| Little Voices Oliver !
Choeur Piano, Voix Novello & Co Ltd.
Little Voices Oliver! Brings together five fun songs specially selected and arra...(+)
Little Voices Oliver! Brings together five fun songs specially selected and arranged in two parts for young groups and choirs. The included CD contains complete vocal and Piano versions plus Piano-only accompaniments to each song. Each themed book in the Little Voices series contains 5 songs that make a perfect introduction to part-singing for young singing groups. / Chant Et Piano
18.40 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Little Voices Gospel 5
Choirs Piano Piano, Voix [Partition + CD] - Facile Novello & Co Ltd.
Compilation. Little Voices: Gospel brings together five fun gospel songs special...(+)
Compilation. Little Voices: Gospel brings together five fun gospel songs specially selected and arranged in two-parts for young groups and choirs. The included CD contains complete vocal and piano versions plus piano-only accompaniments to each song. Each themed book in the Little Voices series contains five songs that make a perfect introduction to part-singing for young singing groups. / Niveau : Assez Facile / Rép International / Recueil / Chant et Piano
22.10 EUR - vendu par LMI-partitions Délais: En Stock | |
| Lieder, Vol.6 Deutsch Voix haute, Piano Barenreiter
Poursuite de la nouvelle édition de Urtext lieder de Schubert, rédacteur en ch...(+)
Poursuite de la nouvelle édition de Urtext lieder de Schubert, rédacteur en chef Walther Dürr présente maintenant le volume 6, pour la voix haute, moyenne et basse. Bien que les volumes 1 à 4 de cette série contiennent principalement des lieder de Schubert qui avait publié de son vivant, 5 et suivantes du volume. contiennent les morceaux restants qui sont présentés par ordre chronologique essentiellement dans l'ordre de leur numéro de catalogue Deutsch.Le lied dans ce sixième volume ont été composées pendant la période entre l'automne 1814 et printemps 1815. Avec 'Nachtgesang' (D 119) et 'Trost dans Tränen' (D120) se tourne vers l'Schubert 'Strophenlied' dans son sens strict pour la première fois. Il développe un intérêt pour ce parallèle forme à sa première participation à Goethe. Schubert, au cours de cette période, un professeur assistant à l'école de son père, lui-même orienté vers le 'Berliner Liederschule' soi-disant, en particulier les chansons de Johann Friedrich Reichardt. Dès le début de l'année 1815, il a puisé son inspiration principalement dans les textes de Theodor Körner, mais il a régulièrement produit encore les paramètres de la poésie de Goethe et de Schiller.- Basé sur le Urtext de la 'Nouvelle édition Schubert'- Nouveaux gravé, clairement présenté la disposition musicale- Avant-propos par Walther Dürr sur l'histoire et la genèse de l'oeuvre ainsi que des explications sur les sources pour chaque individu a menti (Eng / Ger)- Comprend des traductions en anglais des textes de lieder de Richard Wigmore / Voix Haute Et Piano
56.40 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Lieder, Vol.6 Deutsch Voix moyenne, Piano Barenreiter
Poursuite de la nouvelle édition de Urtext lieder de Schubert, rédacteur en ch...(+)
Poursuite de la nouvelle édition de Urtext lieder de Schubert, rédacteur en chef Walther Dürr présente maintenant le volume 6, pour la voix haute, moyenne et basse. Bien que les volumes 1 à 4 de cette série contiennent principalement des lieder de Schubert qui avait publié de son vivant, 5 et suivantes du volume. contiennent les morceaux restants qui sont présentés par ordre chronologique essentiellement dans l'ordre de leur numéro de catalogue Deutsch.Le lied dans ce sixième volume ont été composées pendant la période entre l'automne 1814 et printemps 1815. Avec 'Nachtgesang' (D 119) et 'Trost dans Tränen' (D120) se tourne vers l'Schubert 'Strophenlied' dans son sens strict pour la première fois. Il développe un intérêt pour ce parallèle forme à sa première participation à Geothe. Schubert, au cours de cette période, un professeur assistant à l'école de son père, lui-même orienté vers le 'Berliner Liederschule' soi-disant, en particulier les chansons de Johann Friedrich Reichardt. Dès le début de l'année 1815, il a puisé son inspiration principalement dans les textes de Theodor Körner, mais il a régulièrement produit encore les paramètres de la poésie de Goethe et de Schiller.- Basé sur le Urtext de la 'Nouvelle édition Schubert'- Nouveaux gravé, clairement présenté la disposition musicale- Avant-propos par Walther Dürr sur l'histoire et la genèse de l'oeuvre ainsi que des explications sur les sources pour chaque individu a menti (Eng / Ger)- Comprend des traductions en anglais des textes de lieder de Richard Wigmore / Voix Moyenne Et Piano
56.40 EUR - vendu par LMI-partitions Délais: En Stock | |
| Vocals Grade 5 - Male -
Book - Download Card
