A cello method for children age four and older. Composed by Egon Saßmannshaus...(+)
A cello method for
children
age four and older.
Composed
by Egon Saßmannshaus and
Kurt
Sassmannshaus. Stapled.
With a
Chinese text booklet.
Performance score.
Baerenreiter Verlag
#BA10756.
Published by Baerenreiter
Verlag
Cello - Intermediate-Advanced SKU: HL.14017469 Composed by Kaija Saariaho...(+)
Cello -
Intermediate-Advanced
SKU: HL.14017469
Composed by Kaija
Saariaho. Music Sales
America. Post-1900. Sheet
Music, Score. With Text
language: English.
Chester Music #CH61806.
Published by Chester
Music (HL.14017469).
UPC: 884088812041.
8.5x11.0x0.419
inches.
Composer's
Note When I considered
the ensemble of eight
cellos, I first thought
of matt and dark
textures. I also wanted
to go back to some ideas
on symmetry. While I was
pondering all that, I saw
snow flakes falling from
the dark sky of the
Finnish autumn. Focusing
on the snow, the idea of
writing variations on it
and its various forms
became clearer in my
mind.Nuages de neige is a
uniform and linear
texture in which I
realise my first
impressions of that
ensemble. The two Etoiles
de neige are based on the
idea of symmetry and
repetition: the first one
develops up to a certain
point where it doubles
back as in a mirror
image, the second one
consists of eight
sections in which the
harmonic structure is
repeated, as well as a
linear gesture that
becomes ever more
present. Aguilles de
glace focuses on
different pizzicati and
superimposed ostinati.
With Fleurs de neige I
sought to recall the
texture of those harmonic
trills at the end of the
first section, although
more airy and diversified
here. Kaija Saariaho.
Violoncello SKU: BA.BA05278 Composed by Johann Sebastian Bach. Edited by ...(+)
Violoncello
SKU:
BA.BA05278
Composed
by Johann Sebastian Bach.
Edited by Andrew Talle.
This edition: Facsimile,
Urtext edition.
Paperback. Barenreiter
Urtext. Urtext from the
New Bach Edition -
Revised (NBArev).
Performance score,
anthology, Facsimile. BWV
1007-1012. Baerenreiter
Verlag #BA05278_00.
Published by Baerenreiter
Verlag (BA.BA05278).
ISBN 9790006569625.
32.5 x 25.5 cm inches.
Preface: Talle,
Andrew.
When we
think of the cello, we
automatically think of
Bach’s immortal
cello suites. They are
the very core of cello
literature, their
timeless beauty
accompanying cellists
from their student years
throughout the height of
their professional
careers.
Consideri
ng the works’
significance, the great
number of editions in
existence is not
surprising. However, the
composer’s
autograph has not been
preserved and is
considered lost. This
circumstance creates an
exceptional challenge
many editors faced over
the years. The four
autograph sources still
in existence and the
first print from 1824
show numerous small
deviations, especially in
terms of articulation
markings and
phrasing.
In this
two-volume edition of
Bach’s cello
suites, Andrew Talle now
presents an entirely new
view of the relationships
between existing sources.
The first volume contains
the edited musical text,
which comes as close to
the composer’s
original intention as the
surviving source material
allows: “This
edition does not
constitute a perfect
reconstruction of the
lost autograph; that is
something no editor could
claim to accomplish.
Instead, I have attempted
to supply musicians and
researchers with a
reliable version of the
surviving musical text of
the six cello suites, and
to convey a sense of the
many possibilities Bach
encouraged his musicians
to explore.â€The
second volume presents,
for the first time,
synoptically arranged
facsimiles of the
handwritten sources as
well as the first print
(with Suite No. V also
including Bach’s
own arrangement for
lute), allowing readers
to compare any specific
section in all sources at
one glance. This allows
for a straightforward and
immediate consideration
of all sources, making
editorial decisions
transparent and
self-evident.
Andr
ew Talle’s edition
is supplemented by a
comprehensive discussion
of the instrument for
which the suites were
created, as well as
information regarding
musical interpretation
during Bach’s
time.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Johann Sebastian Bach (1685-1750). Edited by Andrew Talle. This edit...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Andrew Talle. This
edition: urtext edition.
Cloth bund. Barenreiter
Urtext. Urtext of the New
Bach Edition - Revised
(NBArev). Performance
Score(s), anthology. BWV
1007-1012. Baerenreiter
Verlag #BA05258.
