| Chart Hits: Violin Solo:
Instrumental Album Violon [Partition + Accès audio] - Intermédiaire Hal Leonard
Instrumental Play-Along-A dozen hot contemporary hits are included in this colle...(+)
Instrumental Play-Along-A dozen hot contemporary hits are included in this collection perfect for budding instrumentalists. Instrumental Play-Along Chart Hits comes complete with online access to audio demonstration tracks for download or streaming helping you to hear how the songs should sound and allowing you to play along. Songs include: All About That Bass All of Me Happy Radioactive Roar Say Something Shake It Off A Sky Full of Stars Someone like You Stay with Me Thinking Out Loud and Uptown Funk.
15.99 GBP - vendu par Musicroom GB Délais: En Stock |
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| 101 Hit Songs: Violin
Solo: Instrumental Album Violon [Partition] Hal Leonard
For Violin-This massive collection will keep instrumentalists busy with 101 pop ...(+)
For Violin-This massive collection will keep instrumentalists busy with 101 pop hits to learn and play! Songs include All About That Bass All of Me Brave Breakaway Call Me Maybe Clocks Fields of Gold Firework Hello Hey Soul Sister Ho Hey I Gotta Feeling I Will Remember You Jar of Hearts Love Story 100 Years Roar Rolling in the Deep Royals Say Something Shake It Off Smells like Teen Spirit Uptown Funk When You Say Nothing at All and more.
18.99 GBP - vendu par Musicroom GB Délais: En Stock |
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| Hit Songs for Two
Violins: Violin Solo:
Instrumental Work 2 Violons (duo) [Partition] - Facile Hal Leonard
Easy Instrumental Duets-22 mega hits in easy duet arrangements for two instrumen...(+)
Easy Instrumental Duets-22 mega hits in easy duet arrangements for two instrumentalists are featured in this collection: All About That Bass â?¢ Brave â?¢ Can\'t Stop the Feeling â?¢ Grenade â?¢ Hey Soul Sister â?¢ I Will Wait â?¢ Poker Face â?¢ Say Something â?¢ Shake It Off â?¢ Shape of You â?¢ Story of My Life â?¢ and more. Arrangements work for two alto saxes or can be used with the other woodwind titles from this series.
10.99 GBP - vendu par Musicroom GB Délais: En Stock |
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| Piano Gefällt Mir! ?
Book 5 Piano Quintette: piano, violon, alto,
violoncelle, contre basse [Partition] Bosworth
Von Rihanna bis Fifty Shades of Grey - Spiralbindung. Par . The bestselling seri...(+)
Von Rihanna bis Fifty Shades of Grey - Spiralbindung. Par . The bestselling series Piano Gefällt Mir! continues with Book 5 , featuring 50 more hits from the charts and blockbuster movies, arranged brilliantly for Piano by Hans-Günter Heumann . This edition is spiral-bound so will sit perfectly on a music stand. Including a huge number of hits from some of today's top performers, this is the ideal songbook for beginners to learn some popular songs straight from the charts and movies. Featuring FourFiveSeconds by Rihanna, Kanye West and Paul McCartney, All About That Bass from Meghan Trainor and the instant pop-classic Photograph by Ed Sheeran, Heumann 's arrangements are perfect for beginners, those re-learning thePiano, or even advanced players looking to expand their repertoire or practise sight-reading. The sheer range of songs in Piano Gefällt Mir! means that there really is something for everyone. Well-known songs from new and recent films are also included in this songbook, such as See You Again from 'Fast And Furious 7', Love Me Like You Do from 'Fifty Shades Of Grey' and Yann Tiersen's wonderful theme Watching Lara from 'Goodbye Lenin!' Each song in this fantastic volume features chord symbols, lyrics and useful fingering suggestions, ensuring you can learn to play these songs as quickly as possible. With Hans -Günter Heumann 's Piano Gefällt Mir! , pianists of all ages and abilities can benefit from the diversity of popular songs and the expert arrangements on offer. / Date parution : 2023-07-31/ Recueil / Piano
29.57 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Super Hits for Violin Violon [Partition + Accès audio] Hal Leonard
Solo Arrangements of 15 Chart Breakers with Audio Accompaniment. Par . La célè...(+)
Solo Arrangements of 15 Chart Breakers with Audio Accompaniment. Par . La célèbre collection De Haske Instrumental Play-Along s'enrichit d'un nouveau recueil intitulé Super Hits composé d'une sélection de 15 des plus grands succès internationaux des années 2010. La liste des interprètes se lit comme un Who's Who des plus grands artistes de ces dernières années : de Taylor Swift à Billie Eilish en passant par Camila Cabello, et de Justin Timberlake à Lewis Capaldi ou encore Ed Sheeran, il y en a pour tous les goûts. Les fichiers audio sont disponibles en ligne sous deux formes différentes : une version comportant uniquement l'accompagnement et l'autre avec préenregistrement de la ligne mélodique pour s'entraîner. / Date parution : 2022-02-10/ Recueil / Violon