2014-2017 Syllabus Voix seule [Partition + Accès audio] Rock School Limited (RSL)
Rockschool is about singing the songs you love. Your Vocals Grade 5 book contain...(+)
Rockschool is about singing the songs you love. Your Vocals Grade 5 book contains six of the biggest tracks from the past six decades arranged for you to sing for your Grade 5 exam. This book also includes examples of all the supporting tests found in the Rockschool Grade 5 exam.This book for male vocalists contains the songs:Money On My Mind - Sam SmithHall Of Fame - The Script ft. Will.i.amViva La Vida - ColdplayYou Give Me Something - James MorrisonUse Somebody - Kings Of LeonTake me out - Franz FerdinandOther features include:Fact Files: band and artists background information with recommended listening.Backing tracks: high quality recordings to sing along to in Rockschool exams.Downloadable audio: use your download card for easy access to your audio.Vocal scores: easy-to-follow separate Vocals scores.Piano and Guitar parts: Piano notation and Guitar chords included to help with practice. / Voix
25.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Vocals Grade 5 - Female -
Book - Download Card
2014-2017 Syllabus Voix seule [Partition + Accès audio] Rock School Limited (RSL)
Rockschool is about singing the songs you love. Your Vocals Grade 5 book contain...(+)
Rockschool is about singing the songs you love. Your Vocals Grade 5 book contains six of the biggest tracks from the past six decades arranged for you to sing for your Grade 5 exam. This book also includes examples of all the supporting tests found in the Rockschool Grade 5 exam.This book for female vocalists contains the songs:Set Fire To The Rain - AdeleStay - RihannaSpotlight - Jennifer HudsonMama Do - Pixie LottNutbush City Limits - Tina TurnerSuddenly I See - KT TunstallOther features include:Fact Files: band and artists background information with recommended listening.Backing tracks: high quality recordings to sing along to in Rockschool exams.Downloadable audio: use your download card for easy access to your audio.Vocal scores: easy-to-follow separate Vocals scores.Piano and Guitar parts: Piano notation and Guitar chords included to help with practice. / Voix
25.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Songs Of Three, Four,
Five And Six Parts (1622)
(TOMKINS THOMAS) Madrigaux [Partition] Stainer and Bell
Par TOMKINS THOMAS. Thomas Tomkins: Madrigals in 3, 4, 5 and 6 parts (1622) Cont...(+)
Par TOMKINS THOMAS. Thomas Tomkins: Madrigals in 3, 4, 5 and 6 parts (1622) Contents: Songs of three parts: Our hasty life away doth post No more I will thy love Sure there is no god of Love Fond men, that do so highly prize How great delight Love, cease tormenting Songs of four parts: O let me live for true love (the first part) O let me die for true love (the second part) Oyez! Has any found a lad? Weep no more, thou sorry Boy (the first part) Yet again, as soon revived (the second part) Was ever wretch tormented? Songs of five parts: To the shady woods Too much I once lamented Come, shepherds, sing with me Cloris, whenas I woo See, see the shepherds' Queen Phyllis, now cease to move me When David heard Phyllis, yet see him dying Fusca, in thy starry eyes Adieu, ye city-prisoning towers The fauns and satyrs tripping Songs of six voices: When I observe Music divine Oft did I marle Woe is me It is my well-beloved's voice Turn unto the Lord/ Répertoire / Madrigaux
123.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Bluegrass Harmony Singing Voix seule [DVD] Learn Roots Music
Ever wonder how to put together the vocal parts in bluegrass 3 part harmony sing...(+)
Ever wonder how to put together the vocal parts in bluegrass 3 part harmony singing? In this very intimate lesson, Jenny Lester puts her band mates through the paces of finding their harmony parts. They very generously comply in an honest, open-hearted session that takes you right into what could easily be one of their private vocal practice sessions. Soon you will be practicing lead, tenor and baritone singing, each on it's own and then with the other 2 parts through this instructional DVD. In this lesson, Jenny takes two songs (Friends Like You and The River, Mother Nature and Me) and touches on the following techniques for good harmony singing - --finding a good harmony note by learning how to find the root, 3rd and 5th of the chord you are singing over --basic harmony theory for singers --octaves --tips on when and when not to use vibrato --blending and tone --harmony singing with men and women --singing consonants with a group --the tenor and baritone parts that make basic bluegrass harmony --closing off with harmonies to Will The Circle Be Unbroken --and more / Voix / Dvd - Format: 7,5 X 5,25
11.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Little Voices Oliver -
2-part Choir Voix d'Enfants, Piano [Partition + CD] Novello & Co Ltd.
