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| Polly Waterfield L.
Beach: O Shenandoah!:
Cello: Instrumental Album
Violoncelle, Piano [Sheet music] - Facile
Faber Music Limited
This is a celebration of music from the time the pioneers explored the vast reac...(+)
This is a celebration of music from the time the pioneers explored the vast reaches of North America. A presentation of eleven imaginative and idiomatic arrangements for elementary cello Grade 1-3 with Piano. Helpful background notes help players to understand the style and spirit of the music. The book is also compatible with the Viola and Violin editions giving an opportunity for young players to experience ensemble playing at quite an early stage.
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| Busoni F. - Serenata
Op.34 - Cello And Piano
Violoncelle, Piano
Faber Music Limited
Busoni was just sixteen years old when he wrote the extraordinary Serenata, and ...(+)
Busoni was just sixteen years old when he wrote the extraordinary Serenata, and the quality of the music is exceptional. The work draws inspiration from the serenade as love song, and the interplay between the warm, lyrical cello line countered by its bright and lively piano partner is highly effective. In preparing this new addition, cellist Lowrii Blake has consulted the original manuscript of this undeservedly neglected work.
Délais: Sur commande |
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| Cello Music by French
Composers: Cello and
Accomp.: Instrumental
Album
Violoncelle, Piano
Hal Leonard
The pieces contained in this album encompass 300 years of French music ranging ...(+)
The pieces contained in this album encompass 300 years of French music ranging from the gamba music of the Baroque period to the impressionism of Debussy. While the technical difficulties encountered in these selections seldom go beyond the intermediate level the interpretation requires versatility from the performer. The seventeenth century compositions should be played with crisp articulation and an incisive rhythm. The romantic pieces require a rich full tone whereas the selections by Faure and Debussy should be treated with subtlety of phrasing and tonal refinement.
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| Ferruccio Busoni:
Serenata op. 34: Cello:
Instrumental Work
Violoncelle, Piano [Sheet music] - Intermédiaire/avancé
Faber Music Limited
Busoni was just sixteen years old when he wrote the extraordinary Serenata and ...(+)
Busoni was just sixteen years old when he wrote the extraordinary Serenata and the quality of the music is exceptional. The work draws inspiration from the serenade as love song and the interplay between the warm lyrical cello line countered by its bright and lively piano partner is highly effective. In preparing this new addition cellist Lowrii Blake has consulted the original manuscript of this undeservedly neglected work.
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| R. Caroline Bosanquet:
Elegie: Cello:
Instrumental Work
Violoncelle, Piano [Partition]
S J Music
Written in memory of Joan Dickson a loved and respected cellist and teacher who...(+)
Written in memory of Joan Dickson a loved and respected cellist and teacher who was a friend and colleague of the composer. The final phrases are played entirely as harmonics on the C string this is because shortly before she died Joan Dickson wrote to Caroline Bosanquet that she did not understand harmonics and was glad that Caroline had written a book explaining them (now published by SJ Music: The Secret Life of Cello Strings U1996-3) .
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| Felix Lavilla: Canciones
Para Violonchelo Y Piano:
Cello: Instrumental Work
 Español
Violoncelle, Piano
Unión Musical Ediciones
Félix Lavilla's Canciones Para Violonchelo Y Piano features songs from the po...(+)
Félix Lavilla's Canciones Para Violonchelo Y Piano features songs from the popular Basque songbook contributed to over many years by Lavilla and his student pianist and researcher Josu Okiñena. This valuable publication is considered Lavilla's last great contribution to the Basque culture and is a continuation of his work recovering Basque musical heritage a project which he started in the 1950s with his wife and prestigious singer Teresa Berganza.
