JS Bach a été un des compositeurs plus importants et influents de l'histoire de la musique. Il a composé plus de 400 chorals, dont beaucoup sont utilisés au cours de la période de Noël. Treize d'entre elles ont été rassemblés dans ce nouvel ensemble pour cordes et cuivres. / Quatuor Variable / 16 pages / Partition

Instrumental Play-Along-14 famous Christmas carols each arranged for solo instrument play-along in the styles of the great composers. Includes: Angels We Have Heard on High (Mozart) * Hark! The Herald Angels Sing (Beethoven) * O Come All Ye Faithful(Bach) * Silent Night (Debussy) * and more all with CD accompaniment.

Arr. James L. Hosay. Par BACH JOHANN SEBASTIAN. Two timeless Christmas favorites by J. S. Bach are gloriously arranged for the Concert Band and ready for your interpretation. BREAK FORTH, O BEAUTEOUS, HEAVENLY LIGHT and JESU, JOY OF MAN'S DESIRING comprise the two contrasting movements (a Chorale and a Ballad). You know how valuable chorale style playing can be for the band’s tone quality, breath support, intonation, and phrasing. With thorough cueing throughout the arrangement, TWO BACH CHRISTMAS CLASSICS will work beautifully even if your group has instrumentation problems. Christmas music does not ordinarily leap to mind as a choice for spring festival use, but you may wish to consider it in this case. Great music isgreat music any time of the year! Magnificent! / Niveau : 2.5 / Hymnes et chorals / Répertoire / Concert Band ou Harmonie

Noël 2 is an exciting collection of Advent, Christmas and Epiphany music for mixed voice choirs, which follows on from the highly acclaimed Noël! Volume 1 (Catalogue No. NOV310800). The contents range from the Renaissance to the present: from Byrd and Sweelinck, via Bach, familiar settings of traditional and lesser known carols through the ages to Howells and Leighton, and work by today's composers including Richard Rodney Bennett, Eric Whitacre, John Tavener Tarik O'Regan and Richard Allain. Mixed voice choirs of all levels will find here new arrangements of favourite carols as well as stimulating works for the Christmas season, from the easy to learn to the more challenging and unconventional. Selected and edited by David Hill, Choral Advisor to Novello, Chief Conductor of the BBC singers, Musical Director of The Bach Choir, Chief Conductor of The Southern Sinfonia and Music Director of Leeds Philharmonic Society. He was awarded an honorary Doctorate by the University of Southampton in 2002 in recognition of his Services to Music. 'Noël was a welcome addition to the Christmas list for decent standard choirs - Noël 2 adds even more to the repertoire in a handy volume... The main enticements are some fantastic new arrangements of old favourites, a number of works previously only available in single sheets (Whitacre's Lux Arumque among others) and some fantastic new surprises. Adrian Peacock's Venite, Gaudete is a wonderfully original and vibrant setting, Richard Rodney Bennet's I Wonder as I Wander is both reflective and effective, and there are plenty more. Some of the pieces here will challenge your choir, but there's a vast amount to get the Christmas inspiration flowing. ' - Jonathan Wikeley, Music Teacher November 2009 '?an outstanding resource for Advent, Christmas and Epiphany ' Andrew Stewart, Choir and amp - Organ November/December 2010 Noel! 2 Interview With David Hill by Musicroom / Choeur SATB Et Orgue (Ou Piano)

Arr. James L. Hosay. Par BACH JOHANN SEBASTIAN. / Niveau : 2.5 / Hymnes et chorals / Répertoire / Concert Band

Par BLEZZARD JUDITH. Baroque Christmas Classics is an inspired volume bringing together well-known tunes such as In Dulci Jubilo and Resonet in Laudibus with superb lesser-known material from the 17th and 18th centuries by JS Bach, Eccard, Scheidt, Schutz and Schroeter. The Choral Programme Series is a well-established programming tool for many choirs as it offers a wealth of fresh material from many eras and in many styles. / Choral Music / Recueil / Voix Mixtes et Piano

Niveau : Version facile / Contenu : Bach : Air BWV 1068 (Suite n°3) Hirtenmusik BWV 248 Corelli : Pastorale Gounod : Ave Maria Haendel : Halleluja (Messie) Largo (Xerxès) Manfredini : Weihnachtskonzert Mozart : Ave Verum Corpus KV 618 Schubert : Ave Maria Vivaldi : Largo (L?Hiver)

Uns Ist Ein Kind Geboren-Respected scholar Peter Aston has created the definitive edition for the Christmas Cantata (BWV 142) long attributed to Bach. Returning to the original source manuscripts Dr. Aston has not only provided a new English translation but detailed notes that will appeal to any musician.

