The Czech composer Antonin Rejcha (also Anton Reicha, 1770?1836) was famous as both an experimental composer and as a teacher and theorist. His ?36 Fugues for Piano? testify to this experimentalism; they can be seen as a type of
?Well-Tempered Piano of the new ages?, basing the traditional Baroque fugue on radical new fundaments.

The first edition of this unusual collection was produced in 1803 in Vienna by Reicha?s own publishing company ?Au Magasin de l?Imprimerie chimique?. It included both a dedication poem to Joseph Haydn and a comprehensive foreword in which Reicha identifies the characteristics of his compositional style. The second edition (Vienna 1805) included a short theoretical text ?Ãœber das neue Fugensystem? (?On the new fugal system?) in the form of a polemic, reacting to his critics, one of whom was Beethoven. Six fugues are based on the themes of other composers (Haydn, Bach, Mozart, Scarlatti, Frescobaldi, Handel).

The musical text is a corrected reprint of the edition by Václav Jan Sýkora from 1973, which itself was based on the referred to edition from 1805 as well as on the later edition by Tobias Haslinger (Vienna, c. 1828).

- Works historically important to the development of the fugue
- New foreword by Roman Dykast (Cz/Eng/Ger) / [36 Fugues Pour Piano] / Classique / Partition / Broché /

Editée il y a moins de 10 ans par les éditions Henle sous la référence 848, cette partition de musique Six Sonatinas op. 36 du compositeur Clementi Muzio a été composée pour Piano. Elle fait partie intégrante des partitions musicales de la catégorie Classique. / Piano / Chanson En Séparée

Oskar Rieding (1840-1918) is known to all young violinists for his easy-to-play concertos for violin and piano, of which opp. 34 to 36 remain entirely in first position. In op. 36 catchy melodies are coupled with first technical difficulties such as eighth-note arpeggios, 16th-note runs and chromaticism. These appear in small measures throughout the entire work. The Concerto in D major is well-suited for younger student recitals. / Violon Et Piano

Score Parties. Par BEETHOVEN LUDWIG VAN. When Beethoven wrote these three quartets he was 15 years old and a composition student of Christian Gottlob Neefe in Bonn. They reveal a strong Mozartian influence while the brilliant piano writing already gives a sense of the mature Beethoven. He may conceivably have written the works for the wealthy Mastiaux family in Bonn, as he gave piano lessons to one of the daughters and the other three siblings played violin, viola and violoncello. The sole source for the quartets is the autograph score which contains many overwritings that shed light on the works' original conception and possible alternative readings. Although Beethoven never published the pieces in his lifetime and is not known to have performed them, he reused their melodic and thematic material in later compositions. Beethoven preserved the autograph score to the end of his days ? perhaps an indication that the quartets meant a great deal to him. The first edition was published by Artaria in Vienna one year after his death, albeit with the pieces in a different order and with many errors in the musical text. Bärenreiter's scholarly performing edition of the Piano Quartets WoO 36 is edited by the Italian pianist Leonardo Miucci, a specialist in the performance practice of keyboard music from this period. The edition not only presents the correct readings, it also sheds light on the young Beethoven's expressive notation and provides a plausible explanation for the distinction he made between dots and strokes to indicate staccato./ Répertoire / Quatuor pour Piano, Violon, Alto et Violoncelle

La partition 3 Preludes Et Fugues/Op36 Vol 1/Prelude Et Fugue N01 En Mi Mineur/Orgue a été composée pour Orgue. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Orgue / Partition

Tout comme son père, Carl Philipp Emanuel Bach a composé trois sonates pour viole de gambe. Elles datent de sa période passée au service du roi de Prusse Frédéric le Grand et donnèrent l'occasion au brillant gambiste de la chapelle de la cour, de faire étalage de sa virtuosité. Si les deux Sonates Wq 136 et 137 sont écrites avec accompagnement de basse continue, Bach fils suit, dans la Sonate en sol mineur Wq 88, le modèle fourni par son père: dans cette écriture à trois voix traitées d'égale manière, la main droite et la main gauche du clavecin rivalisent avec l'instrument soliste. Ces sonates peuvent aussi tout à fait être jouées au violoncelle - les doigtés de l'édition annotée sont d'une grande aide pour l'exécution. / Violoncelle Et Piano

