for Wind Orchestra Additional European Parts. Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 ?Urban Landscapes? Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan. The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece. The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car. If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs. Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors. Symphony No. 3 ?Urban Landscapes? Op. 55: a sumptuous musical portrait of the ?Windy City?.. Edition Franco Cesarini

In Si Bem. Op.Ix N.7 Rv 359 F.I-55 - Tomo 130. Par VIVALDI ANTONIO. / Répertoire / Violon, Cordes et Basse Continue

Three Motets Op.55 (1929) by Carl Nielsen - 3 motets in Latin for 4 and 5 parts Mixed Choir. Text: Psalm 37 9: Psalm 22 1-2: Psalm 30 22

Overture and Conclusion for 2 Flutes Strings & Basso continuo in E minor TWV 55:e1Tafelmusik IIf Telemann was regarded by his contemporaries as one of the greatest of all composers his star faced with the overwhelming presence of Bach and Handel paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music Telemann once considered purely an instrumental composer has emerged into a highly cultivated culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time.Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day both large and small.The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733 the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments.- Urtext of the Telemann Edition- Full score & parts (BA3533) available for sale

Edition complète en fac-similés de l'oeuvre de Fédéric ChopinOeuvres proposées par Alex SzilasiRecueil no3 : Opus Posth. 69 no1 - Composition : 1835 - Edition : 1855Opus Posth. 69 no2 - Composition : 1829 - Edition : 1855Opus Posth. 70 no1 - Composition : 1835 - Edition : 1855Opus Posth. 70 no2 - Composition : 1841 - Edition : 1855Opus Posth. 70 no3 - Composition : 1829 - Edition : 1855KK IVA Valse no10 - Composition : 1840 - Edition : 1955KK IVA Valse no11 - Composition : 1843 - Edition : 1955KK IVA Valse no12 - Composition : 1829 - Edition : 1871 / Piano / 32 pages / niveau : 1 / Fac-Similés - Format: 21 X 29.7

The Lord Is My Light (HWV 255) Chandos Anthem No.10From 1717 to 1718 Handel was resident composer at Cannons a country estate to the north of London. During this time he wrote the so-called Chandos Anthems a set of eleven “Anglican cantatas” with instrumental accompaniment.“The Lord is my light” (HWV 255) with its eleven movements is not only the longest composition in the set it also has the largest proportion of newly composed material.This anthem published with the Urtext of the Halle Handel Edition is especially noteworthy for its varied and self-sufficient orchestralaccompaniment which lends a fitting backdrop to the festive chorus and equally festive solo numbers.Both the full score and the vocal score contain a German translation alongside the original English.Scoring: Soloists (STT) chorus (SATTB) 2 recorders oboe strings continuo- Full score & parts (BA4268) and vocal score (BA4268-90) available for sale- Urtext at the forefront of musical scholarship- First separate edition for performance purposes- Based on the Urtext from the Halle Handel Edition- Straightforward and easy-to-play Piano reduction

Kuhlau's Six Sonatinas Op. 55 prepares the student for study of the easier classical sonatas. While several of the sonatinas in this collection are standard teaching repertoire others are not as readily accessible and present teacher and student with fresh choices for study and performance.Also included is an outstanding recording from the Naxos Label. Titles include Sonatina No. 1 in C Major Op. 55 No. 1 * Sonatina No. 2 in G Major Op. 55 No. 2 * Sonatina No. 3 in C Major Op. 55 No. 3 * Sonatina No. 4 in F Major Op. 55 No. 4 * Sonatina No. 5 in D Major Op. 55 No. 5 * Sonatina No. 6 in C Major Op. 55 No. 6.

A flat maj Wq. 49/2 B min Wq. 55/3 F maj Wq. 55/5 F min Wq. 57/6 C min Wq. 60-Five of Carl Philipp Emanuel Bach's best sonatas in one terrific volume edited and annotated by Howard Ferguson. Published within the â??Signature Series' a series of authoritative performing editions of standard keyboard works prepared from original sources by leading scholars including informative introductions and performance notes. These authoritative and satisfying volumes are all set for solo Keyboard instrument and are suitable for Piano Harpsichord or Keyboard solo.

Volume 11 K. 507-555-Italian composer Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day and it is for this reason that this eleventh and final volume is indispensable to performers of the genre. Originally composed for the Harpsichord Organ or early Pianoforte the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti's Keyboard music contains influences of Iberian music considering that he spent much of his working life in the service of the Spanish and Portugueseroyal families. The eleventh volume comprising Sonatas 507-55 includes the popular and recognisable Sonata in E major (K. 531). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day so much so that he was employed in the service of two royal families his Sonatas are composed with much experience understanding and expertise creating an essential addition to the repertoire of all Keyboard players of the Baroque genre.

Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this eleventh and final volume is indispensableto performers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much ofScarlatti's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. The eleventh volume, comprising Sonatas 507-55,includes the popular and recognisable Sonata in E major (K. 531). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in the service of two royalfamilies, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre. / Partitions classique / Piano - instruments à clavier / Clavecin / HEUGEL