Cello

SKU: BT.9781408114629

Composed by Maja Passchier. Abracadabra. Exam Material. Book with CD. 64 pages. Collins Music Publishing #9781408114629. Published by Collins Music Publishing (BT.9781408114629).

ISBN 9781408114629. English.

Now in a third edition, Abracadabra Cello has a fresh, contemporary new look and is the perfect book for pupil and teachers.

This title offers an identical selection of repertoire to the other booksin the Abracadabra Strings series, so they can be used in any combination for group or whole class lessons and mixed ensemble performances. Used alone, they remain ideal for individual tuition.

With tunes you know andwant to play, carefully graded in 20 learning steps, this new edition of the popular tutor also includes duets, trios and teacher's parts. Clear fingering and bowing diagrams and concise theory explanations help to teachthefundamentals of the instrument, and each new technical aspect is reinforced by several pieces using that particular technique.

Abrac adabra Cello now also includes two CDs of performance and backing tracks, featuringselected orchestral backings.

by William Bay. For cello. solos. Fun With. Folk. Level: Beginning. Book. Size 8.75x11.75. 32 pages. Published by Mel Bay Publications, Inc.

Folk, Blues, Pop, Jazz for 1 or 2 Players. By Gerald Schwertberger. Cello. For cello. Level: 2-3. Composed (1987). 40 pages. Published by Doblinger (Austrian import).

By Peter Blair. Cello, bass, p/A cd. Sacred instrumental. Published by Heritage Music Press.

Cello - difficult

SKU: HL.49001533

For Cello. Composed by Aribert Reimann. This edition: Saddle stitching. Sheet music. Cello-Bibliothek (Cello Library). Classical. Composed 2001. 20 pages. Duration 11'. Schott Music #CB 172. Published by Schott Music (HL.49001533).

ISBN 9790001132695. 9.0x12.0x0.085 inches.

Twelve symphonic cellos form the string group in Aribert Reimann's opera The House of Bernarda Alba, which earned the distinction of Best first performance of the year 2000. Solo II may be seen as an echo of the operatic work for chamber ensemble. Composed for the Emanuel Feuermann Grand Prix, this piece full of tensions calls for a great breadth of technique from the player. Rapid runs and repetitions are required, in addition to polyphonic playing and achieving a balance of sound with numerous sul ponticello effects.