| Fanfare and Jubilation [Conducteur] - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bass Trombone, Bassoon, Bells, Clarinet 1, Clarin...(+)
Band Bass Clarinet, Bass
Drum, Bass Trombone,
Bassoon, Bells, Clarinet
1, Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Timpani,
Trombone, Trumpet 1 and
more. - Grade 1 SKU:
CF.BPS137F Composed
by Michael Boo. Sws. Bps.
Full score. 16 pages.
Duration 2:20. Carl
Fischer Music #BPS137F.
Published by Carl Fischer
Music (CF.BPS137F).
ISBN 9781491158494.
UPC: 680160917099. 9 x 12
inches. Fanfare and
Jubilation is a Grade 1
work that is playable by
any beginning band with
any instrumentation due
to extensive doubling.
The mood is regal and
optimistic and is
non-programmatic,
conveying no picturesque
image or storyline. It is
appropriate for any
occasion. Accents are to
be emphasized more than
non-accented notes, but
are not to be hammered
hard. Stress that
accented notes are to be
played with the same good
tone as the other notes
and that pitches should
not suffer from the
additional emphasis.
Think of the accents as
more of an additional
emphasis from the air
column and not the
tongue. Percussion
accents are to played
with more emphasis than
non-accented notes, but
shouldnat be perceived as
being much louder.
Timpani is only two
pitches and is optional.
The piece will not suffer
at all if you donat have
access to Timpani or a
timpanist. Bells cover a
wide rangea|the lower
octave sections should
not be played louder just
because theyare low
pitched, as those notes
will still be
appropriately heard while
supporting the melody. Do
not use brass mallets.
Balter 10 Phenolic
mallets or equivalent
(such as clear Balter
Lexan or white Medium
Hard Poly models) are
most appropriate. Think
of the m. 10 accented
quarter notes tied to the
half notes (and similar
later examples) as being
akin to Horn rips in a
Hollywood movie. They are
to be emphasized slightly
but should not be
blaring. Even though they
are the only things
happening on counts 2 and
3, care must be given
that the young players
donat get carried away
and give them more
emphasis than is
musically desired. At m.
21, be careful that the
bass line isnat plodding
or over-emphasized due to
the accents. Those
players should be aware
of the sudden drop in
volume and lack of
accents at m. 25.
Attention to sudden
dynamic shifts will add
interest to the piece and
present a more musical
performance. Throughout
this entire section, try
to get all winds to
sustain a single breath
through four bars until
the breath marks. If they
are unable to do so,
please explain the
concept of staggered
breathing between members
of their section. There
may be a tendency among
the players to blast out
m. 57 to the end. Notes
should have more power
than the section from mm.
21-56, but are still to
be approached musically.
Explaining such concepts
during their early
musical development will
go far in helping them
develop good traits that
will pay off dividends in
the future. Fanfare
and Jubilation is a Grade
1 work that is playable
by any beginning band
with any instrumentation
due to extensive
doubling. The mood is
regal and optimistic and
is non-programmatic,
conveying no picturesque
image or storyline. It is
appropriate for any
occasion. Accents are to
be emphasized more than
non-accented notes, but
are not to be hammered
hard. Stress that
accented notes are to be
played with the same good
tone as the other notes
and that pitches should
not suffer from the
additional emphasis.
Think of the accents as
more of an additional
emphasis from the air
column and not the
tongue. Percussion
accents are to played
with more emphasis than
non-accented notes, but
shouldn't be perceived as
being much louder.
Timpani is only two
pitches and is optional.
The piece will not suffer
at all if you don't have
access to Timpani or a
timpanist. Bells cover a
wide range...the lower
octave sections should
not be played louder just
because they're low
pitched, as those notes
will still be
appropriately heard while
supporting the melody. Do
not use brass mallets.
Balter 10 Phenolic
mallets or equivalent
(such as clear Balter
Lexan or white Medium
Hard Poly models) are
most appropriate. Think
of the m. 10 accented
quarter notes tied to the
half notes (and similar
later examples) as being
akin to Horn rips in a
Hollywood movie. They are
to be emphasized slightly
but should not be
blaring. Even though they
are the only things
happening on counts 2 and
3, care must be given
that the young players
don't get carried away
and give them more
emphasis than is
musically desired. At m.
21, be careful that the
bass line isn't plodding
or over-emphasized due to
the accents. Those
players should be aware
of the sudden drop in
volume and lack of
accents at m. 25.
Attention to sudden
dynamic shifts will add
interest to the piece and
present a more musical
performance. Throughout
this entire section, try
to get all winds to
sustain a single breath
through four bars until
the breath marks. If they
are unable to do so,
please explain the
concept of staggered
breathing between members
of their section. There
may be a tendency among
the players to blast out
m. 57 to the end. Notes
should have more power
than the section from mm.
21-56, but are still to
be approached musically.
