| Great Piano Solos - Film Book Piano seul Amsco Wise Publications
A bumper collection of film themes. Great Piano Solos. TV-Film-Musical-Show....(+)
A bumper collection of
film
themes. Great Piano
Solos.
TV-Film-Musical-Show.
Book
Only. Wise Publications
#MUSAM982795. Published
by
Wise Publications
$27.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Rise Up Singing
Paroles et Accords [Partition] Hal Leonard
The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Pu...(+)
The Group Singing
Songbook. By Various.
Vocal. Size 9.5x12
inches. 281 pages.
Published by Hal Leonard.
(1)$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Up Singing Paroles et Accords [Partition] Hal Leonard
Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages...(+)
Arranged by Peter Blood,
Annie Patterson. Vocal.
Size 7.5x10.5 inches. 283
pages. Published by Hal
Leonard.
(1)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Great Piano Solos - Film Book Piano seul Music Sales
| | |
| Film Music Piano Solo Piano seul Chester
| | |
| Lieder der Elisabeth [Conducteur et Parties séparées] Fennica Gehrman
Mezzo-soprano voice, viola, piano SKU: FG.55011-282-7 Four songs. ...(+)
Mezzo-soprano voice,
viola, piano SKU:
FG.55011-282-7
Four songs.
Composed by Jyrki
Linjama. Paperback. Score
and parts. 52 pages.
Published by Fennica
Gehrman (FG.55011-282-7).
ISBN
9790550112827. Thes
e lyrical songs are from
Linjama's church opera
Die Geburt des Taufers.
The cycle begins with the
tranquil Herbst, a
pointilistic painting of
autumn, and ends with
repetative Alleluia
passage. $41.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Kalendersprueche IV (Oktober - Dezember). Neues Chorliederbuch zu Worten von Hans Grunow, Folge 7 op. 16/7 Barenreiter
4 Lieder. Composed by Hugo Distler (1908-1942). Stapled. Winter, Herbst,...(+)
4 Lieder. Composed
by Hugo Distler
(1908-1942). Stapled.
Winter, Herbst,
Jahreslauf (Winter,
Autumn, Passage of
Time). Choral score.
Composed 1936/1938. Opus
16, No. 7. Baerenreiter
Verlag #BA01062.
Published by Baerenreiter
Verlag (BA.BA01062).
$14.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Violin - Concerto Orchestre, Violon SATB, Orchestre Editorial de Musica Boileau
Violin and orchestra SKU: BO.B.3340 Composed by Jordi Cervello. Instrumen...(+)
Violin and orchestra
SKU: BO.B.3340
Composed by Jordi
Cervello. Instrumental
Sets. Duration 29:00.
Published by Editorial de
Musica Boileau
(BO.B.3340). ISBN
9788480207591. Engl
ish comments: My
dedication to the string
instruments has been a
constant throughout my
compositional career and
I knew that sooner or
later the time would come
to compose a concerto for
violin and orchestra.
That moment came in the
autumn of 2002 and after
ten months of
uninterrupted work I
finished it in August of
2003. It is a work
structured similarly to
the traditional
concertos. An important
impetus for the
elaboration of my
concerto was due to the
ill-fated violinist
Ginette Neveu. Her
version of Sibelius'
Concerto has always
stayed with me. For this
reason the first
movement,
Moderato-Allegro, begins
with a contemplative
atmosphere similar to
that of Sibelius'
Concerto in which the
principal thematic ideas
appear tentatively. These
ideas, two rhythmic and
two melodic, are
reaffirmed through a
broad development that
culminates in an
orchestral fullness. A
calm, mysterious passage
recalls the introduction
and after becoming
blurred, three bars burst
in leading to the rapid
section of the movement.
Soloist and orchestra
engage in a dialectic
struggle of a dramatic
nature. The agitation
subsides leaving only a
tranquil and suggestive
clarinet phrase. This
will be taken up by the
soloist who leads up to
the movement's most
dramatic moment playing
an accelerating triplet
figure supported by an
orchestral pedal in
crescendo. From here the
soloist's cadenza emerges
beginning with soft
double notes. It finishes
with an ascending
progression and the
soloist settles into the
high register to elicit
the orchestra's
intervention in a soft
and transfigured
atmosphere. Once
internalised the second
movement, Adagio poco
sostenuto e leggero
begins. It has a solemn
character and opens with
two trumpet calls
answered by the
violoncellos and the
contrabasses. The violin
soloist introduces and
plays two nostalgic
themes, the first in the
low register and the
second, more extensive,
in the middle register.
