La collection la plus complète des sélections de Broadway jamais organisée spécifiquement pour le chanteur. Les chansons choisies parce qu'elles sont appAvailableriate fpr chaque voix. Toutes les sélections sont sous leur forme authentique, original et de la musique vocale originale. Les chansons dans Musical Theatre anthologie du chanteur, écrit par des compositeurs tels notés comme Kurt Weill, Richard Rodgers, Stephen Sondheim et Jerome Kern, sont des chefs-d'oeuvre vocales idéales pour les auditions, pratiquer ou effectuant des chanteurs./ Recueil / Piano, Chant et Guitare

This outstanding collection features 10 classic songs for any combination of two voices and piano. Alfred Music's top masterwork arrangers provide supportive accompaniments, well-crafted vocal lines, historically informed editorial markings, plus IPA pronunciation guides and complete translations for every piece in a foreign language. Superb recital, concert, and contest repertoire for developing singers. / 2 Voix Et Piano

La source la plus fiable au monde de grande littérature théâtrale pour les acteurs chanteurs. Les CD comprennent des accompagnements au piano. Le livre présente des éditions authentiques de chaque duo dans les tonalités originales. Les duos ont été choisis avec soin et sont issus d\'une large sélection de classiques et de spectacles contemporains. Contenu : THE ADDAMS FAMILY : Crazier Than You - AVENUE Q : Schadenfreude - CABARET : Money, Money - CANDIDE : Oh, Happy We - CHILDREN OF EDEN : In Whatever Time We Have - A CHORUS LINE : Sing ! - FIDDLER ON THE ROOF : Do You Love Me ' - THE FROGS : Invocation et instructions au public - GODSPELL : All for the Best - GREY GARDENS : Peas in a Pod - INTO THE WOODS : Agony, It Takes Two, No More - THE LIFE : My Friend - THE LIGHT IN THE PIAZZA : Statues and Stories, Say It Somehow - THE LION KING : Can You Feel the Love Tonight - A LITTLE NIGHT MUSIC : Every Day a Little Death - MONTY PYTHON\'S SPAMALOT : I\'m All Alone - MYTHES ET HYMNES : Come to Jesus - PARADE : All the Wasted Time - THE PRODUCERS : Où avons-nous fait fausse route ' - THE RINK : La pomme ne tombe pas très loin de l\'arbre - SPRING AWAKENING : The Word of Your Body - SUNDAY IN THE PARK WITH GEORGE : Move On - SWEENEY TODD : Kiss Me - WEST SIDE STORY : A Boy Like That/I Have a Love - WICKED : As Long as You\'re Mine, For Good - WOMAN OF THE YEAR : L\'herbe est toujours plus verte / Partitions variété - pop - rock / Musique films - comédies musicales / / HAL LEONARD

Available for the first time in a collection, these 10 contemporary theatre duets include complete background notes about each composer, musical, song, and character featured. A valuable resource for directors planning a Broadway cabaret or review-style performance! Includes: Any Combination: Alone in the Universe (Seussical: The Musical) Male/Female: Forever Yours (Once on This Island) * Love Song (Pippin) * Small Talk (The Pajama Game) * They Were You (The Fantasticks) * Wheels of a Dream (Ragtime) Male/Male: Lily's Eyes (The Secret Garden) * Pretty Women (Sweeney Todd) Female/Female: If Momma Was Married * (Gypsy) * Poor Little Pierrette (The Boy Friend).

A song cycle for Tenor Baritone and Piano four-hands.Commissioned by Dickinson College in 2008 for The Florestan Recital Project Musical Artists in ResidenceFirst performance March 4 2010 Dickinson College PAThis work is dedicated to Don and Marilyn Conlan ''The seventeen poems selected for this work span many centuries and languages and give very varied views on the subject of love. There is a mixture of solos and duets which also gives variety. Also there is a difference in the characterization ofthe two singers; the tenor is more romantic and? the baritone more realistic and cynical. In the penultimate poem by Tyutchev this? split is emphasized in the words ! / T ? . (O love of my last years you are both rapture and desperation).? However both singers recognize the power of love. The work should be sung? without a break between the songs and indeed several of the poems overlap. To? emphasize the continuity there are several recurring musical motives: in particular? the theme associated with the words from the Shakespeare poem in Twelfth Night? ?What is love?? Hopefully the songs can be sung in the original languages (except for the poem from the Haida) however ?singable? translations have been provided. I? want to thank the many friends and colleagues who offered much appreciated advice on fully understanding the poems and thus their translations: Henry Garrity ? Lilian Groag Gustavo Lopez Manzitti Veronica Mitina Alma Mora

La partition 7 CHANSONS EN FORME DE DUOS SUR DES THEMES POPULAIRES a été composée pour Chant/Vocal/Choeur et plus particulièrement pour 2 Voix Et Piano. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Billaudot. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / 2 Voix Et Piano / Partition

Leonard Bernstein est largement représenté par des extraits de 'Candide', 'Mass', 'On the Town', 'Peter Pan', '1600 Pennsylvania Avenue', 'West Side Story'et 'Wonderful Town'. Caractéristiques 12 chansons jamais publiées auparavant, y compris des chansons de comédies musicales coupées. Avec une biographie du compositeur, et des notes historiques et tracer sur chaque spectacle et du chant.Il existe des listes de chansons différentes pour les trois volumes. / Piano Et Chant (2 Voix Et Plus)

Vocal Duet. Duet arrangements of theatre songs for soprano and baritone. Contains: All at Once You Love Her · Climb Ev'ry Mountain · Getting to Know You* · I Whistle a Happy Tune* · It Might as Well Be Spring · It's a Grand Night For Singing · Memory · My Favorite Things · Oh What a Beautiful Mornin'* · People Will Say We're in Love · Sunrise Sunset · The Sound of Music. (Songs marked with an asterisk are for soprano and alto or baritone.)