Cello and Orchestra SKU: HL.14028003 Cello Concerto No. 1. Compose...(+)
Cello and Orchestra
SKU: HL.14028003
Cello Concerto No.
1. Composed by Poul
Ruders. Music Sales
America. Classical.
Score. Composed 2002.
Edition Wilhelm Hansen
#WH30292. Published by
Edition Wilhelm Hansen
(HL.14028003).
ISBN
9788759862896.
Poul
Ruders Polydrama
(Manyfold Event) for
cello and orchestra, is
the last part of a drama
trilogy otherwise
consisting of Dramaphonia
for piano and 11
instruments and Monodrama
for percussion and 32
instruments. In this
abstract drama, the
individual listener is
left entirely to his own
associations. The
composer has compared
polydrama with the
gradual defoliation of a
big tree: the vigorously
growing organism is
attacked by a swarm of
locusts until, finally,
nothing remains but bare
branches in a landscape
of long shadows; a
solitary, singing bird
remains, however, like a
streak of hope in an
increasingly dark and
pessimistic universe.
Cello and Orchestra SKU: BT.ALHE32207 Composed by Henri Dutilleux. Classi...(+)
Cello and Orchestra
SKU: BT.ALHE32207
Composed by Henri
Dutilleux. Classical.
Score Only. 137 pages.
Heugel & Cie #ALHE32207.
Published by Heugel & Cie
(BT.ALHE32207).
French.
Henri
Dutilleux (1916-2013) was
greatly influenced by his
contemporaries, Ravel,
Debussy and Roussel, yet
implemented his own,
unique style. His Cello
Concerto, Tout un monde
lointain, is considered
to be one of the most
important20th century
additions to the
instrument's repertoire.
This Dutilleux Concerto
comprises five movements
which run seamlessly in
to one-another, each
inspired by the poetry of
Charles Baudelaire. The
movements are: 1)
Énigme(Enigma), 2)
Regard (Gaze), 3) Houles
(Surges), 4) Miroirs
(Mirrors), and 5) Hymne
(Hymn). Tout un monde
lointain was first
performed in July 1970 by
Russian cellist, Mstislav
Rostropovich with the
Orchestre de Paris. The
pieceremains popular to
this day, and including
the entire orchestral
score, this edition is
essential to the advanced
cellist's repertoire.
Violin and orchestra (solo: vl - str - bc) SKU: BR.PB-4384 Composed by Fr...(+)
Violin and orchestra
(solo: vl - str - bc)
SKU: BR.PB-4384
Composed by Franz Joseph
Haydn. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library). EB 8606
(edition for violin and
piano) with cadenzas by
Thomas Zehetmair. Solo
concerto; Classical. Full
score. 48 pages. Duration
20'. Breitkopf and
Haertel #PB 4384.
Published by Breitkopf
and Haertel (BR.PB-4384).
ISBN 9790004203033. 10
x 12.5 inches.
EB
8606 (edition for violin
and piano) with cadenzas
by Thomas Zehetmair.
Violin and orchestra (solo: vl - str - bc) SKU: BR.PB-5297 Composed by Fr...(+)
Violin and orchestra
(solo: vl - str - bc)
SKU: BR.PB-5297
Composed by Franz Joseph
Haydn. Edited by Walter
Heinz Bernstein.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Haydn's C major
Concerto now in a new,
up-to-date
edition
EB 8634
(edition for violin and
piano) with cadenzas by
Thomas Zehetmair
Solo
concerto; Classical. Full
score. 24 pages. Duration
24'. Breitkopf and
Haertel #PB 5297.
Published by Breitkopf
and Haertel (BR.PB-5297).
ISBN 9790004211755. 10
x 12.5
inches.
Haydn's
Violin Concerto in C
major has always been
closely linked to
Breitkopf & Hartel,
which began selling
copies of the work back
in 1769. The first
edition came out in 1909
and helped secure the
work a broad
dissemination and lasting
popularity. Strangely
enough, this first
edition is one of the
most important sources
today, since its own
source a copy of Haydn's
autograph, perhaps the
autograph itself was lost
at the end of World War
II. Although other copies
from Haydn's time were
made, they are textually
less reliable. Walter
Heinz Bernstein has
created an easily
playable and
pleasant-sounding piano
score on the basis of the
first edition, whereby he
has respected the early
classical continuo
practice. As he did
earlier in the G major
Concerto (EB 8606),
Thomas Zehetmair has once
again accepted the
challenging task of
embellishing the solo
part with stylistically
accurate cadenzas and
flourishes. This
delightful concerto is
thus now available in a
modern edition.The
piano-harpsichord part by
Walter Heinz Bernstein
features a continuo part
in keeping with the late
Baroque performing
tradition and offers a
much cleaner, unfettered
realization.(Stringendo)<
br> Haydn's C major
Concerto now in a new,
up-to-date edition.
