(Cello Part And Piano Score)

SKU: HL.48186482

Composed by Reynaldo Hahn. Leduc. 24 pages. Alphonse Leduc #AL30749. Published by Alphonse Leduc (HL.48186482).

Reynaldo Hahn: Works for cello and piano [AL 30 749] For quite some time, posterity remembered Reynaldo Hahn (1874-1947) for just a handful of songs and the operetta Ciboulette, overlooking the incredible diversity of a catalogue as eclectic as it is appealing. Yet his chamber music contains many little-known treasures: thus, cellist Steven Isserlis, in his preface, hastens to hail the first modern edition of these two scores, which he regularly plays in recital, so much does their beauty enchant the audience. Published in 1911, the Two Improvisations on Irish Airs for cello and piano turn out to be the transcription of his first and third Preludes for piano four hands (1894). These folk themes come from the collection Songs of Old Ireland, published 12 years earlier by Charles Villiers Stanford: gracefully and tenderly, The Little Red Lark unfurls a melancholic tune of which the regular foundation respects the breadth of phrase typical of folk songs; in The Willow-Tree, the lover begs his beloved in vain to take him in her arms one last time before he lies down, lifeless, in the shade of the tree. Beyond this sensitive exploration of the Irish soul, Hahn offers us a journey into the past: the Variations chantantes sur un air ancien develop a theme borrowed from Cavalli?s opera Xerse. In this aria (1660 version: Act IV, sc. 6), Ambassador Periarco dreams of moving away from court intrigues to be able to taste the pleasures ?to which the gods have destined him?. Reynaldo Hahn?s variations succeed in maintaining the sweet simplicity of this theme, as noble as it is refined. Let us wager that this publication will delight cellists and pianists alike: it contains some nuggets. Deux improvisations sur des airs irlandais (The Little Red Lark, The Willow-Tree) Variations chantantes sur un air ancien.

Cello & Piano

SKU: SU.28170150

For Cello & Piano. Composed by Brian Nabors. Strings, Cello. Accompanied by piano. Score & Parts. Raphael Press #28170150. Published by Raphael Press (SU.28170150).

Exploring the extremes of cello and piano respectively, this work is a deep journey, from its contemporary, thorny outer movements, to its very romantic middle movement. There is a spectrum of harmonic and rhythmic complexity throughout the work’s venturesome landscape.Cello, Piano Duration: 21’ Composed: 2017 Published by: Raphael Press.

Piano Trio

SKU: HL.48186475

Composed by Gaussin Allain. Leduc. 80 pages. Alphonse Leduc #AL30735. Published by Alphonse Leduc (HL.48186475).

UPC: 888680828189. 9.5x12 inches.

“Alla in Gaussin: Les céphéides, trio for violin, cello and piano - AL 30 735 For more than forty years, Allain Gaussin, fascinated by astrophysics, has found a major source of inspiration in observing the cosmos, as attest a number of works going from Vent solaire (1974) to Philae (2015), by way of L'Harmonie des sphères (2006). Ten years later, the 'Messiaen du Pays de la Meije' Festival hosted the first performance of the piano trio Les Céphéides. The musical journey enables the listener to enter a space 'just as impalpable and fragile' as that in which moves each Cepheid variable ' this star whose brightness varies over regular periods according to two elements: the diameter of the heavenly body and the temperature reading of its surface.

Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.49047317

Cello and Piano. Composed by Wolfgang Koehler. String. Classical. Softcover. Schott Music #CB309. Published by Schott Music (HL.49047317).

ISBN 9798350121902. UPC: 196288201052.

This cello sonata by the renowned jazz pianist and professor of jazz piano unites in a certain way “the best of two worlds”: melodies, sophisticated harmonies and rousing rhythms, which are also convincing in a pure jazz context, are fused here with a formal language and movement techniques that are oriented towards classical models. The voices of both instruments are interwoven on an equal footing and take the listener on an exciting musical journey from the very first moment, which finds its virtuoso climax in the lively rondo via a classical sonata main movement and a quiet middle movement.