Cello and Piano SKU: HL.14006097 Composed by Per Norgard. Music Sales Ame...(+)
Cello and Piano
SKU:
HL.14006097
Composed
by Per Norgard. Music
Sales America. Classical.
Book and Part(s). Music
Sales #KP00873. Published
by Music Sales
(HL.14006097).
ISBN
9788759872222.
Danish.
Programme
Note CANTICA for cello
and piano (1977)When in
1975 I had finished
composing my Symphony no.
3 (begun in 1973), I
wrote three simple
melodies for two psalm
texts by Ole Sarvig: The
Year and Choral Hymn.
These three tunes were
derived from the same
material as the second
movement of the symphony
and could be harmonized
together in several
different tempo
relationships, like
proportional canons. For
this reason they inspired
me to write several
choral and instrumental
works in the following
decade: Frost Psalm,
Winter Cantata, the tuba
octet Now all the earth
is white with snow,
Canticles (and
others).Cantica, meaning
song or singing, was
composed (forthe Danish
musicians Hans Erik
Dechert og Kjeld Hansen)
as a instrumental little
brother the long,
polyphonic choral pieces.
As in these the canonical
melodies in Cantica drift
from foreground to
background, from cello to
piano. The melodies are
simple, diatonic and in
traditional rhythms and
the surface of the music
in a way traditional. The
intention of the composer
with this easily
understood expression is
to lead the listeners
ears to the many
internal, proportional
developments. The story
is in a way hidden
between the lines. In the
myriads of rhythmic and
tempo relations the
Golden Mean (near to
2:3:5:8: et cetera) plays
an important role, like
in nature. Among the
experiences giving by
this natural phenomenon
are - perhaps - the
musical points to be
found (?).Per
Norgard(1997).
Cello and Piano. Composed by Ludwig van Beethoven (1770- 1827). Edited by Jen...(+)
Cello and Piano. Composed
by
Ludwig van Beethoven
(1770-
1827). Edited by Jens
Dufner. Henle Music
Folios.
Classical. Softcover. 73
pages. G. Henle #HN1473.
Published by G. Henle
(Movements I and II Arranged for Cello and Piano). Composed by Igor Fyodorovich ...(+)
(Movements I and II
Arranged for Cello and
Piano). Composed by Igor
Fyodorovich Stravinsky.
Arranged by David
Dutkanicz. For cello,
piano. 8 2 pages.
Published by Carl Fischer
Score & Parts Cello SKU: HL.51481132 For Violoncello and Piano. Co...(+)
Score & Parts Cello
SKU: HL.51481132
For Violoncello and
Piano. Composed by
Jean-Louis Duport. Edited
by Norbert Gertsch. Henle
Music Folios. Classical.
Softcover. 42 pages. G.
Henle #HN1132. Published
by G. Henle
(HL.51481132).
UPC:
840126989656.
9.0x12.0x0.35
inches.
“More
than 20 years ago I was
called upon by friends,
artists, and aficionados
to write about fingerings
for the violoncello,”
then-famous Berlin
cellist Jean-Louis Duport
thus opens his
“Essai” from 1806,
dedicated to
“Professeurs de
Violoncelle.” His
methodology
revolutionized cello
technique, and the 21
etudes printed in its
appendix are still
regarded today as perhaps
the most important set of
studies for all budding
cellists. Modelled after
the volumes of etudes for
violin, Henle is also
issuing the Urtext here,
together with all
original fingerings and
bowings, while also
offering alternatives by
the famous cellist and
teacher Wolfgang Emanuel
Schmidt. This edition
also offers a second
cello part provided by
Duport for
accompaniment.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Aria na wiolonszele i fortepian. Composed by Pawel Lukaszewski. PWM. Classic...(+)
Aria na wiolonszele i
fortepian. Composed by
Pawel
Lukaszewski. PWM.
Classical.
Softcover. 16 pages.
Polskie
Wydawnictwo Muzyczne
#11315010. Published by
Polskie Wydawnictwo
Muzyczne
Cello and Piano - easy SKU: BT.EMBZ6748 Easy concert pieces in first p...(+)
Cello and Piano - easy
SKU: BT.EMBZ6748
Easy concert pieces in
first position. By
Arpad Pejtsik. By Endre
Lengyel. EMB Music for
Beginners. Educational
Tool. Book Only. Composed
1973. 64 pages. Editio
Musica Budapest
#EMBZ6748. Published by
Editio Musica Budapest
(BT.EMBZ6748).
Hungarian-English-Germ
an-French.
