Description G. Schirmer Opera Anthology - Arias For Bass Carefully chosen arias to anticipate the needs of singers, teachers and coaches for years to come. Songlist Ah,Un Foco Insolito (Don Pasquale) [Donizetti, Gaetano] Als Bublein Klein (Die Lustigen Weiber Von Windsor) [Nicolai, Otto] Aprite Un Po' Quegl'occhi (Le Nozze Di Figaro) Come Dal Ciel Precipita (Macbeth) [Verdi, Giuseppe] Dalle Stanze Ove Lucia (Lucia Di Lammermoor) [Donizetti, Gaetano] Epouse Quelque Brave Fille (Manon) [Massenet, Jules] Gremin's Aria (Eugene Onegin) [Tchaikovsky, Pyotr Ilyich] Il Lacerato Spirito (Simone Boccanegra) [Verdi, Guiseppe] In Diesen Heil'gen Hallen (Die Zauberflöte) [Mozart, Wolfgang Amadeus] Infelice! E Tuo Credevi (Ernani) [Verdi, Giuseppe] La Calunnia (The Barber Of Seville) [Rossini, Gioacchino] La Vendetta (Le Nozze Di Figaro) [Mozart, Wolfgang Amadeus] Le Veau D'or (Faust) [Gounod, Charles] Let Things Be Like They Always Was (Street Scene) [Weill, Kurt] Madamina! Il Catalogo E Questo (Don Giovanni) [Mozart, Wolfgang Amadeus] Miei Rampolli Femminini (La Cenerentola) [Rossini, Gioacchino] Non Piu Andrai (Le Nozze Di Figaro) [Mozart, Wolfgang Amadeus] O Isis Und Osiris (The Magic Flute) [Mozart, Wolfgang Amadeus] O Tu, Palermo (I Vespri Siciliani) [Verdi, Giuseppe] O Wie Will Ich Triumphir (Die Entfuhrung Aus Dem Serail) [Mozart, Wolfgang Amadeus] Pour Les Couvents C'est Fini (Les Hugenots) [Meyerbeer, Giacomo] Quand La Flamme De L'amour (La Jolie Fille De Perth) [Bizet, Georges] Schweig' Schweig'! Damit Dich Niemand Warnt (Der Freischutz) [Weber, Carl Maria Von] Se Vuol Ballare (Le Nozze Di Figaro) [Mozart, Wolfgang Amadeus] Vecchia Zimarra (La Boheme) [Puccini, Giacomo] Vi Ravviso (La Sonnambula) [Bellini, Vincenzo] Vous Qui Faites L'endormie (Faust) [Gounod, Charles] What What Is It (The Mother Of Us All) [Thomson, Virgil]

This edition is more oriented to practical performance than the New Complete Critical Edition. From the range designations of the Lieder, one can see that, despite the transpositions, not all fifteen Lieder of a volume are suited to one and the same voice. The alternative pitches and easier passages written by Mahler often for only one of the voice ranges of a Lied (and not necessarily always for the original voice range) are here provided for both voices. The Notes (pp.165-170) show for which voice these were originally conceived and whether this has to do with a purely vocal facilitation or a musical variant. Unlike the Kindertotenlieder , the fifteen Wunderhorn Lieder do not form a cycle and do not even suggest a unified collection of songs such as the Rückert Lieder. They can only be organized according to their sequence of composition, which should, however, have no influence on the choice or order of a performance. As Mahler himself urged upon his singers: I ask at the very least that you determine the sequence of the Lieder yourself. (Letter to the baritone Johannes Messchaert, 1906)Langue : German / Ténor - piano / Universal Edition

Low Voice with Recorded Piano Accompaniments Online. / Recueil / Voix Basse et Accompagnement de Piano en ligne

Chansons du 19ème et 20ème Siècle Idéal lors de représentations pour solistes, étudiants, ou chanteurs professionnels, Italian Art Songs regroupe des morceaux dans leur tonalité dorigine ou transposés. Une introduction historique de chaque compositeur est comprise dans ce recueil, ainsi que les paroles en Italien et Anglais. Comprend 48 chansons composées par Alfano, Arditi, Castelnuovo-Tedesco, Donaudy, Donizetti, Mascagni, Puccini, Respighi, Rossini, Tosti, Verdi, et bien dautres. / Voix Grave Et Piano

Par SCHUBERT FRANZ. Volume 9 of the new Urtext edition of Schubert's lieder contains lieder composed during the spring and summer of 1816, some of which follow upon series started in 1815. They are available in separate books for high, medium and low voice. The volume was completed by the eminent Schubert scholar Walter Dürr who passed away at the beginning of 2018. It was in 1816 that Schubert completed his settings of Ossian's songs and added lieder on texts by Johann Georg Jacobi, Johann Peter Uz and Matthias Claudius. Also included are the lieder from the Grob family songbook. In summer 1816 Schubert produced his first settings of poems by Christian Friedrich Daniel Schubart ('Grablied auf einen Soldaten” and 'An mein Klavier”), the author of the words to one of his most famous songs 'Die Forelle”/ 'The Trout” (see Volume 2)./ Répertoire / Basse et Piano

