Cello SKU: HL.224731 For Cello. By Various. Instrumental Folio. Po...(+)
Cello
SKU:
HL.224731
For
Cello. By Various.
Instrumental Folio. Pop.
Softcover. 128 pages.
Published by Hal Leonard
(HL.224731).
ISBN
9781495090325. UPC:
888680671761.
9.0x12.0x0.312
inches.
Instrumenta
lists will love this
jam-packed collection of
101 timeless pop songs!
Songs include: Another
Brick in the Wall •
Billie Jean • Dust
in the Wind • Easy
• Free Bird •
Girls Just Want to Have
Fun • Hey Jude
• I'm a Believer
• Jessie's Girl
• Lean on Me
• The Lion Sleeps
Tonight • Livin' on
a Prayer • My Girl
• Piano Man •
Pour Some Sugar on Me
• Reeling in the
Years • Stand by Me
• Sweet Home
Alabama • Take Me
Home, Country Roads
• With or Without
You • You Really
Got Me • and
more.
Written by Rick Mooney. Instructional book for cello. With introductory text, st...(+)
Written by Rick Mooney.
Instructional book for
cello. With introductory
text, standard notation,
fingerings, bowings,
instructional text and
instructional photos. 63
pages. Published by
Summy-Birchard Inc.
Cello (Cello) SKU: HL.48180263 For Cello and Piano. Composed by Lo...(+)
Cello (Cello)
SKU:
HL.48180263
For
Cello and Piano.
Composed by Louis
Marchand. Robert King.
Classical. Softcover.
Alphonse Leduc #AL17034.
Published by Alphonse
Leduc (HL.48180263).
For Cello. Composed by Klaus Badelt. Hal Leonard Instrumental Play-Along. Play A...(+)
For Cello. Composed by
Klaus Badelt. Hal Leonard
Instrumental Play-Along.
Play Along and Movies.
Instrumental solo book
(softcover) with online
audio. 24 pages.
Published by Hal Leonard
Cello solo SKU: BR.EB-9074 (Plainte sur la perte de la reflexion music...(+)
Cello solo
SKU:
BR.EB-9074
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Edited by
Michael Bach. Arranged by
Michael Bach. Solo
instruments; stapled.
Edition Breitkopf. You
will need a copy of BG
1002 for each player to
perform the version for
variable instrumentation
(BG 1004). Music
post-1945; New music
(post-2000). Score.
Composed 1972. 12 pages.
Duration 20'. Breitkopf
and Haertel #EB 9074.
Published by Breitkopf
and Haertel (BR.EB-9074).
ISBN 9790004179499. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: VIII version
for violoncello Tokyo:
October 14, 1989.