46 pieces by CPE Bach, JS Bach, Bartók, Beethoven, Burgmüller, Clementi, Ellmenreich, Grieg, Gurlitt, Handel, Heller, Kullak, Petzold, Reinecke, Schumann, Streabbog, and Tchaikovsky. All are at the early intermediate level in a slim, affordable volume. Includes - ANONYMOUS: Musette in D Major, BWV Appendix 126 - BARTËK: Slovak Youth Dance from Ten Easy Pieces - BEETHOVEN: Sonatina in G Major, Anh. 5, #1 - BURGMÜLLER: L'arabesque from 25 Easy and Progressive Studies - CLEMENTI: Sonatina in C Major, Op. 36, #1 - GRIEG: Watchman's Song from Lyric Pieces, Op. 12, #3 - SCHUMANN: selections from Album for the Young / Piano

Par GRANGER ADAM. This 236-page book is the most extensive and best-documented collection of fiddle tunes for the flatpicking guitar player in existence, and includes reels, hoedowns, hornpipes, rags, breakdowns, jigs and slip-jigs, presented in Southern, Northern, Irish, Canadian, Texas and Old-time styles.There are 508 fiddle tunes referenced under 2500 titles and alternate titles. The titles are fully indexed, making the book doubly valuable as a reference book and a source book.In this new edition, all tunes are typeset, instead of being handwritten as they were in the previous editions, making the tabs easier to read.The tunes in Granger?s Fiddle Tunes for Guitar are presented in Easytab, a streamlined tablature notation system designed by Adam specifically for fiddle tunes.The book comes with a link which gives access to mp3 recordings by Adam of all 508 tunes, each played once at a moderate tempo, with rhythm on one channel and lead on the other.Also included in Granger?s Fiddle Tunes for Guitar are instructions for reading Easytab, descriptions of tune types presented in the book, and primers on traditional flatpicking and rhythm guitar. Additionally, there are sections on timing, ornamentation, technique, and fingering, as well as information on tune sources and a history of the collection.Mel Bay also offers, The Granger Collection, by Bill Nicholson, the same 508 tunes in standard music notation.Spiral binding. / Date parution : 2022-10-25/ Recueil / Guitare

Arrangement: Newman Paul Jared. Par NEWMAN PAUL JARED. Ces paramètres contiennent très peu doigtés donc les joueurs seront souvent être poussés à utiliser leurs crayons et leur propre jugement. Facile à guitare clés ont été choisis dans l'ensemble, mais modulations entraîner la clé impaire occasionnelle pour les segments de la brèves et contrepoint qui serait partagée par les deux mains sur le piano est nécessairement relégué à l'un à la guitare. Les sélections sont : Mélodie, Opus 4, #2 (Mendelssohn) - Mazurka, opus 6, #3 (Schumann) - Waltz, opus 36, #3 (Backer-Gröndahl) - Le Sommeil de l'Enfant, opus 35 (Carreño) - et valse, opus 36, #3 (plage). / Niveau : Intermédiaire / Classic - Solos / Recueil / Guitare Classique

La référence GB3644 A de l'éditeur Billaudot dont l'auteur célèbre est Bach Johann Sebastian, qui a pour titre GAVOTTE 1 ET 2 - HYMNE DES PRETRESSES MATERIEL 36 PARTIES, a été écrite et composée pour Orchestre et plus particulièrement pour Orchestre Junior. Cette partition musicale appartient à la catégorie Classique. / Orchestre Junior / Partition

[Drei Dutzend Klavierfantasien TWV 33: 1-36] / Classique / Editeur : Max Seiffert / Partition / Cartonné / Plats de carton /

Par OPRANDI PHILIPPE. 1'36'' / Niveau : Débutant / Répertoire / Violon et Piano

Par TCHAIKOVSKI PIOTR ILITCH. Avec ces transcriptions les pianistes de niveau intermédiaire à avancé vont pouvoir recréer la texture et la grandeur des dernières symphonies du 19ème siècle : La 4ème Symphonie en Fa Mineur, op.36, la Symphonie No5 en Mi Mineur, op.64 et la Symphonie No6 en Si Mineur 'La Pathétique', op.74. / Niveau : Intermédiaire à Avancé / Rép Classique / Répertoire / Piano