Description Little Voices Oliver! Brings together five fun songs specially se...(+)
Description Little Voices Oliver! Brings together five fun songs specially selected and arranged in two parts for young groups and choirs. The included CD contains complete vocal and Piano versions plus Piano-only accompaniments to each song. Each themed book in the Little Voices series contains 5 songs that make a perfect introduction to part-singing for young singing groups. Songlist Consider Yourself Food, Glorious Food I'd Do Anything Pick A Pocket Or Two Where Is Love
13.99 EUR - vendu par Woodbrass Délais: Sur commande | |
| Stabat Mater - Op. : 154
(LACHNER FRANZ) Chorale SATB SATB/SATB (Double) [Partition] Carus Verlag
Par LACHNER FRANZ. Among his compositions, Franz Lachner, the long-serving Music...(+)
Par LACHNER FRANZ. Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was strictly for a vocal ensemble; the second, op. 168, from 1870 (see p. 5) included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Liszt and Wagner, but without ever exceeding a moderate degree of technicaldifficulty in the voice parts./ Répertoire / Choeur SATB/SATB
10.20 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Stabat Mater - Op. : 154
(LACHNER FRANZ) Chorale SATB SATB/SATB (Double) [Partition] Carus Verlag
Par LACHNER FRANZ. Among his compositions, Franz Lachner, the long-serving Music...(+)
Par LACHNER FRANZ. Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was strictly for a vocal ensemble; the second, op. 168, from 1870 (see p. 5) included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Liszt and Wagner, but without ever exceeding a moderate degree of technicaldifficulty in the voice parts./ Répertoire / Choeur SATB/SATB
26.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Idomeneo K. 366 (MOZART
WOLFGANG AMADEUS) Piano, Voix [Partition] Barenreiter
Par MOZART WOLFGANG AMADEUS. Due to numerous customer requests, Barenreiter is s...(+)
Par MOZART WOLFGANG AMADEUS. Due to numerous customer requests, Barenreiter is successively offering vocal scores to major Mozart operas in hardback editions again. This means you now have the choice: perhaps you prefer a slightly lower-priced and lighter soft-cover edition with excellent lay-flat characteristics or you feel that sturdier hardcover editions of important repertoire works are more likely to survive the rigours of a singer’s life.
Following the publication of Don Giovanni K. 527 (BA 4553-93) and Cosi fan tutte (BA 4606-93) this is now the third vocal score we are publishing in a hardback version. It is based on the respective volume of the ”New Mozart Edition” edited by Daniel Heartz (NMA II/5/11).
