Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da C...(+)
Composed by Johannes
Brahms (1833-1897).
Edited by Clive Brown /
Neal Peres Da Costa /
Kate Bennett Wadsworth.
For cello and piano. This
edition: Urtext edition.
Stapled. With an Urtext
solo part by Clive Brown
and a solo part with
bowing and fingering by
Kate Bennett Wadsworth;
Fingering in the piano
part by Neal Peres Da
Costa; Performance
Practice Commentary by C.
Brown, N. P. Da Costa and
K. B. Wadsworth. Level 3.
Score and part. Text
Language: German/English.
Opus 38. Published by
Baerenreiter Verlag
Violoncello and Piano (VIOLONCELLO) SKU: HL.50487654 Per violoncello, ...(+)
Violoncello and Piano
(VIOLONCELLO)
SKU:
HL.50487654
Per
violoncello, archi e
cembalo RV 403 (F. IIII.
No. 16, P.V. 181). By
Laszlo Martos. By Antonio
Vivaldi. Baroque. EMB.
Piano score. Editio
Musica Budapest #Z13524.
Published by Editio
Musica Budapest
(HL.50487654).
ISBN
9790080135242. 0.105
inches. Antonio Vivaldi;
Arpad Pejtsik; Laszlo
Martos.
Cello and Piano SKU: HL.645730 Per violoncello e pianoforte RV 413 (F....(+)
Cello and Piano
SKU:
HL.645730
Per
violoncello e pianoforte
RV 413 (F. III. No. 12,
P.V. 120). By Akos
Fodor. By Antonio
Vivaldi. Baroque.
Educational Piano.
Softcover. 4 pages.
Duration 7200 seconds.
Schaum Publications, Inc.
#6425. Published by
Schaum Publications, Inc.
(HL.645730).
ISBN
9790080064252. UPC:
008148064250.
9.0x12.0x0.01 inches.
Akos
Fodor.
Territorial
restrictions may apply.
Please ask before
ordering.
Flute, horn, viola, cello and piano (P/ST) - difficult SKU: HL.49033137 C...(+)
Flute, horn, viola, cello
and piano (P/ST) -
difficult
SKU:
HL.49033137
Composed
by Leon Kirchner. This
edition: Saddle
stitching. Sheet music.
Edition Schott. Score and
parts. Composed 2001. 36
pages. Duration 6'.
Schott Music #ED 9511.
Published by Schott Music
(HL.49033137).
ISBN
9790001133272.
Volk
er David Kirchner's works
encompass every genre; in
addition to numerous
compositions for musical
theatre and for
orchestra, this viola
player who formerly
played in orchestras and
chamber ensembles still
shows a preference for
composing chamber music.
Yet even in this field of
'pure, absolute' music,
Kirchner's work has a
theatrical quality which
shows itself very clearly
in his choice of titles
(e.g. Mysterion, Il canto
della notte, Lamento
d'Orfeo, Exil).In this
Quintet Kirchner manages
to use the various
possible combinations of
the different instruments
to create highly
expressive music.
