By Miriam Gideon. For Cello & Piano. Strings. 12 pages. Published by Highgate Press.

Stylish Arrangements of Selected Highlights from the Leading 20th Century Composer. Composed by Bela Bartok (1881-1945). Edited by Hywel Davies. Boosey & Hawkes Chamber Music. Classical. Softcover with CD. 76 pages. Boosey & Hawkes #M060135217. Published by Boosey & Hawkes

Book with Audio Online Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.49047260

Cello and Piano Book with Audio Online. Composed by Kate Mitchell. String. Classical. Softcover Audio Online. Schott Music #ED23720D. Published by Schott Music (HL.49047260).

ISBN 9798350109115.

Clas sical Highlights presents the best-known and most popular performance pieces of the classical repertoire in arrangements for violoncello. Anyone looking for a popular classic for lessons or recitals will make a find. Suitable repertoire for musical accompaniment at weddings and funerals can be found here as well. To make practising easier, backing tracks can be downloaded as MP3 files. The piano accompaniment is available in PDF format.

Chamber Music Cello, Piano

SKU: CF.BF141

Composed by Ernest Bloch. Edited by Julian Schwarz. 12+8 pages. Carl Fischer Music #BF141. Published by Carl Fischer Music (CF.BF141).

ISBN 9781491159989. UPC: 680160918584.

The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.

The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.

The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.

The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917.

Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance. The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos. The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience. The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917. Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.The first movement, “Prayer”, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, “The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski’s (1912–1991) now well-known setting of the High Holyday prayer Avinu Malkenu.” This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both “Prayer” and Janowski’s Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.The second movement, “Supplication� � (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, “Jewish Song”, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch’s most celebrated work, Schelomo in 1917.Though the popularity of Bloch’s oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America’s composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.

Cello and Piano. By Gaspar Cassado. Schott. Size 9x12 inches. 16 pages. Published by Schott.

By Ruth Schonthal. For cello and piano. Work premeried: Neues Kurhaus, Bad Wildungen (D), Corinna Eikmeier: Cello, Brunhilde Eikmeier, Piano. Commissioned by the Delta Omicron International Music Fraternity. Level: advanced. Score and parts. Composed 1989. Duration 13'. Published by Furore-Verlag (German import).

Cello and Piano - Grade 3

SKU: BT.EMBZ13635

By Arpad Pejtsik. By Jules Massenet. EMB Moments Musicaux for Violoncello. Exam Material. Book Only. Composed 1990. 6 pages. Editio Musica Budapest #EMBZ13635. Published by Editio Musica Budapest (BT.EMBZ13635).

The Moments Musicaux series contains popular and well-known short masterpieces and transcriptions. The basis of the entire series was to release high-standard editions of these popular pieces for a moderate price. Each piece within the series is set for violoncello solo with piano accompaniment. This publication is printed on high quality, durable paper made from renewable raw materials in an environmentally friendly way.

Cello and Piano - Grade 2

SKU: BT.EMBZ13585

By Arpad Pejtsik. By Camille Saint-Saens. EMB Moments Musicaux for Violoncello. Educational Tool. Book Only. Composed 1988. 6 pages. Editio Musica Budapest #EMBZ13585. Published by Editio Musica Budapest (BT.EMBZ13585).

The Moments Musicaux series contains popular, short, and well-known masterpieces and transcriptions. The aim of this series is to release high-standard editions of these popular pieces for a moderate price. Each piece of the series may be performed on violoncello solo with piano accompaniment. This publication is printed on high-quality, age-resistant paper that is produced in an environmentally-friendly, climate-neutral manner using renewable raw materials.

Cello and Piano - Grade 3

SKU: BT.EMBZ13889

By Arpad Pejtsik. By Georg Goltermann. EMB Moments Musicaux for Violoncello. Book Only. Composed 1991. 12 pages. Editio Musica Budapest #EMBZ13889. Published by Editio Musica Budapest (BT.EMBZ13889).

The series Moments Musicaux contains popular and well-known short masterpieces and transcriptions. An admitted aim of the publisher was to release high-standard editions of these popular pieces for a moderate price. Each piece of the series may be performed on violoncello solo with piano accompaniment. This publication is printed on high quality, durable paper made from renewable raw materials in an environmentally friendly way.