Published by Baerenreiter
Verlag (BA.BA05258).
Composed by Johann Sebastian Bach (1685-1750). Edited by Andrew Talle. This ed...(+)
Composed by Johann
Sebastian
Bach (1685-1750). Edited
by
Andrew Talle. This
edition:
urtext edition.
Paperback.
Barenreiter Urtext.
Urtext
of the New Bach Edition -
Revised (NBArev).
Performance Score(s),
anthology. BWV 1007-1012.
Baerenreiter Verlag
#BA05257. Published by
Baerenreiter Verlag
Cello and 13 solo strings (Cello) SKU: HL.49018807 For Violoncello Sol...(+)
Cello and 13 solo strings
(Cello)
SKU:
HL.49018807
For
Violoncello Solo and 13
Solo Strings.
Composed by Bertold
Hummel. This edition:
Paperback/Soft Cover.
Sheet music. Study Score.
Study score. Composed
1984. Op. 80. 92 pages.
Duration 25'. Schott
Music #ED20743. Published
by Schott Music
(HL.49018807).
ISBN
9790001169738. UPC:
884088668075.
8.25x11.75x0.243
inches.
Hummel's
piece for solo
violoncello and 13
strings follows Hermann
Hesse's famous poem
'Stufen' ('Steps') with
regard to form and
content. Hummel, a
cellist himself, arranges
the solo part with
playing techniques and
tone colours that are
typical of the
instrument. The work
begins and ends with a
perfect fifth which sets
a clear, concise motif.
Short phrases in
distinctive bowing
patterns and harmonics
determine the intensive
dialogue between solo
instrument and the group
of 13 string instruments.
At the end, the tension
leads to an
all-explanatory B-A-C-H
theme: an unmistakable
homage to the old
master.
Cello SKU: HL.49047413 Cello Solo. Composed by Johann Sebastian Ba...(+)
Cello
SKU:
HL.49047413
Cello
Solo. Composed by
Johann Sebastian Bach.
Arranged by Daisuke
Kitaguchi. String Solo.
Classical. Softcover.
Zen-On #ZN337037.
Published by Zen-On
(HL.49047413).
ISBN
9784113370373. UPC:
196288216544.
9.0x12.0x0.16
inches.
“[Bach's]
six unaccompanied cello
suites bring together
three voices - two upper
voices and a bass - into
one line. If so, the
Goldberg Variations,
which have the same
structure, might also be
reproduced for
unaccompanied cello. This
sudden idea led me to the
arrangement of the piece.
Of course, it is
impossible to reproduce
every single note, but I
aimed to arrange it in a
way that all the notes
would sound in our mind.
When combining the three
lines into one, the most
crucial consideration
was, 'What would Bach
do?' I carefully read
materials and scores,
repeatedly listened to
recordings, performed my
arrangement in concerts,
and revised it over and
over. That time was not
painful, but pure joy,
and it was a time to
immerse myself in 'being
Bach.' It is no
exaggeration to say that
it was more a time of
recreation rather than
arrangement. The
articulations and slurs
are fundamentally based
on the facsimile of the
first edition (the
edition by Anne Fuzeau
Productions) that Bach
himself owned. It is a
highly credible edition
with corrections in red
written by Bach.”
Arrangement period:
2017-2023 Premiere:
December 8, 2020 at
Daisuke Kitaguchi Cello
Recital; Muramatsu
Recital Hall Shin-Osaka
(Osaka).
Cello solo SKU: BR.EB-9074 (Plainte sur la perte de la reflexion music...(+)
Cello solo
SKU:
BR.EB-9074
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Edited by
Michael Bach. Arranged by
Michael Bach. Solo
instruments; stapled.
Edition Breitkopf. You
will need a copy of BG
1002 for each player to
perform the version for
variable instrumentation
(BG 1004). Music
post-1945; New music
(post-2000). Score.
Composed 1972. 12 pages.
Duration 20'. Breitkopf
and Haertel #EB 9074.
Published by Breitkopf
and Haertel (BR.EB-9074).
ISBN 9790004179499. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: VIII version
for violoncello Tokyo:
October 14, 1989.
