(Fantasia for Cello and Piano). Composed by Edward Mollenhauer. Edited by Christ...(+)
(Fantasia for Cello and
Piano). Composed by
Edward Mollenhauer.
Edited by Christoph
Sassmannshaus. For cello
solo and piano. Stapled.
Barenreiter's Concert
Pieces. Transcribed for
Violoncello and Piano.
Level 2. Piano reduction,
part(s). Published by
Baerenreiter Verlag
12 Recital Pieces in First Position for Cello and Piano or Two Celli. Edited b...(+)
12 Recital Pieces in
First
Position for Cello and
Piano
or Two Celli. Edited by
Christoph Sassmannshaus /
Melissa Lusk. Stapled.
Baerenreiter's
Sassmannshaus.
Performance score, parts.
16/23/21 pages pages.
Published by Baerenreiter
Verlag
18 Recital Pieces in First Position for Cello and Piano or Two Celli. Edited b...(+)
18 Recital Pieces in
First
Position for Cello and
Piano
or Two Celli. Edited by
Christoph Sassmannshaus /
Melissa Lusk. Stapled.
Baerenreiter's
Sassmannshaus.
Performance score, parts.
22/24/17 pages pages.
Published by Baerenreiter
Verlag
Fingerprints for Cello and Piano. (Grade 1-4). For Cello and Piano. Book; Method...(+)
Fingerprints for Cello
and Piano. (Grade 1-4).
For Cello and Piano.
Book; Method/Instruction;
String - Cello Studies or
Collection. Faber
Edition. Published by
Faber Music
Cello and piano - easy to intermediate SKU: HL.49044195 Composed by Georg...(+)
Cello and piano - easy to
intermediate
SKU:
HL.49044195
Composed
by George Gershwin.
Arranged by Wolfgang
Birtel. This edition:
Saddle stitching. Sheet
music. String. Inspiriert
von den 24 Preludes
Chopins begann George
Gershwin er Mitte der
20er Jahre selbst
'Preludes' fur Klavier zu
schreiben. Diese
verbinden klassische
Momente mit
Jazz-Elementen zu einem
wirkungsvollen Ganzen,
konnen einzeln oder als
kleine Jazz-Son.
Softcover. 16 pages.
Schott Music #ED21485.
Published by Schott Music
(HL.49044195).
ISBN
9790001190879. UPC:
840126933604.
9.0x12.0x0.065
inches.
The
melodies from George
Gershwin's (1898-1937)
musicals, from 'Porgy and
Bess', from orchestral
pieces like 'Rhapsody in
Blue' or 'An American in
Paris', we all know them!
But the career of the
young musician started as
a pianist in a music
publishing house where he
was to encourage
customers to buy music by
playing it. Soon he began
to compose music himself
and caught the attention
of the Broadway, which
paved the way to his
international career.
Inspired by Frederic
Chopin's 24 Preludes, he
began to write his own
'Preludes' for the piano
in the mid-1920s: Of the
five preludes composed by
him, he used two for the
violin composition 'Short
Story' and presented the
other three at a concert
on 4 December 1926. These
'Preludes' combine
classical moments and
jazz elements into an
effective whole and can
be played individually or
as a little jazz sonata
(fast - slow - fast).
Thanks to the present
arrangement, the charming
miniatures are now
available in a version
for solo instrument and
piano accompaniment.
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.48025367 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.48025367
Cello
and Piano. Composed
by Simon Laks. Boosey &
Hawkes Chamber Music.
Classical. Softcover.
Bote & Bock #M202538630.
Published by Bote & Bock
(HL.48025367).
Cello; Piano Accompaniment (CELLO/PIANO) SKU: HL.48025398 Cello and Pi...(+)
Cello; Piano
Accompaniment
(CELLO/PIANO)
SKU:
HL.48025398
Cello
and Piano. Composed
by Leon Gurvitch. Boosey
& Hawkes Chamber Music.
Classical. Softcover.
Duration 1200 seconds.
Bote & Bock #M202538289.
Published by Bote & Bock
(HL.48025398).
UPC:
196288195504.
The
composer, whose family
was severely affected by
the Second World War and
the Holocaust, considers
his Anne Frank Suite as a
“personal memorial
diary and a reminder in
view of the futility of
warâ€. The score is
prefaced by a quotation
from Anne Frank:
“In spite of
everything, I still
believe that people are
really good at
heartâ€, which has
impressed the composer
since his youth. His
three-movement suite
attempts to musically
reflect the emotionality
and thoughtfulness of the
theme, which eludes all
words. The piano is
treated in a classical
manner and creates the
emotional space for the
solo cello. Playing in a
high register in a
cantabilestyle over long
passages, the cello also
astounds with sound
effects, harmonics and an
expressive solo cadenza
in the middle of the
work.