Violoncello SKU: BA.BA05278 Composed by Johann Sebastian Bach. Edited by ...(+)
Violoncello
SKU:
BA.BA05278
Composed
by Johann Sebastian Bach.
Edited by Andrew Talle.
This edition: Facsimile,
Urtext edition.
Paperback. Barenreiter
Urtext. Urtext from the
New Bach Edition -
Revised (NBArev).
Performance score,
anthology, Facsimile. BWV
1007-1012. Baerenreiter
Verlag #BA05278_00.
Published by Baerenreiter
Verlag (BA.BA05278).
ISBN 9790006569625.
32.5 x 25.5 cm inches.
Preface: Talle,
Andrew.
When we
think of the cello, we
automatically think of
Bach’s immortal
cello suites. They are
the very core of cello
literature, their
timeless beauty
accompanying cellists
from their student years
throughout the height of
their professional
careers.
Consideri
ng the works’
significance, the great
number of editions in
existence is not
surprising. However, the
composer’s
autograph has not been
preserved and is
considered lost. This
circumstance creates an
exceptional challenge
many editors faced over
the years. The four
autograph sources still
in existence and the
first print from 1824
show numerous small
deviations, especially in
terms of articulation
markings and
phrasing.
In this
two-volume edition of
Bach’s cello
suites, Andrew Talle now
presents an entirely new
view of the relationships
between existing sources.
The first volume contains
the edited musical text,
which comes as close to
the composer’s
original intention as the
surviving source material
allows: “This
edition does not
constitute a perfect
reconstruction of the
lost autograph; that is
something no editor could
claim to accomplish.
Instead, I have attempted
to supply musicians and
researchers with a
reliable version of the
surviving musical text of
the six cello suites, and
to convey a sense of the
many possibilities Bach
encouraged his musicians
to explore.â€The
second volume presents,
for the first time,
synoptically arranged
facsimiles of the
handwritten sources as
well as the first print
(with Suite No. V also
including Bach’s
own arrangement for
lute), allowing readers
to compare any specific
section in all sources at
one glance. This allows
for a straightforward and
immediate consideration
of all sources, making
editorial decisions
transparent and
self-evident.
Andr
ew Talle’s edition
is supplemented by a
comprehensive discussion
of the instrument for
which the suites were
created, as well as
information regarding
musical interpretation
during Bach’s
time.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Violoncello - Level 5 SKU: BA.BA11043 A Song without Words for Violonc...(+)
Violoncello - Level 5
SKU: BA.BA11043
A Song without Words
for Violoncello Solo.
Composed by Manfred
Trojahn. Stapled.
Performance score.
Composed 2012. 4 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA11043_00. Published by
Baerenreiter Verlag
(BA.BA11043).
ISBN
9790006543229. 33.5 x
25.5 cm
inches.
Manfred
Trojahn on the origin and
title of his impressive
virtuoso solo
work: Admittedly I do
not know if he had
seagulls, but since
Mendelssohn was born in
Hamburg, he will not have
gone through life without
at least the impression
of the cry of seagulls.
Nor do I know if seagulls
played any part in his
life in Rome. I myself
was astonished when, one
or two years ago in the
Villa Massimo, I was, not
exactly annoyed but
disturbed by the strong
rhythmical cry of
seagulls. I was just
about to write a bassoon
solo when the seagulls
started. Then the
idea came to me that
precisely this sequence
of notes could serve as
the basis of the work.
And the sequence for the
bassoon solo is, in turn,
the basis of the piece
for violoncello - this is
how titles are born... Of
course the violoncello
meanders with virtuosic
ease from the seagull
motif to the 'elf-like'
skittering brought to
music by Mendelssohn and
used time and again in
his compositions, finally
becoming a cabaletta.
Now, cabalettas are not
very representative of
Mendelssohn, but as I was
composing I definitely
wanted to put a cabaletta
in this passage. I am
sure Mendelssohn and I
will easily agree on
this, especially since
later justice is done to
him in the rapid passages
and, of course in the
tonal cadenza at the very
end, which is more
indicative of his time
than of mine ... isn't
it?
Composed by Johann Sebastian Bach (1685-1750). Edited by Andrew Talle. This edit...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Andrew Talle. This
edition: urtext edition.
Cloth bund. Barenreiter
Urtext. Urtext of the New
Bach Edition - Revised
(NBArev). Performance
Score(s), anthology. BWV
1007-1012. Baerenreiter
Verlag #BA05258.
Published by Baerenreiter
Verlag (BA.BA05258).
Composed by Johann Sebastian Bach (1685-1750). Edited by Andrew Talle. This ed...(+)
Composed by Johann
Sebastian
Bach (1685-1750). Edited
by
Andrew Talle. This
edition:
urtext edition.
Paperback.
Barenreiter Urtext.
Urtext
of the New Bach Edition -
Revised (NBArev).
Performance Score(s),
anthology. BWV 1007-1012.
Baerenreiter Verlag
#BA05257. Published by
Baerenreiter Verlag
Cello - Grade 2-3 SKU: AP.46207 Top Performing Songs and Artists from ...(+)
Cello - Grade 2-3
SKU:
AP.46207
Top
Performing Songs and
Artists from the
Billboard Hot 100 and
Billboard Hot 200 over
the Past 50 years.
Arranged by Various.
Play-Along; String
Series. Instrumental
Solos Series. Pop. Book
and CD. 60 pages. Alfred
Music #00-46207.
Published by Alfred Music
(AP.46207).
ISBN
9781470637125. UPC:
038081522746.
English.
Billboard
Greatest Chart All-Stars
Instrumental Solos
contains hit songs from
the Billboard Hot 100 and
Billboard Hot 200 lists
of the past 50 years.