Explaining such concepts
during their early
musical development will
go far in helping them
develop good traits that
will pay off dividends in
the future. Fanfare
and Jubilation is a Grade
1 work that is playable
by any beginning band
with any instrumentation
due to extensive
doubling. The mood is
regal and optimistic and
is non-programmatic,
conveying no picturesque
image or storyline. It is
appropriate for any
occasion.Accents are to
be emphasized more than
non-accented notes, but
are not to be hammered
hard. Stress that
accented notes are to be
played with the same good
tone as the other notes
and that pitches should
not suffer from the
additional emphasis.
Think of the accents as
more of an additional
emphasis from the air
column and not the
tongue.Percussion accents
are to played with more
emphasis than
non-accented notes, but
shouldn’t be
perceived as being much
louder. Timpani is only
two pitches and is
optional. The piece will
not suffer at all if you
don’t have access
to Timpani or a
timpanist. Bells cover a
wide range…the
lower octave sections
should not be played
louder just because
they’re low
pitched, as those notes
will still be
appropriately heard while
supporting the melody. Do
not use brass mallets.
Balter 10 Phenolic
mallets or equivalent
(such as clear Balter
Lexan or white Medium
Hard Poly models) are
most appropriate.Think of
the m. 10 accented
quarter notes tied to the
half notes (and similar
later examples) as being
akin to Horn rips in a
Hollywood movie. They are
to be emphasized slightly
but should not be
blaring. Even though they
are the only things
happening on counts 2 and
3, care must be given
that the young players
don’t get carried
away and give them more
emphasis than is
musically desired.At m.
21, be careful that the
bass line isn’t
plodding or
over-emphasized due to
the accents. Those
players should be aware
of the sudden drop in
volume and lack of
accents at m. 25.
Attention to sudden
dynamic shifts will add
interest to the piece and
present a more musical
performance. Throughout
this entire section, try
to get all winds to
sustain a single breath
through four bars until
the breath marks. If they
are unable to do so,
please explain the
concept of staggered
breathing between members
of their section.There
may be a tendency among
the players to blast out
m. 57 to the end. Notes
should have more power
than the section from mm.
21-56, but are still to
be approached musically.
Explaining such concepts
during their early
musical development will
go far in helping them
develop good traits that
will pay off dividends in
the future. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Fanfare and Jubilation - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bass Trombone, Bassoon, Bells, Clarinet 1, Clarin...(+)
Band Bass Clarinet, Bass
Drum, Bass Trombone,
Bassoon, Bells, Clarinet
1, Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Timpani,
Trombone, Trumpet 1 and
more. - Grade 1 SKU:
CF.BPS137 Composed by
Michael Boo. Folio. Bps.
Set of Score and Parts.
4+4+2+4+4+2+2+3+2+2+2+4+4
+3+2+2+2+3+1+1+2+1+16
pages. Duration 2:20.
Carl Fischer Music
#BPS137. Published by
Carl Fischer Music
(CF.BPS137). ISBN
9781491158487. UPC:
680160917082. 9 x 12
inches. Fanfare and
Jubilation is a Grade 1
work that is playable by
any beginning band with
any instrumentation due
to extensive doubling.
The mood is regal and
optimistic and is
non-programmatic,
conveying no picturesque
image or storyline. It is
appropriate for any
occasion. Accents are to
be emphasized more than
non-accented notes, but
are not to be hammered
hard. Stress that
accented notes are to be
played with the same good
tone as the other notes
and that pitches should
not suffer from the
additional emphasis.
Think of the accents as
more of an additional
emphasis from the air
column and not the
tongue. Percussion
accents are to played
with more emphasis than
non-accented notes, but
shouldnat be perceived as
being much louder.
Timpani is only two
pitches and is optional.
The piece will not suffer
at all if you donat have
access to Timpani or a
timpanist. Bells cover a
wide rangea|the lower
octave sections should
not be played louder just
because theyare low
pitched, as those notes
will still be
appropriately heard while
supporting the melody. Do
not use brass mallets.
Balter 10 Phenolic
mallets or equivalent
(such as clear Balter
Lexan or white Medium
Hard Poly models) are
most appropriate. Think
of the m. 10 accented
quarter notes tied to the
half notes (and similar
later examples) as being
akin to Horn rips in a
Hollywood movie. They are
to be emphasized slightly
but should not be
blaring. Even though they
are the only things
happening on counts 2 and
3, care must be given
that the young players
donat get carried away
and give them more
emphasis than is
musically desired. At m.
21, be careful that the
bass line isnat plodding
or over-emphasized due to
the accents. Those
players should be aware
of the sudden drop in
volume and lack of
accents at m. 25.
Attention to sudden
dynamic shifts will add
interest to the piece and
present a more musical
performance. Throughout
this entire section, try
to get all winds to
sustain a single breath
through four bars until
the breath marks. If they
are unable to do so,
please explain the
concept of staggered
breathing between members
of their section. There
may be a tendency among
the players to blast out
m. 57 to the end. Notes
should have more power
than the section from mm.
21-56, but are still to
be approached musically.