Cello and Piano - Grade 3

SKU: BT.EMBZ13582

By Arpad Pejtsik. By Felix Bartholdy Mendelssohn. EMB Moments Musicaux for Violoncello. Book Only. Composed 1988. 10 pages. Editio Musica Budapest #EMBZ13582. Published by Editio Musica Budapest (BT.EMBZ13582).

The series Moments Musicaux contains popular and well-known short masterpieces and transcriptions. An admitted aim of the publisher was to release high-standard editions of these popular pieces for a moderate price. Each piece of the series may be performed on violoncello solo with piano accompaniment. This publication is printed on high quality, durable paper made from renewable raw materials in an environmentally friendly way.

Cello and Piano

SKU: BT.EMBZ14832

Composed by Nicola Porpora. Educational Tool. Book Only. Composed 2012. 48 pages. Editio Musica Budapest #EMBZ14832. Published by Editio Musica Budapest (BT.EMBZ14832).

The source of this publication was issued in London in 1745 by John Walsh Jr. Walsh s publication contains six four-movement works, originally written for violin, solo cello, a keyboard instrument and a second cello to reinforce the bass of the latter, but the role of the violin is insignificant, so these works can be regarded as pieces for cello. Of the six works, the arranger of the volume was publishing the three most suitable ones to that as cello concertos the piano part incorporates both the violin interludes and the continuo. In the cello part higher positions do occur, but they do not necessarily require use of the thumb they are playable after 4-5 years intensivestudy of the instrument.

Die 1745 in London veröffentlichten Stücke waren ursprünglich für Geige, Solo-Cello, ein Tasteninstrument und ein zweites Cello geschrieben. Die Rolle der Geige war jedoch so unwesentlich, dass es sich im Grunde um Cellowerke handelt. Von den ursprünglich sechs Werken hat der Arrangeur die drei geeignetsten ausgewählt, wobei die Klavierstimme die Geigen- und die Continuostimme in sich vereint. Die Cellopassagen sind für fortgeschrittene Spieler geeignet.

Cello and Piano. Composed by Ludwig van Beethoven (1770- 1827). Edited by Jens Dufner. Henle Music Folios. Classical. Softcover. 50 pages. G. Henle #HN1475. Published by G. Henle

Cello and piano

SKU: BR.EB-32083

Urtext. Composed by Camillo Schumann. Edited by Maria Kliegel. Solo instruments; stapled. Edition Breitkopf.

With supplementary violoncello part marked by Maria Kliegel

Sonata; Late-romantic. Score. 108 pages. Breitkopf and Haertel #EB 32083. Published by Breitkopf and Haertel (BR.EB-32083).

ISBN 9790004186299. 9 x 12 inches.

There are many composers about whom it is believed, today, that they composed conservatively, or against the taste of their time. The question is also raised, today, which extract of this large amount of effective and high-quality music, unknown for the most part, should receive our attention; which of it is worth rediscovering or re-editing. Camillo Schumann is one of the most important representatives of these composers, but his works are still largely unknown today. He was born on 10 March 1872 in Konigstein, Saxony. His musical language combines the sound world of Brahms with the grand, late-romantic Liszt School. He wrote piano parts of incredible power and virtuosity, approaching the sounds of Rachmaninoff. His wonderfully individual melodic language makes these works a valuable testimony to a composer who never had his due recognition. The cello sonatas Opp. 59 (EB 32082) and 99 (EB 32083) are the first of three works for this combination. Op. 59 was composed around 1905/06, Op. 99 followed in 1932. Nothing is known so far of the circumstances of the composition of this work, including for whom it was composed. However, it is quite evident that Schumann wrote it, like most of his works, primarily for his own concerts and befriended musicians. The extensive entries in the piano part bear witness to a considerably practical approach. Crossed-out bars, notes added or crossed out in chords as well as a number of revisions of other kinds are more the rule than the exception. The composer's own fingerings written in the piano part also underline this assumption. The present edition contains two solo-parts each. One clean Urtext-part free of any additions from the editor and a second one with bowing marks and fingerings by Maria Kliegel who recorded both sonatas for the first time with the label Naxos. Both sonatas show evident resemblance to the works of this combination by Johannes Brahms and are therefore a must have for ambitious cellists.