19.71 EUR - vendu par LMI-partitions Délais: En Stock |
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| Top Hits From Tv Movies
And Musicals Instrumental
Solos Alto seul Alfred Publishing
This series offers a versatile selection of music for flute, clarinet, alto sax,...(+)
This series offers a versatile selection of music for flute, clarinet, alto sax, tenor sax, trumpet, horn in F, trombone, violin, viola, and cello. Each book contains carefully edited arrangements appropriate to each instrument, and is well suited for level 2-3 students. The CD includes a fully orchestrated demo track of each song, which features a live instrumental solo performance, followed by a play-along track. Also included are PDFs of piano accompaniments, and Alfred's Tempo Changer Software. / Alto
28.80 EUR - vendu par LMI-partitions Délais: En Stock |
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| Top Hits From Tv Movies
And Musicals Instrumental
Solos Saxophone Tenor Alfred Publishing
This series offers a versatile selection of music for flute, clarinet, alto sax,...(+)
This series offers a versatile selection of music for flute, clarinet, alto sax, tenor sax, trumpet, horn in F, trombone, violin, viola, and cello. Each book contains carefully edited arrangements appropriate to each instrument, and is well suited for level 2-3 students. The CD includes a fully orchestrated demo track of each song, which features a live instrumental solo performance, followed by a play-along track. Also included are PDFs of piano accompaniments, and Alfred's Tempo Changer Software. / Saxophone Tenor
31.03 EUR - vendu par LMI-partitions Délais: En Stock |
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| Top Hits From Tv Movies
And Musicals Instrumental
Solos Clarinette Alfred Publishing
This series offers a versatile selection of music for flute, clarinet, alto sax,...(+)
This series offers a versatile selection of music for flute, clarinet, alto sax, tenor sax, trumpet, horn in F, trombone, violin, viola, and cello. Each book contains carefully edited arrangements appropriate to each instrument, and is well suited for level 2-3 students. The CD includes a fully orchestrated demo track of each song, which features a live instrumental solo performance, followed by a play-along track. Also included are PDFs of piano accompaniments, and Alfred's Tempo Changer Software. / Clarinette
31.03 EUR - vendu par LMI-partitions Délais: En Stock |
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| Georg Philipp Telemann:
Twelve Fantasias For
Violin: Violin:
Instrumental Album Violon [Partition] Barenreiter
TWV 40:14 - 40:25-Georg Philipp Telemann (1681 - 1767) paid particular attention...(+)
TWV 40:14 - 40:25-Georg Philipp Telemann (1681 - 1767) paid particular attention to the field of chamber music without bass. Intended for the amateur or student these pieces are genuine examples of Baroque music displaying an original devotion to music the effect of which can still be felt today. The 12 Fantasias for Violin without Bass 1735 formally display a cyclic construction with numerous variants. Elements of the sonata the concerto or the suite are taken up and expertly contrasted with one another. The richly developed part writing ensures full use of the playing possibilities of the instrument. About Bärenreiter Urtext: In the international musicworld “Bärenreiter Urtext” is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research. For Bärenreiter “Urtext” is more than just a label – it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer’s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
13.50 GBP - vendu par Musicroom GB Délais: En Stock |
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| Wolfgang Amadeus Mozart:
Sinfonia concertante in
E-flat major K.364:
Violin & Violon et Piano Barenreiter
for Violin Viola and Orchestra-There is no reference to the origin occasion or...(+)
for Violin Viola and Orchestra-There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the 'Symphonie concertante' his special attention. On April 5 1778 he wrote to his father: 'Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon'.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned 'sinfonie concertante' in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart's return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score and parts (BA4900) study score format 22.5 x 16.5cm (TP176) violin viola and piano reduction (BA4900-90) available for sale
