For Cello and String Orchestra. By Julian Lloyd Webber. By Eric Whitacre (197...(+)
For Cello and String
Orchestra. By Julian
Lloyd
Webber. By Eric Whitacre
(1970-). Arranged by
Julian
Lloyd Webber. Music Sales
America. Classical.
Softcover.
16 pages. Chester Music
#CH79376. Published by
Chester
Music
Score and Parts. Composed by Johan De Meij. The Music of Johan de Meij. Solo and...(+)
Score and Parts. Composed
by Johan De Meij. The
Music of Johan de Meij.
Solo and Concerto. Set
(Score and Parts).
Composed 2000. Amstel
Music #AM 57-010.
Published by Amstel Music
Violin and orchestra (solo: vl - 1.2.2.2. - 2.2.0.0. - timp - str) SKU: BR.PB...(+)
Violin and orchestra
(solo: vl - 1.2.2.2. -
2.2.0.0. - timp - str)
SKU: BR.PB-5531-07
Urtext. Composed
by Ludwig van Beethoven.
Edited by Clive Brown.
Orchestra; Softcover.
Partitur-Bibliothek
(Score Library).
Beethoven would
probably have loved to be
able to commission a new
edition of his violin
concerto from Clive
Brown, since he is one of
the top specialists, with
a profound knowledge and
experience of performance
practice in Beethoven's
day.
Solo concerto;
Classical. Study Score.
88 pages. Duration 45'.
Breitkopf and Haertel #PB
5531-07. Published by
Breitkopf and Haertel
(BR.PB-5531-07).
ISBN
9790004212608. 6.5 x 9
inches.
What with
all the traditional
editions available on the
market, can we still
expect new readings? This
is what editor Clive
Brown asked himself as he
meticulously examined the
often conflicting
sources. The result is a
wealth of new readings in
the score, which deserve
as much attention as the
extensively commented
arrangement for violin
and piano. The treatment
of the solo instrument is
particularly interesting:
next to the Urtext solo
part, the edition also
contains a historically
informed and marked-up
part with fingerings and
bowings that go back to
Franz Clement, the
soloist of the premiere
performance, and to the
Viennese performance
tradition of Beethovens
time. For violinists of
today, this is a treasure
trove of new, innovative
ideas and suggestions for
the individual shaping of
the part.
Cello and Orchestra SKU: BT.ALHE32207 Composed by Henri Dutilleux. Classi...(+)
Cello and Orchestra
SKU: BT.ALHE32207
Composed by Henri
Dutilleux. Classical.
Score Only. 137 pages.
Heugel & Cie #ALHE32207.
Published by Heugel & Cie
(BT.ALHE32207).
French.
Henri
Dutilleux (1916-2013) was
greatly influenced by his
contemporaries, Ravel,
Debussy and Roussel, yet
implemented his own,
unique style. His Cello
Concerto, Tout un monde
lointain, is considered
to be one of the most
important20th century
additions to the
instrument's repertoire.
This Dutilleux Concerto
comprises five movements
which run seamlessly in
to one-another, each
inspired by the poetry of
Charles Baudelaire. The
movements are: 1)
Énigme(Enigma), 2)
Regard (Gaze), 3) Houles
(Surges), 4) Miroirs
(Mirrors), and 5) Hymne
(Hymn). Tout un monde
lointain was first
performed in July 1970 by
Russian cellist, Mstislav
Rostropovich with the
Orchestre de Paris. The
pieceremains popular to
this day, and including
the entire orchestral
score, this edition is
essential to the advanced
cellist's repertoire.
(Cello, Obbligato Group, Orchestra Archive Edition). By Osvaldo Golijov (1960-)....(+)
(Cello, Obbligato Group,
Orchestra Archive
Edition). By Osvaldo
Golijov (1960-). For
Cello, Orchestra (Full
Score). Boosey and Hawkes
Scores/Books. 92 pages.
Boosey and Hawkes
#M051097043. Published by
Boosey and Hawkes
Azul Violoncelle, Orchestre [Partie séparée] Boosey and Hawkes
(Cello Part Archive Edition). By Osvaldo Golijov (1960-). For Cello, Orchestra. ...(+)
(Cello Part Archive
Edition). By Osvaldo
Golijov (1960-). For
Cello, Orchestra. Boosey
and Hawkes Chamber Music.
16 pages. Boosey and
Hawkes #M051107056.
Published by Boosey and
Hawkes
By Nicola Porpora (1686-1768). Edited by Alessandro Bares. For cello and string ...(+)
By Nicola Porpora
(1686-1768). Edited by
Alessandro Bares. For
cello and string
orchestra. This edition:
Paperback. Minghen dal
Viulunzel. Baroque,
Galant. Score and set of
parts. Published by
Musedita Edizioni
Musicali
Violin and orchestra (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.PB-1...(+)
Violin and orchestra
(solo: vl - 2.2.2.2 -
4.2.0.0 - timp - str)
SKU: BR.PB-15132
Urtext. Composed
by Max Bruch. Edited by
Michael Kube. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library). In
Cooperation with G. Henle
Verlag. Solo concerto;
Romantic; Late-romantic.