The soft and delicate
Misterioso e leggero
begins with the violin
singing on high. The
rhythm of the constant
quaver figures gradually
accelerates until the
soloist provokes a
dramatic full orchestra
as in a cadenza. Once
again, the Calmo, in
which the soloist with
less and less orchestral
attire serenely bids
farewell. A rising series
of double stops by the
soloist serves to
initiate the
Finale-Scherzo. In 6/8
rhythm and with the
character of a rondo it
carries us along in a
carefree, virtuosic
ambiance. The principal
motives, brief and
concise, emerge from the
happy, playful theme
presented by the soloist.
With an intricate
progression of rapid
sixths in double stops it
reaches a tense and
somewhat combative
moment. However this
resolves itself in a
diminuendo that the
soloist peacefully takes
up with the notes re-la
to commence the cadenza.
This culminates in a
series of tied notes to
reintroduce the principal
theme. A moment of
melodic suspension serves
as a farewell before the
brief and jovial final
coda. --The
author
Comentari
os del Espanol: A lo
largo de mi carrera
compositiva mi dedicacion
a los instrumentos de
cuerda ha sido constante
y sabia que, tarde o
temprano, llegaria el
momento de componer un
concierto para violin y
orquesta. Este llego en
otono de 2002 y, tras
diez meses de trabajo
ininterrumpido, lo
termine en agosto de
2003. Se trata de una
obra estructurada de
manera similar a los
conciertos tradicionales.
Un importante impulso a
la elaboracion de mi
concierto lo debo al
recuerdo de la malograda
violinista Ginette Neveu.
Su version del concierto
de Sibelius ha
permanecido siempre
dentro de mi. Por ese
motivo, el primer
movimiento
Moderato-Allegro se
inicia con una atmosfera
contemplativa cercana a
la del mencionado
Concierto, en la que
aparecen cautamente las
principales ideas
tematicas. Con un amplio
desarrollo se llega a un
lleno orquestal en el que
estas ideas -dos ritmicas
y dos melodicas- quedan
reafirmadas. Un pasaje
calmo y misterioso
rememora la introduccion.
Tras desdibujarse,
irrumpen tres compases
que nos llevan a la parte
rapida del movimiento.
Solista y orquesta
establecen un combate
dialectico de caracter
dramatico. La inquietud
desaparece hasta una
tranquila e insinuante
frase del clarinete. Esta
sera recogida por el
solista, quien, a base de
una figuracion de
tresillos cada vez mas
rapidos apoyada por un
pedal de la orquesta in
crescendo, conduce hacia
el momento mas dramatico
del movimiento. De aqui
nace la cadenza del
solista, que se incia con
suaves notas dobles.
Finaliza con una
progresion ascendente y
el solista se coloca en
el registro agudo para
llamar la intervencion de
la orquesta dentro de una
atmosfera suave y
transfigurada.
Interiorizado es el
segundo movimiento Adagio
poco sostenuto e leggero.
Con dos llamadas de las
trompas respondidas por
los violonchelos y
contrabajos inicia el
Adagio de caracter grave.
El violin solista
introduce y canta dos
temas nostalgicos. El
primero en el registro
grave y el segundo, mas
amplio, en el medio.
Inicia el Misterioso e
leggero, de caracter
suave y delicado. Con el
violin cantando en agudo.
La constante figuracion
de corcheas acelerara
poco a poco el ritmo
hasta que el solista a
modo de cadenza provocara
un dramatico lleno
orquestal. De nuevo el
Calmo, donde el solista,
cada vez con menos ropaje
orquestal, se despide
serenamente. Una subida
de dobles cuerdas a cargo
del solista sirve para
iniciar el
Finale-Scherzo. Este, en
ritmo de 6/8 y con
caracter de rondo, nos
transporta en un clima
virtuosistico y
despreocupado. Del tema
alegre y jugueton
presentado por el solista
nacen los principales
motivos, breves y
concisos. Con una
intrincada sucesion de
rapidas sextas en doble
cuerda se llega a un
momento crispado y algo
combativo que, sin
embargo, se resolvera en
un diminuendo que el
solista recoge
apaciblemente con las
notas re-la para inciar
la cadenza. Esta culmina
con un suave rosario de
notas en ligado para
introducir de nuevo el
tema principal. Un
momento de suspension
melodica sirve como
despido antes de la breve
y jovial coda final. La
obra fue estrenada el 23
de septiembre de 2005 en
el Teatre Monumental de
Madrid por la Orquesta
Sinfonica de RTVE con
Markus Placci de solista
y Uwe Mund de director.