This vocal score contains an appendix with markings and amendments for the premiere performance in Munich as well as the 1786 Vienna revision. Suggestions for cadenzas and the embellishment of fermatas in the vocal parts have been rendered as footnotes. / Date parution : 2020-07-03/ Répertoire / Chant et Piano
95.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Jazz And Kids (ECKERT
ROSANA / BURCH SHARON) Voix seule Hal Leonard
Active Songs for a Swingin' Classroom. Par ECKERT ROSANA / BURCH SHARON. Experie...(+)
Active Songs for a Swingin' Classroom. Par ECKERT ROSANA / BURCH SHARON. Experience jazz in the music classroom with this swingin' collection designed for kids! Each song is written and arranged in a distinctive jazz style, or groove, while keeping it fun with movement, a singing game or activity - learning music concepts in the process. The music, piano/vocal arrangements and recordings are authentic and true to jazz. You also receive digital access to 3 audio mixes - with vocals, without vocals and with only the second vocal part included (when applicable) - and PDFs of singer parts for projection and reproducible options. Audio files with only the second vocal part recorded provide an opportunity to sing the primary vocal part independentlywhile listening to the second vocal part. Once young singers have the melody in the ear, move to singing without the recorded vocals, or keep it simple and sing along and play. Experience 12-bar blues, scat singing, call and response, improvisation, swing, New Orleans Second Line and more! Above all, have fun and swing! Songs include: Jungle Jazz, Jungle Jam, Five Little Monkeys, Shoo Fly, Miss Mary Mack, I'm So Sorry My Friend/Let's Celebrate, Singing This Song and a 12-Bar Blues in C activity. Suggested for grades 1-5./ Recueil / Voix
67.20 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| La Muette Jobert
Make the silence talk'La Muette knew how to make the silence talk like no one', ...(+)
Make the silence talk'La Muette knew how to make the silence talk like no one', writes Djavann in his book (La Muette, © Flammarion 2008). Those words deeply touched me for they express one of the most beautiful metaphors in music. Through the lines of discourse, beyond words, I was listening to the silence of 'La Muette'. A rare and intense listening which joins the same internal listening I use when I'm writing my score. I was listening to La Muette, I decided to write a new piece to make the silent voice of La Muette told by Chahdortt Djavann sound through music. Choosing the extracts The text put in music is composed of short extracts from Djavann's story. I focused on this woman's portrait, who conquers her freedom through silence in which she forms a strong love relationship with her niece Fatemeh on the one hand, and the Uncle on the other hand. 'She had made her silence become her art of living, her freedom' writes Djavann. The extremely dramatic tension, the flow of the singing in Persian language, and the oppression in relation to the Iranian context are trying to underline the independent beauty of that woman who resists and exists without a voice. Story A young 15 years old Iranian girl named Fatemeh is in jail. Waiting for her death sentence, she writes the story of her aunt on a small notebook, 'so that someone remembers La Muette and myself'. The young teenager was raised by her aunt who becomes mute because she decided to stop talking on a dark day of her own childhood when she was interrogated, never to tell THE truth. An aunt whose silence makes even more fascinating, haughty, with an insolent look, cigarette at her lips, bare-footed and without any scarf on her head. 'La Muette' had made her silence become her art of living, her freedom. Around her, women start to talk, even considering her mad, for only a mad person could act this way. Fatemeh loves her mute aunt unconditionally, that is how she wants to become a woman, by being like her, fascinated by her silence and her excesses. La Muette embodies a figure of Freedom and makes us remember that in some countries, the woman who won't be submissive risks capital punishment. She will be hung. Following this beautiful text by Chahdortt Djavann, 'La Muette', a powerful text, stiff, tensed, without any lyricism nor compromises, which takes place in Iran under the Mollahs' regime. Persian: Phonological