Each instrument book is
carefully
edited---complete with
articulations, dynamic
markings, and keys well
suited for the level 2--3
player. The accompanying
MP3 CD includes a live
instrumental performance
of each song followed by
a play-along track, PDFs
of piano accompaniments,
and Alfred's TNT 2
practice software.
Titles: 21 Guns (Green
Day) * Style (Taylor
Swift) * All About That
Bass (Meghan Trainor) *
Cake by the Ocean (DNCE)
* Can't Feel My Face (The
Weeknd) * Desperado
(Eagles) * Don't Stop
Believin' (Journey) *
Firework (Katy Perry) *
Go Your Own Way
(Fleetwood Mac) * Sorry
(Justin Bieber) * Mr.
Know It All (Kelly
Clarkson) * Like I'm
Gonna Lose You (Meghan
Trainor feat. John
Legend) * and more.
(Foreword and Additional Editing by Richard Hughey). By Camille Saint-Saens Dani...(+)
(Foreword and Additional
Editing by Richard
Hughey). By Camille
Saint-Saens Daniel
Francois Van Goens.
Edited by Richard Hughey,
Larry Clark. For Cello,
Cello and Piano. 104
pages. Published by Carl
Fischer
Cello. Composed by
Edvard Grieg. Edited by
Richard Clarke.
Orchestra; stapled.
Eulenburg Orchestral
Series.
The new
conductor's score to both
suites is based on the
proven edition of Richard
Clarke, which is already
accessible as a st
udy score in the
Eulenburg series.
Suite; Romantic. Part. 8
pages. Duration 13'.
Breitkopf and Haertel
#EOS 21473-23. Published
by Breitkopf and Haertel
(BR.EOS-21473-23).
ISBN 9790004780169. 10
x 12.5
inches.
After
Henrik Ibsen obtained
sensational feedback for
his verse drama Peer
Gynt, he decided to
arrange the text for
stage performances as
well. He requested
incidental music from
Edvard Grieg, who
immediately assured Ibsen
of his cooperation. In
its new version, Peer
Gynt was given its first
performance in February
1876 and also scored a
tremendous success. After
a further revision of his
music, Grieg compiled
four of the most striking
pieces into an orchestral
suite in 1888, and
repeated this procedure
three years later for a
second suite. The
publication of the first
complete score further
boosted the already
exceptional acclaim of
the incidental music to
Grieg's Peer Gynt, which
takes its place today
among the composer's most
beloved works.Breitkopf
is now releasing a new
conductor's score to both
suites, based on the
proven edition of Richard
Clarke, which is already
accessible as a study
score in the Eulenburg
series.
The new
conductor's score to both
suites is based on the
proven edition of Richard
Clarke, which is already
accessible as a study
score in the Eulenburg
series.
Violoncello - difficult SKU: HL.49045324 Version for Cello. Compos...(+)
Violoncello - difficult
SKU: HL.49045324
Version for Cello.
Composed by Chaya
Czernowin. This edition:
Saddle stitching. Sheet
music. String. Classical.
Softcover. Composed 1981.
12 pages. Duration 720
seconds. Schott Music #CB
287. Published by Schott
Music (HL.49045324).
ISBN 9790001159678.
UPC: 841886030657.
9.0x12.0x0.069
inches.
The
original version for
violin dates from 1981,
thus being one of the
early works by the
Israeli composer who
teaches at Harvard
University. About 35
years later, in 2015,
Chaya Czernowin arranged
the solo piece for the
cellist Christina
Meissner and also wrote a
version for viola solo.
In this early creative
period, her tonal
language shows the slow
introduction of the sound
of new music.
Cello SKU: BO.B.3726 Composed by Melani Mestre. Published by Editorial de...(+)
Cello
SKU:
BO.B.3726
Composed by
Melani Mestre. Published
by Editorial de Musica
Boileau (BO.B.3726).
Written in
2001, this work was
conceived by the need to
enlarge the repertoire of
works for solo cello, an
important goal since the
repertoire of such works
is limited. Most cellists
are limited to
performances of such
well-known solo works as
the Suites of Bach,
written almost 300 years
ago, as well as other
classics of the genre by
Max Reger, Zoltan Kodaly,
Benjamin Britten, Gaspar
Cassado, Enric Casals,
etc.
The
intention of the Suite
Exotique is to
revolutionize the concept
of the Baroque suite by
transforming the suite
into a collection of
modern dances, which are
both contemporary and
widely recognized today.
Thus, the dances of the
Baroque suite, such as
Allemande, Courante,
Sarabande are substituted
for the Tango, Milonga,
Blues in such a way that
the traditional formal
structure of six
movements of Baroque
dances is modernized by
rhythms and contemporary
styles which coexist in
the Modern world, but are
separate from and do not
pertain to those works
which are normally
considered to belong to
the realm of cultured
music.
Apart
from the fusion
represented by the
mixture of a Baroque
genre with modern, urban
musical language found in
this work, the subtitle
exotica is appropriate
due to the originality of
writing such a work for
cello solo. This work
allows the interpreter to
explore and take full
advantage of their
technical, artistic and
expressive
abilities.
This
work establishes a total
symbiosis between the
instrument and the
evolutionary
transformation of its
musical language which in
turn creates a style
adapted to the expressive
requirements of the work
itself. The specific
techniques and qualities
of the cello are placed
in service of the
required style and
concept of each movement
of the Suite. At the same
time those stylistic
characteristics are
transformed and adapted
to the particular
characteristics of the
cello and taking full
advantage of the
instruments polyphonic,
sonic, aesthetic
qualities as well as its
timbre.
The
Suite Exotique was
premiered in August, 2003
during the International
Music Festival of Ibiza
by the Russian cellist
Svetlana Tovstukha.