Arr. Andrew R. Mackereth. Par NYSTROM MARTIN. / Niveau : 3 / Répertoire / Fanfare

Arr. Andrew R. Mackereth. Par NYSTROM MARTIN. / Niveau : 3 / Répertoire / Brass Band

Bob Chilcott And David Blackwell. Carols for Choirs: Book Cinq comprend 50 chants superbes pour fêter les 50 ans des célèbres Chants pour les séries chorales. De nouveaux arrangements de Bob Chilcott et David Blackwell, ainsi que des compositions originales, y compris de nombreux écrite spécialement pour cette collection. Un large éventail de compositeurs sont présentés, y compris Alan Bullard, Bob Chilcott, Gabriel Jackson, Philip Ledger, Jaakko Mantyjarvi, Mathew Martin, Cecilia McDowall, Francis Pott, John Rutter, Carl Rutti, et David Willcocks. Un mélange équilibré d'éléments accompagnés et non accompagnés, y compris l'ordre de service pour un festival de neuf leçons et cantiques de Noël. Les volumes de Carols for Choirs se sont imposés comme les livres carol quintessence de chanteurs carol à travers le monde. Comme ses prédécesseurs, Carols for Choirs 5 présente un large éventail de chants de Noël pour toutes les occasions, allant de la musique classique superbement arrangés pour les meilleures compositions originales. La collection met en valeur les noms très mieux établis et les nouveaux dans la composition chorale d'aujourd'hui, tant dans le Royaume-Uni et dans le monde entier./ Recueil / SATB et Piano

Arr. Andrew R. Mackereth. Par NYSTROM MARTIN. / Niveau : 3 / Répertoire / Brass Band

Dubbed to be 'the first choral boyband', The Choirboys present their unique take on popular and classical favourites, all arranged here for Piano, Voice and Guitar. Like all boys their age, these three youngsters enjoy football, computer games and rock music. More unusually, Ben, Patrick and CJ also enjoy centuries-old choral music by the greatest classical composers. This junior version of the Three Tenors was formed following a nationwide search that took talent scouts to nearly 50 cathedrals and churches all over the country. This is the matching songbook to the trio's debut album, recorded during their summer holidays at the All Saints Church in Tooting, London with the English Chamber Ensemble under Martin Neary. The trio are favourites to be Christmas number one with their version of the Eric Clapton song Tears in Heaven . / Piano/Vocal/Guitare (PVG)

Dip In to this great selection of popular songs, jazz standards, film themes and show tunes! All the tunes are specially arranged for Clarinet, with chord symbols at concert pitch for easy accompaniment, and are graded to suit a wide range of playing levels. Each song is awarded a star rating based on difficulty - making this folio ideal for everyone, from the beginning clarinet player to the experienced musician. Includes hit songs by The Beatles, Coldplay, Oasis, Elvis Presley, KT Tunstall, James Blunt, Frank Sinatra, Andrew Lloyd Webber, Jeff Buckley and many more. Where else can you find such a fun collection of tunes, from such a wide variety of artists? / Clarinette / 160 pages / Partition

The Big New Christmas Songbook includes singalong lyrics to 20 of the all-time greatest Christmas songs, as well as a download card that gives you instant online access to printable song sheets with the top line melody and Guitar chord boxes, as well as professional studio-quality backing tracks for every song.Full lyrics are included for some of the finest festive tunes ever written, drawn from a range of genres and decades. From the classics like Frank Sinatra's Have Yourself A Merry Little Christmas and Dean Martin's Let It Snow! Let It Snow! Let It Snow! to popular favourites like Shakin' Stevens' Merry Christmas Everyone and Slade's Merry Xmas Everybody, these songs are sure to guarantee a wonderful singalong this Christmas time.Using the enclosed download card, you can access professional studio quality backing tracks for every song, as well as printable song sheets that include Guitar chord boxes and top line melody. All of this combined makes The Big New Christmas Songbook the ideal collection of Christmas tunes for those singalongs by the fireside on a cold December night. / Lignes Mélodiques/Paroles/Accords

Partie de la collection de titres pour célébrer les 1 000 premiers singles UK No.1, cette énorme anthologie est emballée avec vos visites très préférés. Plus de 100 ceux de nombre de ces dernières années sont présentés dans cette sélection a ne pas manquer, tous présentée pour vous avec paroles complètes et guide de corde de guitare. Comprend des chansons par The Clash, The Spice Girls, de U2 et de Ricky Martin, pour ne nommer que quelques-uns ! / Chant Et Guitare / 256 pages / Partition

