Cello and Piano or 3 Cellos, Level 3 Schott Student Edition Repertoire. Composed by Bernhard Romberg. Edited by Beverley Ellis. Arranged by Friedrich Janssen. This edition: Saddle stitching. Sheet music. Schott Student Edition. Repertoire. Softcover. Op. 38/1. 32 pages. Schott Music #SE1007. Published by Schott Music (HL.49045501).

Cello and Piano

SKU: AP.36-M399091

Arranged by Franz Schubert and ed./arr. by Janos Starker/ Emilio Colon. Cello. Starker Performance Editions - LudwigMasters. Book. LudwigMasters Publications #36-M399091. Published by LudwigMasters Publications (AP.36-M399091).

ISBN 9798892704205. UPC: 659359782817. English.

Originally composed in 1824 for the arpeggione, a 6 string bowed guitar, this arrangement of Schubert's SONATA IN A MINOR is a beautiful and challenging piece of cello repertoire. This excellent edition for cello and piano is edited by Janos Starker and Emilio Colón.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Chamber Music Cello, Piano

SKU: CF.BF141

Composed by Ernest Bloch. Edited by Julian Schwarz. 12+8 pages. Carl Fischer Music #BF141. Published by Carl Fischer Music (CF.BF141).

ISBN 9781491159989. UPC: 680160918584.

The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.

The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.

The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.

The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917.

Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance. The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos. The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience. The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917. Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.The first movement, “Prayer”, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, “The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski’s (1912–1991) now well-known setting of the High Holyday prayer Avinu Malkenu.” This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both “Prayer” and Janowski’s Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.The second movement, “Supplication� � (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, “Jewish Song”, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch’s most celebrated work, Schelomo in 1917.Though the popularity of Bloch’s oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America’s composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.

(For Cello and Piano). By Richard Wernick (1934-). For Cello, Piano. Classical. Solo part with piano reduction. Standard notation. Composed 11-Jan-02. 30 pages. Duration 20:00

Edited by Jan Kelley. Arranged by Daniel Kelley. For Cello and Piano. Solos. Recital, Wedding. Level: Intermediate/Advanced. Piano Score and Solo Part. Published by Last Resort Music Publishing.

Chamber Music Cello, Piano

SKU: PR.114414830

For Cello and Piano. Composed by Eric Ewazen. Set of Score and Parts. With Standard notation. Composed Jan-73. 32+32+16+16 pages. Duration 18 minutes. Theodore Presser Company #114-41483. Published by Theodore Presser Company (PR.114414830).

UPC: 680160598366. 9 x 12 inches.

Written in 1972, while Ewazen was pursuing undergraduate studies at Eastman, the Sonata No. 1 for Cello and Piano is his first foray into the 20th-century American tonal music that he first embraced at that time. Composed for a classmate and proficient cellist, Julie Charland, the Sonata is in three movements, the second of which is quite demanding of virtuosity. (Manuscript).

By Jan Krtitel Vanhal. For cello and piano. Cello. Czech title: Koncert A dur pro violoncello a orchestr. Classical. Piano reduction. Publication language: Czech. Published by Editio Baerenreiter Praha

(Chopin National Edition). Composed by Frederic Chopin (1810-1849). Edited by Jan Ekier. For Cello, Piano Accompaniment. PWM. Softcover. 170 pages. Polskie Wydawnictwo Muzyczne #51600028. Published by Polskie Wydawnictwo Muzyczne

Cello and Piano

SKU: IS.VCP4195EM

Composed by Flor Alpaerts. Strings - Cello. Metropolis Music Publishers #VCP4195EM. Published by Metropolis Music Publishers (IS.VCP4195EM).

ISBN 9790365041954.

In 1901, Flor Alpaerts finished his music studies at the Flemish School of Music of Antwerp, which later became the Royal Flemish Conservatory. He studied harmony and composition with Jan Blockx. In 1903 he became professor at this institute and from 1934 until 1941 its director. For one season (1922-1923) he was also director of the Royal Flemish Opera House of Antwerp together with the Bass Arthur Steurbaut. His fame, as a composer and a conductor, came shortly after World War I, when he succeeded in 1919 Eduard Keurvels as conductor of the concerts organized by the Royal Zoological Society of Antwerp and as artistic director of the Peter Benoit Fonds. He also conducted the choral group Arti Vocali. As a composer, Flor Alpaerts was the leading figure in the Flemish impressionistic movement. An impressionism that came closer to Richard Strauss and Ottorino Respighi than to Claude Debussy. A highlight in this direction was the symphonic poem Pallieter (1921-1924). With his suite James Ensor, inspired by four works of the Ostend painter, he created an expressionistic work. In his later compositions he turned to neo-classicism.