Full score. 84 pages.
Duration 25'. Breitkopf
and Haertel #PB 15132.
Published by Breitkopf
and Haertel
(BR.PB-15132).
ISBN
9790004214688. 10 x 12.5
inches.
Bruch's
evergreen for the first
time in UrtextThanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto?The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.
Cello and orchestra SKU: BR.PB-5509 Urtext. Composed by Carl Phili...(+)
Cello and orchestra
SKU: BR.PB-5509
Urtext. Composed
by Carl Philipp Emanuel
Bach. Edited by Ulrich
Leisinger. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
The
concertos in A
minor and B flat major
were first written as
violoncello concertos
between 1750 and 1753.
They thus rank among the
very first concertos for
solo cello in
Germany.
Solo
concerto; Early
classical. Full score. 52
pages. Duration 27'.
Breitkopf and Haertel #PB
5509. Published by
Breitkopf and Haertel
(BR.PB-5509).
ISBN
9790004211694. 9 x 12
inches.
The
concertos in A minor, B
flat major and A major
were first written as
violoncello concertos
between 1750 and 1753.
They thus rank among the
very first concertos for
solo cello in Germany.
The A minor Concerto,
composed in 1750, is
performed quite
frequently today. C. P.
E. Bach most likely wrote
the Concerto in B flat
major Wq. 171 as the last
of the little work group
in 1753 in Potsdam, at
the court of King
Frederick the Great. He
reworked the composition
for flute and harpsichord
shortly thereafter.
Various sources prove
that copies of the work
had made it known quite
extensively in the second
half of the 18th century.
In his new Urtext
edition, Ulrich Leisinger
bases himself on two
reliable manuscripts.
Violin and Orchestra (Score) SKU: HL.14008406 Composed by Sir Peter Maxwe...(+)
Violin and Orchestra
(Score)
SKU:
HL.14008406
Composed
by Sir Peter Maxwell
Davies. Music Sales
America. 20th Century.
Book [Softcover].
Composed 1999. 94 pages.
Chester Music #CH60978.
Published by Chester
Music (HL.14008406).
ISBN
9780711948716.
A
work for solo violin and
orchestra, commissioned
by Donald McDonald for
the 21st birthday of the
Scottish Chamber
Orchestra and the 60th
birthday of the composer.
It was first performed in
November 1993 in Glasgow,
by James Clark and the
Scottish Chamber
Orchestra conducted by
Maxwell Davies. The spell
is one quoted by George
Mackay Brown in his book
An Orkney Tapestry: 'Let
not plough be put to acre
except a fiddle cross
first the furrow.'
Davies's dancing concerto
imagines the fiddler
following a route from
field to field, from
dance to dance,
accompanied by a bunch of
companions in the form of
an orchestra. As the
music goes on, so it gets
brighter and livelier,
moving from the dark
colouring of clarinets,
bassoons and strings to
full ensemble with
prominent brass and
(solo) tuned percussion,
as if the dancers as much
as the fields were
beginning to glow with
new life. Score
(miniature). Duration c.
20mins.
Urtext. Composed
by Johann Sebastian Bach.
Edited by Klaus Hofmann.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Bach's manuscript
leaves several questions
unanswered.
Solo
concerto; Baroque. Full
score. 24 pages. Duration
16'. Breitkopf and
Haertel #PB 5354.
Published by Breitkopf
and Haertel (BR.PB-5354).
ISBN 9790004211533. 9
x 12 inches.
When
an editorial formula
proves to be as
compelling as in the case
of the E-major Concerto
BWV 1042, then its
obvious that it is going
to be applied again: this
time to Klaus Hofmanns
new Urtext edition of the
A-minor Concerto. Bachs
manuscript leaves several
questions unanswered. The
slurring, particularly in
the solo part, is once
again equivocal and
inconsistent. Bach
himself expected his
performers to be
creative, which is why
the interpretative
suggestions of Baroque
expert Sigiswald Kuijken
are particularly welcome.
The edition for violin
and keyboard instrument
(with continuo ad lib.)
once again contains three
violin parts (the first
unmarked, the second with
markings and comments by
Sigiswald Kuijken, the
third as a facsimile).
This provides
well-grounded stimuli for
ones own personal
interpretation based on
historically informed
performance practice. The
keyboard arrangement by
Siegfried Petrenz is
transparent and easy to
play. A violoncello part
has been added for
chamber-music.
Bac
h's manuscript leaves
several questions
unanswered.
Violin and orchestra (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.PB-1...(+)
Violin and orchestra
(solo: vl - 2.2.2.2 -
4.2.0.0 - timp - str)
SKU:
BR.PB-15133-07
Urtext. Composed
by Max Bruch. Edited by
Michael Kube. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with
G. Henle Verlag
Solo concerto; Romantic;
Late-romantic. Study
Score. 84 pages. Duration
25'. Breitkopf and
Haertel #PB 15133-07.
Published by Breitkopf
and Haertel
(BR.PB-15133-07).
ISBN
9790004214695. 6.5 x 9
inches.
Bruch's
evergreen for the first
time in UrtextThanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto?The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.