material / Compositional material Djavann's story is written in French. I asked Baharé Khadjé-Nouri to translate the text into Persian, and worked with her on pronunciation, accentuation, metric and the structure of the language, and I thank her again for that. I spent a long time having some people reading me the text in Persian and through listening I immersed myself in that sound universe. From this linguistic material, the beginning of the piece starts with the constitution of a tank of sound objects which will constitute parts of the compositional material. To compose the phonological tank, I worked on writing the pronunciation that lies at the origin of every possible vocal composition, writing the tone as well as the 'percussive - resounding' aspects of phonemes, multiple uses of fricative consonants or sibilants. Finally I used the vocal treatment of the phoneme through modes of play in relation to sprechsang: sing -inspire, or -expire, -blow, -chanting, -whispering, -spitting, -speaking. But a purely phonetic analysis of the vocal structures composing the sung part would reduce the word to its mere phonetic entity. The phonological material then constituted a compositional material by giving to the sung word its semantic entity. Form of the piece To strip the drama off every narrative element, at least of the discursive and linear character of the story, I first re-organized parts of the text extracted from the whole book in an order fitting the form I wanted to give to the piece (except for the beginning and ending which are kept in their linear forms). I imagined Fatemeh in jail, whose memories bounced between the four walls of her cell: recurring musical material, re-injected in an obsessive way, disjointed and contrasted, continuously modified each time, bouncing from one sequence to the next in another state. The piece is divided into 5 sequences, between each of them is an instrumental interlude with a voice-off, the voice of the present in the cell that contrasts with the singing voice of the sequence, evocation of memories of La Muette (sequence 1: preamble, sequence 2: portrait of La Muette, sequence 3: La Muette and Fatemeh, sequence 4: La Muette and the Uncle, sequence 5: epilogue). Electroacoustic setupFor this piece, I wrote the electroacoustic parts myself at the same time I was writing the instrumental parts. The electroacoustic setup is here considered as a whole instrument, an instrument added to the 12 others electroacoustic instruments and to Donatienne's voice. The electroacoustic sounds are divided into three types: - Samples from the singer's voice and instruments of the TM+ ensemble transformed - The narrator's voice Baharé Khadjé-Nouri in Persian, original version or transformed - Extra-musical sounds As for the synchronization between the acoustic and the electroacoustic scores, we will use for the first time an innovative application developed by Frédéric Bevilacqua and Bruno Zamborlin, not to follow the moves as we did it in StreicherKreis (my string quartet created in November 2008), but to follow the voice and orchestra. Thus, we will be using an 'audio-following', which constituted a first. This setup of recognition and following will allow the synchronization between instrumental and electroacoustic scores in a musical and precise way. Concerning the interactivity between performers and device, it will all be in real-time. Characteristics of the musicians' sound will 'interpret' what comes out of the speakers. The musicians will define the settings of the sound transformations, in terms of space, transposition, tone or length. This new piece expresses a message through the choice of subject that goes beyond strictly music. For me, it is important that both the composer and writer can invest their work into problematics which they're confronted to because they are immediate witnesses. / Soprano Et Percussions
71.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Laudate Pueri (TOVEY
DONALD FRANCIS) Motets Pour Voix d'Hommes [Partition] Stainer and Bell
Tovet Donald (Ed). Par TOVEY DONALD FRANCIS. 34 Latin Motets for female voices i...(+)