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| Biographie Et Catalogue
Des Oeuvres Musicales
 En Français
Violoncelle, Piano
Delatour France
Le pre?sent catalogue des oeuvres musicales de Maurice Emmanuel est a? ce jour l...(+)
Le pre?sent catalogue des oeuvres musicales de Maurice Emmanuel est a? ce jour la seule publication rendant compte de l'inte?gralite? des partitions qui nous sont parvenues. On pourra s'e?tonner a? bon droit qu'il ait fallu attendre pre?s de 80 anne?es apre?s la disparition du compositeur pour qu'il soit possible d'en prendre connaissance, et un tel retard me?rite certainement quelques explications.Nous avons fait le choix de pre?senter e?galement le document de Frank Emmanuel, qui donne des indications inte?ressantes, notamment sur les premiers interpre?tes (sur ce point, le texte a e?te? enrichi et actualise?), ainsi que le catalogue de Radio France dans sa version la plus re?cente. Enfin, un e?crit de Maurice Emmanuel lui-me?me fait part de ses volonte?s explicites, e?clairant par-la? les fragments d'un chantier d'archives trop longtemps reste? dans l'ombre. On peut penser, cependant, que le catalogue complet - le temps passe? permettant peut-e?tre de s'affranchir quelque peu de la terrible autocensure du compositeur - re?servera de belles de?couvertes, et qu'il pre?tera ainsi son concours aux promesses de l'avenir. / Livre
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| Les Filles du Forgeron
Violoncelle, Piano [Partition]
Bote and Bock
Suite pour violoncelle et piano. Par LAKS SIMON. Simon Laks (1901-1983), who mov...(+)
Suite pour violoncelle et piano. Par LAKS SIMON. Simon Laks (1901-1983), who moved from Warsaw to Paris in 1926 at the age of 25, belonged to the large group of composers from Central and Eastern European countries who went down in 20th-century music history as the „École de Paris“. Slavic temperament amalgamated in their music with French esprit, the folklore of their native countries combined with the stylistic elements of neoclassicism and jazz typical of the time. As a member of the „Association of Young Polish Musicians“, Laks quickly made his way into French musical life. However, his career was ended with the beginning of World War 2 due to the collaboration of the Vichy government with Nazi Germany. Internment in 1941 was followed by deportation to Auschwitz in 1942. Laks survived the Shoah as a member and later leader of a camp band in Birkenau, which he testified to in his moving book Music in Auschwitz. After the traumatic experiences, Laks did not return to regular compositional activity until the 1960s, producing an opera, songs, and chamber music works, some of which were awarded important composition prizes. At the peak of this optimistic creative phase, he composed incidental music for Peretz Hirschbein's famous Yiddish comedy Dem Schmids Techter (The Blacksmith's Daughters), which premiered in New York in 1918, for a new production of the play at the Théâtre de l’Entrepôt in Paris. Along with Prokofiev's Overture on Hebrew Themes and Shostakovich's cycle From Yiddish (Jewish) Folk Poetry, it is one of the most significant 20th-century explorations of art music with Jewish folklore – homage to a culture irreparably destroyed. From the original score, Holger Groschopp compiled two suites, for violoncello and piano and piano solo, that capture the essence of Lak‘s enchanting drama music. The premiere recording of the suites with Holger Groschopp and Adele Bitter was awarded the Opus Klassik 2023 in the category Editorial Achievement of the Year. . / Date parution : 2024-01-06/ Répertoire / Violoncelle et Piano
Délais: 2-5 jours - En Stock Fournisseur |
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| Cello Sonatas
Violoncelle, Piano
Wiener Urtext
Avec ses sonates pour violoncelle et piano, Beethoven a jeté les bases d' un to...(+)
Avec ses sonates pour violoncelle et piano, Beethoven a jeté les bases d' un tout nouveau genre de musique de chambre qui a inspiré les compositeurs ultérieurs tels que Johannes Brahms et Richard Strauss , entre autres. L'étendue de ce qui a survécu des cinq oeuvres de Beethoven est tout à fait différent . Alors que tous les manuscrits originaux des deux sonates op tôt . 5 sont absents , matériel source exceptionnellement complet nous est parvenu de la fin opus 102, qui , cependant, ne laisse aucune question moins graves en suspens. La nouvelle édition de la Wiener Urtext Edition fournit un texte musical obtenue à partir de la comparaison critique des sources qui , toutefois , évite suggérant une certitude absolue aux passages problématiques. Ici, l'éditeur suggère plutôt la solution la plus plausible que le texte principal, mais des alternatives sont mises à la disposition du musicien dans les notes et remarques - et , dans le cas de grandes divergences , même dans la partie de violoncelle séparé de sorte que le violoncelliste peut voir ces informations sans avoir à chercher dans le rapport critique . Ce volume contient également la version de violoncelle de la Corne Sonata op. 17 l' instrumentation alternative qui peut être considéré comme absolument authentique selon une étude récente .Merci de pages dépliantes et optimisé pages -tours , le matériau de performance est extrêmement pratique. L'arrangement de la partie de violoncelle par Heinrich Schiff prend en compte non seulement les techniques de jeu individuels ' les musiciens, mais aussi les différences entre les différents instruments . / Violoncelle Et Piano