Explaining such concepts
during their early
musical development will
go far in helping them
develop good traits that
will pay off dividends in
the future. Fanfare
and Jubilation is a Grade
1 work that is playable
by any beginning band
with any instrumentation
due to extensive
doubling. The mood is
regal and optimistic and
is non-programmatic,
conveying no picturesque
image or storyline. It is
appropriate for any
occasion. Accents are to
be emphasized more than
non-accented notes, but
are not to be hammered
hard. Stress that
accented notes are to be
played with the same good
tone as the other notes
and that pitches should
not suffer from the
additional emphasis.
Think of the accents as
more of an additional
emphasis from the air
column and not the
tongue. Percussion
accents are to played
with more emphasis than
non-accented notes, but
shouldn't be perceived as
being much louder.
Timpani is only two
pitches and is optional.
The piece will not suffer
at all if you don't have
access to Timpani or a
timpanist. Bells cover a
wide range...the lower
octave sections should
not be played louder just
because they're low
pitched, as those notes
will still be
appropriately heard while
supporting the melody. Do
not use brass mallets.
Balter 10 Phenolic
mallets or equivalent
(such as clear Balter
Lexan or white Medium
Hard Poly models) are
most appropriate. Think
of the m. 10 accented
quarter notes tied to the
half notes (and similar
later examples) as being
akin to Horn rips in a
Hollywood movie. They are
to be emphasized slightly
but should not be
blaring. Even though they
are the only things
happening on counts 2 and
3, care must be given
that the young players
don't get carried away
and give them more
emphasis than is
musically desired. At m.
21, be careful that the
bass line isn't plodding
or over-emphasized due to
the accents. Those
players should be aware
of the sudden drop in
volume and lack of
accents at m. 25.
Attention to sudden
dynamic shifts will add
interest to the piece and
present a more musical
performance. Throughout
this entire section, try
to get all winds to
sustain a single breath
through four bars until
the breath marks. If they
are unable to do so,
please explain the
concept of staggered
breathing between members
of their section. There
may be a tendency among
the players to blast out
m. 57 to the end. Notes
should have more power
than the section from mm.
21-56, but are still to
be approached musically.
Explaining such concepts
during their early
musical development will
go far in helping them
develop good traits that
will pay off dividends in
the future. Fanfare
and Jubilation is a Grade
1 work that is playable
by any beginning band
with any instrumentation
due to extensive
doubling. The mood is
regal and optimistic and
is non-programmatic,
conveying no picturesque
image or storyline. It is
appropriate for any
occasion.Accents are to
be emphasized more than
non-accented notes, but
are not to be hammered
hard. Stress that
accented notes are to be
played with the same good
tone as the other notes
and that pitches should
not suffer from the
additional emphasis.
Think of the accents as
more of an additional
emphasis from the air
column and not the
tongue.Percussion accents
are to played with more
emphasis than
non-accented notes, but
shouldn’t be
perceived as being much
louder. Timpani is only
two pitches and is
optional. The piece will
not suffer at all if you
don’t have access
to Timpani or a
timpanist. Bells cover a
wide range…the
lower octave sections
should not be played
louder just because
they’re low
pitched, as those notes
will still be
appropriately heard while
supporting the melody. Do
not use brass mallets.
Balter 10 Phenolic
mallets or equivalent
(such as clear Balter
Lexan or white Medium
Hard Poly models) are
most appropriate.Think of
the m. 10 accented
quarter notes tied to the
half notes (and similar
later examples) as being
akin to Horn rips in a
Hollywood movie. They are
to be emphasized slightly
but should not be
blaring. Even though they
are the only things
happening on counts 2 and
3, care must be given
that the young players
don’t get carried
away and give them more
emphasis than is
musically desired.At m.
21, be careful that the
bass line isn’t
plodding or
over-emphasized due to
the accents. Those
players should be aware
of the sudden drop in
volume and lack of
accents at m. 25.
Attention to sudden
dynamic shifts will add
interest to the piece and
present a more musical
performance. Throughout
this entire section, try
to get all winds to
sustain a single breath
through four bars until
the breath marks. If they
are unable to do so,
please explain the
concept of staggered
breathing between members
of their section.There
may be a tendency among
the players to blast out
m. 57 to the end. Notes
should have more power
than the section from mm.
21-56, but are still to
be approached musically.
Explaining such concepts
during their early
musical development will
go far in helping them
develop good traits that
will pay off dividends in
the future. $53.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Trumpets at Jericho [Conducteur] Theodore Presser Co.
Chamber Music Piano, Trumpet 1, Trumpet 2 SKU: PR.114418370 Composed by S...(+)
Chamber Music Piano,
Trumpet 1, Trumpet 2
SKU: PR.114418370
Composed by Stacy Garrop.
Full score. With Standard
notation. 12+4+4 pages.