With supplementary violoncello part marked by Maria Kliegel.

Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.48025295

Cello and Piano. Composed by Elena Kats-Chernin. Boosey & Hawkes Chamber Music. Classical, Tango. Softcover. Duration 120 seconds. Bote & Bock #M202532942. Published by Bote & Bock (HL.48025295).

UPC: 196288174271.

Tango s, like ragtimes and waltzes, are an integral part of Elena Kats-Chernin's music, always in a new and varied form. In it, the composer allusively combines her present time with the classical tradition and high art with light music. Slicked Back Tango was originally composed in 1995 for piano four hands and has since been written for numerous other instrumentations. The music “harks back to the time of silent movies. I was thinking of the 1920s and film star Rudolph Valentino. The title refers to his hairstyle”, says Kats-Chernin.

Violoncello & Piano or CD Play Back / Play Along - Grade 2, Grade 3

SKU: MA.EMR-54073

Composed by John G. Mortimer. Score and parts. Duration 16'18. Editions Marc Reift #EMR 54073. Published by Editions Marc Reift (MA.EMR-54073).

1. From The Highlands And Islands / 2. Old Vienna / 3. Dreaming Of Japan / 4. Gods Of The North.

By The Piano Guys. For Cello, Piano/Keyboard. Personality. Softcover. 82 pages. Published by Hal Leonard

Violoncello and Piano - Grade 1

SKU: HL.50485230

MM-11. Composed by Gabriel Marie. Romantic. EMB. Editio Musica Budapest #Z13598. Published by Editio Musica Budapest (HL.50485230).

ISBN 9790080135983. Bach (23 x 30,2 cm) inches. French. Gabriel Marie; Arpad Pejtsik.

The series Moments Musicaux contains popular and well-known short masterpieces and transcriptions. An admitted aim of the publisher was to release high-standard editions of these popular pieces for a moderate price. Each piece of the series may be performed on violoncello solo with piano accompaniment.

Cello and Piano. Composed by Evgeny Kissin. Edited by Steven Isserlis. Sheet Music. Paperbound. Henle Music Folios. With marked and unmarked string parts. Classical. Score and Parts. 20 pages. G. Henle #HN1050. Published by G. Henle

Violoncello and Piano - Grade 2

SKU: HL.50510699

Cello and Piano. By Arpad Pejtsik. By Gioachino Rossini. Arranged by Á, d Pejtsik, and rpá. Romantic. EMB. Book Only. 3 pages. Editio Musica Budapest #Z13625. Published by Editio Musica Budapest (HL.50510699).

ISBN 9790080136256. UPC: 073999554021. 9.0x12.0x0.053 inches. Gioacchino Rossini; Arpad Pejtsik.

The series Moments Musicaux contains popular and well-known short masterpieces and transcriptions. An admitted aim of the publisher was to release high-standard editions of these popular pieces for a moderate price. Each piece of the series may be performed on violoncello solo with piano accompaniment.

Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.49047040

30 Concert and Salon Pieces for Cello and Piano. Composed by Various. Edited by Beverley Ellis and Rainer Mohrs. String. Classical. Softcover. 192 pages. Schott Music #ED22414. Published by Schott Music (HL.49047040).

ISBN 9783795711436. UPC: 196288116332. 9.0x12.0x0.535 inches.

This volume from the popular Cellissimo series contains 30 entertaining recital pieces, mostly from the Romantic period. In additionto three original serenades by Jacques Offenbach, Nikolai Rimsky-Korsakov and the French composer Mel Bonis, the volume contains beautiful character pieces, mostly one-movement forms such as berceuse, elegy, humoresque, meditation, melody, nocturne, romance, tarantella, valse de concert and much more . Expressive lyrical pieces are represented as well as cheerful and virtuoso works. In addition to original works, there are numerous arrangements of popular works, including Schumann's Traumerei, Grieg's Anitras Tanz, Fauré's Après un rêve, Elgar's Salut d'amour or Rachmaninoff's Vocalise - all pieces that are well suited as concert and encore pieces . The volume also contains rarities and new discoveries, including original works by cello virtuosos such as Dotzauer, Offenbach, Goltermann, van Goens and Trowell, as well as works by composers Mel Bonis, Juliette Dantin, Ethel Harraden and Claudine Smidt. The level of difficulty is demanding and is aimed at advanced cellists. Many pieces use the 5th-7th position, others have passages in a simple thumb position, sometimes also with high harmonics. They are therefore very good practice examples for advanced users who want to apply sophisticated techniques to beautiful examples of literature. Last but not least, the requirements for expression and design offer plenty of room for cellist and musical development.