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| The Complete Sonatas
Violoncelle, Piano
Wiener Urtext
Le chef d'orchestre de l'Orchestre du Gewandhaus de Leipzig depuis plusieurs ann...(+)
Le chef d'orchestre de l'Orchestre du Gewandhaus de Leipzig depuis plusieurs années, Carl Reinecke était une des figures plus importantes parmi les musiciens dans la seconde moitié du XIXe siècle. Ses trois sonates pour violoncelle et piano sont de qualité musicale étonnante qui les place à droite jusqu'à avec des sonates de Johannes Brahms. Cependant, c'est autant plus étonnante, qu'une édition urtext remarquable de ces oeuvres n'existait pas jusqu'à présent - violoncellistes a souvent eu à se replier sur les copies des premières éditions seulement quelques-uns qui étaient existantes. Cette lacune est désormais fermée par la Wiener Urtext édition - droit à temps pour le 100e anniversaire de la mort du compositeur. Il englobe tous les trois sonates en un seul volume, ajoutant ainsi trois chefs-d'oeuvre de la musique de chambre romantique à l'inférieur à un répertoire exhaustif du XIXe siècle pour violoncelle et piano. / Violoncelle Et Piano
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| Premiers Pas (SAINT-LEGER
PASCAL)
Violoncelle, Piano [Conducteur et Parties séparées] - Facile
FLEX Editions
Cello and Piano. Par SAINT-LEGER PASCAL. Les jeunes musiciens se régaleront ave...(+)
Cello and Piano. Par SAINT-LEGER PASCAL. Les jeunes musiciens se régaleront avec cette pièce qui trouvera toute sa place dans un programme d'audition ou de concert. - Pascal SAINT-LEGER - Une pièce adaptée pour un examen de Cycle I 2e année - Formation : Musique de Chambre, Duo, Solo and Accompagnement Piano - Instrumentation : 1 Violoncelle 1 Piano - Niveau de Difficulté : 2/6 - Facile - Durée : 2 mn 15 s - Style Musical : Classique, Pédagogique - Catégorie : Composition Originale - Compositeur : Pascal SAINT-LEGER - / Niveau : Facile / Classique, Pédagogique / Répertoire / Violoncelle et Piano
Délais: 2-5 jours - En Stock Fournisseur |
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| Sonate
Violoncelle, Piano [Partition]
Bote and Bock
Par WINTERBERG HANS. Hans Winterberg, born in Prague in 1901, lived through almo...(+)
Par WINTERBERG HANS. Hans Winterberg, born in Prague in 1901, lived through almost the entire period of the 20th century and was influenced as a composer by its most important artistic innovations. Already a brilliant pianist as an adolescent, he studied with Alois Hába and Alexander von Zemlinsky in Prague. Both his life and his music reflect the Austrian-Czech-Jewish cultural symbiosis; he saw himself as a bridge builder between Western and Eastern, i.e. Slavic, cultures. Owing to his Jewish ancestry, he was deported to the Terezin concentration camp after the annexation of Czechoslovakia by Nazi Germany. He was the only Jewish representative of the Czech musical avant-garde of the 1920s and 1930s to survive the Shoah and, in 1947, followed his non-Jewish wife and their daughter to the FRG in the course of the expulsion of the German-speaking population from Czechoslovakia. Winterberg's fascinating oeuvre, which was kept under lock and key in a German music archive for years after his death, is now being made accessible in first editions due to a cooperation between the Exilarte Center for Banned Music at the University of Music in Vienna and Boosey & Hawkes. The first printed edition is Winterberg's Cello Sonata, composed in 1951, in which all the characteristics of his unmistakable personal style come to the fore: dance-like energy, polyrhythm, intimate yet unsentimental melos, subtle handling of folkloristic material, and an unerring sense of form and balance. This work is of medium technical and great interpretative difficulty. / Date parution : 2024-01-06/ Répertoire / Violoncelle et Piano
Délais: 2-5 jours - En Stock Fournisseur |
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| Fischer Eric : Cinq
Raccourcis Vers Le
Lointain
Violoncelle, Piano
Dhalmann
Collection dirigée par Bruno Giner L'idée du carnet, renvoie à quelque chose ...(+)