Duration 5:30. Theodore
Presser Company
#114-41837. Published by
Theodore Presser Company
(PR.114418370). ISBN
9781491111987. UPC:
680160641895. Drama
tic and declaratory, THE
TRUMPETS AT JERICHO is a
5½-minute fantasy
inspired by the famous
biblical story, including
captions in the music as
the drama unfolds. The
Israelites cross the
Jordan River in pursuit
of the conquest of
Canaan, with Jericho as
the first city in their
path. They circled the
city’s walls once
a day for six days, led
by blaring trumpets. THE
TRUMPETS AT JERICHO
traces the
Israelites’
activities on the seventh
day, in which they circle
the walls seven times,
triumphantly bringing
down the walls amidst
trumpet blasts. The work
ends with the trumpets
paying tribute to
Jericho’s
dead. When the Chicago
Chamber Musicians
commissioned me to write
a new work for trumpeters
Barbara Butler and
Charlie Geyer, Barbara
and Charlie told me about
several historical and
fictional stories that
involved trumpets. One
that vividly captured my
imagination was the
battle of Jericho. In
this biblical story, the
Israelites cross the
Jordan River in their
pursuit of the conquest
of Canaan; Jericho was
the first city in their
path. As instructed by
God, the Israelites
circled the city’s
walls once a day for six
days, led by blaring
trumpets. The Trumpets at
Jericho traces the
Israelites’
activities on the seventh
day, in which they circle
the walls seven times and
triumphantly bring down
the walls amidst trumpet
blasts. The piece ends
with the trumpets paying
tribute to
Jericho’s
dead. $21.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Farewell Orchestre d'harmonie - Facile Molenaar Edition
Concert Band - Grade 3 SKU: ML.013777070 Composed by Eric Swiggers. Full ...(+)
Concert Band - Grade 3
SKU: ML.013777070
Composed by Eric
Swiggers. Full set.
Molenaar Edition
#013777070. Published by
Molenaar Edition
(ML.013777070).
Farewell was
composed at the farewell
of Fanfare
Trompetterkorps Der
Cavalerie in 1993. The
work is based on 2 of the
most famous tattoo
signals in military
music: Reveille and
Tattoo. Farewell opens
festively with blasting
trumpets and then
continues with a somewhat
melancholy melody based
on the reveille theme.
After interweaving all
the signals and themes in
the work's climax, the
work ends quietly, with
in the distance a lone
trumpet playing the
tattoo
signal....
Farew
ell werd gecomponeerd bij
het afscheid van Fanfare
Trompetterkorps Der
Cavalerie in 1993. Het
werk is gebaseerd op 2
van de bekendste
taptoesignalen uit de
militaire muziek:
Reveille en Taptoe.
Farewell opent feestelijk
met stralende trompetten
en vervolgt dan met een
wat melancholieke
melodie, gebaseerd op het
reveille thema. Nadat in
het hoogtepunt van het
werk alle signalen en
thema's met elkaar
verweven zijn eindigt het
werk verstild, met 'in de
verte' een eenzame
trompet die het
taptoesignaal
speelt....
Farewel
l a été composée à
l'occasion des adieux de
la Fanfare
Trompetterkorps Der
Cavalerie en 1993.
L'œuvre est basée sur
deux des signaux de
tatouage les plus
célèbres de la musique
militaire : Reveille et
Tattoo. Farewell s'ouvre
de manière festive avec
des trompettes explosives
et se poursuit avec une
mélodie quelque peu
mélancolique basée sur
le thème du Réveil.
Après que tous les
signaux et thèmes se
sont entremêlés dans le
point culminant de
l'œuvre, celle-ci se
termine tranquillement,
avec au loin une
trompette solitaire
jouant le signal de
tatouage....
Farew
ell wurde anlässlich der
Verabschiedung des
Fanfaren Trompetterkorps
Der Cavalerie im Jahr
1993 komponiert. Das Werk
basiert auf 2 der
berühmtesten
Zapfenstreichsignale in
der Militärmusik:
Reveille und Tattoo.
Farewell beginnt
feierlich mit
schmetternden Trompeten
und setzt dann mit einer
etwas melancholischen
Melodie fort, die auf dem
Reveille-Thema basiert.
Nachdem alle Signale und
Themen im Höhepunkt des
Werks miteinander
verwoben sind, endet das
Werk ruhig, wobei in der
Ferne eine einsame
Trompete das
Tätowierungssignal
spielt.... $118.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Combo Blasters Take 3! Partie séparée [Partition] Alfred Publishing
(An All-Purpose Book for Games, Pep Rallies and Other Stuff). Arranged by Victor...(+)
(An All-Purpose Book for
Games, Pep Rallies and
Other Stuff). Arranged by
Victor Lopez. For B-Flat
Instruments (Trumpet,
Clarinet). Marching Band
Collection. Book.
Published by Alfred
Publishing.
$3.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Combo Blasters Take 3! Partie séparée [Partition] Alfred Publishing
(An All-Purpose Book for Games, Pep Rallies and Other Stuff). Arranged by Victor...(+)
(An All-Purpose Book for
Games, Pep Rallies and
Other Stuff). Arranged by
Victor Lopez. For B-Flat
Instruments (Trumpet,
Clarinet). Marching Band
Collection. Book.