Tovet Donald (Ed). Par TOVEY DONALD FRANCIS. 34 Latin Motets for female voices in 2-4 parts by Lassus, Victoria, Palestrina, Gabrièli and Croce and a 5-part Kyrie by Mozart. All have English translations. CONTENTS AGOSTINI, Paolo: Adoramus te CONSTANTINI, Alessandro: Confitemini Domino CROCE: Et resurrexit GABRIÈLI, Andrea: Crucifixus LASSO, Orlando di: Adoramus te (1); Adoramus te (2); Agimus tibi gratias (1); Agimus tibi gratias (2); Alleluja laus et gloria; Benedictus qui venit; Expandi manus; Hodie apparuit in Israel; Ipsa te cogat pietas; In pace in idipsum dormiam; Oculus non vidit; Sanctimei MOZART Alleluja; Ave Maria; Kyrie eleison PALESTRINA, Giovanni: Adoramus te; Benedictus qui venit (1); Benedictus qui venit (2); Confitemini Domino; Crucifixus; Hodie Christus natus est; Jesu Rex admirabilis; Pleni sunt coeli; Salve regina; Tua Jesu dilectio VICTORIA, T L a: Accende lumen sensibus; Christe eleison; Duo seraphim; O sacrum convivium; O vos omnes 34 Latin Motets for female voices in 2-4 parts by Lassus, Victoria, Palestrina, Gabrièli and Croce and a 5-part Kyrie by Mozart. All have English translations. CONTENTS AGOSTINI, Paolo: Adoramus te CONSTANTINI, Alessandro: Confitemini Domino CROCE: Et resurrexit GABRIÈLI, Andrea: Crucifixus LASSO, Orlando di: Adoramus te (1); Adoramus te (2); Agimus tibi gratias (1); Agimus tibi gratias (2); Alleluja laus et gloria; Benedictus qui venit; Expandi manus; Hodie apparuit in Israel; Ipsa te cogat pietas; In pace in idipsum dormiam; Oculus non vidit; Sanctimei MOZART Alleluja; Ave Maria; Kyrie eleison PALESTRINA, Giovanni: Adoramus te; Benedictus qui venit (1); Benedictus qui venit (2); Confitemini Domino; Crucifixus; Hodie Christus natus est; Jesu Rex admirabilis; Pleni sunt coeli; Salve regina; Tua Jesu dilectio VICTORIA, T L a: Accende lumen sensibus; Christe eleison; Duo seraphim; O sacrum convivium; O vos omnes/ Recueil / Motets Pour Voix d'Hommes
15.90 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Messe Op. 36 (2 Choeurs 2
Orgues) (WIDOR
CHARLES-MARIE) 2 Barytons, SATB, Orgue Acc (Duet) [Partition] Hamelle
Par WIDOR CHARLES-MARIE. Charles-Marie Widor (1844-1937) composed this Mass, Op....(+)
Par WIDOR CHARLES-MARIE. Charles-Marie Widor (1844-1937) composed this Mass, Op. 36 in 1878 for the St Sulpice church in Paris. The initial two choirs for which it was composed were comprised of around 200 and 40 voices, while the score for this version is for a choir of baritones and an SATB choir. The Organ part requires an advanced-level of ability as it contains some difficult parts. Divided into five sections, the entire work has been transposed one half step lower ‘ to avoid the awkward key of F sharp major'. These sections are: 1. Kyrie (Moderato & F# minor) 2. Gloria (Vivace & Lento, D major 3. Sanctus (Con brio, A major) 4. Benedictus ( Piú lento, A major) 5. Agnus Dei (Moderato, F# major) This really delicate and emotive Mass, Op. 36 is a piece that stands out by its majesty. Charles-Marie Widor was a great organist who did not only focus on Organ composition. From orchestra pieces to chamber music, he wrote various different compositions, including 10 symphonies for Organ, some Operas, and some Piano Concerti./ Répertoire / 2 Barytons, SATB, Orgue Acc (Duet)
22.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Tango (GARDEL CARLOS) Flûte traversière et
Piano Universal Edition
Par GARDEL CARLOS. Love, fire, passion - as one of the most emotionally-charged ...(+)
Par GARDEL CARLOS. Love, fire, passion - as one of the most emotionally-charged dances, the tango is an ideal match for the flute and its duo partner, the piano, as all three join in for a charming musical experience.
Argentine tango expert Diego Collatti has arranged five popular tangos originally composed by Carlos Gardel, who greatly influenced the genre with his interpretations and compositions. The lively, electrifying arrangements for flute and piano show Collatti's expertise for instrumentation and reduction as they combine technique and ensemble playing with the glamour and unique atmosphere of South American passion for dancing. With this collection, the musical life of Argentina during the late 20th century - a heritage that is treasured to this day and has currently reached a new popularity - is carried into the world. In a diverse and always authentic musical setting, both voices enter a dialogue of emotions, zeitgeist and character typical for the dance, which is popular around the world. These aspects are essential for diving completely into the music and musically expressing its deeply emotional content.