Collection dirigée par Bruno Giner L'idée du carnet, renvoie à quelque chose proche de l'intime : idées importantes, gestes essentiels, mots clés ou fulgurances sonores?Ainsi, les Carnets du 21o siècle proposent des ' coups de coeur ' ou plus exactement des ' coups d'oreille '. Des ' coups de musique ' dirons-nous, tant pour nos musiciens en herbe que pour leurs aînés, déjà confirmés mais toujours curieux et enthousiastes. Ainsi, la collection se décline à deux niveaux différents mais complémentaires : oeuvres pour l'apprentissage, oeuvres pour le concert.Les différents compositeurs qui contribuent à faire vivre ces carnets partagent - au-delà de leur langage respectif - une grande complicité musicale autant qu'humaine.Si, à l'évidence, le 21o siècle est celui qui nous survivra, le carnet est une sorte de trace, comme une mémoire de papier incarnée par des sons. / Cordes, Violoncelle Et Piano
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| Renata Bratt: Hymns and
Gospel Tunes For Cello
and Piano: Cello: Mixed
Songbook
Violoncelle, Piano [Partition + Accès audio]
Mel Bay
This book offers 29 well-known and beloved hymns and spirituals contains inspira...(+)
This book offers 29 well-known and beloved hymns and spirituals contains inspirational music arranged at beginning and intermediate levels for cello and piano.The cello part is mostly within first position. The bookincludes the text as well as music so that it can be used for the musicians' individual meditation or prayer as well as for congregational and group use.Both the cello part and the piano part are written with ease ofperformance in mind so that the words of the hymns and gospel tunes can also be a part of the player's experience. Book includes audio with the arrangers performing all tunes. Includes access to online audio and separate pianopart PDF.
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| Concerto for Cello and
Orchestra
(Concertstück)
Violoncelle, Piano [Partition]
Peters
Original Version - Edition for Cello and Piano. Par SCHUMANN ROBERT. Schumann’...(+)
Original Version - Edition for Cello and Piano. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered
In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann’s original version of his Cello Concerto in A minor Op. 129 – a piece he actually called a ‘Concertstück’ – removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer’s manuscript held in the Biblioteka Jagiellonska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher.
Only modern Urtext edition based on Schumann’s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton
Robert Schumann’s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann’s original conception of the work – not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann’s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists.
Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiellonska in Kraków, to reveal Schumann’s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann’s original conception of the work as a Concertstück and restores Schumann’s musical text, free of posthumous interventions.
‘My ultimate wish,’ says the editor, ‘is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character – one that is lighter and happier, even “cheerful”, as Schumann himself described the work.'/ Répertoire / Violoncelle et Piano
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| Kaija Saariaho:
Serenatas: Cello: Score
and Parts
Violoncelle, Piano [Conducteur et Parties séparées]
Chester
Serenatas was commissioned by the Santa Fe Chamber Music Festival and La Jolla M...(+)
Serenatas was commissioned by the Santa Fe Chamber Music Festival and La Jolla Music Society for SummerFest. It was first performed in Summer 2008 as part of the Santa Fe Chamber Music Festival given by Real Quiet at theSt. Francis Auditorium Santa Fe New Mexico.The musicians are free to choose the performance order of the five movements.
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| 18th Century Sonatas for
Cello and Continuo: Cello
Violoncelle, Piano
Ricordi
The six sonatas for cello and basso continuo in this volume all belong to the ?F...(+)
The six sonatas for cello and basso continuo in this volume all belong to the ?Fondo Correr? collection held in the library of the conservatory of music ?Benedetto Marcello? in Venice. This valuable collection consists of about thirty printed editions and some 1600 original manuscripts from various sources. The majority of these works is composed by Venetian musicians among them Bonaventura Furlanetto one of the last masters at the Ospedale della Pietà Gaetano Latilla Andrea Bernasconi Giovanni Porta Giuseppe Sarti and Antonio Martinelli. The latter (Antonio Martinelli) was one of the best known music teachers at the Ospedali Grandi in Venice. The three sonatas edited in this volume are his only compositions for cello accompanied by basso continuo that survive today. First edition.