12.50 GBP - vendu par Musicroom GB |
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| Wolfgang Amadeus Mozart:
Sinfonia concertante in
E-flat major K.364:
Violin & Violon, Alto et Orchestre Barenreiter
There is no reference to the origin occasion or a performance of the Sinfonia c...(+)
There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the ?Symphonie concertante? his special attention. On April 5 1778 he wrote to his father: ?Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon?.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned ?sinfonie concertante? in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart?s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score and parts (BA4900) study score format 22.5 x 16.5cm (TP176) violin viola and piano reduction (BA4900-90) available for sale
20.00 GBP - vendu par Musicroom GB Délais: En Stock |
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| Wolfgang Amadeus Mozart:
Sinfonia concertante in
E-flat major K.364:
Violin & Violon, Alto et Orchestre [Conducteur] Barenreiter
E flat major-There is no reference to the origin occasion or a performance of t...(+)
E flat major-There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the ?Symphonie concertante? his special attention. On April 5 1778 he wrote to his father: ?Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon?.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned ?sinfonie concertante? in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart?s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score and parts (BA4900) study score format 22.5 x 16.5cm (TP176) violin viola and piano reduction (BA4900-90) available for sale
42.50 GBP - vendu par Musicroom GB Délais: En Stock |
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| Wolfgang Amadeus Mozart:
Sinfonia concertante in
E-flat major K.364:
Violin & Violon, Viole Et Orchestre Barenreiter
There is no reference to the origin occasion or a performance of the Sinfonia c...(+)
There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the “Symphonie concertante” his special attention. On April 5 1778 he wrote to his father: “Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon”.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned “sinfonie concertante” in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart’s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score & parts (BA4900) study score format 22.5 x 16.5cm (TP176) violin viola and piano reduction (BA4900-90) available for sale
6.50 GBP - vendu par Musicroom GB |
|
| Wolfgang Amadeus Mozart:
Sinfonia concertante in
E-flat major K.364:
Violin: Barenreiter
There is no reference to the origin occasion or a performance of the Sinfonia c...(+)
There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the “Symphonie concertante” his special attention. On April 5 1778 he wrote to his father: “Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon”.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned “sinfonie concertante” in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart’s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score & parts (BA4900) study score format 22.5 x 16.5cm (TP176) violin viola and piano reduction (BA4900-90) available for sale
25.50 GBP - vendu par Musicroom GB Délais: En Stock |
|
| Wolfgang Amadeus Mozart:
Sinfonia concertante in
E-flat major K.364:
Violin & Violon, Viole Et Orchestre Barenreiter
There is no reference to the origin occasion or a performance of the Sinfonia c...(+)
There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the “Symphonie concertante” his special attention. On April 5 1778 he wrote to his father: “Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon”.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned “sinfonie concertante” in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart’s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score & parts (BA4900) study score format 22.5 x 16.5cm (TP176) violin viola and piano reduction (BA4900-90) available for sale
6.50 GBP - vendu par Musicroom GB |
|
| Wolfgang Amadeus Mozart:
Sinfonia concertante in
E-flat major K.364:
Violin & Violon, Viole Et Orchestre Barenreiter
There is no reference to the origin occasion or a performance of the Sinfonia c...(+)
There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the “Symphonie concertante” his special attention. On April 5 1778 he wrote to his father: “Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon”.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned “sinfonie concertante” in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart’s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score & parts (BA4900) study score format 22.5 x 16.5cm (TP176) violin viola and piano reduction (BA4900-90) available for sale
