| Classical Fake Book - 2nd Edition
Fake Book [Fake Book] - Facile Hal Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
(8)$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Real Little Classical Fake Book - 2nd Edition Piano seul - Intermédiaire Hal Leonard
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...(+)
Composed by Various. For
Piano/Keyboard. Hal
Leonard Fake Books.
Classical. Difficulty:
medium to
medium-difficult.
Fakebook. Melody line,
chord names and lyrics
(on some songs). 413
pages. Published by Hal
Leonard
$27.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Ultimate Organ Book
Orgue [Partition] Hope Publishing Company
Arranged by Hal H. Hopson. Church-Worship, Funeral, Funeral & Memorial, Wedding ...(+)
Arranged by Hal H.
Hopson. Church-Worship,
Funeral, Funeral &
Memorial, Wedding and
Sacred. Print Music
Collection (Book). 407
pages. Published by Hope
Publishing Company.
Level: (Moderate).
(4)$79.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Classical Themes - Late Beginner 3 Guitares (trio) Guitare classique [Partition] - Facile Hal Leonard
(Essential Elements Guitar Ensembles). Essential Elements Guitar. Softcover. 32...(+)
(Essential Elements
Guitar Ensembles).
Essential Elements
Guitar. Softcover. 32
pages. Published by Hal
Leonard
$10.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Big Book Of Classical Music
Piano seul [Partition] - Intermédiaire Hal Leonard
For solo piano. Format: piano solo book. Classical period and romantic period. 3...(+)
For solo piano. Format:
piano solo book.
Classical period and
romantic period. 352
pages. 9x12 inches.
Published by Hal Leonard.
(24)$26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Music for Three, Volume 1, Part 3 - Cello/Bassoon Basson, Violoncelle [Partie séparée] Last Resort Music Publishing
Mixed Trios. By Various. Arranged by Daniel Kelley. For Cello or Bassoon. Trios....(+)
Mixed Trios. By Various.
Arranged by Daniel
Kelley. For Cello or
Bassoon. Trios. Music for
Three. Classical /
Baroque. Level:
Intermediate/Advanced.
Part 3. Published by Last
Resort Music Publishing.
$20.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sonatina Orchestre à Cordes - Facile Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS13F Composed by Muzio...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS13F
Composed by Muzio
Clementi. Arranged by
Douglas Townsend. Carl
Fischer Young String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS13F. Published
by Carl Fischer Music
(CF.YAS13F). ISBN
9780825848339. UPC:
798408048334. 8.5 X 11
inches. Key: G
major. IApart from
some of his Sonatinas,
Opus 36, Clementi's life
and music are hardly
known to the piano
teachers and students of
today. For example, in
addition to the above
mentioned Sonatinas,
Clementi wrote sixty
sonatas for the piano,
many of them unjustly
neglected, although his
friend Beethoven regarded
some of them very highly.
Clementi also wrote
symphonies (some of which
he arranged as piano
sonatas), a substantial
number of waltzes and
other dances for the
piano as well as sonatas
and sonatinas for piano
four-hands.In addition to
composing, Clementi was a
much sought after piano
teacher, and included
among his students John
Field (Father of the
'Nocturne'), and
Meyerbeer.In his later
years, Clementi became a
very successful music
publisher, publishing
among other works the
first English edition of
Beethoven's Violin
Concerto, in the great
composer's own
arrangement for the
piano, as well as some of
his string quartets.
Clementi was also one of
the first English piano
manufacturers to make
pianos with a metal frame
and string them with
wire.The Sonatina in C,
Opus 36, No. 1 was one of
six such works Clementi
wrote in 1797. He must
have been partial to
these little pieces (for
which he also provided
the fingerings), since
they were reissued
(without the fingering)
by the composer shortly
after 1801. About 1820,
he issued ''the sixth
edition, with
considerable improvements
by the author;· with
fingerings added and
several minor changes,
among which were that
many of them were written
an octave higher.IIIt has
often been said,
generally by those
unhampered by the facts,
that composers of the
past (and, dare we add,
the present?), usually
handled their financial
affairs with their public
and publishers with a
poor sense of business
acumen or common sense.
As a result they
frequently found
themselves in financial
straits.Contrary to
popular opinion, this was
the exception rather than
the rule. With the
exception of Mozart and
perhaps a few other
composers, the majority
of composers then, as
now, were quite
successful in their
dealings with the public
and their publishers, as
the following examples
will show.It was not
unusual for 18th- and
19th-century composers to
arrange some of their
more popular compositions
for different
combinations of
instruments in order to
increase their
availability to a larger
music-playing public.