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| Sonata For Violoncello
And Piano F Major Op. 99
Violoncelle, Piano
Barenreiter
Brahms completed his Cello Sonata op. 99 during the productive summer of 1886. T...(+)
Brahms completed his Cello Sonata op. 99 during the productive summer of 1886. The first public performance took place in Vienna on 24 November of the same year. Robert Hausmann played the cello part and the composer himself was his partner at the piano. Even though the work was generally received positively, it took some years until it was fully appreciated and gained its irrevocable place in the cello repertoire.Of particular value to the editors were the two early performance editions of the Cello Sonata op. 99 by Hugo Becker and Carl Friedberg, as well as by Julius Klengel. Both cellists, Becker and Klengel, had a connection to Brahms who very much admired and trusted Becker's playing and who performed together with Klengel. This edition not only incorporates Becker's and Klengel's performance markings but also Hausmann's for whom the piece was written. As such, the Barenreiter edition comes with a cello part marked with fingering and bowing by the editors which are based on the practices of Brahms' contemporaries. We also provide an unmarked Urtext part.An important part of this edition is the extensive Preface. Firstly it informs about the work's origin, early performances, its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms' death, a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. In a very concrete and practical way, the editors summarize some of the key issues in understanding Brahms' notation with regard to rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato. In this way, the edition offers an exciting and often surprising insight into Romantic musical interpretation.- A pioneering Urtext edition- With an unmarked Urtext part- With a second part including fingering and bowing based on the practices of contemporaries of Brahms- With an extensive Performance Practice Commentary- For further information on Romantic performance practice we recommend the text booklet: 'Performance Practices in Johannes Brahms' Chamber Music?, BA 9600 / Violoncelle Et Piano
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| Hot Cello 2
Violoncelle, Piano [Partition + Accès audio]
Schott
16 leichte Popstücke in der 1. - 4. Lage. Par KOEPPEN GABRIEL. An absolute must...(+)
16 leichte Popstücke in der 1. - 4. Lage. Par KOEPPEN GABRIEL. An absolute must for modern cello lessons: Hot Cello is a varied mixture of pieces from pop, rock, blues and jazz music. Volume 1 is very easy and limited to the first position. Students are gradually introduced to technical and musical problems. The second part is intended for the teacher or advanced students. The pieces in Volume 2 are musically and technically more demanding and assume an ability to play in 1st-4th position. All pieces are included on the accompanying mp3 pack. / Date parution : 2023-10-31/ Répertoire / Violoncelle et Piano
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| Walter Haberl: Latin For
Alex: Cello: Instrumental
Work
Violoncelle, Piano
Universal Edition
It is not always easy to find appropriate competition pieces for young Cellists ...(+)
It is not always easy to find appropriate competition pieces for young Cellists it is even more difficult if the focus is on works after 1980 the publication of this piece is therefore very welcome.Walter Ernst Haberl a successful writer for guitar wrote 'Latin for Alex' especially for the Austrian Youth Music Competition Prima la Musica. This music is demanding requiring a good modern technique and presents an attractive challenge to young string players in their second to third years. 'Latin for Alex' will also go down well with the adjudicators and the audience.
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| Parabola concertante
(SHCHEDRIN RODION)
Violoncelle, Piano
Schott
piano reduction with solo part. Par SHCHEDRIN RODION. Shchedrin’s œuvre spans...(+)
piano reduction with solo part. Par SHCHEDRIN RODION. Shchedrin’s œuvre spans nearly every musical genre, and it is hardly surprising that an output of such versatility contains some rather remarkable instrumental combinations, for example “Music from afar” for 2 bass recorders, or “Balalaika” for a solo violin playing pizzicato throughout.
This predilection for the unusual leads the composer in “Parabola concertante” with its basically subdued and contemplative mood to add a charcteristic counterpoint by contrasting the accompanying string orchestra with timpani. The piece was composed for master virtuoso Mstislav Rostropovitch, who played the solo part in the first performance at the International Cello Festival in Kronberg./ Répertoire / Violoncelle et Piano
Délais: 2-5 jours - En Stock Fournisseur |
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| Sonata For Piano And
Arpeggione A Minor D 821
(Op. Post.) (Version For
Violoncello)
Violoncelle, Piano
G. Henle
Ausgabe für Violoncello. Par SCHUBERT FRANZ. Une bonne intention n’est jamais...(+)
