La revue de café-concert (ou caf'conc') était l'une des formes de divertissement populaire à Paris depuis la moitié du XIXe siècle et au début du XXe. Les programmes étaient composés de piécettes en un acte, d'airs d'opéra, de tours de chant, de danse, de numéros de cirque, etc. Dans le répertoire d'une soirée de café-concert, il y avait la valse chantée, sentimentale et très mélodique, sur des paroles racées ; Je te veux en constitue un exemple. Dans cette édition, la version transposée pour voix moyenne-grave de cette célèbre valse. / Partitions classique / Vocale - chorale / Voix solo - piano / SALABERT

20 Melodies Voix Moyenne Et Piano. Par HAHN. Contents: Quand la nuit n'est pas étoilée - Cantique - La Délaissée - La Chère Blessure - Théone - Le souvenir d'voir Cante - Quand je fus pris au pavillon - Chanson au bord de la fontaine - Sur l'eau - Fumée - Le printemps - Dans la nuit - Les fontaines - À Chloris - Le Rossignol des lilas - À nos morts ignorés - Ma jeunesse - Le plus beau présent - Puisque j'ai mis ma lèvre - La douce paix As Proust liked to remind us, Reynaldo Hahn (1875-1947) had a clear voice that was really appreciated in Paris at the time: he believed Hahn's mouth was a genius music instrument that was letting the most beautiful, sad yet warm voice out when he was singing. Following the first volume written in 1986, Melodies Volume 2 comprises twenty exciting songs for Voice with Piano Accompaniment, composed by Reynaldo Hahn. These twenty melodies are: Quand la nuit n'est pas etoilee & Cantique - La Delaissee - La chère blessure & Theone - Le souvenir d'voir Cante-Quand je fus pris au pavillon - Chanson au bord de la fontaine - Sur l'eau & Fumee - Le printemps - Dans la nuit - Les fontaines - A Chloris - Le rossignol des lilas - A nos morts ignores - Ma jeunesse - Le plus beau present - Puisque j'ai mis ma lèvre - La douce paix / Niveau : Moyen / Répertoire d'Examen / Répertoire / Voix Moyenne et Piano

First Edition. Par KORNGOLD ERICH WOLFGANG. Erich Wolfgang Korngold was one of the greatest child prodigies in the history of music. His early songs, now published for the first time, reveal the young composer's extraordinary talent. Based on the musical language of the late Romantic period, he created a unique world of sounds for Eichendorff's poems: full of melodic expanse, refined harmony and sparkling inventive genius. For the first time, this edition shows the early work of a composer who later became one of Hollywood's most successful composers of film scores./ Répertoire / Voix Moyenne et Piano

As a continuation of the new Urtext edition of the Schubert lieder, Walther Dürr has now edited volume five for high, medium and low voices. Volumes 1 to 4 of this edition contain mainly lieder which Schubert himself saw into print (in his own choice and order) and in the fourth volume works from the last two years of his life are included. The lieder in volume 5 onwards are strictly presented in the order of Deutsch's Thematic Catalogue which means that in principle they are arranged chronologically. The lieder in volume five were composed in the years 1811 to 1814. The first - 'Hagars Klage' (D 5), dated 30 March 1811 - is also his first complete surviving song. The first eleven lieder are evidence of his early studies (1811-1813/14). During this period Schubert immersed himself in Johann Rudolf Zumsteeg's ballads and lieder and wrote Italian arias during his composition lessons with Antonio Salieri. He also composed a single strophic song ('Klaglied', D 23), which - the only one of these songs - was published shortly after his death in November 1830 as op. 131, 3. His apprentice work, as it were, was the major ballade 'Der Taucher' (D 77) which was composed between 1813 and roughly the beginning of 1815. Probably not by chance, his first complete opera ('Des Teufels Lustschloss', D 84) was written at the same time. He also set fourteen poems by Friedrich von Matthisson exploring the principle of the strophic lied. - Excellent new engraving based on the 'New Schubert Edition'- Foreword by Walther Dürr discussing the history the works' composition and transmission, together with a list of sources for each song (Ger/Eng)- English translation of the song texts by Richard WigmoreContents:Hagars Klage, D 5 / Leichenfantasie, D 7 /Der Vatermörder, D 10 / Klaglied, op. post. 131, 3 - D 23 / Misero pargoletto, D 42 (high voice only) / Totengräberlied, D 44 / Die Schatten, D 50 / Verklärung, D 59 / Pensa che questo istante, D 76 (medium and low voice only) /Der Taucher, D 77 / Son fra l'onde, D 78 (high voice only) /Adelaide, D 95 / Trost. An Elisa, D 97 /Erinnerungen, D 98 / Andenken, D 99 /Geisternähe, D 100 / Erinnerung, D 101 /Die Betende, D 102 / Die Befreier Europas in Paris, D 104 /Lied aus der Ferne, D 107 (1st version) / Lied aus der Ferne, D 107 (2nd version) / Der Abend, D 108 / Lied der Liebe, D 109 /Romanze, D 114 (1st version) / Romanze, D 114 (2nd version) /An Laura (als sie Klopstocks Auferstehungslied sang), D 115 / Der Geistertanz, D 116 /Appendix (lower transpositions of the songs only in high ranges):Die Schatten, D 50 / Adelaide, D 95 / Voix Moyenne(s)

