La masse de Bernstein est une oeuvre monumentale de 90 minutes écrite pour l'ouverture de la John f. Kennedy Center for the Performing Arts à Washington, D.C. en 1971. Dans cette suite commandée par la Canadian Brass et l'Ensemble à vent Eastman, arrangeur Michael Sweeney met l'accent sur un certain nombre de mouvements, souvent en utilisant le Quintette de cuivres pour représenter les lignes vocales trouvé dans l'original. Le travail remarquable et bel comprend Alleluia, Sanctus, le bien connu A Simple Song, Agnus Dei, Offertoire et père tout-puissant. Bien que marqué pour l'ensemble de vent et le Quintette de cuivres, amples repères sont fournis pour permettre ce doit être exécuté par un ensemble à vent ou un groupe de symphonique. Dur: c. 14:00 (5e) / 5 Instruments Cuivre Et Ensemble A Vent

A Simple Gloria by Libby Larsen for SATB unaccompanied.Offprinted from An American Christmas this is a serene setting of a macaronic text by M. K. Dean describing the song the angels sang for the birth of the Christ-child.

Four simple songs for unaccompanied SATB choir by Geoffrey Bush. These pieces were written between 1961 and 1965 with the aim of providing additional repertoire for amateur choirs and lighter material for professional and performing choirs. A delightful if somewhat unusual choice of sources for the poems he has set; from Shakespeare to Winnie The Pooh!

Par VAN HALEN. This amazing 1200-page collection features the complete guitar TAB for every single Van Halen album, including smash hit records like Van Halen, 1984, and 5150! Songs include 'Runnin' with the Devil,' 'Ain't Talkin' 'Bout Love,' 'Mean Streets,' 'Jump,' 'Panama,' 'Hot For Teacher,' 'Why Can't This Be Love,' 'Dreams,' 'Best of Both Worlds,' 'Right Now,' and many, many more! This is a must-have for every true Van Halen fan. / Instrumental Music, Miscellaneous, Scores, Songboo / Tablatures / Guitare et Voix

This sequel to Simple Songs for guitar includes tab, chords and lyrics in streamlined arrangements for 50 more popular songs: All Right Now - Billie Jean - Can't Help Falling in Love - Cross Road Blues (Crossroads) - Hey There Delilah - I Walk the Line - Imagine - Losing My Religion - More Than a Feeling - Paranoid - Proud Mary - Riptide - Scar Tissue - Tears in Heaven - Wake Me up When September Ends - With or Without You - Yesterday - and more. / Guitare Tablatures

I hide myself With a lily Go lovely Rose-Written early in Whitacre's career whilst at the University of Nevada in Las Vegas. Arranged for SATB choir includes a Piano line for rehearsal purposes.I Hide MyselfJust a simple song really. All of the musical suggestions come from a careful study of the poem a quiet passionate soul occasionally speaking a little bolder than the age will allow. She loves almost to the point of distraction and this mood mustprevail in the performance: shy and sullen her passion surging to the surface only to sink back into the silence that is herself.Go Lovely RoseThe piece is structured around the cyclical lifeof a rose and is connection throughout by the opening 'rose motif' a seed that begins on the tonic and grows in all directions before it blossoms dies and grows again. Each season is represented: spring begins the piece summerappears at bar 13 autumn at bar 26 winter at bar 39 with spring returning at bar 49. The form is based on the Fibonacci sequence (the pattern found in plant and animal cell divisions) - its fifty five bars are a perfectFibonacci number. The Golden Mean appears at bar 34 as all parts are reunited to complete the flower before its final blossom and inevitable cycle of death and rebirth.Each performance should be approachedwith a child-like innocence and naivety that allows us to marvel at the return of the rose each spring. The szforzandos throughout must be light and gentle.With A Lily In Your HandWater and Fire. If the performance of this piece connects these contrasting elemental ideas its success is guaranteed. Water: At bar 30 this ostinato should be fluid and gentle only interrupted at bar 32 asthe butterflies momentarily spring out of the texture; bars 35-38 the water should slowly transform back to fire. Bar 44 should be tiny bell-tones motivating the next nine bars another patient sensuous transformation back to

A fantastic selection of some of the greatest and most well-known pieces by this incredibly talented American composer including Tonight Somewhere One Hand One Heart and Maria (West Side Story) Psalm 23 (Chichester Psalms) A Simple Song (Mass) There is a Garden (Trouble in Tahiti) and Lucky to be Me (On the Town).