The
volumes of the series
cover the entire music
literature from the
earliest centurties to
our days. The material of
the individual volumes
containing short, easy
pieces to be played in
the first three-four
years of studying the
instrument has been
compiled by accomplished
music teachers. The
majority of the
contemporary works
included in the volumes
have been published in
this series for the first
time. An ABRSM syllabus
title, 2010-16, Grade
2-3.
For Cello and Piano Reduction. Composed by Richard Strauss (1864-1949). Edite...(+)
For Cello and Piano
Reduction. Composed by
Richard Strauss
(1864-1949).
Edited by Peter Jost.
Henle
Music Folios. Softcover.
G.
Henle #HN1468. Published
by
G. Henle
Score and Parts Cello SKU: HL.51481469 For Violoncello and Piano. ...(+)
Score and Parts Cello
SKU: HL.51481469
For Violoncello and
Piano. Composed by
Richard Strauss. Edited
by Peter Jost. Henle
Music Folios. Classical.
Softcover. 64 pages. G.
Henle #HN1469. Published
by G. Henle
(HL.51481469).
UPC:
840126989649.
9.0x12.0x0.258
inches.
Fingering
Michael Korstick;
fingering & bowing
for cello Johannes Moser
Aside from the Piano
Quartet op. 13 and the
Violin Sonata op. 18, the
Cello Sonata numbers
among the most mature
works of chamber music
from Strauss' early
oeuvre. The influences of
Mendelssohn, Schumann,
and Brahms are
noticeable, while leaving
sufficient space for a
very personal tonal
language, often with
surprising rhythmic and
harmonic turns of phrase.
Strauss subjected the
first version completed
in early 1881 to a
radical revision over the
winter of 1882/83; the
opening movement was
thoroughly reworked, the
two subsequent movements
rewritten completely. It
was worth it, because
after the premiere in
Dresden, the composer
wrote to his mother,
“My sonata garnered
extraordinary acclaim,
the applause was
enormous, congratulations
came to me from all
sides.”.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Chamber Music Clarinet, Piano, Viola, Violoncello SKU: CF.MXE5 For Cla...(+)
Chamber Music Clarinet,
Piano, Viola, Violoncello
SKU: CF.MXE5
For Clarinet, Viola,
Violoncello and Piano -
Full Score and Parts.
Composed by David
Carlson. SWS+Inserts.
Carl Fischer Chamber
Music Edition. First
performance: Park City
International Music
Festival - Park City,
Utah. Set of Score and
Parts. With Standard
notation. Composed 1998.
Carl Fischer Music #MXE5.
Published by Carl Fischer
Music (CF.MXE5).
ISBN
9780825853401. UPC:
798408053406. 9 X 12
inches.
Commissione
d in 1998, this chamber
piece is truly unique
experience! A short piece
(18 minutes), the work is
derived from the
composer’s fascination
with a theory from
quantum physics stating
that time is fluid and
that matter can exist
concurrently in one
place. To encompass this
idea, the composer asks
that a passage of music
that he wrote when he was
15 be pre-recorded and
played during the second
movement (Desolato). The
music of the adult David
Carlson is coupled with
music written thirty
years ago, creating a
sonic continuum. The
highly charged,
rhythmically aggressive
music of the first
movement is contrasted by
the nostalgic slow mood
of the second movement.
The final movement is
both energetic and
passionate, which brings
this imaginative work to
a positive
conclusion.
Old American Songs Violoncelle, Piano [Partition + Accès audio] Boosey and Hawkes
Cello and Piano. Composed by Aaron Copland (1900-1990). Boosey and Hawkes Cham...(+)
Cello and Piano. Composed
by
Aaron Copland
(1900-1990).
Boosey and Hawkes Chamber
Music. Softcover Audio
Online. 56 pages.
Published
by Boosey and Hawkes
Cello - difficult SKU: HL.49016913 Composed by Olli Mustonen. This editio...(+)
Cello - difficult
SKU:
HL.49016913
Composed
by Olli Mustonen. This
edition: Saddle
stitching. Sheet music.
Cello-Bibliothek (Cello
Library). Classical.
Score and part. Composed
2006. 40 pages. Duration
15'. Schott Music #CB193.
Published by Schott Music
(HL.49016913).
ISBN
9790001147620. UPC:
884088262228.
9.0x12.0x0.127
inches.