Par SCHUBERT FRANZ. Franz Schubert Songs Vol. I comes complete with 92 Songs for low voice. Includes Schöne Mullerin, Winterreise, Schwanengesang and more. / Classique / Répertoire / Chant et Piano

Complete Edition. Par VAUGHAN WILLIAMS RALPH. L'édition fait partie du programme ABRSM (8e année)/ Recueil / Basse et Piano

This well-known collection of 21 arias, some including recitatives, is an ideal introduction to singing in Italian, as well as providing useful material for the advanced performer. The set contains a varied selection of operatic arias, movements from solo cantatas, and songs. / Voix Basses

Il s'agit de la première collection importante jamais publié de chansons par Virgil Thomson (1896-1989), compositeur des opéras La Mère de nous tous et Quatre Saints en trois actes. Le style musical de Thomson était basé à Americana, mais il a été attiré par la poésie abstraite. Le résultat unique est le traditionalisme tourné sur son oreille. La date de 1926 chansons jusqu'en 1974 .. / Mélodie/Vocal/Piano (MVP) / 164 pages / Partition

The melodies of MAURICE RAVEL (1875-1937) span the entire chronology of his creative output, from his earliest song BALLADE DE LA REINE MORTE D`AIMER (1893), written during his student years at the Paris Conservatory, to the cycle DON QUICHOTTE À DULCINEE (1932-33), his last compositions in any genre. In his songs, Ravel's text settings display a meticulous attention to detail. Ravel´s melodies are elegant and refined, classical in their phrase structure. In his treatment of rhythm, Ravel finds subtlety within traditional meters, and dance forms-minuet, waltz, folk dances (especially Spanish dance) -also shape the rhythm in many of his songs. / Voix Moyenne(s) Et Piano

Low Voice Compiled by Joan Frey Boytim-Joan Boytim compiler of The First Book of Solos series is the most respected name in widely-used publications for the developing singer. She brings her expertise and vast knowledge of literature into the sacred genre with thiscollection which presents traditional sacred solos for classical voice and piano. The songs span from the easy to the more challenging but all are within the realm of a reasonable ?classical? solo for a churchservice. Some of the songs included have long been out of print. The 43 selections range from classics by Bach and Mozart to early 20th century favorites and rarities.

Compilé et édité par Steven Stolen et Richard Walters, cette collection a été spécifiquement compilée extraordinairement utiles pour les chanteurs de l'étudiant. 17 compositeurs sont représentés avec des informations historiques et 34 chansons. / Chant Et Piano

Arm, arm, ye brave! from Judas Maccab″us (Handel) Behold the monstrous human beast from Belshazzar (Handel) Betrache, meine Seel' from St. John Passion (Bach) Confutatis from Messa di Requiem (Verdi) Crucifixus from MESSA DI GLORIA (Puccini) Erblikke hier, betörter Mensch from The Seasons (Haydn) Et in Spiritum sanctum from Mass in B minor (Bach) Fecit potentiam from Magnificat (C.P.E. Bach) For behold, darkness shall cover the earth; The people that walked in darkness from Messiah (Handel) For the mountains shall depart from Elijah (Mendelssohn) Gerne will ich mich bequemen from St. Matthew Passion (Bach) Gott sei mir gnädig from St. Paul (Mendelssohn) Grosser Herr und starker König from Christmas Oratorio (Bach) Honor and arms from Samson (Handel) Hostias from Requiem (Fauré) Is not his word like a fire? from Elijah (Mendelssohn) It is enough! from Elijah (Mendelssohn) Komm, süsses Kreuz from St. Matthew Passion (Bach) Lord God of Abraham from Elijah (Mendelssohn) Mache dich, mein Herze, rein from St. Matthew Passion (Bach) Nun scheint in vollem Glanze der Himmel from The Creation (Haydn) O misère des rois! from L'Enfance du Christ (Berlioz) Pro peccatis from Stabat Mater (Rossini) Quia fecit mihi magna from Magnificat (Bach) Quoniam to solus sanctus from Messe Solennelle (Rossini) Revenge, Timotheus cries from Alexander's Feast (Handel) Rollend in schäumenden Wellen from The Creation (Haydn) Schon eilet froh der Akkermann from The Seasons (Haydn) See the raging flames arise from Joshua (Handel) Song List Available Upon Request HANDEL - The trumpet shall sound from MESSIAH Thus saith the Lord; But who may abide from Messiah (Handel) Thy glorious deeds inspir'd my tongue from Samson (Handel) Why do the nations from Messiah (Handel)