Achnaton Orchestre d'harmonie [Conducteur] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 4 SKU: BT.GOB-000712-140 Composed by Jan Bo...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.GOB-000712-140
Composed by Jan Bosveld.
Score Only. 40 pages.
Gobelin Music
Publications #GOB
000712-140. Published by
Gobelin Music
Publications
(BT.GOB-000712-140).
The Egyptian
pharaoh Amenhotep IV,
better known as Achnaton,
was the second son and
successor of Amenhotep
III. He reigned the
New Kingdom from 1353
until 1336 BC.
Achnatons lack of
interest in the economic
well-being of Egypt
ushered ina revolutionary
period in Egyptian
history. His harsh
reign induced much
suffering under the
population. During
this period when it was
customary for a pharaoh
to have many wives, he
had taken his cousin
Nefertete to reign as
queen at hisside. An
elegant and very
beautiful woman, she used
her influence to ease the
turmoil caused by
Achnaton. Combined
with her grace, her
presence at public
functions led to a
greater popularity among
her subjects than the
pharaoh
enjoyedhimself. Being
mostly preoccupied with
religious questions, he
declared that all the
other gods did not exist.
There was only one god,
the Aten, and it was the
sun itself. It was
now necessary to change
his name: ‘Amenhotep’
meaning ‘the god Amun
is satisfied’, because
he didnt want to be
associated with Amun or
any of the other
deities. He renamed
himself ‘Achnaton’
which means ‘servant of
the Aten’ -- a much
more appropriate
title! In the sixth
year of his reignAchnaton
also moved the capital to
a brand new city called
Achet-Aton (‘the
Horizon of the Aten’)
which was where Tel
el-Amarna stands today.
He did this to further
isolate himself from the
‘old’ religion, since
the previous capital
Thebes was thecentre of
worship of Amun. This
new religion created an
up rise among the
population and high
priests. In spite of
Nefertetes influence, the
falling economy and
religious conflict
resulted in the decline
of the Egyptian
empire. Hoping
toforget it ever
happened, people later
tried to eradicate all
traces of Achnaton and
his successors rule by
smashing their statues,
mutilating their mummies,
and ruining their relief
carvings. From that
moment on he was
remembered as
the‘heretic
king’.
This
composition was partially
funded by the ‘Prins
Bernhard
Cultuurfonds’.
D
e Egyptische farao
Achnaton was de zoon en
opvolger van Amenhotep
III en besteeg de troon
als Amenhotep IV. Hij
regeerde van 1353 tot
1336 voor Christus.
Achnaton was nauwelijks
ge?nteresseerd in
politiek en handel
waardoorhet Egyptische
rijk onder zijn bewind in
economisch verval raakte.
Hij regeerde per decreet
waaronder de bevolking
zwaar te leiden had.
In die tijd was het
gebruikelijk dat de
farao’s meerdere
vrouwen hadden waarvan
hij eréén tot zijn
hoofdvrouw koos waarmee
hij zijn rijk regeerde.
Nefertete was de
uitverkorene. Een zeer
mooie, elegante vrouw,
die met haar invloed op
het harde beleid van
Achnaton nog voor enige
verlichting zorgde. Dit
en haar aanwezigheidbij
openbare presentaties
leidde ertoe dat zij bij
de bevolking een veel
grotere populariteit
genoot dan de farao zelf.
Achnaton hield zich
vooral bezig met
religieuze vraagstukken.
Hij brak met het idee dat
er meergoden zouden
bestaan. Volgens hem was
er slechts één god,
namelijk de zon. Deze
zonnegod noemde hij
Aton. Nadat deze
gedachte zich bij hem had
geopenbaard veranderde
hij zijn naam van
Amenhotep in Achnaton,
hetgeen in het
Egyptisch“Aton
welgevallig”
betekent. In zijn
zesde regeringsjaar
stichtte Achnaton de
nieuwe regeringszetel
“Achet-Aton”, ver van
de bewoonde wereld in de
woestijn. Deze stad,
het huidige Tell
el-Amarna in
Midden-Egypte,stond
geheel in het teken van
de zonnegod. Deze nieuwe
godsdienst stuitte op
veel weerstand bij de
bevolking en de
priesters. De
godsdienststrijd die
hierdoor ontstond
gekoppeld aan het
economische verval
zorgde, ondanks de
invloedvan Nefertete,
voor de ineenstorting van
het Egyptische rijk als
grote mogendheid. Na
de dood van Achnaton werd
de regeringszetel
“Achet-Aton” gebruikt
als steengroeve. Zijn
naam werd verwijderd van
de alle bouwwerken en
herinneringszuilen.
