| Concerto for Cello and
Orchestra
(Concertstück) Violoncelle, Piano [Partition] Peters
Original Version - Edition for Cello and Piano. Par SCHUMANN ROBERT. Schumann’...(+)
Original Version - Edition for Cello and Piano. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered
In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann’s original version of his Cello Concerto in A minor Op. 129 – a piece he actually called a ‘Concertstück’ – removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer’s manuscript held in the Biblioteka Jagiellonska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher.
Only modern Urtext edition based on Schumann’s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton
Robert Schumann’s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann’s original conception of the work – not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann’s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists.
Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiellonska in Kraków, to reveal Schumann’s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann’s original conception of the work as a Concertstück and restores Schumann’s musical text, free of posthumous interventions.
‘My ultimate wish,’ says the editor, ‘is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character – one that is lighter and happier, even “cheerful”, as Schumann himself described the work.'/ Répertoire / Violoncelle et Piano
23.20 EUR - vendu par LMI-partitions Délais: En Stock | |
| YAMAHAMUSIC STUDIO GHIBLI
SONGS POUR VIOLONCELLE ET
PIANO Violoncelle, Piano Yamaha
Si vous tes un fan du Studio Ghibli et que vous jouez d'un instrument, le voici ...(+)
Si vous tes un fan du Studio Ghibli et que vous jouez d'un instrument, le voici ! Toutes les chansons preferees du Studio Ghibli sont arrangees pour violoncelle (solo) et piano (accompagnement). Comprend 10 chansons de Nausica de la vallee du vent, Castle in the Sky, My Neighbor Totoro, Kiki's Delivery Service, Princess Mononoke, Spirited Away, Ponyo on the Cliff by the Sea et Howl's Moving Castle. Le livre de 40 pages pour violoncelle et piano comprend une partition separee de 16 pages pour violoncelle seul. Parfait pour les scenes de jeu de piano occasionnelles ainsi que pour le streaming video en direct en ligne, les leons et les recitals ! Decouvrez d'autres livres Studio Ghibli disponibles dans la mme serie. / Partitions variété - pop - rock / Musique films - comédies musicales / / YAMAHAMUSIC
12.80 EUR - vendu par Woodbrass Délais: En Stock | |
| Les Filles du Forgeron Violoncelle, Piano [Partition] Bote and Bock
Suite pour violoncelle et piano. Par LAKS SIMON. Simon Laks (1901-1983), who mov...(+)
Suite pour violoncelle et piano. Par LAKS SIMON. Simon Laks (1901-1983), who moved from Warsaw to Paris in 1926 at the age of 25, belonged to the large group of composers from Central and Eastern European countries who went down in 20th-century music history as the „École de Paris“. Slavic temperament amalgamated in their music with French esprit, the folklore of their native countries combined with the stylistic elements of neoclassicism and jazz typical of the time. As a member of the „Association of Young Polish Musicians“, Laks quickly made his way into French musical life. However, his career was ended with the beginning of World War 2 due to the collaboration of the Vichy government with Nazi Germany. Internment in 1941 was followed by deportation to Auschwitz in 1942. Laks survived the Shoah as a member and later leader of a camp band in Birkenau, which he testified to in his moving book Music in Auschwitz. After the traumatic experiences, Laks did not return to regular compositional activity until the 1960s, producing an opera, songs, and chamber music works, some of which were awarded important composition prizes. At the peak of this optimistic creative phase, he composed incidental music for Peretz Hirschbein's famous Yiddish comedy Dem Schmids Techter (The Blacksmith's Daughters), which premiered in New York in 1918, for a new production of the play at the Théâtre de l’Entrepôt in Paris. Along with Prokofiev's Overture on Hebrew Themes and Shostakovich's cycle From Yiddish (Jewish) Folk Poetry, it is one of the most significant 20th-century explorations of art music with Jewish folklore – homage to a culture irreparably destroyed. From the original score, Holger Groschopp compiled two suites, for violoncello and piano and piano solo, that capture the essence of Lak‘s enchanting drama music. The premiere recording of the suites with Holger Groschopp and Adele Bitter was awarded the Opus Klassik 2023 in the category Editorial Achievement of the Year. . / Date parution : 2024-01-06/ Répertoire / Violoncelle et Piano
41.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Studio Ghibli Songs for
Cello and Piano (HISAISHI
JOE) Violoncelle, Piano [Partition] Yamaha
Par HISAISHI JOE. If you are a Studio Ghibli fan and play an instrument, here it...(+)
Par HISAISHI JOE. If you are a Studio Ghibli fan and play an instrument, here it is! All time favorite Studio Ghibli songs are arranged for cello (solo) and piano (accompaniment). Includes 10 songs from Nausicaä of the Valley of the Wind, Castle in the Sky, My Neighbor Totoro, Kiki?s Delivery Service, Princess Mononoke, Spirited Away, Ponyo on the Cliff by the Sea, and Howl?s Moving Castle. The book of a 40-page cello and piano score includes a separate 16-page cello solo part score. Perfect for casual piano playing scenes as well as for online video live streaming, lessons, and recitals! Check out more Studio Ghibli books available in the same series. / Date parution : 2022-05-31/ Recueil / Violoncelle et Piano
16.50 EUR - vendu par LMI-partitions Délais: En Stock | |
| Steven Isserlis's
Cello World (With Piano) Violoncelle, Piano [Partition] - Intermédiaire Faber Music Limited
Isserlis Steven (Editor). Par ISSERLIS STEVEN. Cello World is a must for all Cel...(+)
Isserlis Steven (Editor). Par ISSERLIS STEVEN. Cello World is a must for all Cellists. It is a wonderful collection of original works and arrangements from the repertoire of world-famous Cellist Steven Isserlis. The inspired line up of pieces includes Schumann's moving Intermezzo , Leonard's The Donkey And The Driver and Villa-Lobo's rippling Song Of The Black Swan . This is the perfect volume for cellists looking for a variety of challenging repertoire. / Niveau : Intermédiaire / Date parution : 1999-02-18/ Recueil / Violoncelle et Piano
20.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Kol Nidrei Op. 47 For
Violoncello And Orchestra
(BRUCH MAX) Violoncelle, Piano G. Henle
Par BRUCH MAX. Aside from his popular Violin Concerto no. 1, “ Kol Nidrei ” ...(+)
Par BRUCH MAX. Aside from his popular Violin Concerto no. 1, “ Kol Nidrei ” numbers among Max Bruch ’s most famous compositions. The melancholy “Adagio after Hebrew melodies” was written in 1880 for the cellist Robert Hausmann. It treats two old Jewish songs whose extraordinary beauty proved deeply moving to the Protestant Bruch, by his own admission. The tenor Cello sound is the ideal medium for the voice of a Jewish cantor, and thus to this day “ Kol Nidrei ” offers every cellist a wonderful opportunity to make the instrument “sing”. In this text, based on the first edition of 1881, “ Kol Nidrei ” appears for the first time in an Urtextedition substantiated by scholarly research, for which not just the musical sources, but also numerous letters and documents from the Max Bruch Archive were consulted. Christian Poltéra was able to be procured for the markings in the solo part. / Oppermann, Annette / Répertoire / Violoncelle et Piano
13.40 EUR - vendu par LMI-partitions Délais: En Stock | |
1 |
|