Composed by Gwyneth W. Walker (1947-). For high voice, piano. Secular, 21st century. Medium. Collection. Published by E.C. Schirmer Publishing

By Johannes Brahms. Edited by Friedlaender. For high voice, piano. 15 Magelone Songs and 18 Songs(Eng-Ger).Von ewiger Liebe,Mainacht,Wie bist du meine Koenigin,etc. Published by C.F. Peters.

(45 Songs for High Voice). Composed by William Bolcom. For Vocal, High Voice, Piano Accompaniment. E.B. Marks. Softcover. 240 pages. Published by Edward B. Marks Music

Singer's Jazz Anthology - High Voice with Recorded Piano Accompaniments Online. Composed by George Gershwin (1898-1937). Singer's Jazz Anthology. Jazz, Standards. Softcover Audio Online. 120 pages. Published by Hal Leonard

(High Voice). By Various. For Voice, Piano Accompaniment. Fake Book. Softcover. 472 pages. Published by Hal Leonard

High Voice. By Aaron Copland. Boosey and Hawkes Voice. 96 pages. Published by Boosey and Hawkes.

High Voice and Piano

SKU: HL.14026589

Composed by Roger Quilter. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV26300901. Published by Music Sales (HL.14026589).

Roger Quilter (1877-1953) was a British composer, best known for writing many gentle and beautiful songs. Along with Henry Balfour Gardiner and Percy Grainger, he was a member of the Frankfurt Group, a group of friends who studied composition together at the Hoch Conservatory in Frankfurt.

Three Pastoral Songs (Op.22) is a collection of three songs based on countryside scenes: I will go with my father a-ploughing - Cherry valley - I wish and I wish. They are arranged here for High Voice with Piano accompaniment.

High Voice and Piano

SKU: HL.14035520

Composed by Rolf Wallin. Music Sales America. 20th Century. Book [Softcover]. Composed 2003. 8 pages. Chester Music #CH65571. Published by Chester Music (HL.14035520).

ISBN 9781844492671.

Mode rn Norwegian composer Rolf Wallin's 'Drei Gedichte' arranged for a soprano voice and piano accompaniment. These three poems were written between 1900 and 1908, and they are very different in terms of form, subject matter, and atmosphere. Liebes-Lied is about a strong but painful love, Buddha in der Glorie, a description of religious ecstasy, quite unusual in the works of Rilke, and Sluss-stuck, about death, which exists in the midst of us, in the middle of life.

Voice-High,Piano (High voice, Piano)

SKU: BA.BA09109

Composed by Franz Schubert. Edited by Walther Durr. This edition: urtext edition. Paperback. Barenreiter Urtext. High Voice. Singing Score, anthology. Baerenreiter Verlag #BA09109_00. Published by Baerenreiter Verlag (BA.BA09109).

ISBN 9790006530588. 30 x 23 cm inches. Language: German. Preface: Christoph Pregardien/Andreas Staier.

Volume 9 of the new Urtext edition of Schubert’s lieder contains lieder composed during the spring and summer of 1816, some of which follow upon series started in 1815. They are available in separate books for high, medium and low voice. The volume was completed by the eminent Schubert scholar Walter Dürr who passed away at the beginning of 2018.

It was in 1816 that Schubert completed his settings of Ossian's songs and added lieder on texts by Johann Georg Jacobi, Johann Peter Uz and Matthias Claudius. Also included are the lieder from the Grob family songbook. In summer 1816 Schubert produced his first settings of poems by Christian Friedrich Daniel Schubart (“Grablied auf einen Soldaten” and “An mein Klavier”), the author of the words to one of his most famous songs “Die Forelle”/ “The Trout” (see Volume 2).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Compiled by Bernard Taylor. Collection for high voice solo and piano accompaniment. Text language Italian, German, French, English. 251 pages. Published by G. Schirmer, Inc.

Vocal Ensemble Piano Accompaniment; Vocal (High Voice)

SKU: HL.51480551

Song Cycle Original Keys for High Voice. Composed by Robert Schumann. Edited by Kazuko Ozawa. Sheet Music. Paperbound. Henle Music Folios. Original Keys for High Voice. Classical. Softcover. 80 pages. G. Henle #HN551. Published by G. Henle (HL.51480551).

ISBN 9790201805511. UPC: 888680950781. 8.25x11.75x0.295 inches.

1840 was Schumann's famous “year of song” that brought forth over 100 lieder. They included Myrthen op. 25, which he dedicated “to his dear bride,” Clara Wieck-Schumann. Besides famous songs such as “Widmung,” “Lotosblume” and “Nussbaum” to texts by German poets, the collection also saw Schumann venture further afield, whether to the Scottish Highlands with settings of Robert Burns or to Italy for the “Venetian Songs” of Thomas Moore. Schumann specialist Kazuko Ozawa has examined the first edition of 1840 and all the manuscript sources. Among the dedicatory autograph copies she has also discovered interesting early versions of individual songs that are here published in an appendix. Our Urtext edition is rounded off with an extensive history of how Myrthen was composed. This volume is a superlative addition to G. Henle Verlag’s series of Robert Schumann's song cycles.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

Chamber Music High voice, Piano

SKU: PR.111402890

Composed by Ricky Ian Gordon. Full score. 44 pages. Duration 20 minutes. Theodore Presser Company #111-40289. Published by Theodore Presser Company (PR.111402890).