Achnaton Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 4 SKU: BT.GOB-000712-010 Composed by Jan Bo...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.GOB-000712-010
Composed by Jan Bosveld.
Set (Score & Parts). 38
pages. Gobelin Music
Publications #GOB
000712-010. Published by
Gobelin Music
Publications
(BT.GOB-000712-010).
The Egyptian
pharaoh Amenhotep IV,
better known as Achnaton,
was the second son and
successor of Amenhotep
III. He reigned the
New Kingdom from 1353
until 1336 BC.
Achnatons lack of
interest in the economic
well-being of Egypt
ushered ina revolutionary
period in Egyptian
history. His harsh
reign induced much
suffering under the
population. During
this period when it was
customary for a pharaoh
to have many wives, he
had taken his cousin
Nefertete to reign as
queen at hisside. An
elegant and very
beautiful woman, she used
her influence to ease the
turmoil caused by
Achnaton. Combined
with her grace, her
presence at public
functions led to a
greater popularity among
her subjects than the
pharaoh
enjoyedhimself. Being
mostly preoccupied with
religious questions, he
declared that all the
other gods did not exist.
There was only one god,
the Aten, and it was the
sun itself. It was
now necessary to change
his name: ‘Amenhotep’
meaning ‘the god Amun
is satisfied’, because
he didnt want to be
associated with Amun or
any of the other
deities. He renamed
himself ‘Achnaton’
which means ‘servant of
the Aten’ -- a much
more appropriate
title! In the sixth
year of his reignAchnaton
also moved the capital to
a brand new city called
Achet-Aton (‘the
Horizon of the Aten’)
which was where Tel
el-Amarna stands today.
He did this to further
isolate himself from the
‘old’ religion, since
the previous capital
Thebes was thecentre of
worship of Amun. This
new religion created an
up rise among the
population and high
priests. In spite of
Nefertetes influence, the
falling economy and
religious conflict
resulted in the decline
of the Egyptian
empire. Hoping
toforget it ever
happened, people later
tried to eradicate all
traces of Achnaton and
his successors rule by
smashing their statues,
mutilating their mummies,
and ruining their relief
carvings. From that
moment on he was
remembered as
the‘heretic
king’.
This
composition was partially
funded by the ‘Prins
Bernhard
Cultuurfonds’.
D
e Egyptische farao
Achnaton was de zoon en
opvolger van Amenhotep
III en besteeg de troon
als Amenhotep IV. Hij
regeerde van 1353 tot
1336 voor Christus.
Achnaton was nauwelijks
ge?nteresseerd in
politiek en handel
waardoorhet Egyptische
rijk onder zijn bewind in
economisch verval raakte.
Hij regeerde per decreet
waaronder de bevolking
zwaar te leiden had.
In die tijd was het
gebruikelijk dat de
farao’s meerdere
vrouwen hadden waarvan
hij eréén tot zijn
hoofdvrouw koos waarmee
hij zijn rijk regeerde.
Nefertete was de
uitverkorene. Een zeer
mooie, elegante vrouw,
die met haar invloed op
het harde beleid van
Achnaton nog voor enige
verlichting zorgde. Dit
en haar aanwezigheidbij
openbare presentaties
leidde ertoe dat zij bij
de bevolking een veel
grotere populariteit
genoot dan de farao zelf.
Achnaton hield zich
vooral bezig met
religieuze vraagstukken.