? 5 popular tango classics presented as a musical dialogue arranged for flute and piano
? Vibrant, expressive and emotional - Discover the qualities of authentic tango music with these intermediate-level duets
? The melodic and rhythmic characteristics combined with unique phrasing and articulation are true to the authentic Argentinian tango
? Interwoven ensemble parts and diverse means of expression bring the unique tango atmosphere to life / Musique traditionnelle / Répertoire / Flûte Traversière et Piano
25.20 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Everything I Didnt Say Chorale SATB Alfred Publishing
The Australian boy band 5 Seconds of Summer burst onto the U.S. scene with a num...(+)
The Australian boy band 5 Seconds of Summer burst onto the U.S. scene with a number one CD, including this hit single. Equal parts apology and love song, this arrangement's natural repetition and sensible voice-leading make it quick to learn and easy to sing. / Choeur Mixte (SATB)
4.20 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| String Quartet #1 White
Man Sleeps (Score) Quatuor à cordes: 2 violons,
alto, violoncelle [Sheet music] Chester
Born in South Africa, but now an Irish citizen, Kevin Volans' musical idiom has ...(+)
Born in South Africa, but now an Irish citizen, Kevin Volans' musical idiom has been shaped by an unusually diverse range of experiences, including studies with Stockhausen in Cologne, field trips to South Africa to study traditional music, his own involvement with the New Simplicity movement, his collection of contemporary art and African textiles, friendships with composers like Morton Feldman and Gerald Barry, as well as a love of virtuoso piano music which he performs, broadcasts and records. While having an easily recognised, unique voice, Volans' music resists compartmentalisation. He is as comfortable working in conventional genres as embarking on innovative collaborations with artists of other disciplines.String Quartet #1 (White Man Sleeps) was written for the Kronos Quartet and was first performed by them in July 1986, London.The title 'White Man Sleeps' comes from a moment in nyanga Panpipe music where the performers leave off playing their loud pipes for a few cycles and dance only to the sound of their ankle rattles, to let the white landowner sleep - for a minute or two.'In composing this piece I drew from the following sources: the first movement owes something to the style of Basotho concertina music - the second and fourth movements are drawn from traditional Nyungwe music played by Makina Chirenje and his Nyanga panpipe group at Nsava, Tete, Mozambique, recorded and transcribed by Andrew Tracey (to be found in an article entitled 'The nyanga Panpipe dance' in African Music, Vol.5, #1 (1971) - the third movement derives from the San bow music (recorded by Tony Traill of the University of Witwatersrand) and from Basotho lesiba music, transcribed by myself - in the fifth movement I added my own invented folklore. My approach to the original music was anything but purist - it is played in Western tuning, filtered, slowed down by a few 'time-octaves?, cast into non-African metres (like the 13-beat pattern of the first dance) and redistributed between the players in several ways. I also used interlocking techniques where they were absent in the original models and vice versa' - Kevin VolansDuration 24 minutes. Parts available: CH61205. / Quatuor A Cordes (Conducteur)
36.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Song of the Birds
(LONGFIELD ROBERT (Arr) Orchestre à Cordes Hal Leonard
for String Orchestra Score and Parts. Par LONGFIELD ROBERT (Arr.). The Song of t...(+)
for String Orchestra Score and Parts. Par LONGFIELD ROBERT (Arr.). The Song of the Birds (El cant dels ocells) is a traditional Catalan Christmas carol. It was made famous by Pau (Pablo) Casals, who is considered one of the greatest cellists of all time. He was famous the world over and played for such notables as Queen Victoria, Theodore Roosevelt, and John F. Kennedy. After Casals\' self-exile from Spain in 1939, he would open each concert with the playing of The Song of the Birds. In time, this song became an important symbol of his native Catalonia. The Song of the Birds has multiple stanzas each in the voice of a different type of bird expressing joy in the birth of Jesus Christ. Robert Longfield expresses this beautiful Christmas carol in legato singing lines using 2-3 part writing at Level 2.5. In recognition and honor of Pau Casals, the opening melody of Robert Longfield\'s arrangement is played by the cello section. / Date parution : 2022-07-30/ Répertoire / Orchestre à Cordes
54.20 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Everything I Didnt Say Chorale 3 parties SSA Alfred Publishing
The Australian boy band 5 Seconds of Summer burst onto the U.S. scene with a num...(+)
The Australian boy band 5 Seconds of Summer burst onto the U.S. scene with a number one CD, including this hit single. Equal parts apology and love song, this arrangement's natural repetition and sensible voice-leading make it quick to learn and easy to sing. / Choeur SSA
4.20 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Everything I Didnt Say Chorale 3 parties SAB Alfred Publishing
The Australian boy band 5 Seconds of Summer burst onto the U.S. scene with a num...(+)
The Australian boy band 5 Seconds of Summer burst onto the U.S. scene with a number one CD, including this hit single. Equal parts apology and love song, this arrangement's natural repetition and sensible voice-leading make it quick to learn and easy to sing. / Choeur SAB
4.20 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
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