Mittlere Stimme / Medium Voice. Par SCHUBERT FRANZ. Alle Schubert-Lieder In Neuer Praktischer Ausgabe. Urtext Der Neuen Schubert-Ausgabe. Hrsg Walther Dürr/ Répertoire / Voix Moyennes

Mittlere Stimme / Medium Voice. Par SCHUBERT FRANZ. Alle Schubert-Lieder In Neuer Praktischer Ausgabe. Urtext Der Neuen Schubert-Ausgabe. Hrsg Walther Dürr/ Répertoire / Voix Moyennes

Includes the cycles Briefly It Enters (High Voice edition only), I Will Breathe a Mountain, Let Evening Come (High Voice edition only), Three Donald Hall Songs, Tillinghast Duo, individual songs, and selections from Songs of Innocence and of Experience (Medium/Low Voice edition only). With notes on the songs and composer comments. Includes several first editions and first-time transpositions.There are different songlists for the High Voice and Medium/Low Voice editions. / Voix Moyennes

54 LiederContent : BEFORE AND AFTER SUMMER: Childhood among the Ferns - Before and after Summer - The Self-unseeing - Overlooking the River - Channel Firing - In the Mind's Eye - The Too Short Time - Epeisodia - Amabel - He Abjures LoveEARTH AND AIR AND RAIN: Summer Schemes - When I set out for Lyonnesse - Waiting for Both - The Phantom - So I have fared - Rollicum-Rorum - To Lizbie - The Clock of the Years - In a Churchyard - Proud SongstersI SAID TO LOVE:I need not go - At Middle-Field Gate in February - Two Lips - In five-score - Summers - For Life I had never cared greatly - I said to Love LET US GARLANDS BRING: Come away, come away, death - Who is Sylvia' - Fear no more the heat o' the sun - O Mistress Mine - It was a lover and his lassLOVE'S LABOUR'S LOST:Songs for Heims and Ver (Song for Moth) - Riddle Song - False ColcolinelOH FAIR TO SEE:I say I'll seek her - Oh fair to see - As I lay in the early sun - Only the wanderer - To Joy - Harvest - Since we lovedTILL EARTH OUTWEARS: Let me enjoy the earth - In years defaced - The Market-Girl - I look into my glass - It never looks like summer - At a lunar Eclipse - Life Laughs OnwardTO A POET:To a Poet a Thousand Years Hence - On Parent Knees - Intrada - The Birthnight - June on Castle Hill - Ode on the rejection of St. Cecelia

Pour la première fois, les belles chansons du compositeur britannique Gerald Finzi (1901-1956) sont recueillies ensemble en un seul volume, dans deux clés. Cette nouvelle collection comprend quelques premières transpositions de temps aussi bien. / Voix Moyenne/Voix Basse Et Piano

Par JOLIVET ANDRE. Amour; Je veux te voir; Nous baignons dans une Eau tranquille; Tu dors; Pour te parler/ Répertoire / Voix Moyenne et Piano

Nor./ger./eng. comprend Coach Me CD avec des paroles parlées, enregistrés par des locuteurs natifs and compléter les enregistrements de l'accompagnement au piano. Le volume comprend une préface écrite par Monica Jangaard, conservateur du Musée Grieg à Troldhaugen et des notes introductives par Beryl Foster. / Voix Et Piano