Published by Alfred
Publishing.
$3.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Prayer Schott
Chamber Ensemble; Tenor (Score & Parts) SKU: HL.49045281 Tenor, Chambe...(+)
Chamber Ensemble; Tenor
(Score & Parts) SKU:
HL.49045281 Tenor,
Chamber Choir, Organ,
Harp, Trumpet, Cello.
Composed by Alvin
Singleton. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Softcover.
Composed 2016. 42 pages.
Duration 21'. Schott
Music #ED30160. Published
by Schott Music
(HL.49045281). ISBN
9781495078989. UPC:
888680651466.
9.0x12.0x0.3 inches.
English. Prayer is
one of the composer's
most original and
sophisticated works. The
typical African-American
church service seems to
be a source for this
piece with its interplay
of sections and colors,
yet the work in form and
rhythmic choices is
clearly 'classical' and
never breaks out into
easy imitations of, for
example, gospel music.The
work opens with the choir
singing the spiritual 'My
Lord, What a Mornin'' in
octaves, sung flat-out a
cappella, as might happen
in church. The
instrumental section
following this opening
feels very much like a
thoughtful response by
the congregation.
Instruments seem to
behave like individual
churchgoers, colorfully
dressed and answering
various episodes with
individual thoughts. As
for any fears that the
mighty organ might drown
out the proceedings,
Singleton puts that to
rest by employing it
almost like another choir
or section of the choir.
The trumpet soloist does
not blast us into heaven,
it tends to sing and, we
find out later, is
preparing us for the
spiritual 'Where Shall I
Be When the Firs' Trumpet
Soun'?' Even the tenor
soloist behaves much like
just another (but still
important) instrument.The
composer has chosen to
not only feature
spirituals, but also to
set a poetic text called
A Christian Prayer, whose
main message, almost like
some modern-day Kyrie,
calls out 'save us teach
us ' and extols the
importance of humility
and the defeat of
violence. Singleton has
always been a composer
who has simultaneously
answered the call to
carry out what he feels
is his duty to his fellow
humans while using the
finest of his art to do
so, and Prayer finds him
at the top of his game.-
Carman Moore. $84.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Celtic Encyclopedia - Mandolin Edition Mandoline [Partition] - Facile Mel Bay
by Robert Bancalari. Encyclopedia. Level: Beginning-Intermediate. Book. Size 8.7...(+)
by Robert Bancalari.
Encyclopedia. Level:
Beginning-Intermediate.
Book. Size 8.75x11.75.
144 pages. Published by
Mel Bay Pub., Inc.
(4)$24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Prayer Schott
Choral; Tenor (Choral Score) SKU: HL.49045282 Choral Score. Compos...(+)
Choral; Tenor (Choral
Score) SKU:
HL.49045282 Choral
Score. Composed by
Alvin Singleton. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical, General
Worship, Sacred.
Softcover. Composed 2016.
44 pages. Duration 21'.
Schott Music #ED30159.
Published by Schott Music
(HL.49045282). ISBN
9781495078996. UPC:
888680651473.
9.0x12.0x0.138 inches.
English. Prayer is
one of the composer's
most original and
sophisticated works. The
typical African-American
church service seems to
be a source for this
piece with its interplay
of sections and colors,
yet the work in form and
rhythmic choices is
clearly 'classical' and
never breaks out into
easy imitations of, for
example, gospel music.The
work opens with the choir
singing the spiritual 'My
Lord, What a Mornin'' in
octaves, sung flat-out a
cappella, as might happen
in church. The
instrumental section
following this opening
feels very much like a
thoughtful response by
the congregation.
Instruments seem to
behave like individual
churchgoers, colorfully
dressed and answering
various episodes with
individual thoughts. As
for any fears that the
mighty organ might drown
out the proceedings,
Singleton puts that to
rest by employing it
almost like another choir
or section of the choir.
The trumpet soloist does
not blast us into heaven,
it tends to sing and, we
find out later, is
preparing us for the
spiritual 'Where Shall I
Be When the Firs' Trumpet
Soun'?' Even the tenor
soloist behaves much like
just another (but still
important) instrument.The
composer has chosen to
not only feature
spirituals, but also to
set a poetic text called
A Christian Prayer, whose
main message, almost like
some modern-day Kyrie,
calls out 'save us teach
us ' and extols the
importance of humility
and the defeat of
violence. Singleton has
always been a composer
who has simultaneously
answered the call to
carry out what he feels
is his duty to his fellow
humans while using the
finest of his art to do
so, and Prayer finds him
at the top of his game.-
Carman Moore. $36.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Hymn-Alongs Vol. 1 - Bb Trumpet Trompette - Facile Jackman Music Corporation
Trumpet - Easy SKU: JK.01947 Composed by Various. Arranged by Brent Jorge...(+)
Trumpet - Easy SKU:
JK.01947 Composed by
Various. Arranged by
Brent Jorgensen.