Hij brak met het idee dat
er meergoden zouden
bestaan. Volgens hem was
er slechts één god,
namelijk de zon. Deze
zonnegod noemde hij
Aton. Nadat deze
gedachte zich bij hem had
geopenbaard veranderde
hij zijn naam van
Amenhotep in Achnaton,
hetgeen in het
Egyptisch“Aton
welgevallig”
betekent. In zijn
zesde regeringsjaar
stichtte Achnaton de
nieuwe regeringszetel
“Achet-Aton”, ver van
de bewoonde wereld in de
woestijn. Deze stad,
het huidige Tell
el-Amarna in
Midden-Egypte,stond
geheel in het teken van
de zonnegod. Deze nieuwe
godsdienst stuitte op
veel weerstand bij de
bevolking en de
priesters. De
godsdienststrijd die
hierdoor ontstond
gekoppeld aan het
economische verval
zorgde, ondanks de
invloedvan Nefertete,
voor de ineenstorting van
het Egyptische rijk als
grote mogendheid. Na
de dood van Achnaton werd
de regeringszetel
“Achet-Aton” gebruikt
als steengroeve. Zijn
naam werd verwijderd van
de alle bouwwerken en
herinneringszuilen.
SATB choir, baritone voice, orchestra SKU: FG.042-08289-8 Composed by Eri...(+)
SATB choir, baritone
voice, orchestra
SKU:
FG.042-08289-8
Composed by Erik Valdemar
Bergman. Published by
Fennica Gehrman
(FG.042-08289-8).
ISBN
979-0-042-08289-8.
Aton, written in 1959 for
baritone soloist, choir,
speaker, speaking chorus
and orchestra, is based
on the ancient Egyptian
hymn to the Sun by the
pharaoh Akhenaton. Its
five movements pay homage
to the sun as one and
only god using Bergman's
unique and expressive
language, in which choir
and soloist alternate in
a continuing narrative.
The English version is
based on a a translation
from the original
hieroglyphs by Robert
Anderson.
(Innovative and Diverse Ways of Playing Penatonic Scales in Blues, Rock, and Hea...(+)
(Innovative and Diverse
Ways of Playing Penatonic
Scales in Blues, Rock,
and Heavy Metal). Guitar.
DVD. Guitar tablature.
Published by Centerstream
Publications
SATB Choir SKU: BT.WHMS06B14 Landsknægtserenade< /i>. Composed by O...(+)
SATB Choir
SKU:
BT.WHMS06B14
Landsknægtserenade<
/i>. Composed by Orlande
De Lassus. Classical.
Choral Score. 6 pages.
Edition Wilhelm Hansen
#WHMS06B14. Published by
Edition Wilhelm Hansen
(BT.WHMS06B14).
ISBN
9788774843993.
Danish-Italian.
Mat
ona Mia Cara
(Landsknægtserenade)
by Orlando Di Lasso with
danish text by Ida
Høeg Jacobsen. Danish
and Italian text. For
SATB choir.
String Quartet & Solo Instrument (C Concert, B-flat, E-flat, or Bass Clef ) S...(+)
String Quartet & Solo
Instrument (C Concert,
B-flat, E-flat, or Bass
Clef )
SKU:
AP.1-ADV6005
For
String Quartet & Solo
Instrument. Composed
by David Liebman.
Quartet; Solo Small
Ensembles; String
Quartet. Advance Music.
Jewish Heritage; Sacred.
Score and Part(s).
Advance Music
#01-ADV6005. Published by
Advance Music
(AP.1-ADV6005).
UPC:
805095060058.
English.
Atonement
commemorates the holiest
day of the year in the
Jewish faith, called Yom
Kippur. On that day an
individual repents for
transgressions which may
have occurred during the
past year. Fasting and
prayer are the activities
which begin at sundown
with the chanting of Kol
Nidre and end twenty four
hours later. Part of the
piece quotes the
beginning strains of
Hatikvah, the Israeli
national anthem.
It is adaptable
to any solo instrument.
Solo parts are included
for C concert, B-flat,
E-flat, and bass clef
instruments.
By John Carter. (SATB). Atonement, Blood, Cross of Christ, Good Friday, Holy We...(+)
By John Carter. (SATB).
Atonement, Blood, Cross
of Christ, Good Friday,
Holy Week, Humility, Life
of Christ, Sacrifice and
Sacred. Print Music
Single (SATB). 8 pages.
Published by Hope
Publishing Company.