Cello - Grade Elementary SKU: AP.12-0571543022 The Fully Integrated St...(+)
Cello - Grade Elementary
SKU:
AP.12-0571543022
The Fully Integrated
String Series with Over
60 Fun Pieces Ideal for
Individual and Group
Teaching. Composed by
Mark Wilson and Paul
Wood. Method/Instruction;
String Series.
Stringtastic. Book and
Digital Download. 112
pages. Faber Music
#12-0571543022. Published
by Faber Music
(AP.12-0571543022).
ISBN 9780571543021.
English.
Stringtast
ic Book 2: Cello teaches
through playing in an
engaging exploration of
musical styles. Part of
the fully integrated
Stringtastic series in
which violin, viola,
cello, and double bass
can all learn and play
together in any
combination.
Learn as you play
through the world of
Stringtastic, with 62
imaginative pieces that
have been specifically
designed to establish a
secure playing technique
and build confidence one
step at a time. Following
on from Stringtastic Book
1, this book takes the
student from Grade 1
(Early Elementary) to
Grade 2 (Elementary)
level. Featuring
equal-level duets for all
instruments, the pieces
are ideal for individual
and group tuition as well
as flexible ensemble and
classroom settings.
Every piece is
supported by an exciting
backing track plus a
piano-only track for
practice---all available
to download. The
Stringtastic Book 2:
Teacher's Accompaniment
book provides the
complete piano score
which works with any
combination of the
instrumental parts.
Mark Wilson and
Paul Wood have developed
an engaging and
accessible new series of
string-playing method
books⦠The
presentation will appeal
to young learners, and
the careful,
well-conceived pedagogy
will thrill their
teachers! Furthermore,
the Stringtastic
integrated approach gives
proper deference to the
social aspect of
music-making by allowing
violinists, violists,
cellists, and bassists to
play together from the
start. I look forward to
sharing this method with
my young students and
colleagues in early music
education.
-- Dr.
Mark Elliot Bergman,
Director of Strings and
Orchestral Studies,
Sheridan College.
Violoncello SKU: CA.2300264 Passion oratorio. Composed by Carl Loe...(+)
Violoncello
SKU:
CA.2300264
Passion
oratorio. Composed by
Carl Loewe. Edited by
Reinhold Kubik, Claudia
Seidl. Violoncello.
Sacred vocal music,
Oratorios, Passions, Lent
and Passiontide, Holy
Week. Individual part.
Composed presumably 1847.
44 pages. Duration 105
minutes. Carus Verlag #CV
23.002/64. Published by
Carus Verlag
(CA.2300264).
ISBN
9790007247959. Language:
German.
Carl Loewe
is known nowadays almost
exclusively as a composer
of ballads, but he was
close to the spirit of
his time and also
composed a number of
oratorios for the amateur
choirs which became so
numerous in the
Biedermeier period. Das
Suhnopfer des neuen
Bundes reveals a wealth
of expressivity using
only a modest scoring.
The solo parts can easily
be performed by good
amateurs, the well-known
chorales give audiences
the opportunity to join
in the singing, and the
scoring, mainly for small
string group, underlines
the emotions expressed by
the soloists. In this
oratorio we can hear
Loewe's admiration for
the Bach Passions, yet
his characteristic
musical language, typical
of the time, shows that
something new could
develop from it. Score
and part available
separately - see item
CA.2300200.
Take A Bow Violoncelle [Conducteur] - Facile Excelcia Music Publishing
Cello - Early Intermediate SKU: XC.SB2207 Progressive Fiddle and Folk ...(+)
Cello - Early
Intermediate
SKU:
XC.SB2207
Progressive Fiddle and
Folk Tunes for the String
Ensemble. Composed by
Caryn Wiegand Neidhold.
Score. Excelcia Music
Publishing #SB2207.
Published by Excelcia
Music Publishing
(XC.SB2207).
12 x 9
inches.
Take a Bow
is the perfect next-step
for the string orchestra!
A great fit for full
classroom instruction,
small chamber groups, or
private studio teaching;
Take a Bow’s
progressive approach is a
winning combination for
string teachers. Each
piece has a line for
melody and a line for
harmony, making each work
meaningful for
individuals as well as
groups – while
giving teachers the
flexibility to fit the
needs of their ensembles.
The series culminates
with five string
orchestra arrangements
that not only add value
to this collection, but
complete a progressive
journey for your
students. Take a Bow at
your next rehearsal!