Instrumental Other,
Seasonal Music Easter.
Christian, Inspirational.
Jackman Music Corporation
#01947. Published by
Jackman Music Corporation
(JK.01947). UPC:
093285019478. Hymn-
Alongs makes playing
hymns and primary songs a
blast! It is available
for almost any instrument
and is designed to be
simple enough for
developing musicians and
fun for those advancing
in music. The
Accompaniment Book
features beautiful, yet
simple arrangments for
piano, guitar, and voice.
Instrumental books are
sold separately and can
be played together in any
combination. All
instrument books include
a melody part; treble
instruments also have a
duet part, and bass
instruments also include
a bass part. See all
Hymn-Alongs Vol. 1
products Songs
included in this
Hymn-Alongs Vol. 1:
Come, Follow Me I
Love to See the
Temple Choose the
Right I Am a Child of
God Count Your
Blessings Called to
Serve Joseph Smith's
First Prayer
Beautiful Savior We
Thank Thee O God for a
Prophet I'm Trying to
Be Like Jesus
Families Can Be Together
Forever He Sent His
Son My Heavenly
Father Loves Me
Composer: Various
Arranger: Brent
Jorgensen Difficulty:
Easy. $6.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Blast Off! Theodore Presser Co.
Orchestra Bass Trombone, Bassoon, Cello, Clarinet, Clarinet 1, Clarinet 2, Contr...(+)
Orchestra Bass Trombone,
Bassoon, Cello, Clarinet,
Clarinet 1, Clarinet 2,
Contrabass,
Contrabassoon, English
Horn, Flute, Harp, Horn
1, Horn 2, Horn 3, Horn
4, Narrator, Oboe,
Percussion, Piccolo,
Timpani, Trombone 1,
Trombone 2, Trumpet,
Tuba, Viola and more.
SKU: PR.416412370
For Narrator and
Orchestra - Small Study
Score. Composed by
Daniel Dorff. Premiered
March 31, 2000. Daniel
Hege conducting the
Haddonfield Symphony,
narrated by Astronaut
Kenneth Reightler, Jr.
Study Score. With
Standard notation.
Composed 1999. 40 pages.
Duration 9:30. Theodore
Presser Company
#416-41237. Published by
Theodore Presser Company
(PR.416412370). UPC:
680160092178. 9 x 12
inches. Ideal for
family concerts about
space travel and
adventure, Dorff’s
BLAST OFF! was
commissioned by Lockheed
Martin for narration by
astronaut Kenneth
Reightler; the score
itself was a traveler on
NASA’s mission STS
1000. The travelogue
about a trip to space is
also designed to teach
about the sounds of each
family of instruments; CD
available on Bridge
Records. $35.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Seven Angels Boosey and Hawkes
C Trumpet; Cello; Choral; Harp; Piano Accompaniment (Score) SKU: HL.48025186<...(+)
C Trumpet; Cello; Choral;
Harp; Piano Accompaniment
(Score) SKU:
HL.48025186 For 2
Trumpets in C,
Percussion, Harp, Cello,
and Piano Accompani.
Composed by James
Macmillan. Boosey &
Hawkes Scores/Books.
Classical, General
Worship, Sacred.
Softcover. 80 pages.
Duration 2160 seconds.
Boosey & Hawkes
#M060135996. Published by
Boosey & Hawkes
(HL.48025186). ISBN
9781784545147. UPC:
196288116479.
9.0x12.0x0.28
inches. A setting
of passages from the Book
of Revelation, with
particular reference to
the angels who appear
with seven trumpet
blasts, heralding a
series of apocalyptic
scenes. Commissioned by
Jeffrey Skidmore,
director of Ex Cathedra,
and first performed by
them at Birmingham Town
Hall in 2015. The
composer states,
“There is a
vividness and strangeness
in these dramatic texts,
which are endlessly
fascinating and
disturbing. The
instruments used here are
based on the various
instrumental types
mentioned throughout
scripture - trumpets,
harp, bells, cymbals,
tabor, rebec.â€
These are scored for
mostly in their modern
forms, but shofars
(Jewish ritual temple
trumpets) and early
trumpets are also used.
The choral writing shows
a similar contrast
between traditional and
contemporary scoring,
with polyphony and
homophony alongside
extended vocal
techniques, including
Sprechstimme. Leading
choral director Paul
Spicer comments,
“This is an
extremely dramatic work
which draws the listener
into the apocalyptic
story line...The ending
is
cataclysmic.â€. $19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Bollywood Blast Clifton Edition
Trumpet and Backing Tracks SKU: ST.C249 Composed by Kay Charlton. Wind & ...(+)
Trumpet and Backing
Tracks SKU:
ST.C249 Composed by
Kay Charlton. Wind &
brass music. Clifton
Edition #C249. Published
by Clifton Edition
(ST.C249). ISBN
9790570812493. This
book was first produced
by the Bollywood Brass
Band (BBB) and is
designed to get you
playing in a Bollywood
style. Play along with
the backing tracks at
home, and with regular
practice you too can
become a Bollywood star!