ISBN 9781491134672. UPC: 680160685264.

What� �??s in a name? While the title is French for â??Eight Flower Songs,â? the texts are all in English. The poemsâ?? flowers metaphorically evoke fragrance, love and loss, life and death, rebirth and regrowth. Perhaps the texture and beauty of Gordonâ??s music are themselves French. The 20-minute song cycle draws on poems from Wordsworth to Dorothy Parker, as well as from contemporary poets including the composer himself.
When So-Chung Shinn came to me with the idea of commissioning a song cycle with her spectacular husband Tony Lee, she had in mind something having to do with flowers. Tony had asked her what she wanted for her birthday, and she said she wanted to be behind the creating of a new work. Lucky me, I was the recipient of the commission. So-Chung sent me a little description of all the flowers she loves, but I had to take the idea and create a narrative in my head.It is always a matter of pleasing the commissioner, yet coming up with something you can get behind and hear music for as well. I already knew I wanted to use my â??Tulipsâ? poem which is really about the arc of a relationship as represented through the life span of the Tulips, and, in many ways, disappointment; and Dorothy Parkerâ??s â??One Perfect Rose,â? which is wry, bitter, cynical, and funny, in a way only Dorothy Parker can so pithily express.I thought of Jane Kenyonâ??s exquisite â??Peonies at Dusk,â? because knowing she died so young (46) of leukemia, the poem has such a particular resonance, almost humanizing the Peonies, casting the moon as a sentient being, illustrating so beautifully how connected everything is, alive here, and revolving around these exquisite blossoms. Then, I remembered her husband Donald Hallâ??s poem â??Her Garden,â? which he wrote after Jane died, his grief intermingled with his inability to care for what she had created, to keep alive what so represented her aliveness, broken as he was, and I felt I already had a story.I found the Wordsworth, because it felt like pure joy to me, but also, if each of the songs has a color in my head, â??The Daffodilsâ? is pure yellow and a good place to start. My partner Kevin and I live on a lake, and every year, the first Daffodils, the shock of yellows, the oranges, the blinding whites, after the long snowy winters, sing of the newness that is about to enfold us in its green miraculousness.At first, the cycle ended with the Langston Hughes poem â??Cycle,â? or â??New Flowers,â? because it was lovely, and about rebirth, which is obviously optimistic, and apt, but then, my friend Telmo Dos Santos, a wonderful Canadian poet whom I met at Banff, sent me his poem â??Afterlife With Lilacs,â? having no idea what I was working on. I felt I had to add it because it is so dazzling, and it immediately felt like the missing link. Finally, there were unfortunately rights issues, namely, we could not, no how, get in touch with the Langston Hughes Estate, after so many happy collaborations.After almost a yearâ??s frustration, I wrote my own text, â??Play, Orpheus,â? which ended up being fortuitous, because the first time I met So-Chung, she entered the room and the most exquisite scent of Lillies of the Valley, Muguet de Bois, filled the room. I went right over to her and rudely put my nose to her neck, for the intoxication of the scent. So â??Play, Orpheusâ? is for So-Chung, to remind us of the precious treasures of this world flowers remind us of. Everything and everyone lives and dies, lives and dies. Death and resurrection.And of course, this is music, this is song, so the inclusion of the God of music, Orpheus, seems apt. Huit Chansons de Fleurs is really about what flowers represent, their radiance, their flickering impermanence, the way they are used to celebrate, as well as to mourn...... and of course, their fragrance. Their fragrance.Ricky Ian GordonJuly 28, 2021.

Composed by Ned Rorem (1923-). Collection for high voice and piano. 37 pages. Published by C.F. Peters.

For High Voice and Piano. By Aaron Copland. (High Voice). Boosey and Hawkes Voice. Size 9x12 inches. 24 pages. Published by Boosey & Hawkes.

By Benjamin Britten. (High Voice). Boosey and Hawkes Voice. Size 9x12 inches. 22 pages. Published by Boosey and Hawkes.

High Voice Compiled by Joan Frey Boytim. Arranged by Joan Frey Boytim. Vocal Collection. Size 9x12 inches. 192 pages. Published by Hal Leonard.

The Vocal Library High Voice. By Various Composers. Arranged by Richard Walters. Vocal Collection. Size 9x12 inches. 80 pages. Published by Hal Leonard.

Composed by Richard Strauss (1864-1949). Score and audio CD. Universal Edition #UE037977. Published by Universal Edition

Sing Solo Sacred by Neil Jenkins. For voice. Solo Voice. Sing Solo.... Other Collection. Part. 160 pages. Published by Oxford University Press