Mustonen
belongs to the young
generation of composing
piano virtuosos. What is
remarkable is that 'his
instrument' is not placed
in the foreground of his
works. He rather composed
pieces for strings,
sonatas with piano
accompaniment, orchestral
works and even a piece
for guitar referring to
the history of his home
country Finland.The cello
sonata was premiered by
Mustonen with the cellist
Daniel Muller-Schott in
Hamburg. No special
emphasis is given to
polyphonic coexistence;
instead, the piano,
playing chordally, acts
as a real accompaniment
most of the time.
Cantilenas of the cello,
tricky rhythms, and
almost symphonic sound
eruptions make the piece
a sure-fire hit with the
public.
From Jewish Life Violoncelle, Piano Guitare classique Carl Fischer
Chamber Music Cello, Piano SKU: CF.BF141 Composed by Ernest Bloch. Edited...(+)
Chamber Music Cello,
Piano
SKU:
CF.BF141
Composed by
Ernest Bloch. Edited by
Julian Schwarz. 12+8
pages. Carl Fischer Music
#BF141. Published by Carl
Fischer Music (CF.BF141).
ISBN 9781491159989.
UPC:
680160918584.
The
three pieces From Jewish
Life were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.
The
first movement, Prayer,
is a deeply heartfelt
plea to the almighty. As
Neil W Levin writes, The
initial four-note motive
in the minor mode,
together with its
elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt
pathos.
The second
movement, Supplication
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish
experience.
The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917.
Though
the popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance. The first
movement, Prayer, is a
deeply heartfelt plea to
the almighty. As Neil W
Levin writes, The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos. The
second movement,
Supplication (the act of
begging humbly), has more
angst, almost a sense of
urgency as a result of
the rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience. The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917. Though the
popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.The first
movement, “Prayer”,
is a deeply heartfelt
plea to the almighty. As
Neil W Levin writes,
“The initial four-note
motive in the minor mode,
together with its
elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max
Janowski’s
(1912–1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu.” This prayer
has special meaning in my
own spiritual life, as I
have been singing it
since my childhood. Both
“Prayer” and
Janowski’s Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos.The
second movement,
“Supplication” (the
act of begging humbly),
has more angst, almost a
sense of urgency as a
result of the rhythmic
motor in the piano. The
third movement, “Jewish
Song”, evokes a
quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience.The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch’s
most celebrated work,
Schelomo in 1917.Though
the popularity of
Bloch’s oeuvre has been
dominated by works of
Jewish connection, we
should not forget that
Bloch had many other
stylistic periods,
including Franco-Belgian,
modal, serial, and even
American folk. In 1927,
he was awarded Musical
America’s composition
prize in a unanimous
vote, despite being
regarded as an outsider
by American music writers
at the time. His winning
work America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music.
Violoncello & Piano SKU: SU.94010750 For Violoncello & Piano. Comp...(+)
Violoncello & Piano
SKU: SU.94010750
For Violoncello &
Piano. Composed by
James Lee III. Strings,
Cello. Accompanied by
piano. Score & Parts.
Subito Music Corporation
#94010750. Published by
Subito Music Corporation
(SU.94010750).
Ekah is the
Hebrew word for
Lamentations, as in the
book of Lamentations in
the Bible. The literal
translation of this word
would be How or Ah! How.
When the cellist, Inbal
Segev asked me to write a
new piece for cello and
piano, and as a part of
our discussion, I decided
to compose a new piece
that reflected on the
immense challenges that
the year 2020 has
presented. The hows and
lamentations in this
piece might be: how can
there still be so much
hate in the world since
we are all equal and
created in the image of
God? How can there be
such police brutality in
2020? How and why is the
whole world suffering
with the Coronavirus
(COVID-19)? How can our
mental health, cities,
and communities be so
desolate? We can hope,
pray, and do our
responsible part to make
our life on this planet
meaningful during these
challenging times of the
year 2020. — James Lee
III Violoncello & Piano
Duration: 6' Composed:
2020 Published by: Subito
Music Publishing.
Violin, viola, cello and piano (P/ST) SKU: HL.49033093 Composed by Peteri...(+)
Violin, viola, cello and
piano (P/ST)
SKU:
HL.49033093
Composed
by Peteris Vasks. This
edition: Saddle
stitching. Sheet music.
Edition Schott. Score and
Parts. Composed 2001. 132
pages. Duration 36'.
Schott Music #ED 9442.
Published by Schott Music
(HL.49033093).
Cello and Piano SKU: BT.EMBZ14768 Composed by Franz Liszt. Book Only. Com...(+)
Cello and Piano
SKU:
BT.EMBZ14768
Composed
by Franz Liszt. Book
Only. Composed 2011. 76
pages. Editio Musica
Budapest #EMBZ14768.
