Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)

This artist-approved folio features P/V/G arrangements for all 12 tracks from Ingrid's sophomore CD which she refers to as her big girl record. Contains: Are We There Yet - The Chain - Everybody - Incredible Love - Locked Up - Maybe - Men of Snow - Mountain and the Sea - Once Was Love - So Long - Soldier - and Sort Of plus a great bio and photos.

Par GILBERT WILLIAM SCHWENCK / SULLIVAN ARTHUR. The Mikado , or The Town of Titipu , is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. Available here is the Vocal Score for the Opera. / Niveau : Assez Facile / TV, Film, Comédie musicale / Recueil / Chant et Piano

A collection of classic songs to keep children of all ages entertained while on the road. The handy pocket-size format is perfect to carry with you on those long journeys. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)

Budget Books, une collection au rapport qualité-prix extraordinaire présente Broadway songs, arrangé pour PVG. 76 chansons tirées de 46 spectacles, dont La Belle et la Bête, Cabaret, Cats, Jekyll and Hyde, Les Misérables, The Music Man, Oklahoma!. / Musiques de films and comédies musicales / Partition /

KT Tunstall has had a recurring dream since she was a child. She sees a tiger in her garden and goes outside to stroke it. She returns indoors and is seized by the fear that she could have been killed. Over the years, it has occurred to her that the reason the tiger responds so passively is that she herself is disguised as a tiger. That she is wearing a tiger suit.The Brit Award-winning singer has tapped into that childlike boldness in the making of her third album. Tiger Suit heralds the start of a new musical adventure for KT, where organic instrumentation blends with dance friendly textures, the results of which KT has dubbed as 'Nature Techno'.Elements of all the influences that make up 'Tiger Suit' come together in the stunning first single (Still A) Weirdo, one of the last songs to be written for the album. A beautiful acoustic guitar line floats through organic and electronic rhythm sounds, while the lyrics are some of KT's most personal and affecting. Of the song that is sure to strike a chord with many, KT says: 'I had this idea when I was younger that you automatically became more intelligent as you got older. Indeed I am slightly cleverer, as I now know it was stupid to think that!?And looking back on the making of the album as a whole, she continues: 'I really went out of my comfort zone and wandered off further than expected,? she says, 'and it made me realise I can do anything. There are no rules, there are no constraints, it's just about what you've got the balls to do.?The album has received consistently high ratings, including 4.5 stars from Stephen Thomas Erlewine of Allmusic, saying it is 'built upon Tunstall's strongest set of songs yet' and calling it 'an excellent album that satisfies as pure sound and as songwriting sustenance'.This official matching folio contains all the songs from the album arranged for Piano and Voice with Guitar Chords. / Piano/Vocal/Guitare (PVG)

Par BAY WILLIAM. This is a collection of 155 solos for trumpet, cornet, or flugelhorn. Ninety-one were recorded on various trumpets, 37 were recorded on cornet and 27 on flugelhorn. One hundred and fourteen are original compositions and the remaining 41 are arrangements on favorite hymns and sacred songs. A warm-up study is also included. This compilation comprises 6 books; Trumpet Chants; Trumpet Tone Poems, Trumpet Ballads and Waltzes, Trumpet Partitas, Soliloquies for Flugelhorn, Trumpet or Cornet, and Hymns for Unaccompanied Trumpet. Many of the pieces have been revised and new ones have been added. Each book was recorded with a different instrument although Trumpet Ballads and Waltzes and Trumpet Partitas were both recorded with a cornet. However, a different mouthpiece was used for each of those two recordings, thus giving each a slightly different sound. Both the instrument and the mouthpiece used are noted on the title page of each section. Most of the selections are aimed at developing tone and lyricism on the trumpet. However, Trumpet Partitas definitely addresses technical issues. There is a wealth of music in this collection, and it will add much to trumpet practice and performance repertoire. Includes access to an online recording of the author performing each of the 155 solos. / Date parution : 2023-06-01/ Recueil / Trompette

Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ' Maintenance ' Reeds ' Mouthpieces ' Ligatures ' Sound ' Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW's alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it's all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here's the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book's 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn't think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, 'Now the Fun Begins'. There are also interesting side comments we don't often hear like: in the 70s so many young players like Ponzol were trying to get Trane's recorded sound by working on metal Links because that's what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn't have as much spit in the sound for him. It's interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I've never heard anyone else recommend these exercises and yet here they are in Peter's book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So 'the circle is unbroken' LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.

Apprenez à jouer plus de 140 riffs de guitare. Dur Rock au métal, en passant par le Blues et le Funk, ce livre regroupe des riffs arrangés pour guitare en notation standard et tablatures, avec des photos, conseils de jeu, paroles. / Guitare Tablatures / Partition