Gravacion: RNE y Canal
Clasico de TVE. --El
Autor. $42.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Jazz Conception -- Trombone Trombone Advance Music
Trombone SKU: AP.1-ADV14723 21 Solo Etudes for Jazz Phrasing, Interpre...(+)
Trombone SKU:
AP.1-ADV14723 21
Solo Etudes for Jazz
Phrasing, Interpretation,
and Improvisation
(English/French/German
Language Edition).
Composed by Jim Snidero.
Brass - Trombone and
Baritone Method or
Collection;
Improvisation;
Method/Instruction;
Play-Along; Technique
Musicianship. Advance
Music: Jazz Conception.
Jazz. Book and CD.
Advance Music
#01-ADV14723. Published
by Advance Music
(AP.1-ADV14723). UPC:
805095147230.
English. Jazz
Conception is an exciting
way for players at all
levels to learn the
language of jazz! Jazz
Conception: Trombone Book
and CD set features 21
solo etudes based on
chord changes to
standards and blues. See
and hear how a well-known
soloist phrases,
articulates, and plays
along with or without the
soloist on the CD. Play
along with one of today's
finest swinging New York
rhythm sections: Mike
LeDonne on piano, Dennis
Irwin on bass, and Kenny
Washington on drums.
Start out fairly easy,
then get progressively
more difficult. Use the
etudes as a bridge to
solos of the masters that
are usually more
complicated and involved.
Learn melodies and lines
that will give you a
solid jazz vocabulary and
musicality. Use the
book/MP3 CD sets for
private lessons, for
self-study, or in any
combination up to a full
jazz ensemble, including
flute and clarinet. If
you are more advanced you
may want to use the book
to develop your sight
reading abilities, for
transcribing the etudes
off the CD (then check
against the book), or for
just having fun playing
along with a great jazz
rhythm section. Used as
an improvisation study,
learning how to construct
a swinging, logical solo
works especially well in
combination with the
Study Guide (item
#01-ADV14730). Titles:
Groove Blues * Amen * A
Doll * Total Blues *
Grease * Rose * Joe's
Thing * Proxy * Father
Song * Ind Line * Miles *
Blue Minor * Autumn *
Friends * Great Love *
Two Plus Two * Lunar *
Tunesia * Bird Blues *
Somewhere * Passage. $24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jazz Conception -- Guitar Guitare Advance Music
Guitar SKU: AP.1-ADV14726 21 Solo Etudes for Jazz Phrasing, Interpreta...(+)
Guitar SKU:
AP.1-ADV14726 21
Solo Etudes for Jazz
Phrasing, Interpretation,
and Improvisation
(English/German Language
Edition). Composed by
Jim Snidero. Guitar
Method or Supplement;
Improvisation;
Method/Instruction;
Play-Along; Technique
Musicianship. Advance
Music: Jazz Conception.
Jazz. Book and CD.
Advance Music
#01-ADV14726. Published
by Advance Music
(AP.1-ADV14726). ISBN
9783954810314. UPC:
805095147261.
English. Jazz
Conception is an exciting
way for players at all
levels to learn the
language of jazz! Each
book and CD set features
21 solo etudes based on
chord changes to
standards and blues. See
and hear how a well-known
soloist phrases,
articulates, and plays
along with or without the
soloist on the CD. Play
along with one of today's
finest, swinging New York
rhythm sections: Mike
LeDonne on piano, Dennis
Irwin on bass, and Kenny
Washington on drums.
Start out fairly easy,
then get progressively
more difficult. Use the
etudes as a bridge to
solos of the masters that
are usually more
complicated and involved.
Learn melodies and lines
that will give you a
solid jazz vocabulary and
musicality. Use the book
and CD sets for private
lessons, for self-study,
or in any combination up
to a full jazz ensemble,
including flute and
clarinet. If you are more
advanced you may want to
use the book to develop
your sight reading
abilities, for
transcribing the etudes
off the MP3 CD (then
check against the book),
or for just having fun
playing along with a
great jazz rhythm
section. Use as an
improvisation study,
learning how to construct
a swinging, logical
solo---works especially
well in combination with
the Study Guide. Titles:
Groove Blues * Amen * A
Doll * Total Blues *
Grease * Rose * Joe's
Thing * Proxy * Father
Song * Ind Line * Miles *
Blue Minor * Autumn *
Friends * Great Love *
Two Plus Two * Lunar *
Tunisia * Bird Blues *
Somewhere * Passage. $24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 16 Two-part Songs Voix duo Schirmer
Vocal Duets. By Felix Mendelssohn. Vocal Ensemble. Size 6.7x10.5 inches. 96 page...(+)
Vocal Duets. By Felix
Mendelssohn. Vocal
Ensemble. Size 6.7x10.5
inches. 96 pages.
Published by G. Schirmer,
Inc.
(1)$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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