He Died for Us Chorale SATB SATB [Octavo] Hope Publishing Company
By Owens, Jimmy. Arranged by Jack Schrader. (SATB). Atonement, Blood, Communion...(+)
By Owens, Jimmy. Arranged
by Jack Schrader.
(SATB). Atonement, Blood,
Communion, Good Friday,
Gospel, Gratefulness,
Holy Week, Lamb of God,
Life of Christ, Sacrifice
and Sacred. Print Music
Single (SATB). 8 pages.
Published by Hope
Publishing Company.
(For Solo Violin). By Samuel Adler. For Violin. Atonality, serialism, memorial, ...(+)
(For Solo Violin). By
Samuel Adler. For Violin.
Atonality, serialism,
memorial, eulogy. Solo
part. Standard notation.
4 pages. Duration 5
minutes. Published by
Theodore Presser Company
Electric guitar SKU: LM.28289 Composed by Jean-Claude Rapin. Yannick Robe...(+)
Electric guitar
SKU:
LM.28289
Composed by
Jean-Claude Rapin.
Yannick Robert. Pop,
jazz. Score and CD.
Editions Henry Lemoine
#28289. Published by
Editions Henry Lemoine
(LM.28289).
ISBN
9790230982894.
A la
maniere de Jimi Hendrix -
Doubles cordes et bending
- Bending et pentatonique
- Le moulinet - A la
maniere d'Eric Clapton -
Riff pentatonique - Plan
en quintes - Legato ! -
Fusee ascendante -
Pentatonique et quintolet
- Groove Blues-Rock -
Riff rythmique - A la
maniere de Robben Ford -
Heavy metal ? - Plan en
triolets - Pentatoniques
et doubles croches - Plan
en demanche - Montee en
intervalles - Plan en
7eme avec 13eme - Plan
solo en Sol 7 - Legato et
cordes a vide - A la
maniere de Ritchie
Blackmore - Legato et
sextolets - Plan
bending.
2. Adante. Composed by Wolfgang Amadeus Mozart. Arranged by Bruno Petersch...(+)
2. Adante. Composed by
Wolfgang Amadeus Mozart.
Arranged by Bruno
Peterschmitt. Baton Music
instrumental series. Full
Score and set of parts.
Baton
Music #BM1233-SET.
Published
by Baton Music
Concerto in F Orchestre d'harmonie [Conducteur] - Intermédiaire Baton Music
Concert band Piano and concert band - Grade 5 SKU: BF.BM797-SET For Pi...(+)
Concert band Piano and
concert band - Grade 5
SKU: BF.BM797-SET
For Piano and
Orchestra. Composed
by George Gershwin.
Arranged by Martin Jorge.
Baton Music instrumental
series. For Piano and
Orchestra. Full Score and
set of parts. Baton Music
#BM797-SET. Published by
Baton Music
(BF.BM797-SET).
Despite being
very busy with three
different Broadway
musicals, Gershwin was
able to complete the
'Concerto in F' for Piano
and Orchestra in November
10, 1925. It was
commissioned by the
American conductor Walter
Damrosch who conducted
the premiere in Carnegie
Hall later that year
featuring the composer as
the soloist. The
'Concerto in F' shows
considerable development
in Gershwin's
compositional technique,
particularly because he
orchestrated the entire
work himself. Argentine
arranger Martin Jorge
transcribed the complete
concerto for piano with
accompaniment of a
Symphonic Wind
Orchestra.
2. Adagio. Composed by Wolfgang Amadeus Mozart. Arranged by Bruno Petersch...(+)
2. Adagio. Composed by
Wolfgang Amadeus Mozart.
Arranged by Bruno
Peterschmitt. Baton Music
instrumental series. Full
Score and set of parts.
Baton
Music #BM1232-SET.
Published
by Baton Music
Piano Concerto No.1 Orchestre d'harmonie [Conducteur] - Intermédiaire Baton Music
Concert band Piano And concert band - Grade 5 SKU: BF.BM397-SCORE Opus...(+)
Concert band Piano And
concert band - Grade 5
SKU:
BF.BM397-SCORE
Opus 10. Composed
by Sergei Prokofiev.