Published by Editio
Musica Budapest
(BT.EMBZ14768).
Not many people
know that Franz Liszt
arranged some of his
piano pieces for the
cello, with piano
accompaniment, and that
these versions of the
works appeared in print
during the maestro's
lifetime. Árpád Pejtsik
selected two of these for
this volume compiled to
mark Liszt's jubilee:
Elegies I and II. The
other compositions by
Liszt that appear in the
collection were likewise
originally works for
piano: the Ave Maria and
Cantique d'amour (pieces
from the Harmonies
poétiques et religieuses
cycle) were transcribed
by a pupil of Liszt,
Robert Pflughaupt the
cello version, transposed
into G major, of the E
Major Consolation is by
Jules de Swert, solo
cellist in the Weimar
orchestraof those days
that of the Angelus (the
opening piece in Volume 3
of the cycle entitled
Years of Pilgrimage ) is
by Lothar Windsperger, a
German composer who lived
at the turn of the
19th-20th century. The
Valse oubliée No. 1 was
transcribed by Liszt s
virtuoso piano pupil
Ferruccio Busoni
Notturno, which became
famous as the third piece
in the Liebesträume
series, is a transposed
version of the original
song ( O lieb, so lang du
lieben kannst ) made by
the editor of this
volume.
Not many
people know that Ferenc
Liszt arranged some of
his piano pieces for the
cello, with piano
accompaniment, and this
version of the works
appeared in print during
the maestro's lifetime.
Árpád Pejtsik selected
two of these forthis
volume compiled to mark
Liszt's jubilee: Elegy
I and Elegy
II. The other
compositions by Liszt
that appear in the
collection were likewise
originally works for
piano: the Ave
Maria and Cantique
d'amour(pieces from
the Harmonies poétiques
et religieuses cycle)
were transcribed by a
pupil of Liszt, Robert
Pflughaupt; the cello
version, transposed into
G major, of the E major
Consolation is by
Jules de Swert, solo
cellistin the Weimar
orchestra of those days;
that of the
Angelus (the
opening piece in Volume 3
of the cycle entitled
Years of Pilgrimage) is
by Lothar Windsperger, a
German composer who lived
at the turn of the
19th-20thcentury.
Nur Wenigen ist bekannt,
dass Liszt einige seiner
Klavierstücke auch für
Violoncello mit
Klavierbegleitung
bearbeitet hatte, und
dass diese Version der
Werke noch zu Lebzeiten
des Komponisten in Druck
erschien. In diesem Band
nahm Árpád Pejtsik zwei
dieser Stücke, die I.
und II. Elegie auf. Die
anderen
Liszt-Kompositionen in
der Sammlung sind auch
ursprünglich
Klavierwerke: der
Bearbeiter ist beim Ave
Maria und Cantique
d'amour (Stücke aus dem
Zyklus Harmonies
poétiques et
religieuses) der
Liszt-Schüler Robert
Pflughaupt. Von Jules de
Swert, der damals
Solocellist des Weimarer
Orchesters war, wurde die
in G-Dur transponierte
Violoncelloversion der
E-Dur Consolation, und
vonLothar Windsperger,
dem an der Wende zum 20.
Jahrhundert lebenden
deutschen Komponisten,
das Angelus (das
Eröffnungsstück des
III. Bandes des Zyklus
Pilgerjahre)
bearbeitet.
Piano Accompaniment; Viola (Viola With Piano Accompaniment) SKU: HL.48025329<...(+)
Piano Accompaniment;
Viola (Viola With Piano
Accompaniment)
SKU:
HL.48025329
Viola
and Piano. Composed
by Elena Kats-Chernin.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. Duration 420
seconds. Bote & Bock
#M202536513. Published by
Bote & Bock
(HL.48025329).
UPC:
196288175490.
Note
by the composer: “This
piece was written in 2006
(for violoncello and
piano) for an exhibition
dedicated to artists
suffering from
schizophrenia. The basis
of the piece is a
sequence of four chords,
very simple and
minimalistic. A person
with schizophrenia hears
voices that can be very
disturbing; there is a
longing for silence. I
wrote this piece so that
my son Alex, who suffers
from the illness, could
hear silence and
meditation from it. It's
called Blue Silence
because blue is sometimes
associated with
healing.” Elena
Kats-Chernin.