Cello and Piano

SKU: IS.VCP6094EM

Composed by Jan Van Landeghem. Strings - Cello. Metropolis Music Publishers #VCP6094EM. Published by Metropolis Music Publishers (IS.VCP6094EM).

ISBN 9790365060948.

Cello and piano

SKU: M7.DOHR-11342

Composed by Jan Freidlin. Sheet music. MDS (Music Distribution Services) #DOHR 11342. Published by MDS (Music Distribution Services) (M7.DOHR-11342).

ISBN 9790202023426.

Cello and piano

SKU: M7.DOHR-13808

Composed by Jan Freidlin. Sheet music. 32 pages. MDS (Music Distribution Services) #DOHR 13808. Published by MDS (Music Distribution Services) (M7.DOHR-13808).

ISBN 9790202028087.

Cello, piano

SKU: VD.ED11342

Composed by Jan Freidlin. Classical. Score, solo part. 13 S. Part. + 4 S. Stimme pages. Verlag Dohr #ED11342. Published by Verlag Dohr (VD.ED11342).

ISBN 9790202023426. 11.69 x 8.26 inches.

Composed by Jan Vicar. Classical; 21st century. Piano score and part. Composed 2007. Published by Alea Publishing (A7.ALEA1055C).

Cello and piano

SKU: VD.ED13801

Composed by Jan Freidlin. Classical. Score, solo part. 33 S. Part. + 11 S. Stimme pages. Verlag Dohr #ED13801. Published by Verlag Dohr (VD.ED13801).

ISBN 9790202028018. 12 x 9 inches.

Cello and piano

SKU: BO.B.1002

Composed by Jan Joosten. Bowed Instruments. Published by Editorial de Musica Boileau (BO.B.1002).

Violoncello & Piano or CD Play Back / Play Along - Grade 3, Grade 4

SKU: MA.EMR-55031

Composed by Jan Valta. Score and parts. Duration 37'17. Editions Marc Reift #EMR 55031. Published by Editions Marc Reift (MA.EMR-55031).

I. Skalitz 1403 / II. Talmberg & Lady Stephanie / III. Sigismund's Army At The Gates / IV. Losing Father's Sword & Parents Theme / V. Fist Fight / VI. Rattay / VII. Good Luck Son / VIII. Millers Theme / IX. Town Square / X. The River Sassau Theme...

Cello and piano

SKU: M7.DOHR-13801

In Memory of my Father. Composed by Jan Freidlin. Sheet music. 44 pages. MDS (Music Distribution Services) #DOHR 13801. Published by MDS (Music Distribution Services) (M7.DOHR-13801).

ISBN 9790202028018.

Cello and piano

SKU: VD.ED13808

Composed by Jan Freidlin. Classical. Score, solo part. 25 S. Part. + 7 S. Stimme pages. Verlag Dohr #ED13808. Published by Verlag Dohr (VD.ED13808).

ISBN 9790202028087. 12 x 9 inches.

By Jan Muller-Wieland. This edition: SIK1965. String. Book only. 19 pages. Published by Sikorski.

Chamber Music cello, piano

SKU: CF.B3417

Composed by David Carlson. SWS+Insert. Premiered January 17, 1993 by Emil Miland and Robin Sutherland. Classical. Set of Score and Parts. With Standard notation. Composed 1992. Carl Fischer Music #B3417. Published by Carl Fischer Music (CF.B3417).

ISBN 9780825859274. UPC: 798408059279. 9 X 12 inches.

Commissione d by Chamber Music America, this beautiful neo-romantic work was first performed on January 17, 1993 by Emil Miland and Robin Sutherland. A substantial work at 20 minutes, the sonata, alternates between lyrical writing and music with a scherzo-like feel that is both lively and animated. Sonata for Cello and Piano is written in one movement that flows extremely well with an intertwined cohesiveness between the two players. A memorable piece for a cello recital!

Composed by Giulio Caccini (1545-1618). Arranged by Jan Valta. Published by Editions Marc Reift (MA.EMR-22903).

From Sonata E flat major BWV 1031. Composed by Johann Sebastian Bach (1685-1750). Arranged by Jan Valta. Duration 2'15. Published by Editions Marc Reift (MA.EMR-23333).

Violoncello and Piano

SKU: AP.36-M368991

Arranged by Claude Debussy and ed./arr. by Janos Starker/ Emilio Colon. Cello. Starker Performance Editions. Book. LudwigMasters Publications #36-M368991. Published by LudwigMasters Publications (AP.36-M368991).

ISBN 9798892704151. UPC: 659359551123. English.

This is the first of Debussy's three sonatas for cello. Composed in three movements of varying styles, this beautiful and interesting piece became one of the most performed cello sonatas of the 20th century.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.