As you work your way
through this book you
will learn how to play
like the BBB, and also
find out about brass
bands in India and the
UK, Indian weddings and,
of course, about
Bollywood films, the
music and the
stars. Learn to play
Trumpet the ‘Bollywood
Way’ Trumpet and
Backing Tracks Former
Spartan Press Cat. No.:
SP1260
Includes
optional backing tracks
which are free of charge
and are available to
download
below.
[vcex_butto
n
url=https://www.dropbox.c
om/s/s5p1wz8day35mh2/Boll
ywood%20Blast%20mp3%20fil
es.zip?dl=0
title=Download style=flat
align=left color=green
size=small target=self
rel=none]Download[/vcex_b
utton]
<
br> . $16.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Combo Blasters for Pep Band - Part I (Trumpet, Clarinet) [Set de Parties séparées] Alfred Publishing
(An All-Purpose Book for Games, Pep Rallies, and other Stuff) Arranged by John W...(+)
(An All-Purpose Book for
Games, Pep Rallies, and
other Stuff) Arranged by
John Wasson, edited by
Bob Dingley. Set of
performance parts for
trumpet I and clarinet I.
With standard notation.
12 pages. Published by
Alfred Publishing.
$3.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Combo Blasters for Pep Band - Part II (Trumpet, Clarinet) [Set de Parties séparées] Alfred Publishing
(An All-Purpose Book for Games, Pep Rallies, and other Stuff) Arranged by John W...(+)
(An All-Purpose Book for
Games, Pep Rallies, and
other Stuff) Arranged by
John Wasson, edited by
Mike Story. Set of
performance parts for
trumpet II and clarinet
II. With standard
notation. 12 pages.
Published by Alfred
Publishing.
$3.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Bollywood Blast Clifton Edition
Flute and Backing Tracks SKU: ST.C250 Composed by Kay Charlton. Wind & br...(+)
Flute and Backing Tracks
SKU: ST.C250
Composed by Kay Charlton.
Wind & brass music.
Clifton Edition #C250.
Published by Clifton
Edition (ST.C250).
ISBN
9790570812509. This
book was first produced
by the Bollywood Brass
Band (BBB) and is
designed to get you
playing in a Bollywood
style. Play along with
the backing tracks at
home, and with regular
practice you too can
become a Bollywood star!
As you work your way
through this book you
will learn how to play
like the BBB, and also
find out about brass
bands in India and the
UK, Indian weddings and,
of course, about
Bollywood films, the
music and the
stars. Learn to play
Trumpet the ‘Bollywood
Way’ Flute and
Backing Tracks Former
Spartan Press Cat. No.:
SP1264
Includes
optional backing tracks
which are free of charge
and are available to
download
below.
[vcex_butto
n
url=https://www.dropbox.c
om/s/s5p1wz8day35mh2/Boll
ywood%20Blast%20mp3%20fil
es.zip?dl=0
title=Download style=flat
align=left color=green
size=small target=self
rel=none]Download[/vcex_b
utton]
<
br> . $16.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Once Upon a Blues [Conducteur] - Débutant FJH
Jazz Ensemble Jazz Band - Grade 1.5 SKU: FJ.HX9013S Score Only. Co...(+)
Jazz Ensemble Jazz Band -
Grade 1.5 SKU:
FJ.HX9013S Score
Only. Composed by
Timothy Loest. Jazz
Ensemble; Performance
Music Ensemble; Single
Titles. HXmusic. Blues;
Jazz. Score. The FJH
Music Company Inc
#98-HX9013S. Published by
The FJH Music Company Inc
(FJ.HX9013S).
English. Now
even your youngest
players get to swing. And
swing hard they will!
This super achievable
twelve-bar blues chart
has it all, including a
head that's as catchy as
its title, an open solo
section complete with
backgrounds and optional
written-out solos, a
stop-time soft shout
chorus, and a full blast
restatement of the main
theme. Get ready to wail!
Top trumpet note: D5. $6.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Once Upon a Blues - Débutant FJH
Jazz Ensemble Jazz Band - Grade 1.5 SKU: FJ.HX9013 Composed by Timothy Lo...(+)
Jazz Ensemble Jazz Band -
Grade 1.5 SKU:
FJ.HX9013 Composed by
Timothy Loest. Jazz
Ensemble; Performance
Music Ensemble; Single
Titles. HXmusic. Blues;
Jazz. Score and Part(s).
The FJH Music Company Inc
#98-HX9013. Published by
The FJH Music Company Inc
(FJ.HX9013).
English. Now
even your youngest
players get to swing. And
swing hard they will!
This super achievable
twelve-bar blues chart
has it all, including a
head that's as catchy as
its title, an open solo
section complete with
backgrounds and optional
written-out solos, a
stop-time soft shout
chorus, and a full blast
restatement of the main
theme. Get ready to wail!