Telemann, in the
introduction to his
seventy-two cantatas for
solo voice and one melody
instrument (flute, oboe
or violin, with the usual
continua) Der Harmonische
Gottesdienst, tor
example, suggests that if
a singer is not available
to perform a cantata the
voice part could be
played by another
instrument. And in the
introduction to his Six
Concertos and Six Suites
for flute, violin and
continua, he named four
different instrumental
combinations that could
perform these pieces, and
actually wrote out the
notes for the different
possibilities. Bach
arranged his violin
concertos for keyboard,
and Beethoven not only
arranged his Piano Sonata
in E Major, Opus 14, No.
1 for string quartet, he
also transposed it to the
key of F. Brahm's
well-known Quintet in F
Minor for piano and
strings was his own
arrangement of his
earlier sonata for two
pianos, also in F
Minor.IIIWe come now to
Clementi. It is well
known that some of his
sixty piano sonatas were
his own arrangements of
some of his lost
symphonies, and that some
of his rondos for piano
four-hands were
originally the last
movements of his solo
sonatas or piano trios.In
order to make the first
movement of his
delightful Sonatina in C,
Opus 36, No. 1 accessible
to young string players,
I have followed the
example established by
the composer himself by
arranging and transposing
one of his piano
compositions from one
medium (the piano) to
another. (string
instruments). In order to
simplify the work for
young string players, in
the process of adapting
it to the new medium it
was necessary to
transpose it from the
original key of C to G,
thereby doing away with
some of the difficulties
they would have
encountered in the
original key. The first
violin and cello parts
are similar to the right-
and left-hand parts of
the original piano
version. The few changes
I have made in these
parts have been for the
convenience of the string
players, but in no way do
they change the nature of
the music.Since the
original implied a
harmonic framework in
many places, I have added
a second violin and viola
part in such a way that
they not only have
interesting music to
play, but also fill in
some of the implied
harmony without in any
way detracting from the
composition's musical
value. Occasionally, it
has been necessary to
raise or lower a few
passages an octave or to
modify others slightly to
make them more accessible
for young players.It is
hoped that the musical
value of the composition
has not been too
compromised, and that
students and teachers
will come to enjoy this
little piece in its new
setting as much as
pianists have in the
original one. This
arrangement may also be
performed by a solo
string quartet. When
performed by a string
orchestra, the double
bass part may be
omitted.- Douglas
TownsendString editing by
Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $8.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Palm Court Trios - Book Two Piano Trio: piano, violon, violoncelle Boosey and Hawkes
Popular Classical and Light Music for Violin, Cello and Piano. By Peter Wilson. ...(+)
Popular Classical and
Light Music for Violin,
Cello and Piano. By Peter
Wilson. (Set). Boosey
and Hawkes Chamber Music.
Size 9x12 inches. 52
pages. Published by
Boosey and Hawkes.
$65.00 - Voir plus => Acheter | | |
| J.S. Bach - 15 Pieces Arranged for Three or More Guitarists 3 Guitares (trio) Guitare classique - Facile Hal Leonard
(Essential Elements Guitar Ensembles Early Intermediate Level). Composed by Joha...(+)
(Essential Elements
Guitar Ensembles Early
Intermediate Level).
Composed by Johann
Sebastian Bach
(1685-1750). For Guitar
Ensemble. Essential
Elements Guitar.
Softcover. 32 pages.
Published by Hal Leonard
$11.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Music for Three, Volume 1, Part 2 - Clarinet [Partie séparée] Last Resort Music Publishing
Mixed Trios. By Various. Arranged by Daniel Kelley. For Clarinet in Bb. Trios. M...(+)
Mixed Trios. By Various.
Arranged by Daniel
Kelley. For Clarinet in
Bb. Trios. Music for
Three. Classical /
Baroque. Level:
Intermediate/Advanced.
Part 2. Published by Last
Resort Music Publishing.
$18.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| I Can Play That! Classical Masterpieces Piano seul [Partition] - Facile Amsco Wise Publications
For Piano Solo (with Chord Symbols). Romantic, Baroque, Classical. Sheet Music. ...(+)
For Piano Solo (with
Chord Symbols). Romantic,
Baroque, Classical. Sheet
Music. 160 pages.
Published by Wise
Publications.
$19.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Bach Fake Book
Piano seul [Fake Book] Cherry Lane
By Johann Sebastian Bach (1685-1750). Piano Personality. Softcover. 128 pages. P...(+)
By Johann Sebastian Bach
(1685-1750). Piano
Personality. Softcover.