Winter with all its moods has always been captured by composers in their music: Inspired by romantic walks in winter, dancing snowflakes, a look out of windows covered with ice-ferns, or an adventurous sleigh-ride, such musical winter dreams often became well-known and popular classics.The edition Winter Dreams contains a large number of these works, like the famous melodies from J.S. Bach's Christmas Oratorio or Handel's Messiah as well as evergreens from Winter Wonderland to the soundtrack of the cult film Three Wishes for Cinderella. / 3 Flûtes A Bec (SSA)

Par BACH JOHANN SEBASTIAN. Neue Ausgabe Sämtlicher Werke. Urtext/ Répertoire / Solistes (SATB), Choeur Mixte (SATB) et Orchestre

Herrscher des Himmels, erhöre das Lallen - BWV 248 III, BWV3 248.3. Par BACH JOHANN SEBASTIAN. The Christmas Oratorio with just organ instead of orchestral accompaniment' Can this work with such a festive and colorfully orchestrated piece' This arrangement shows that it can, and surprisingly well!Carsten Klomp has carefully transcribed the orchestral writing for organ. Staying close to the original score goes hand-in-hand with a transcription brilliantly suited to the organ, with full use of the tonal and performing possibilities of the instrument.The first three parts of the Christmas Oratorio are now available from Carus in this form. So for the first time, a complete performance of Parts I?III of the work can now be given in an arrangement for soloists, choir and organ.Each of the organ parts is available to match the scores. These allow for optimal page-turns, as the choral parts are not printed, but the da capo sections are always written out in full.The editions are available individually or as a set (including the three scores with the individual organ parts).The vocal parts (for soloists and choir) are identical to the original version, so that the vocal score and choral score of that version can be used.This work (original version) is also available in carus music, the choir app! / Date parution : 2022-10-12/ Répertoire / Solistes, SATB et Orgue

Fifty Christmas Carols. Par JACQUES REGINALD / WILLCOCKS DAVID. 50 chants de Noël Orchestrations pour plusieurs des chants de cette collection sont disponibles à la vente ou de location sous les orchestrations titres Carol trois et cinq chants de Noël. Huit Chants pour cuivres pour les 5 et 8 cuivres partie (pour accompagner des chants des chorales de chants de 1 et Carols for Choirs 2) sont également en vente. Reginald Jacques est né en 1894 à Ashby-de-la-Zouch, Leicestershire et a étudié au Collège de la Reine, à Oxford, où il devint plus tard organiste et directeur de la musique en 1926. Reginald Jacques a également été chef d'orchestre de la Société d'Oxford Orchestra de 1930 à 1936. De 1931 à 1960, il a été chef du Choeur Bach de Londres. En 1936 il fonda sa propre orchestre Jacques, qu'il a dirigé jusqu'en 1960. En 1954, il a été fait Commandeur de l'Ordre de l'Empire britannique. Il mourut en 1969. John Rutter est né à Londres en 1945 et a étudié la musique au Clare College, Cambridge. Ses compositions embrassent la musique chorale, orchestrale et instrumentale, et il a édité ou co-édité plusieurs anthologies chorale dont quatre pour des volumes de Carols chorales avec Sir David Willcocks et l'Oxford Choral Classics série. De 1975 à 1979, il a été directeur de la musique au Clare College, et en 1981 il a formé son propre choeur, les Cambridge Singers. Il partage maintenant son temps entre la composition et la conduite et est recherché comme un chef d'orchestre invité pour le leader mondial des chorales et orchestres. Né en 1919, David Willcocks a commencé sa carrière musicale comme choriste à l'Abbaye de Westminster, plus tard, remportant des bourses à Clifton College et King 's College, Cambridge. Après son service de guerre, il a été élu Fellow du Collège King, et plus tard devint organiste de Salisbury et de cathédrales de Worcester, alors que la conduite des Three Choirs Festival à Worcester. Willcocks retourné à Kings College, à Cambridge en tant que Directeur de la Musique de 1957-1974, avec la première collection de ses arrangements dans le Carols pour les séries chorales d'édition en 1961. Il a été Directeur de la Musique du Royal College of Music de 1974-1984, et a été anobli en liste de la Reine du Jubilé d'argent de spécialisation en 1977. Willcocks a également mené le Bach Choir pendant 38 ans, prend sa retraite en 1998. Sir David conserve un calendrier chargé de concerts et d'enregistrements, y compris les récentes visites aux Etats-Unis, au Canada et en Europe. / Niveau : Facile / Recueil / Chant

Lully Lullay was written at the request of Philip Reed music director of the Bury St Edmunds Bach Choir which gave the first performance on 17 December 2011 at Holy Trinity Church Long Melford Suffolk. Inspired by the familiar medieval text of the Coventry Carol it is sung a cappella and invokes the sense of a lullaby through its metre and lilting melody. The fragility and bittersweet tonality of the opening verse is reflected in the continuous interaction between the tonic and dominant keys and resolving dissonances. This develops into broader passages of increased range and dynamics during the second and third verses where the melody ispassed between the upper and lower voices clearly invoking the poignancy of the text. The last verse returns to the original theme with subtle harmonic changes and a reflective final cadence.An inspiring selection of new works from a range of contemporary composers the Novello New Choral Series offers pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles.Harriet Wybor was born in Leeds in 1986 and read music as an undergraduate at Durham University followed by an M.A. in composition with Martyn Harry and António Pinho Vargas.Harriet’s main compositional interests are sacred and secular contemporary choral and chamber music and the relationship between music and time. Her work reflects a wide range of influences from renaissance choral music and medieval texts to 20th-century literature and art. Harriet has had works performed by the Northern Sinfonia (conducted by H K Gruber) Psappha the Allegri String Quartet St John’s College Choir Durham the Bury St Edmunds Bach Choir and the Fishburn Band broadcast on BBC Radio 2’s Listen to the Band.After graduating from Durham University Harriet continued her studies at the University of Edinburgh where she read for