This book offers teachers and students a wide selection of literature to help pace musical and technical development evenly and with ease. The book presents appropriate teaching literature by 14 composers who wrote inspirationally for the intermediate student. The pieces in this book are primarily from Levels 7 and 8, according to Jane Magrath's The Pianist's Guide to Standard Teaching and Performance Literature. Titles include: Prelude in D Minor, BWV 926 (J. S. Bach) * Prelude in D Minor, BWV 940 (J. S. Bach) * Sonata in F Major, K. 78 (Scarlatti) * Sonata in G Major, K. 391 (Scarlatti) * Sonata in C Major, K. 309 (Scarlatti) * Sonata in A Minor, K. 149 (Scarlatti) * Viennese Sonatina No. 1 in C Major (1st movement) (Mozart) * Viennese Sonatina No. 2 in A Major (1st movement) (Mozart) * Viennese Sonatina No. 6 in C Major (1st and 3rd movements) (Mozart) * Sonatina in G Major, Hob. XVI: 8 (1st movement) (Haydn) * Sonatina in F Major, Hob. XVI: 9 (1st movement) (Haydn) * Sonatina in C Major, Hob. XVI: 10 (1st movement) (Haydn) * Bagatelle in G Minor, Op. 119, No. 1 (Beethoven) * Bagatelle in D Major, Op. 119, No. 3 (Beethoven) * Bagatelle in A Minor, Op. 119, No. 9 (Beethoven) * German Dance in D Major, D. 783, No. 2 (Schubert) * Waltz in B Minor, D. 145, No. 6 (Schubert) * Waltz in A-flat Major, D. 365, No. 2 (Schubert) * Two Ecossaises, D. 421, Nos. 1 and 2 (Schubert) * Album leaf in F-sharp Minor, Op. 99, No. 4 (Schumann) * From Foreign Lands and Places, Op. 15, No. 1 (Schumann) * Mignon, Op. 68, No. 35 (Schumann) * Important Event, Op. 15, No. 6 (Schumann) * Prelude in A Major, Op. 28, No. 7 (Chopin) * Mazurka in F Major, Op. 68, No. 3 (Chopin) * Mazurka in G Minor, Op. 67, No. 2 (Chopin) * Mazurka in G Major, Op. Post (Chopin) * Mazurka in B-flat Major, Op. Post (Chopin) * Song of the Cowherd, Op. 17, No. 22 (Grieg) * Waltz, Op. 38, No. 7 (Grieg) * Norwegian Melody, Op. 12, No. 6 (Grieg) * The Little Shepherd (Debussy) * Album Leaf (Debussy) * Braul (Bartok) * Buciumeana (Bartok) * The Farewell, Op. 21, No. 3 (Borkiewicz) * Venice, Op. 21, No. 7 (Borkiewicz) * Pierrot's Serenade (Martinu) * Columbine Remembers (Martinu) * Prelude (Fragment) (Gershwin) * Merry Andrew (Gershwin) * Promenade (Walking the Dog) (Gershwin).

Three jazz hymns. These jazz arrangements of well-known hymns were written for Andrew Earis and choirs of St Martin-in-the-Fields, London for various services and BBC broadcasts from that church. The setting of Come down, O Love divine supplies some new harmonic moves to Vaughan Williams? lovely tune Down Ampney, gradually adding vocal harmony through the verses, with a short descant section in the final verse. The compound-time arrangement of God is Love, which can also be sung to the supplied words of Charles Wesley?s hymn Love Divine, again adds more of Todd?s iconic jazz harmonies and textures in the vocal parts with each successive verse. The setting of Let all mortal flesh keep silence is structured to gradually build layers over the moody piano chords and the pedal harmony. At the end the music builds to a large climax for ?Lord most high?. The hymns can be performed using the supplied piano part or using the chord symbols above. Double bass may also be used in addition to piano, again following the supplied chord symbols, and parts for optional jazz ensemble are available. Performers of these hymns should feel free to include the congregation or audience in imaginative ways.

Sébastien Michaud / « Que quelqu un leur indique l adresse d un tailleur, et ces Depeche Mode iront loin », pouvait-on lire dans les pages de l Evening Echo, à Basildon, à la fin de l année 1980... Un quart de siècle plus tard, Martin Gore, Dave Gahan et Andrew Fletcher ont non seulement donné raison à l auteur de cette remarque, mais en ont aussi profité, au passage, pour s imposer comme un des plus grands groupes de l histoire du rock anglais, écoulant au final plus de soixante-dix millions d albums à travers le monde. Un groupe d abord exclusivement tourné vers les synthétiseurs, digne héritier des Allemands de Kraftwerk, puis s inventant, sans jamais se départir de ses valeurs de base, une identité sonore unique. Survivant tour à tour aux critiques incendiaires, aux départs de ses musiciens les plus aguerris, aux overdoses et aux conflits d ego, Depeche Mode explore sans répit depuis plus de vingt-cinq ans les chapelles électro, indus, pop, rock, folk et blues, fusionnant les genres ou les redéfinissant selon ses propres critères. Le résultat ? Un nombre impressionnant de chansons immortelles, truffées de grandes mélodies et de textes à la portée universelle.