5.50 GBP - vendu par Musicroom GB |
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| Sonata G Minor (ECCLES
HENRY) Violoncelle, Piano - Intermédiaire Barenreiter
Par ECCLES HENRY. Henry Eccles left behind a number of smaller works most of whi...(+)
Par ECCLES HENRY. Henry Eccles left behind a number of smaller works most of which were written for violins or flutes. However, the most famous is this Sonata in G minor. Though often played in transcription by violinists and especially by double bass players, the sonata was originally published for cello in four movements – Prelude, Courante, Sarabande and Gigue – accompanied by a figured bass. Little is known about Henry Eccles. Neither his birth nor his death date has been firmly established, ranging respectively between 1675-85 and 1735-45. It is not even certain that he composed this sonata. He probably hailed from London and later served at the court of Louis XV in France. The editorChristoph Sassmannshaus, is the grandson of Egon Sassmannshaus, the founder of the “Early Start” series of string methods. / Niveau : 3 / Répertoire / Violoncelle et Piano
17.34 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Wolfgang Amadeus Mozart:
Sinfonia concertante in
E-flat major K.364:
Violin & Violon, Viole Et Orchestre Barenreiter
There is no reference to the origin occasion or a performance of the Sinfonia c...(+)
There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the “Symphonie concertante” his special attention. On April 5 1778 he wrote to his father: “Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon”.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned “sinfonie concertante” in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart’s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score & parts (BA4900) study score format 22.5 x 16.5cm (TP176) violin viola and piano reduction (BA4900-90) available for sale
6.50 GBP - vendu par Musicroom GB |
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| Isabelle Aboulker: Myla
And The Boat Tree- Myla
et l’arbre bateau:
Children's Voix d'Enfants, Instruments Leduc, Alphonse
For Narrator Children's Choir And Instrumental Accompaniment (Ensemble Version)...(+)
For Narrator Children's Choir And Instrumental Accompaniment (Ensemble Version)-Following on the success of her two operatic works for children and teens ? Douce et Barbe Bleue Les Fables Enchantées Little Thummie and Cendrillon (based on Perrault) as well as the adaptation of Maupassant?s short story The Dumpling (2014) ? Isabelle Aboulker once again hits the bull?s eye with Myla And The Boat-Tree a commission from the Villecroze Music Academy. In 2015 this musical tale for Narrator Children?s Choir and Instrumental Accompaniment was awarded the ?Music for Young Performers Prize? by the French Music Publishers Association. Both in the French version and MarciMeth?s excellent English translation it provides the material for an enthralling educational adventure in which children between the ages of five and eight are invited into their first experience of opera and choir singing. With her trademark finesse and sensitivity the composer tells the story of a little girl dealing with the death of a person she?d cherished above all: her grandfather. Written for choir in unison this tale wafts shimmering melodies over an instrumental accompaniment suffused in turn with gentle melancholy and light humour. An art that speaks from an open heart. The work was written in three versions: for Narrator Children?s Choir and Piano (AL30732) for Narrator Children?s Choir and Trio (Clarinet in Bb Cello and Piano: AL30733) for Narrator Children?s Choir and Instrumental Ensemble (Flute Oboe Clarinet in Bb Bassoon Horn Trumpet in C Trombone Percussion 2 Violins Alto Cello Bass: AL30734) Choral score: AL30743 Listen to Isabelle Aboulker talking about ?Myla and the Boat-Tree?:
61.99 GBP - vendu par Musicroom GB Délais: En Stock |
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| Isabelle Aboulker: Myla
And The Boat Tree- Myla
et l’arbre bateau:
Children's Chorale Unison Unison, Piano [Partition] - Facile Leduc, Alphonse
For Narrator Children's Choir And Instrumental Accompaniment (Piano Version)-Fo...(+)