As performed by Queen-As part of the ‘Pop Choral Series’ We Will Rock You has been arranged by Mark Brymer for TTBB Voices with Piano accompaniment. We Will Rock You is a song written by Brian May and recorded and performed by Queen for their album News of the World. Since its release We Will Rock You has been covered remixed sampled parodied referenced and used by multiple recording artists TV shows films and other media worldwide. The song has become a staple at sports events around the world as a stadium anthem mostly due to its simple rhythm. Your whole crowd will join in with the stomps and claps as you perform this rock and roll classic! This iconic 1978 pop hit by Queen will bring down the house!

This straightforward setting of the eighth chapter of the Song of Solomon, which features two people's professions of love for each other, was written for the wedding of friends of the composer in 2005. It is a gentle and lyrical love song employing simple yet effective harmonic writing, very approachable for mixed voice choirs looking to expand their contemporary repertoire. / Choeur Mixte (SATB) A Cappella

A Gaelic Blessing is a simple and catchy piece by Craig McLeish. This piece will be particularly useful for school, junior and community choirs, and a tuneful introduction to singing simple contrapuntal lines. The second soprano part repeats the tune at bar 33 and should dominate here - the first sopranos and altos should support appropriately. Ease and beauty of tone should be of paramount importance throughout. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. Craig McLeish began his musical life as a chorister at St Paul's Cathedral under Barry Rose. He began composing at the age of ten and his preces and responses for four trebles are still in the repertoire. After a degree at York University he returned to London to study at the Guildhall and sang again at St Paul's as a tenor. At the time he also arranged and copied music for West End shows such as Les Miserables and Miss Saigon, and played bass guitar for various groups. This led to a spell in the cult pop band 'Fat and Frantic', who shaved the top 100 twice with the whimsical anthem Last night my wife hoovered my head. He also worked as musical assistant for David Heneker (Half a Sixpence) and David Fanshawe (African Sanctus). In 1992 Craig became director of the Methodist Association of Youth Clubs Orchestra and Singers, performing concerts throughout the UK and becoming involved in a number of recordings and BBC broadcasts. During this time he arranged more than 250 orchestral scores ranging from Queen to Calamity Jane, Stravinsky and Stevie Wonder. Alongside this he began arranging and writing songs for children's collections (Big Blue Planet, Love Shone Down) and producing recordings and string arrangements for various artists (Sheila Walsh, Kim Hill, Matt Redman). He is also well known as a conductor and arranger for Songs of Praise. Recently Craig has collaborated with composer Tolga Kashif writing orchestrations for the RPO's Seo Taiji Symphony, the Classic FM chart-topping CD by saxophonist Tyler Rix, and the Genesis Suite which was premiered at the Barbican. He has been musical director of Young Voices UK for 13 years, bringing large school choirs together to play with a live band and solo artists, and currently conducts the Milton Keynes Community Choir, Hart and Soul Community Choir and the Milton Keynes Youth Choir. / Choeur SSA

'A Charm of Lullabies' a été écrit en Décembre 1947 pour la mezzo-soprano Evans Nancy. Soucieux de lui fournir un travail pour ses programmes de récital, Britten a été aidé dans le choix des textes pour 'A Charm of Lullabies 'par Crozier Evans mari Eric, qui avait récemment écrit le livret de Albert Herring. L'ouvrage rassemble une anthologie de textes divers unifiés par les thèmes de la nuit et du sommeil et est l'un des plus géniale et simple de Britten cycles de mélodies.Arrangement Colin Matthews diffère à plusieurs égards de la version originale pour piano, notamment en l'étendant à lui donner la dimension nécessaire pour un cycle de mélodies orchestrales, et en joignant les trois premières chansons, et le quatrième et le cinquième, en effet présenter l'le cycle en deux parties. / Mezzo-Soprano Et Orchestre

Here is a rebel piece of music that combines traditional sacred music with praise music. Beginning with the organ and a stately choir the text from II Chronicles 7:15-16 honors when God is with us in our sacred space. A praiseband feel takes over and introduces a simple song (sung by children or praise singers). Next thing you know the choir and organ bring in two traditional hymns (Come Thou Fount and Joyful Joyful) that all fit together. God istruly in this house for all people of all musical styles.

from the movie The Wedding Singer-This clever and charming song was featured in the film The Wedding Singer starring Adam Sandler. Aaron Dale's arrangement is simple easy to learn in just a few rehearsals and was recorded by 2008 International Quartet Champion O.C. Times on their Let's Fly album. Fun to sing for any show singing Valentine set or any environment where general crooning may be appropriate.