128 pages. Published by
Cherry Lane Music
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Wedding Trios for Strings Violin, Viola, and Cello (3 books) Trio à Cordes: violon, alto, violoncelle [Set de Parties séparées] Greenblatt & Seay
Arranged by Deborah Greenblatt. String Trio. For violin, viola, cello. Wedding. ...(+)
Arranged by Deborah
Greenblatt. String Trio.
For violin, viola, cello.
Wedding. Set of parts.
Standard Notation. 48
(violin a), 48 (viola b),
48 (cello c) pages
$25.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Music for Three, Volume 1, Part 2 - Flute/Oboe/Violin [Partie séparée] Last Resort Music Publishing
(Mixed Trios). By Various. Arranged by Daniel Kelley. For Flute or Oboe or Violi...(+)
(Mixed Trios). By
Various. Arranged by
Daniel Kelley. For Flute
or Oboe or Violin. Trios.
Music for Three.
Classical / Baroque.
Intermediate/Advanced.
Part 2
$20.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Music for Three, Volume 1, Part 1 - Flute/Oboe/Violin [Partie séparée] Last Resort Music Publishing
Mixed Trios. By Various. Arranged by Daniel Kelley. For Flute or Oboe or Violin....(+)
Mixed Trios. By Various.
Arranged by Daniel
Kelley. For Flute or Oboe
or Violin. Trios. Music
for Three. Classical /
Baroque. Level:
Intermediate/Advanced.
Part 1. Published by Last
Resort Music Publishing.
(1)$20.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Music for Three, Volume 1 - Keyboard/Guitar [Partie séparée] Last Resort Music Publishing
Mixed Trios. By Various. Arranged by Daniel Kelley. For Keyboard or Guitar. Trio...(+)
Mixed Trios. By Various.
Arranged by Daniel
Kelley. For Keyboard or
Guitar. Trios. Music for
Three. Classical /
Baroque. Level:
Intermediate/Advanced.
Part. Published by Last
Resort Music Publishing.
$26.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Music for Three, Volume 1, Part 2 - Viola Alto seul [Partie séparée] Last Resort Music Publishing
Mixed Trios. By Various. Arranged by Daniel Kelley. For viola. Trios. Music for ...(+)
Mixed Trios. By Various.
Arranged by Daniel
Kelley. For viola. Trios.
Music for Three.
Classical / Baroque.
Level:
Intermediate/Advanced.
Part 2. Published by Last
Resort Music Publishing.
$20.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Eiichi Fujii presents Bach in Jazz Piano seul - Avancé Yamaha
Piano - Advanced SKU: YM.GTP01097742 Composed by Johann Sebastian Bach. A...(+)
Piano - Advanced SKU:
YM.GTP01097742
Composed by Johann
Sebastian Bach. Arranged
by Eiichi Fujii. Piano
Pop and Vocal. Score.
Yamaha Music Media
#GTP01097742. Published
by Yamaha Music Media
(YM.GTP01097742). ISBN
9784636977424. 17
well-known J.S. Bach's
works are arranged by
Eiichi Fujii. This
series is produced by
Eiichi Fujii, known as a
highly sophisticated jazz
piano arranger as well as
a pioneer of jazz piano
in Japan. All music
sheets in the series have
samples of trio ensemble
performances for
reference; they can be
found just by reading the
QR code in each book with
smartphones. $18.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Madrigal Pavane / Timburibá - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4287 Composed by Francisco Braga. Arran...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4287
Composed by Francisco
Braga. Arranged by
Luciano Lima. Score. Les
Productions d'OZ #DZ
4287. Published by Les
Productions d'OZ
(DZ.DZ-4287). ISBN
9782898522048. AntÃ
´nio Francisco Braga
(1868-1945) belongs to
the generation of
Brazilian composers of
the first republican
period, aesthetically
tied to romanticism,
alongside Henrique Oswald
(1852-1931), Leopoldo
Miguez (1850-1902),
Glauco Velásquez
(1884-1914), and Barrozo
Neto (1881-1941). Born in
Rio de Janeiro, on April
15th, 1868, he began his
musical studies at the
Asilo dos Meninos
Desvalidos, in 1876. In
1883, he enrolled at the
Imperial Conservatório
de Música where he
studied harmony and
counterpoint with Carlos
de Mesquita – a former
student of César Franck,
Durand, and Massenet –
and clarinet with
Antônio LuÃs de Moura.