Arranged by Douglas
McLain. Baton Music
instrumental series. Opus
10. Full score. Duration
16:00. Baton Music
#BM397-SCORE. Published
by Baton Music
(BF.BM397-SCORE).
Prokofiev
composed his first piano
concerto while at the
Conservatory, in 1911 and
1912, and premiered it
himself on August 7,
1912. The concerto is a
single movement divided
into clearly marked
sections. Prokofiev could
in this way keep the
typical fast-slow-fast
structure of the usual
three-movement concerto,
yet use some of the same
thematic elements
throughout all of his
sections. Throughout the
work, Prokofiev
demonstrates his penchant
for bright, percussive
textures. The
glockenspiel takes on a
uniquely soloistic role,
often teaming up with the
piano to sparkle above
the orchestral fray. With
its bravura solos and
daring harmonies,
Prokofiev's first
'mature' composition
announces him as a
musical force to be
reckoned with.
Concerto in G Orchestre d'harmonie [Conducteur] - Intermédiaire Baton Music
Concert band Piano and concert band - Grade 5 SKU: BF.BM849-SET For Pi...(+)
Concert band Piano and
concert band - Grade 5
SKU: BF.BM849-SET
For Piano and
Orchestra. Composed
by Maurice Ravel.
Arranged by Simon
Scheiwiller. Baton Music
instrumental series. For
Piano and Orchestra. Full
Score and set of parts.
Baton Music #BM849-SET.
Published by Baton Music
(BF.BM849-SET).
Maurice Ravel's
'Piano Concerto in G
major' was composed
between 1929 and 1931.
The concerto was deeply
infused with jazz idioms
and harmonies, which, at
the time, were highly
popular in Paris as well
as the United States,
where Ravel was traveling
on a piano tour. Ravel
remarked that The most
captivating part of jazz
is its rich and diverting
rhythm. ... Jazz is a
very rich and vital
source of inspiration for
modern composers and I am
astonished that so few
Americans are influenced
by it. Swiss arranger
Simon Scheiwiller
transcribed the concerto
for piano with
accompaniment of a
Symphonic Band with great
respect to the original
instrumentation.
Concert band Piano and Symphonci Band - Grade 4 SKU: BF.BM547-SET Move...(+)
Concert band Piano and
Symphonci Band - Grade 4
SKU: BF.BM547-SET
Movement No.1.
Arranged by Jos van de
Braak. Baton Music
instrumental series.
Movement No.1. Full Score
and set of parts.
Duration 11:30. Baton
Music #BM547-SET.
Published by Baton Music
(BF.BM547-SET).
The Piano
Concerto No. 2 in G minor
by Camille
Saint-Saëns, was
composed in 1868 and is
probably Saint-Saëns'
most popular piano
concerto. The piece
follows the traditional
form of three movements
but allows for more
freedom in tempo
markings. Normally, the
first movement is
fast-paced, while the
second is slower.
However, the two are
reversed in this piece.
This arrangement contains
only the first movement
Andante sostenuto.
2. Adante. Composed by Wolfgang Amadeus Mozart. Arranged by Bruno Petersch...(+)
2. Adante. Composed by
Wolfgang Amadeus Mozart.
Arranged by Bruno
Peterschmitt. Baton Music
instrumental series. Full
score. Baton Music
#BM1233-
SCORE. Published by Baton
Music
2. Adagio. Composed by Wolfgang Amadeus Mozart. Arranged by Bruno Petersch...(+)
2. Adagio. Composed by
Wolfgang Amadeus Mozart.
Arranged by Bruno
Peterschmitt. Baton Music
instrumental series. Full
score. Baton Music
#BM1232-
SCORE. Published by Baton
Music
Concerto in F Orchestre d'harmonie [Conducteur] - Intermédiaire Baton Music
Concert band Piano and concert band - Grade 5 SKU: BF.BM797-SCORE For ...(+)
Concert band Piano and
concert band - Grade 5
SKU:
BF.BM797-SCORE
For
Piano and Orchestra.
Composed by George
Gershwin. Arranged by
Martin Jorge. Baton Music
instrumental series. For
Piano and Orchestra. Full
score. Baton Music
#BM797-SCORE. Published
by Baton Music
(BF.BM797-SCORE).
