Cello (Violoncello)

SKU: BA.BA07894-82

Suite for Orchestra. Composed by Gabriel Faure. Edited by Robin Tait. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 112. 6 pages. Baerenreiter Verlag #BA07894_82. Published by Baerenreiter Verlag (BA.BA07894-82).

ISBN 9790006564231. 32.5 x 25.5 cm inches.

In the style of commedia dell'arte

In 1918 Gabriel Faure, then 73 years old, received a commission from Prince Albert I of Monaco to write stage music invoking the atmosphere of the commedia dell'arte.
The four-movement orchestral suite op. 112, consisting of Ouverture, Menuet, Gavotte and Pastorale, combines previously unpublished parts of this stage music. The Pastorale of 1919 was Faure's last composition for orchestra, the Ouverture originated in a piece of 1864 for piano duet and the original version of the Gavotte was written for piano as early as 1869. The
op. 112 orchestral suite demonstrates how the composer, now older and more experienced, reworked and improved his earlier music.

This scholarly-critical edition of the four-movement Masques et Bergamasques op. 112 is based on Gabriel Faure The Complete Works, Volume IV/2.

About Barenreiter Urtext Orchestral Parts

Cello (Violoncello) - Level 4

SKU: BA.BA07590-82

Composed by Giuseppe Verdi. Edited by Marco Uvietta. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. 27 pages. Baerenreiter Verlag #BA07590_82. Published by Baerenreiter Verlag (BA.BA07590-82).

ISBN 9790006541645. 32.5 x 25.5 cm inches. Preface: Marco Uvietta.

For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were ever used for any other edition of the Requiem; some of these sources were never evaluated before and one source, a hand-written vocal score, particularly relevant to the evaluation of the Liber scriptus, was newly discovered.

As such, this edition offers new philological and editorial decisions regarding phrasing, articulation and dynamics and succeeds in presenting practical suggestions to solve musical problems and those concerning the interpretation of this famous work.

This edition comprises a concise Critical Commentary in the score as well as a detailed one on the Barenreiter website. The most important editions published in the 19th century are compared with regard to musicological questions in the work. The genesis of some misunderstandings included in the 1913 and 1964 Ricordi editions is traced. The first version of the Liber scriptus for chorus is included in the appendix while the later version for mezzosoprano solo is to be found in the main part of the edition.

About Barenreiter Urtext Orchestral Parts