Braga's first
compositions date from
this period: Sonho de
Dante (1885), Dolce far
niente (1886), the first
Valse Romantique for
piano (1886), among
others. In 1887, he
premiered his first
symphonic work,
Fantasia-Abertura. In
1890, being one of the
finalists in a
competition to choose the
new Brazilian national
anthem, Braga was awarded
a scholarship to study in
Europe, where he took
classes with Jules
Massenet at the Paris
Conservatory. During this
period, he wrote some of
his most important
symphonic works, Paysage,
Cauchemar, Episódio
Sinfônico, and Marabá
(which was performed by
Richard Strauss and the
Vienna Philharmonic in
1920, in Brazil). His
opera Jupyra is
considered one of the
greatest Brazilian
compositions of that
genre. Back in Brazil,
he was appointed
professor of
counterpoint, fugue, and
composition at the
Instituto Nacional de
Música, in 1902. There,
some of the finest
Brazilian composers
studied with him, like
Glauco Velásquez and
Lorenzo
Fernândez. Braga
wrote operas, symphonic
works, songs, sacred
music, two Masses, music
for piano, different
chamber formations, band,
and choir. He is the
author of many patriotic
hymns, the most popular
of which is Hino Ã
Bandeira (with lyrics by
Olavo Bilac). He explored
Brazilian nationalist
elements in some of his
works, as in Variações
sobre um Tema Brasileiro
and in the Trio for
violin, cello and piano,
whose third movement is
based on a lundu (a
musical genre and dance
of Afro-Brazilian
origin). In addition
to being a composer,
Braga was one of the most
active conductors of his
time, having been ahead
of three orchestras in
Rio de Janeiro: Instituto
Nacional de Música,
Sociedade de Concertos
Sinfônicos, and Theatro
Municipal. Braga
conducted the Brazilian
premiere of major
symphonic works such as
La Mer (Debussy), Pacific
231 (Honegger) besides
other numerous Brazilian
compositions. In 1938,
he retired from Instituto
Nacional de Música. He
passed away on March
14th, 1945, in Rio de
Janeiro. Unfortunately
, Francisco Braga never
wrote for the guitar.
However, over a century
ago his music had already
been incorporated to its
repertoire. According to
information found in
newspapers of the time,
Spanish guitarist
Josefina Robledo included
transcriptions of pieces
by Braga in her programs
when she performed in
Brazil: Gavota e Minuete
(from the melodrama
Contratador de
Diamantes), in 1919, in
São Paulo, and the
waltz-caprice Corrupio,
in 1921, in Rio de
Janeiro. The piano
score of Madrigal Pavane
was dedicated to Alexina
Leitão and published by
Casa Vieira Machado, in
1901. According to the
composer’s catalogue,
there are two other
versions of this piece:
strings orchestra (1901)
and quartet (which is
still in manuscript).
Dedicated to Braga’s
childhood friend José de
Souza Rocha, Timburibá
(the name of a Brazilian
tree) is a tango for
piano from 1886,
published by Narciso &
Arthur
Napoleão.
Antôni
o Francisco Braga
(1868-1945) appartient Ã
la génération des
compositeurs brésiliens
de la première période
républicaine,
esthétiquement liés au
romantisme, aux côtés
de Henrique Oswald
(1852-1931), Leopoldo
Miguez (1850-1902),
Glauco Velásquez
(1884-1914) , et Barrozo
Neto (1881-1941). Né Ã
Rio de Janeiro, le 15
avril 1868, il commence
ses études musicales Ã
l'Asilo dos Meninos
Desvalidos, en 1876. En
1883, il s'inscrit au
Imperial Conservatório
de Música où il étudie
l'harmonie et le
contrepoint avec Carlos
de Mesquita – ancien
élève de César Franck,
Durand et Massenet – et
clarinette avec Antônio
LuÃs de Moura. De cette
période datent les
premières compositions
de Braga : « Sonho de
Dante » (1885), « Dolce
far niente » (1886), la
première « Valse
Romantique » pour piano
(1886), entre
autres. En 1887, il
crée sa première œuvre
symphonique, «
Fantasia-Abertura ». En
1890, étant l'un des
finalistes d'un concours
pour choisir le nouvel
hymne national
brésilien, Braga obtient
une bourse pour étudier
en Europe, où il suit
les cours de Jules
Massenet au Conservatoire
de Paris. Durant cette
période, il écrit
certaines de ses Å“uvres
symphoniques les plus
importantes, « Paysage
», « Cauchemar », «
Episódio Sinfônico »
et « Marabá »
(interprétée par
Richard Strauss et la
Philharmonie de Vienne en
1920, au Brésil). Son
opéra « Jupyra » est
considéré comme l'une
des plus grandes
compositions
brésiliennes de ce
genre. De retour au
Brésil, il fut nommé
professeur de
contrepoint, de fugue et
de composition Ã
l'Instituto Nacional de
Música, en 1902. Là ,
certains des meilleurs
compositeurs brésiliens
étudièrent avec lui,
comme Glauco Velásquez
et Lorenzo
Fernândez. Braga a
écrit des opéras, des
Å“uvres symphoniques, des
chansons, de la musique
sacrée, deux messes, de
la musique pour piano,
différentes formations
de chambre, un orchestre
et une chorale. Il est
l'auteur de nombreux
hymnes patriotiques, dont
le plus populaire est «
Hino à Bandeira » (avec
des paroles d'Olavo
Bilac). Il a exploré des
éléments nationalistes
brésiliens dans
certaines de ses Å“uvres,
comme dans « Variações
sobre um Tema Brasileiro
» et dans le Trio pour
violon, violoncelle et
piano, dont le troisième
mouvement est basé sur
un « lundu » (un genre
musical et une danse
afro-américaine).