Ausgabe für Violoncello. Par SCHUBERT FRANZ. Une bonne intention n’est jamais assez bonne (d’après Kurt Tucholsky): l’Arpeggione, cette sorte d’hybride – une grande guitare frottée par un archet – n’a jamais réussi à s’imposer auprès des musiciens. Cette curiosité organologique serait certainement déjà tombée depuis longtemps dans l’oubli le plus total si précisément Franz Schubert n’avait pas composé sa sonate en La mineur pour cet instrument. Et cette oeuvre en trois mouvements est vraiment immortelle. Mais elle pose aussi un problème pour l’Urtext, car sans certaines interventions dans le texte, la partie d’arpeggione originale ne pourrait être exécutée sur l’instrument le plus proche au niveau du timbre, àsavoir l’alto ou le violoncelle. La maison d’édition G. Henle résout ainsi le dilemme: d’une part, la partie d’arpeggione originale est superposée à la partie de piano originale (partition), de l’autre, dans la partie séparée jointe à la partition les rares changements d’octaves indispensables sont clairement indiqués. Il était hors de question pour nous d’envisager une autre partie – le violon par exemple (comme dans l’édition Diabelli parue après la mort du compositeur), la flûte ou tout autre instrument mélodique à tessiture aiguë – car toutes ces alternatives s’écartent trop des représentations de timbre que pouvait avoir Schubert. Dans le meilleur des cas, on pourrait envisager – pourquoi pas? – une partie de contrebasse. / Partition brochée / Répertoire / Violoncelle et Piano
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| Pier Adolfo Tirindelli:
Romanza: Cello
Violoncelle, Piano
Ricordi
per violoncello e pianoforte. Edizione critica di Giuliano Cavaliere.-The Romanz...(+)
per violoncello e pianoforte. Edizione critica di Giuliano Cavaliere.-The Romanza for cello and piano by Pier Adolfo Tirindelli (1858-1937) who was particularly noted for his vocal compositions is a cantabile expressive piece that is typical of the salon romanza. This critical edition is based on the manuscript kept in the Biblioteca del Conservatorio di Musica ?Santa Cecilia? in Rome. It is hoped that this will contribute to the rediscovery of Tirindelli - one of the greatest Italian composers from the latenineteenth century - and his instrumental chamber music.
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| Ballade Pour Un 3/4
En Français
Violoncelle, Piano [Partition]
Billaudot
Cette partition BALLADE POUR UN 3/4 de Thirault Marc-Didier a été éditée par...(+)
Cette partition BALLADE POUR UN 3/4 de Thirault Marc-Didier a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB3793. Cette oeuvre d'une durée de 00:02:00 est idéale pour les musiciens pratiquant Violoncelle. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Violoncelle Et Piano / Partition
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| Errance Dans La Nuit
En Français
Violoncelle, Piano [Partition]
Billaudot
Cette partition ERRANCE DANS LA NUIT de Finzi Graciane a été éditée par les ...(+)
Cette partition ERRANCE DANS LA NUIT de Finzi Graciane a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB7178. Cette oeuvre d'une durée de 00:21:00 est idéale pour les musiciens pratiquant Violoncelle. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Violoncelle Et Piano / Partition
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| Balade En Automne
En Français
Violoncelle, Piano [Conducteur et Parties séparées] - Facile
Billaudot
Cette partition BALADE EN AUTOMNE de Fleurette Bernard a été éditée par les ...(+)
Cette partition BALADE EN AUTOMNE de Fleurette Bernard a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB7540. Cette oeuvre d'une durée de 00:02:00 est idéale pour les musiciens pratiquant Violoncelle. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Violoncelle Et Piano / Partition
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| Duetto Extrait De La
Romance Sans Paroles No
18 Op. 38
En Français
Violoncelle, Piano [Partition] - Facile
Billaudot
Cette partition DUETTO EXTRAIT DE LA ROMANCE SANS PAROLES No 18 OP. 38 de Mendel...(+)
Cette partition DUETTO EXTRAIT DE LA ROMANCE SANS PAROLES No 18 OP. 38 de Mendelssohn Bartholdy Felix a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB8379. Cette oeuvre d'une durée de 00:02:15 est idéale pour les musiciens pratiquant Violoncelle. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Violoncelle Et Piano / Partition
Délais: Sur commande |
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| Romance Sans Paroles
En Français
Violoncelle, Piano [Conducteur et Parties séparées]
Billaudot
Cette partition ROMANCE SANS PAROLES de Bacri Nicolas a été éditée par les ...(+)
Cette partition ROMANCE SANS PAROLES de Bacri Nicolas a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB7625. Cette oeuvre d'une durée de 00:03:00 est idéale pour les musiciens pratiquant Violoncelle. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Violoncelle Et Piano / Partition
Délais: Sur commande |
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| Les Chants De
L'Agartha
En Français
Violoncelle, Piano [Partition]
Billaudot
Cette partition LES CHANTS DE L'AGARTHA de Connesson Guillaume a été éditée ...(+)
Cette partition LES CHANTS DE L'AGARTHA de Connesson Guillaume a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB8598. Cette oeuvre d'une durée de 00:12:00 est idéale pour les musiciens pratiquant Violoncelle. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Violoncelle Et Piano / Partition
Délais: Sur commande |
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