - vendu par Woodbrass Délais: Sur commande | |
| Sonatas for Pianoforte
and Violin Volume I and
Volume II (BEETHOVEN
LUDWIG VAN) Violon et Piano [Partition] Barenreiter
Par BEETHOVEN LUDWIG VAN. Beethoven’s Sonatas for Pianoforte and Violin are no...(+)
Par BEETHOVEN LUDWIG VAN. Beethoven’s Sonatas for Pianoforte and Violin are now available at a special set price. The set consists of volume I (BA 9014) and volume II (BA 9015).
Beethoven’s ten sonatas for piano and violin, along with those by Mozart, constitute the heart of this classical music genre. Following the lead of Mozart’s late sonatas, Beethoven lets the violin part become increasingly independent from the piano part.
Not only does Clive Brown’s scholarly critical edition offer a meticulously edited text but for the first time it presents a list of sources and a Critical Report. Furthermore Brown documents a great number of passages where, by today’s standards, the notation raises some questions. These passages had previously been overlooked in the autograph but their significance is now clarified.
One example can be found in Beethoven’s “Tempo di Minuetto” from Sonata op. 30 No. 3, where he uses a notational idiosyncracy based on C.P.E. Bach’s “Versuch über die wahre Art das Clavier zu spielen” to denote a rest. This musical symbol, which was included in the first edition published during Beethoven’s lifetime, has not been addressed in any modern edition to date.
In addition, a score through a chord can also not be found in previous modern editions - this denotes an arpeggiated chord./ Recueil / Violon et Piano
100.81 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Suite From Appalachian
Spring Violon et Piano [Conducteur et Parties séparées] Boosey and Hawkes
Suite de célèbre ballet de Copland n'a jamais été publiée dans un violon so...(+)
Suite de célèbre ballet de Copland n'a jamais été publiée dans un violon solo et la transcription pour piano. Cette nouvelle version est idiomatique pour le violon, conservant toute la musique de la suite d'orchestre 1945 standard. / Violon Et Piano
24.90 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Three Pieces For
Violin/Piano Op. 11 Violon et Piano Novello & Co Ltd.
Three Pieces For Violin And Piano Op.11 were the first works to be written by co...(+)
Three Pieces For Violin And Piano Op.11 were the first works to be written by composer Ian Venables after he moved to Worcestershire in 1986. The pieces, Pastorale, Romance and Dance have been called some of the most beautiful pieces for Violin and Piano ever composed.Brimming with melodic invention and radiant lyricism, the music of Three Pieces For Violin And Piano is both rich and varied. Pastorale begins the interplay between the Violin and the Piano with a beautifully relaxing melodic accord, with an Elgarian influence firmly on its sleeve. Romance exhibits the best kind of artistic simplicity, a musical love-letter featuring an achingly heartbreaking conversation between the two instruments, often ambiguous in its outlook. Dance concludes the Three Pieces with a rhythmically upbeat melody laden with staccato that unfolds into a lovely harmonic concordance, a fitting end to this series of dialogue between the Violin and Piano.Ian Venables' Three Pieces For Violin And Piano Op.11 is a beautifully composed work that is guaranteed to have audiences craving more of such a lovely interplay of these two instruments. / Violon Et Piano
27.00 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Play Along Violin :
Italian Songs- Vol.39 Violon et Piano [Partition + CD] - Facile Hal Leonard
Play-Along Violin: Italian Songs- Volume 39 has been designed to help you play y...(+)
Play-Along Violin: Italian Songs- Volume 39 has been designed to help you play your favourite songs quickly and easily.Also included is an accompanying CD that lets the player listen to how the Violin should sound, then play along using the separate backing tracks. / Violon Et Piano
20.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
1 31 Page suivante 61 91 ... 421 |
|