Origine
brésilienne). En plus
d'être compositeur,
Braga a été l'un des
chefs d'orchestre les
plus actifs de son
époque, ayant dirigé
trois orchestres à Rio
de Janeiro : « Instituto
Nacional de Música »,
« Sociedade de Concertos
Sinfônicos » et «
Theatro Municipal ».
Braga a dirigé la
première brésilienne
d'Å“uvres symphoniques
majeures telles que « La
Mer » (Debussy), «
Pacific 231 » (Honegger)
ainsi que de nombreuses
autres compositions
brésiliennes. En
1938, il prend sa
retraite de l'Instituto
Nacional de Música. Il
est décédé le 14 mars
1945 Ã Rio de
Janeiro. Malheureuseme
nt, Francisco Braga n’a
jamais écrit pour la
guitare. Cependant, il y
a plus d'un siècle, sa
musique était déjÃ
incorporée à son
répertoire. Selon des
informations trouvées
dans les journaux de
l'époque, la guitariste
espagnole Josefina
Robledo incluait des
transcriptions de pièces
de Braga dans ses
programmes lorsqu'elle se
produisait au Brésil :
« Gavota e Minuete »
(du mélodrame «
Contratador de Diamantes
»), en 1919, à São
Paulo, et la
valse-caprice « Corrupio
», en 1921, à Rio de
Janeiro. La partition
pour piano de « Madrigal
Pavane » a été
dédiée à Alexina
Leitão et publiée par
« Casa Vieira Machado
», en 1901. Selon le
catalogue du compositeur,
il existe deux autres
versions de cette pièce
: orchestre à cordes
(1901) et quatuor (qui
est encore manuscrit).
Dédié à José de Souza
Rocha, ami d'enfance de
Braga, « Timburibá »
(nom d'un arbre
brésilien) est un tango
pour piano de 1886,
publié par « Narciso &
Arthur Napoleão
». Envoyer des
commentaires Panneaux
latéraux HistoriqueEnregistrées. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Wedding Album 1 - String Trio Quatuor à cordes: 2 violons, alto, violoncelle - Intermédiaire Latham Music Enterprises
Grade 3.5 SKU: AP.36-52702144 Composed by Lynne Latham. This edition: Lat...(+)
Grade 3.5 SKU:
AP.36-52702144
Composed by Lynne Latham.
This edition: Latham
Music. Performance Music
Ensemble; Quartet; String
Quartet. LudwigMasters -
Latham Music. Score and
Part(s). Latham Music
Enterprises #36-52702144.
Published by Latham Music
Enterprises
(AP.36-52702144). ISBN
9781621569749. UPC:
830056001443.
English. Includes
optional Violin 2 part
for Viola.Contents: Bach,
Jesu Joy of Man's
Desiring, Air on the G
String; Wagner, Bridal
Chorus; Mendelssohn,
Wedding March; Handel,
selections from Royal
Fireworks and Water
Music, Entrance of the
Queen of Sheba; Mouret,
Rondeau; Pachelbel Canon;
Schubert, Ave Maria;
Vivaldi, Largo from
Winter; Clarke, Trumpet
Voluntary; Purcell,
Trumpet Tune.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $33.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Double Concerto in A Minor, Op. 102 Piano Trio: piano, violon, violoncelle G. Henle
(Piano Trio). Composed by Johannes Brahms (1833-1897). Edited by Johannes Umbrei...(+)
(Piano Trio). Composed by
Johannes Brahms
(1833-1897). Edited by
Johannes Umbreit, Michael
Struck, Frank Peter
Zimmermann, and Heinrich
Schiff. For Piano Trio.
Henle Music Folios.
Softcover. G. Henle
#HN715. Published by G.
Henle
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| Double Bass Solo 1 Contre Basse [Partition] Oxford University Press
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