For Narrator Children's Choir And Instrumental Accompaniment (Piano Version)-Following on the success of her two operatic works for children and teens – Douce et Barbe Bleue Les Fables Enchantées Little Thummie and Cendrillon (based on Perrault) as well as the adaptation of Maupassant’s short story The Dumpling (2014) – Isabelle Aboulker once again hits the bull’s eye with Myla And The Boat-Tree a commission from the Villecroze Music Academy. In 2015 this musical tale for Narrator Children’s Choir and Instrumental Accompaniment was awarded the “Music for Young Performers Prize” by the French Music Publishers Association. Both in the French version and MarciMeth’s excellent English translation it provides the material for an enthralling educational adventure in which children between the ages of five and eight are invited into their first experience of opera and choir singing. With her trademark finesse and sensitivity the composer tells the story of a little girl dealing with the death of a person she’d cherished above all: her grandfather. Written for choir in unison this tale wafts shimmering melodies over an instrumental accompaniment suffused in turn with gentle melancholy and light humour. An art that speaks from an open heart. The work was written in three versions: for Narrator Children’s Choir and Piano (AL30732) for Narrator Children’s Choir and Trio (Clarinet in Bb Cello and Piano: AL30733) for Narrator Children’s Choir and Instrumental Ensemble (Flute Oboe Clarinet in Bb Bassoon Horn Trumpet in C Trombone Percussion 2 Violins Alto Cello Bass: AL30734) Choral score: AL30743 Listen to Isabelle Aboulker talking about “Myla and the Boat-Tree”:
12.99 GBP - vendu par Musicroom GB |
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| Isabelle Aboulker: Myla
And The Boat Tree- Myla
et l’arbre bateau:
Children's Leduc, Alphonse
For Narrator Children's Choir And Instrumental Accompaniment (Choral Version)-F...(+)
For Narrator Children's Choir And Instrumental Accompaniment (Choral Version)-Following on the success of her two operatic works for children and teens – Douce et Barbe Bleue Les Fables Enchantées Little Thummie and Cendrillon (based on Perrault) as well as the adaptation of Maupassant’s short story The Dumpling (2014) – Isabelle Aboulker once again hits the bull’s eye with Myla And The Boat-Tree a commission from the Villecroze Music Academy. In 2015 this musical tale for Narrator Children’s Choir and Instrumental Accompaniment was awarded the “Music for Young Performers Prize” by the French Music Publishers Association. Both in the French version and MarciMeth’s excellent English translation it provides the material for an enthralling educational adventure in which children between the ages of five and eight are invited into their first experience of opera and choir singing. With her trademark finesse and sensitivity the composer tells the story of a little girl dealing with the death of a person she’d cherished above all: her grandfather. Written for choir in unison this tale wafts shimmering melodies over an instrumental accompaniment suffused in turn with gentle melancholy and light humour. An art that speaks from an open heart. The work was written in three versions: for Narrator Children’s Choir and Piano (AL30732) for Narrator Children’s Choir and Trio (Clarinet in Bb Cello and Piano: AL30733) for Narrator Children’s Choir and instrumental ensemble (Flute Oboe Clarinet in Bb Bassoon Horn Trumpet in C Trombone Percussion 2 Violins Alto Cello Bass: AL30734) Choral score: AL30743 Listen to Isabelle Aboulker talking about “Myla and the Boat-Tree”:
5.75 GBP - vendu par Musicroom GB Délais: En Stock |
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| God For Us: SATB: Vocal
Score Chorale SATB [Vocal Score] Integrity Music
A Worship Experience for All Seasons-God for Us proclaims God's goodness and enc...(+)
A Worship Experience for All Seasons-God for Us proclaims God's goodness and encourages believers that He is with us and He is also for us. This Don Moen musical following on his God with Us features beautiful orchestral music choirs spoken parts and testimonies. Titles include I Worship You Almighty God Awesome God Think About His Love Mighty Is Our God and more. Orchestration includes score and parts for Flute 1 2 Oboe Clarinet 1 2 Trumpet 1-3 Horn 1 2(Alto Sax) Trombone 1 2 (Tenor Sax/Baritone Treble Clef) Trombone 3/Tuba Violin 1 2 Viola (Clarinet 3) Cello (Bassoon/Bass Clarinet) String Bass Synthesizer String Reduction Drums Percussion 1 2 Rhythm(Piano/Guitar/Bass). SATB Listening Cassette Listening CD Cassette Accompaniment Trax (Split) Cassette Accompaniment Trax (Stereo) CD Accompaniment Trax (Split) CD Accompaniment Trax (Stereo) Ochestration Preview Pack(Cassette) Preview Pack (CD) Bulletin Pack (100).
9.99 GBP - vendu par Musicroom GB |
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