Top trumpet note: D5. $45.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| C Jam Blues Big band [Conducteur et Parties séparées] Handelsware
Big band (Soprano Sax 1, Soprano Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, ...(+)
Big band (Soprano Sax 1,
Soprano Sax 2, Tenor Sax
1, Tenor Sax 2, Baritone
Sax, Trumpet 1-4,
Trombone 1-2, Bass
Trombone 3, Trombone 4
(opt.), Piano, Bass,
Drums) - difficult
SKU: M7.SMP-1078
Swing. Composed by
Carl Hilding Severinsen
and Duke Ellington.
Arranged by Bill Holman.
Sheet music. Score and
parts. Handelsware #SMP
1078. Published by
Handelsware
(M7.SMP-1078).
English. This
great chart is recorded
(1999) on the Azica CD
Swingin' the Blues.
Holman grabs this simple
Ellington tune and runs
with it. The arrangement
is yet another amazing
example of Bill Holman's
extraordinary arranging
skills. There is solo
space for tenor saxophone
and, of course, trumpet.
There is no real need for
any extra high trumpet
playing. The ensemble
shout choruses alone are
enough reason to put this
chart in every jazz band
library in the land. You
will have a blast with
this one. 5-4-4-4. $125.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| C Jam Blues Ensemble Jazz [Conducteur et Parties séparées] - Intermédiaire Sierra Music
Arranged by Bill Holman. For jazz ensemble (5-4-4-4). Swing. Grade 5. Score and ...(+)
Arranged by Bill Holman.
For jazz ensemble
(5-4-4-4). Swing. Grade
5. Score and parts.
Published by Sierra Music
$70.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Once Upon a Blues Ensemble Jazz - Débutant HXmusic
Jazz Ensemble - Grade 1.5 SKU: PE.HX9013 Composed by Timothy Loest. Jazz ...(+)
Jazz Ensemble - Grade 1.5
SKU: PE.HX9013
Composed by Timothy
Loest. Jazz Ensemble;
Performance Music
Ensemble; Single Titles.
HXmusic. Blues; Jazz.
Score and Part(s).
HXmusic #98-HX9013.
Published by HXmusic
(PE.HX9013).
Now even your
youngest players get to
swing. And swing hard
they will! This super
achievable twelve-bar
blues chart has it all,
including a head that's
as catchy as its title,
an open solo section
complete with backgrounds
and optional written-out
solos, a stop-time soft
shout chorus, and a full
blast restatement of the
main theme. Get ready to
wail! Top trumpet note:
D5. $45.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Once Upon a Blues Ensemble Jazz [Conducteur] - Débutant HXmusic
Jazz Ensemble - Grade 1.5 SKU: PE.HX9013S Composed by Timothy Loest. Jazz...(+)
Jazz Ensemble - Grade 1.5
SKU: PE.HX9013S
Composed by Timothy
Loest. Jazz Ensemble;
Performance Music
Ensemble; Single Titles.
HXmusic. Blues; Jazz.
Score. HXmusic
#98-HX9013S. Published by
HXmusic (PE.HX9013S).
Now even your
youngest players get to
swing. And swing hard
they will! This super
achievable twelve-bar
blues chart has it all,
including a head that's
as catchy as its title,
an open solo section
complete with backgrounds
and optional written-out
solos, a stop-time soft
shout chorus, and a full
blast restatement of the
main theme. Get ready to
wail! Top trumpet note:
D5. $6.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jumpin' East of Java (Key: F) - Intermédiaire Hal Leonard
Jazz Ensemble; Vocal; Vocal Solo (Score) - Grade 4 SKU: HL.2500942 Voc...(+)
Jazz Ensemble; Vocal;
Vocal Solo (Score) -
Grade 4 SKU:
HL.2500942 Vocal
Solo with Jazz
Ensemble. By Brian
Setzer. By Brian Setzer.
Arranged by Roger Holmes.
Vocal Solo/Jazz Ensemble
Series. Swing, Vocal
Feature. Published by Hal
Leonard (HL.2500942).
UPC: 884088095949.
9.0x12.0x0.027
inches. The Brian
Setzer big band helped
define a new era of
uptempo swing style
charts. This clever tune
from his
“Vavoom!†CD
works great for vocalist
and is a blast for the
band to play as well.
Includes plenty of tutti
ensemble feature spots as
well as solos for tenor
and trumpet. $7.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Moon Rocks Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
Composed by Robert Sheldon. Concert Band; Part(s); Score. Sound Innovations for ...(+)
Composed by Robert
Sheldon. Concert Band;
Part(s); Score. Sound
Innovations for Concert
Band. Novelty; Rock. 134
pages. Published by
Alfred Music (AP.44968).
$49.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Moon Rocks Orchestre d'harmonie [Conducteur] - Débutant Alfred Publishing
Composed by Robert Sheldon. Concert Band; Score. Sound Innovations for Concert B...(+)
Composed by Robert
Sheldon. Concert Band;
Score. Sound Innovations
for Concert Band.
Novelty; Rock. 12 pages.
Published by Alfred Music
(AP.44968S).
$7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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