Piano quartet, Piano quintet (Instrument, Piano) SKU: BA.BA04913 Quart...(+)
Piano quartet, Piano
quintet (Instrument,
Piano)
SKU:
BA.BA04913
Quartet
in E-flat major op. 1 for
clarinet, horn, bassoon
and piano - Quintet in C
minor op. 5 and in A
major op. 6 for two
violins, viola,
violoncello and piano -
appendix. Composed by
Franz Berwald. Edited by
Bonnie Hammar and Ingmar
Bengtsson. This edition:
complete edition, urtext
edition. Linen. Franz
Berwald. Complete Works,
Volume 13. Complete
edition, Performance
score, anthology. Opus 6,
5, 1. Baerenreiter Verlag
#BA04913_00. Published by
Baerenreiter Verlag
(BA.BA04913).
ISBN
9790006460441. 33 x 26 cm
inches. Key: A major,
e-flat major, c
minor.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
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Score and Parts Piano Trio (SCORE+PARTS) SKU: HL.48025316 Piano Trio S...(+)
Score and Parts Piano
Trio (SCORE+PARTS)
SKU: HL.48025316
Piano Trio Score and
Parts. Composed by
Elena Kats-Chernin.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. 20 pages.
Duration 420 seconds.
Bote & Bock #M202535936.
Published by Bote & Bock
(HL.48025316).
ISBN
9783793142904. UPC:
196288175209.
9.0x12.0x0.091
inches.
Note by the
composer:“This piece
was written in 2006 (for
violoncello and piano)
for an exhibition
dedicated to artists
suffering from
schizophrenia. The basis
of the piece is a
sequence of four chords,
very simple and
minimalistic. A person
with schizophrenia hears
voices that can be very
disturbing; there is a
longing for silence. I
wrote this piece so that
my son Alex, who suffers
from the illness, could
hear silence and
meditation from it. It's
called Blue Silence
because blue is sometimes
associated with
healing.” Elena
Kats-Chernin.
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.48025315 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.48025315
Cello
and Piano. Composed
by Elena Kats-Chernin.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. Duration 420
seconds. Bote & Bock
#M202535912. Published by
Bote & Bock
(HL.48025315).
UPC:
196288175193.
Note
by the composer: “This
piece was written in 2006
(for violoncello and
piano) for an exhibition
dedicated to artists
suffering from
schizophrenia. The basis
of the piece is a
sequence of four chords,
very simple and
minimalistic. A person
with schizophrenia hears
voices that can be very
disturbing; there is a
longing for silence. I
wrote this piece so that
my son Alex, who suffers
from the illness, could
hear silence and
meditation from it. It's
called Blue Silence
because blue is sometimes
associated with
healing.” Elena
Kats-Chernin.
(Cello and Piano). Composed by Edward Gregson. For Cello, Piano Accompaniment. M...(+)
(Cello and Piano).
Composed by Edward
Gregson. For Cello, Piano
Accompaniment. Music
Sales America. 52 pages.
Novello and Co Ltd.
#NOV958089. Published by
Novello and Co Ltd.
Arranged by Daniel Kelley. For Cello (or Bassoon) and Piano. Solos. Recital, Chu...(+)
Arranged by Daniel
Kelley. For Cello (or
Bassoon) and Piano.
Solos. Recital, Church.
Level:
Intermediate/Advanced.
Piano Score and Solo
Part. Published by Last
Resort Music Publishing.
Cello and Piano - Grade 2 SKU: AP.36-52730061 Composed by Ted Hunter. Met...(+)
Cello and Piano - Grade 2
SKU:
AP.36-52730061
Composed by Ted Hunter.
Method/Instruction;
Reference Textbooks; Solo
Small Ensembles. Ludwig
Masters. Sacred. Book.
Latham Music Enterprises
#36-52730061. Published
by Latham Music
Enterprises
(AP.36-52730061).
ISBN
9781628760101. UPC:
746241200297.
English.
1st-4th
positions; cello plays
melody with simple
accompaniments. Includes
optional descant for
violin in addition to
descant part for cello.
Hymns included: Jesus
Loves Me; I Sing the
Mighty Power of God; Take
My Life, and Let it Be;
Come Thou Long-Expected
Jesus; Joyful, Joyful, We
Adore Thee; Amazing
Grace; For the Beauty of
the Earth; Holy, Holy,
Holy; Be Thou My Vision;
Fairest Lord Jesus.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Violoncelle, Piano [Partition] - Intermédiaire Music Sales
Everybody's Favorite Series, Volume 40. Composed by Various. Music Sales America...(+)
Everybody's Favorite
Series, Volume 40.
Composed by Various.
Music Sales America.
Classical. Softcover. 192
pages. Music Sales
#AM40205. Published by
Music Sales