Violoncello and Piano - Grade 2

SKU: HL.50510698

Cello and Piano. By Arpad Pejtsik. By Sebastian Lee. Edited by Fitzenhagen Pejtsik. Arranged by Fitzenhagen Pejtsik. Romantic. EMB. Book Only. Op. 112. 4 pages. Editio Musica Budapest #Z13629. Published by Editio Musica Budapest (HL.50510698).

ISBN 9790080136294. UPC: 073999341430. 9.0x12.0x0.059 inches. Sebastian Lee; Arpad Pejtsik.

The series Moments Musicaux contains popular and well-known short masterpieces and transcriptions. An admitted aim of the publisher was to release high-standard editions of these popular pieces for a moderate price. Each piece of the series may be performed on violoncello solo with piano accompaniment.

Violoncello and Piano - Grade 2

SKU: HL.50510632

Cello and Piano. By Arpad Pejtsik. By Nikolay Andreyevich Rimsky-Korsakov. Arranged by Klengel Pejtsik. Romantic. EMB. Book Only. Editio Musica Budapest #Z13628. Published by Editio Musica Budapest (HL.50510632).

ISBN 9790080136287. UPC: 073999289886. 9.0x12.0x0.065 inches. Nicolai Rimsky-Korsakov; Julius Klengel; Arpad Pejtsik.

The series Moments Musicaux contains popular and well-known short masterpieces and transcriptions. An admitted aim of the publisher was to release high-standard editions of these popular pieces for a moderate price. Each piece of the series may be performed on violoncello solo with piano accompaniment.

Violoncello and Piano - Grade 3

SKU: HL.50510771

MM-19. By Arpad Pejtsik. By Johannes Brahms. Edited by Fitzenhagen Pejtsik. Arranged by Fitzenhagen Pejtsik. Romantic. EMB. Book Only. Op. 39, No.15. 6 pages. Editio Musica Budapest #Z13630. Published by Editio Musica Budapest (HL.50510771).

ISBN 9790080136300. UPC: 073999613384. 9.0x12.0x0.041 inches. Johannes Brahms; Arpad Pejtsik.

The series Moments Musicaux contains popular and well-known short masterpieces and transcriptions. An admitted aim of the publisher was to release high-standard editions of these popular pieces for a moderate price. Each piece of the series may be performed on violoncello solo with piano accompaniment.

With online audio of piano accompaniments. Composed by Various. Christmas. Softcover Audio Online. Published by Hal Leonard

Violoncello and Piano - Grade 3

SKU: HL.50510696

MM-22. Composed by Jean-Marie Leclair. Arranged by Fitzenhagen Pejtsik. Baroque. EMB. Book Only. Editio Musica Budapest #Z13633. Published by Editio Musica Budapest (HL.50510696).

ISBN 9790080136331. UPC: 073999264388. Bach (23 x 30,2 cm) inches. Cadet) (le Jean-Marie Leclair; T. Nachez; Arpad Pejtsik.

The series Moments Musicaux contains popular and well-known short masterpieces and transcriptions. An admitted aim of the publisher was to release high-standard editions of these popular pieces for a moderate price. Each piece of the series may be performed on violoncello solo with piano accompaniment.

Violoncello and Piano - Grade 3

SKU: HL.50510867

MM-25. By Arpad Pejtsik. By William Edward Elgar. Arranged by Fitzenhagen Pejtsik. 20th Century. EMB. Book Only. Op. 12. Editio Musica Budapest #Z13884. Published by Editio Musica Budapest (HL.50510867).

ISBN 9790080138847. UPC: 073999348422. Bach (23 x 30,2 cm) inches. William Edward Elgar; Arpad Pejtsik.

The series Moments Musicaux contains popular and well-known short masterpieces and transcriptions. An admitted aim of the publisher was to release high-standard editions of these popular pieces for a moderate price. Each piece of the series may be performed on violoncello solo with piano accompaniment.