Despite being
very busy with three
different Broadway
musicals, Gershwin was
able to complete the
'Concerto in F' for Piano
and Orchestra in November
10, 1925. It was
commissioned by the
American conductor Walter
Damrosch who conducted
the premiere in Carnegie
Hall later that year
featuring the composer as
the soloist. The
'Concerto in F' shows
considerable development
in Gershwin's
compositional technique,
particularly because he
orchestrated the entire
work himself. Argentine
arranger Martin Jorge
transcribed the complete
concerto for piano with
accompaniment of a
Symphonic Wind
Orchestra.
Concerto in G Orchestre d'harmonie [Conducteur] - Intermédiaire Baton Music
Concert band Piano and concert band - Grade 5 SKU: BF.BM849-SCORE For ...(+)
Concert band Piano and
concert band - Grade 5
SKU:
BF.BM849-SCORE
For
Piano and Orchestra.
Composed by Maurice
Ravel. Arranged by Simon
Scheiwiller. Baton Music
instrumental series. For
Piano and Orchestra. Full
score. Baton Music
#BM849-SCORE. Published
by Baton Music
(BF.BM849-SCORE).
Maurice Ravel's
'Piano Concerto in G
major' was composed
between 1929 and 1931.
The concerto was deeply
infused with jazz idioms
and harmonies, which, at
the time, were highly
popular in Paris as well
as the United States,
where Ravel was traveling
on a piano tour. Ravel
remarked that The most
captivating part of jazz
is its rich and diverting
rhythm. ... Jazz is a
very rich and vital
source of inspiration for
modern composers and I am
astonished that so few
Americans are influenced
by it. Swiss arranger
Simon Scheiwiller
transcribed the concerto
for piano with
accompaniment of a
Symphonic Band with great
respect to the original
instrumentation.
Piano Concerto No. 1 Orchestre d'harmonie [Conducteur] - Intermédiaire Baton Music
Concert band Piano and concert band - Grade 5 SKU: BF.BM863-SCORE Compose...(+)
Concert band Piano and
concert band - Grade 5
SKU:
BF.BM863-SCORE
Composed by Pyotr Ilyich
Tschaikowsky. Arranged by
Jos van de Braak. Baton
Music instrumental
series. Full score. Baton
Music #BM863-SCORE.
Published by Baton Music
(BF.BM863-SCORE).
The 'Piano
Concerto No. 1' in B-flat
minor, Op. 23, is one of
the most popular of
Tschaikowsky's
compositions and among
the best known of all
piano concertos. The
concerto follows the
traditional form of three
movements. The
introduction's theme is
notable for its apparent
formal independence from
the rest of the movement.
Despite its very
substantial nature, this
theme is only heard
twice, and it never
reappears at any later
point in the concerto.
But everyone can point
this concerto by hearing
only the first 4 notes of
the concerto. Dutch
arranger Jos van de Braak
transcribed the complete
concerto for piano with
accompaniment of a
Symphonic Band.
Piano Concerto No. 1 Orchestre d'harmonie [Conducteur] - Intermédiaire Baton Music
Concert band Piano and concert band - Grade 5 SKU: BF.BM863-SET Composed ...(+)
Concert band Piano and
concert band - Grade 5
SKU: BF.BM863-SET
Composed by Pyotr Ilyich
Tschaikowsky. Arranged by
Jos van de Braak. Baton
Music instrumental
series. Full Score and
set of parts. Baton Music
#BM863-SET. Published by
Baton Music
(BF.BM863-SET).
The 'Piano
Concerto No. 1' in B-flat
minor, Op. 23, is one of
the most popular of
Tschaikowsky's
compositions and among
the best known of all
piano concertos. The
concerto follows the
traditional form of three
movements. The
introduction's theme is
notable for its apparent
formal independence from
the rest of the movement.
Despite its very
substantial nature, this
theme is only heard
twice, and it never
reappears at any later
point in the concerto.
But everyone can point
this concerto by hearing
only the first 4 notes of
the concerto. Dutch
arranger Jos van de Braak
transcribed the complete
concerto for piano with
accompaniment of a
Symphonic Band.