Violin and orchestra
(solo: vl - picc.2.2(cor
ang).2.2.dbn. - 4.3.3.1.
- perc(3) - hp - pno -
str: 14.12.10.8.6.)
SKU: BR.PB-5434
Composed by Ye Shen.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library). World
premiere: Tokyo, August
21, 2018. Solo concerto;
Music post-1945; New
music (post-2000). Full
score. Composed 2018. 96
pages. Duration 27'.
Breitkopf and Haertel #PB
5434. Published by
Breitkopf and Haertel
(BR.PB-5434).
ISBN
9790004212813. 10.5 x 14
inches.
My first
violin concerto, The
Psalms of Taciturnity,
describes the inner
feelings that cannot be
expressed verbally, but
that also cannot remain
unexpressed. There is the
human spirit's pain,
sorrow and fortitude in
the face of this big
quandry. The Psalms stand
for the praise of
humanity and of life. And
so in this concerto, the
Psalms are lacking in
words, but are full of
music. (Ye
Shen)
Cello and Orchestra SKU: BT.EMBZ14893 Composed by László Dubrovay. ...(+)
Cello and Orchestra
SKU: BT.EMBZ14893
Composed by László
Dubrovay. EMB
Contemporary Music.
Contemporary Music. Book
Only. Composed 2016. 68
pages. Editio Musica
Budapest #EMBZ14893.
Published by Editio
Musica Budapest
(BT.EMBZ14893).
The concerto
was inspired by István
Várdai's play and is
dedicated to him. The
triple movement structure
and the character of the
movements follow the
patterns of classical
concertos, while the
thematic connections
spanning the movements
rather reflect the
structural principles of
Romantic symphonies. In
the first movement, which
resembles the form of a
sonata, the characters of
the themes are
spectacularly separated.
The motif of the main
theme, constructed with
glissandos, is
supplemented by a theme
the composer refers to as
a motif of fate, and the
two together form a
significant contrast with
the minor theme with its
lyrical tone and the
playful, ending
themeresembling a
children's song. The
contrasts between depth
and height, as well as
darkness and light, have
a significant role in all
three movements. The
music of the first
movement gradually rises
to increasingly bright
and higher regions, the
gloomy atmosphere of the
marginal parts in the
second movement is offset
by the tune's
transcendental light in
its central part, while
the rondo theme of the
third movement with its
6/8 metre dance-like
character is supplemented
with motifs of a
contrasting nature from
the earlier
movements.
Violin and orchestra (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.PB-1...(+)
Violin and orchestra
(solo: vl - 2.2.2.2 -
4.2.0.0 - timp - str)
SKU: BR.PB-15132
Urtext. Composed
by Max Bruch. Edited by
Michael Kube. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library). In
Cooperation with G. Henle
Verlag. Solo concerto;
Romantic; Late-romantic.
Full score. 84 pages.
Duration 25'. Breitkopf
and Haertel #PB 15132.
Published by Breitkopf
and Haertel
(BR.PB-15132).
ISBN
9790004214688. 10 x 12.5
inches.
Bruch's
evergreen for the first
time in UrtextThanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto?The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.
Urtext
based on the new Complete
Edition (G. Henle
Verlag). Composed by
Ludwig van Beethoven.
Edited by Shin Augustinus
Kojima. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
Solo
concerto; Classical. Full
score. 28 pages.
Breitkopf and Haertel #PB
14590. Published by
Breitkopf and Haertel
(BR.PB-14590).
ISBN
9790004211120. 10 x 12.5
inches.
When Ludwig
van Beethoven wrote the
present two works around
1800, the Romance as a
genre designation for a
soulful, melodious
instrumental piece was
anything but established,
despite the occasional
piece bearing this title.
Beethoven himself named
the pieces Romance in the
autographs, but offered
them to Breitkopf &
Hartel for publication as
Solo. His brother Karl
even spoke of 2 Adagios
to the publisher.
Nevertheless, Beethoven's
two Romances for violin
achieved lasting
popularity ever since the
publication of the first
editions in 1803 and
1805.The present Urtext
edition takes the
autographs and first
editions as its main
sources.
The piano
reduction and the study
score (,,Studien-Edition)
are available at G. Henle
Verlag.
Violin and orchestra (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.PB-1...(+)
Violin and orchestra
(solo: vl - 2.2.2.2 -
4.2.0.0 - timp - str)
SKU:
BR.PB-15133-07
Urtext. Composed
by Max Bruch. Edited by
Michael Kube. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with
G. Henle Verlag
Solo concerto; Romantic;
Late-romantic. Study
Score. 84 pages. Duration
25'. Breitkopf and
Haertel #PB 15133-07.
Published by Breitkopf
and Haertel
(BR.PB-15133-07).
ISBN
9790004214695. 6.5 x 9
inches.
Bruch's
evergreen for the first
time in UrtextThanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto?The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.