Cello and orchestra SKU: FG.55011-608-5 Variaatioita sellolle ja orkes...(+)
Cello and orchestra
SKU:
FG.55011-608-5
Variaatioita sellolle
ja orkesterille op 5.
Composed by Aulis
Sallinen. Score. Fennica
Gehrman #55011-608-5.
Published by Fennica
Gehrman (FG.55011-608-5).
ISBN
9790550116085.
Auli
s Sallinen (b. 1935) is
one of the most famous
Finnish contemporary
composers. In his early
instrumental works,
Sallinen was still
seeking to establish a
style of his own. He had
studied at the Sibelius
Academy in the late
1950s, first with Aarre
Merikanto - a composer
representing a national
brand of Neoclassicism -
and then with Joonas
Kokkonen, at that time
just transitioning from
Neoclassicism to
dodecaphony. Twelve-tone
music had won fairly
widespread acceptance in
contemporary Finn-ish
music, and Sallinen was
influenced, too. The
Variations are Sallinen's
first real work for the
cello - an instrument
that would later be one
of his favourites, its
warm, deep voice
corres-ponding to his
music's often dark
undercurrent.
The Variations for Cello
and Orchestra, Op. 5 were
composed in 1961-1962 and
premiered in October
1962. The basic motif
consists of a set of
three descending
intervals stated by the
cello at the beginning:
D-D flat-F, C-B-G and B
flat-A-F sharp. Their use
as basic material is a
ref-lection of the
composer's
dodecaphony-oriented
period, and variation of
this material provides
the framework for the
piece.
Variations for Cello and
Orchestra are now
published for the first
time. Available are a
reduction for cello and
piano, study score and
complete performance
material with
orchestra.
By Kathleen DeBerry Brungard, Michael Alexander, Gerald Anderson, Sandra Dackow,...(+)
By Kathleen DeBerry
Brungard, Michael
Alexander, Gerald
Anderson, Sandra Dackow,
consulting editor Anne C.
Witt, and contributing
arrangers Jack Bullock,
Victor Lopez, and Tom
Roed. For Cello. String
Orchestra
Method/Supplement.
Expressions Music
Curriculum[TM]. Book &
CD. 56 pages. Published
by Alfred Publishing.
Violin and orchestra
(solo: vl - picc.2.2(cor
ang).2.2.dbn. - 4.3.3.1.
- perc(3) - hp - pno -
str: 14.12.10.8.6.)
SKU: BR.PB-5434
Composed by Ye Shen.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library). World
premiere: Tokyo, August
21, 2018. Solo concerto;
Music post-1945; New
music (post-2000). Full
score. Composed 2018. 96
pages. Duration 27'.
Breitkopf and Haertel #PB
5434. Published by
Breitkopf and Haertel
(BR.PB-5434).
ISBN
9790004212813. 10.5 x 14
inches.
My first
violin concerto, The
Psalms of Taciturnity,
describes the inner
feelings that cannot be
expressed verbally, but
that also cannot remain
unexpressed. There is the
human spirit's pain,
sorrow and fortitude in
the face of this big
quandry. The Psalms stand
for the praise of
humanity and of life. And
so in this concerto, the
Psalms are lacking in
words, but are full of
music. (Ye
Shen)
Cello and Orchestra SKU: BT.EMBZ14893 Composed by László Dubrovay. ...(+)
Cello and Orchestra
SKU: BT.EMBZ14893
Composed by László
Dubrovay. EMB
Contemporary Music.
Contemporary Music. Book
Only. Composed 2016. 68
pages. Editio Musica
Budapest #EMBZ14893.
Published by Editio
Musica Budapest
(BT.EMBZ14893).
The concerto
was inspired by István
Várdai's play and is
dedicated to him. The
triple movement structure
and the character of the
movements follow the
patterns of classical
concertos, while the
thematic connections
spanning the movements
rather reflect the
structural principles of
Romantic symphonies. In
the first movement, which
resembles the form of a
sonata, the characters of
the themes are
spectacularly separated.
The motif of the main
theme, constructed with
glissandos, is
supplemented by a theme
the composer refers to as
a motif of fate, and the
two together form a
significant contrast with
the minor theme with its
lyrical tone and the
playful, ending
themeresembling a
children's song. The
contrasts between depth
and height, as well as
darkness and light, have
a significant role in all
three movements. The
music of the first
movement gradually rises
to increasingly bright
and higher regions, the
gloomy atmosphere of the
marginal parts in the
second movement is offset
by the tune's
transcendental light in
its central part, while
the rondo theme of the
third movement with its
6/8 metre dance-like
character is supplemented
with motifs of a
contrasting nature from
the earlier
movements.
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